Images with reasons cut in backlighting, adjusted to a dense saturation in the shades and the colors, together to one balanced space composition, the Brazilian photographer Edelweiss Bassis in them presents the called photographic assay of the " Contrasts". They are about excellent photographic images, with impressive plasticities that take in them almost that immediately to a period of training of intense contemplation, where the shades, proportionate by luminous backlightings, are framed by the dense colors and shades that make all of the photographed scene. It is treated, without a doubt, of one differentiated authorial, inserted photographic work, almost in its totality inside of the pictorialist line.Mario Bitt-Monteiro (2009)