{"id":2478,"date":"2018-09-04T14:32:39","date_gmt":"2018-09-04T17:32:39","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=2478"},"modified":"2018-12-12T15:01:20","modified_gmt":"2018-12-12T17:01:20","slug":"novidades-no-acervo-agosto-2018","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-agosto-2018\/","title":{"rendered":"Novidades no acervo &#8211; agosto 2018"},"content":{"rendered":"<div id=\"pl-2478\"  class=\"panel-layout\" ><div id=\"pg-2478-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-2478-0\" ><div id=\"pgc-2478-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <strong>agosto de 2018<\/strong>.<\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2><\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-2478-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073430.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"1024\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073430.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073430.jpg 695w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073430-204x300.jpg 204w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073430-360x530.jpg 360w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073430-420x619.jpg 420w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/a><\/div><\/div><div id=\"panel-2478-2-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073430\" target=\"_blank\" rel=\"noopener\">7:159.954 S168g 6.ed.<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Salles, Cecilia Almeida. <strong>Gesto inacabado<\/strong>: processo de cria\u00e7\u00e3o art\u00edstica. 6. ed. rev. e ampl. S\u00e3o Paulo: Intermeios, 2014. 185 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001068229.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"708\" height=\"1024\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001068229.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001068229.jpg 708w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001068229-207x300.jpg 207w\" sizes=\"auto, (max-width: 708px) 100vw, 708px\" \/><\/a><\/div><\/div><div id=\"panel-2478-2-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001068229\" target=\"_blank\" rel=\"noopener\">7:159.964.2 M372a<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Marsillac, Ana L\u00facia Mandelli. <strong>Aberturas ut\u00f3picas<\/strong>: arte, pol\u00edtica e psican\u00e1lise. Curitiba: Appris, 2018. 307 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072493.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"509\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072493.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072493.jpg 480w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072493-283x300.jpg 283w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/div><\/div><div id=\"panel-2478-2-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001072493\" target=\"_blank\" rel=\"noopener\">7.039 T781<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Blauth, Lurdi (Cur.). <strong>Travessias<\/strong>: o mesmo e o outro. S\u00e3o Leopoldo: Ed. do Autor, 2015. 60 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-3-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-3-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"8\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070657.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070657.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070657.jpg 474w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070657-222x300.jpg 222w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><\/div><\/div><div id=\"panel-2478-3-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001070657\" target=\"_blank\" rel=\"noopener\">7.039(81) C593l<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Scovino, Felipe; Duarte, Paulo Sergio (Curs.). <strong>Lygia Clark<\/strong>: uma retrospectiva. S\u00e3o Paulo: Ita\u00fa Cultural, 2015. 555 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-3-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"10\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074901.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074901.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074901.jpg 454w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074901-213x300.jpg 213w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/a><\/div><\/div><div id=\"panel-2478-3-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001074901\" target=\"_blank\" rel=\"noopener\"> 7.039.01 C744c <\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Osborne, Peter. <strong>Conceptual art<\/strong>. London: Phaidon, 2011. 304 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-3-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-3-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"12\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001065664-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"521\" height=\"800\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001065664-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001065664-1.jpg 521w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001065664-1-195x300.jpg 195w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><\/a><\/div><\/div><div id=\"panel-2478-3-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001065664\" target=\"_blank\" rel=\"noopener\">73.039 D556o<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Didi-Huberman, Georges. <strong>Ser cr\u00e2nio<\/strong>: lugar, contato, pensamento, escultura. Belo Horizonte: C\/Arte, 2009. 87 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-3-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"14\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000457150-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"558\" height=\"800\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000457150-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000457150-1.jpg 558w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000457150-1-209x300.jpg 209w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><\/a><\/div><\/div><div id=\"panel-2478-4-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000457150\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">75.036(81) P852<\/span><\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Portinari, Jo\u00e3o Candido (Coord.). <strong>Candido Portinari<\/strong>: cat\u00e1logo raisonn\u00e9. Rio de Janeiro: Projeto Portinari, 2003. 5 v.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"16\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074883.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074883.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074883.jpg 469w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074883-220x300.jpg 220w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/a><\/div><\/div><div id=\"panel-2478-4-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001074883\" target=\"_blank\" rel=\"noopener\">75.038(73) C488p<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Chassey, \u00c9ric de. <strong>La peinture efficace<\/strong>: une histoire de l'abstraction aux \u00c9tats-Unis (1910-1960). [Paris]: Gallimard, 2001. 313 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073524.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"603\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073524.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073524.jpg 480w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073524-239x300.jpg 239w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/div><\/div><div id=\"panel-2478-4-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073524\" target=\"_blank\" rel=\"noopener\">75.039(42) H685M 2011<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Melia, Paul; Luckhardt, Ulrich. <strong>David Hockney<\/strong>. Munich: Prestel, 2007. 200 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-5-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-5-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000742376.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"642\" height=\"1024\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000742376.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000742376.jpg 642w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000742376-188x300.jpg 188w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><\/a><\/div><\/div><div id=\"panel-2478-5-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000742376\" target=\"_blank\" rel=\"noopener\">77 B285c 2010<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Barthes, Roland. <strong>A c\u00e2mara clara<\/strong>: nota sobre a fotografia. Lisboa: Edi\u00e7\u00f5es 70, 2012. 141 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-5-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-5-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"22\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075772.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"394\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075772.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075772.jpg 394w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075772-185x300.jpg 185w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/a><\/div><\/div><div id=\"panel-2478-5-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001075772\" target=\"_blank\" rel=\"noopener\">77 I31<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Soulages, Fran\u00e7ois (Dir.). <strong>Images serviles, images critiques<\/strong>: photographie & corps politiques 10. Paris: L'Harmattan, 2017. 151 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-5-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-5-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"24\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075699.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"438\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075699.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075699.jpg 438w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075699-205x300.jpg 205w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/a><\/div><\/div><div id=\"panel-2478-5-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001075699\" target=\"_blank\" rel=\"noopener\">77.04 F128f<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Fabris, Annateresa. <strong>Fotograf\u00eda y artes visuales<\/strong>. M\u00e9xico, D.F: Ed. Ve, 2017. 214 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-5-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-6\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-2478-6\" ><div id=\"pgc-2478-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-6-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"26\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2><\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-2478-7\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-2478-7\" ><div id=\"pgc-2478-7-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-7-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"27\" ><div class=\"panel-widget-style panel-widget-style-for-2478-7-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001066862.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001066862.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001066862.jpg 430w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001066862-202x300.jpg 202w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-7-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"28\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001066862\" target=\"_blank\" rel=\"noopener\">782(091) C797<\/a><\/h3>\n<p>Costa, Ligiana. <strong>O corego<\/strong>: texto an\u00f4nimo do S\u00e9culo XVII sobre a arte da encena\u00e7\u00e3o. S\u00e3o Paulo: EDUSP, 2017. 215 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-7-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-7-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-2478-7-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000978228.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000978228.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000978228.jpg 441w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000978228-207x300.jpg 207w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-7-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"30\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000978228\" target=\"_blank\" rel=\"noopener\">784:801.4 S617<\/a><\/h3>\n<p>McGee, Timothy J.; Rigg, A. G.; Klausner, David N. (Eds.). <strong>Singing early music<\/strong>: the pronunciation of European languages in the late Middle Ages and Renaissance. Bloomington: Indiana University Press, 2004. 299 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-7-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-7-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-2478-7-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000883049.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000883049.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000883049.jpg 449w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000883049-210x300.jpg 210w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-7-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"32\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000883049\" target=\"_blank\" rel=\"noopener\">788.8 S746a<\/a><\/h3>\n<p>Spencer, William. <strong>The art of bassoon playing<\/strong>. [S.l.]: Alfred Publishing, c1958. 72 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-7-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-8\" data-stretch-type=\"full\" ><div id=\"pgc-2478-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-8-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Teatro<\/span><\/h2><\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-2478-9\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-9\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-9-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-9-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"34\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-9-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000882985.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000882985.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000882985.jpg 420w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000882985-197x300.jpg 197w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/a><\/div><\/div><div id=\"panel-2478-9-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"35\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&amp;file_name=consultanrb&amp;000882985\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">792 F951d<\/span><\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Fuchs, Elinor. <strong>The death of character<\/strong>: perspectives on theater after modernism. Bloomington: Indiana University Press, 1996. 224 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-9-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-9-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"36\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-9-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069226.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069226.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069226.jpg 441w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069226-207x300.jpg 207w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/a><\/div><\/div><div id=\"panel-2478-9-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"37\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&amp;file_name=consultanrb&amp;001069226\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">792:37 P371<\/span><br \/>\n<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Muniz, Mariana Lima; Cruvinel, Tiago; Concilio, Vicente (Orgs.). <strong>Pedagogia das artes c\u00eanicas<\/strong>: experi\u00eancias em escolas e comunidades. Curitiba: CRV, 2018. 202 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-9-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-9-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"38\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-9-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069781.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"325\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069781.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069781.jpg 448w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069781-300x218.jpg 300w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/a><\/div><\/div><div id=\"panel-2478-9-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"39\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&amp;file_name=consultanrb&amp;001069781\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">792:72 S586t<\/span><\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Silva, Robson Jorge Gon\u00e7alves da. <strong>Teatros multiconfiguracionais<\/strong>: o espa\u00e7o c\u00eanico experimental como um jogo de armar. Rio de Janeiro: Funarte, 2017. 192 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-9-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-10\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-10\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-10-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-10-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"40\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001011029.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001011029.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001011029.jpg 425w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001011029-199x300.jpg 199w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/a><\/div><\/div><div id=\"panel-2478-10-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"41\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&amp;file_name=consultanrb&amp;001011029\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">792.039 P598a 2.ed.<\/span><\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Picon-Vallin, B\u00e9atrice. <strong>A arte do teatro<\/strong>: entre tradi\u00e7\u00e3o e vanguarda: Meyerhold e a cena contempor\u00e2nea. 2. ed. Rio de Janeiro: 7 Letras, 2013. 171 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-10-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-10-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"42\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074636.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074636.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074636.jpg 441w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074636-207x300.jpg 207w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/a><\/div><\/div><div id=\"panel-2478-10-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"43\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&amp;file_name=consultanrb&amp;001074636\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">792.071.5 K88<\/span><\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Silva, Igor de Almeida. <strong>Ingrid Dormien Koudela<\/strong>: o teatro como alegoria. Recife: Sesc Pernambuco, 2018. 272 p.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-10-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-10-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"44\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069883.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"1024\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069883.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069883.jpg 690w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001069883-202x300.jpg 202w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/a><\/div><\/div><div id=\"panel-2478-10-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"45\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&amp;file_name=consultanrb&amp;001069883\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">869.0(81)-2 M321p v.1<\/span><\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Marcos, Pl\u00ednio. <strong>Plinio Marcos<\/strong>: obras teatrais. Rio de Janeiro: Funarte, 2017. 6 v.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-10-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-11\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-2478-11\" ><div id=\"pgc-2478-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-11-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"46\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Outros assuntos<\/h2><\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-2478-12\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-2478-12\" ><div id=\"pgc-2478-12-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-12-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-12-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"47\" ><div class=\"panel-widget-style panel-widget-style-for-2478-12-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000663812.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000663812.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000663812.jpg 440w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000663812-206x300.jpg 206w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-12-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"48\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000663812\" target=\"_blank\" rel=\"noopener\">316(81) F894c 51.ed.<\/a><\/h3>\n<p>Freyre, Gilberto. <strong>Casa-grande & senzala<\/strong>: forma\u00e7\u00e3o da fam\u00edlia brasileira sob o regime de economia patriarcal. 51. ed. rev. S\u00e3o Paulo: Global, 2006. 726 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-12-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-12-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"49\" ><div class=\"panel-widget-style panel-widget-style-for-2478-12-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073432.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"626\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073432.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073432.jpg 480w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073432-230x300.jpg 230w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-12-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"50\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073432\" target=\"_blank\" rel=\"noopener\">371.13 C678g 5.ed.rev.<\/a><\/h3>\n<p>Cohen, Louis et al. <strong>A guide to teaching practice<\/strong>. rev. 5th ed. London: Routledge, 2010. 539 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-12-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-12-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"51\" ><div class=\"panel-widget-style panel-widget-style-for-2478-12-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001012459.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001012459.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001012459.jpg 441w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001012459-207x300.jpg 207w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-12-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"52\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001012459\" target=\"_blank\" rel=\"noopener\">396 P962<\/a><\/h3>\n<p>Rodrigues, Carla; Borges, Luciana; Ramos, Tania Regina Oliveira (Orgs.). <strong>Problemas de g\u00eanero<\/strong>. Rio de Janeiro: Funarte, 2016. 499 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-12-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-13\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-2478-13\" ><div id=\"pgc-2478-13-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-13-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"53\" ><div class=\"panel-widget-style panel-widget-style-for-2478-13-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000666912.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"429\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000666912.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000666912.jpg 429w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000666912-201x300.jpg 201w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-13-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"54\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000666912\" target=\"_blank\" rel=\"noopener\">655 A663c 2.ed.<\/a><\/h3>\n<p>Ara\u00fajo, Emanuel. <strong>A constru\u00e7\u00e3o do livro<\/strong>: princ\u00edpios da t\u00e9cnica de editora\u00e7\u00e3o. 2. ed. rev. e ampl. Rio de Janeiro: Lexikon, 2008. 635 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-13-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-13-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"55\" ><div class=\"panel-widget-style panel-widget-style-for-2478-13-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000971840.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000971840.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000971840.jpg 410w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000971840-192x300.jpg 192w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-13-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"56\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000971840\" target=\"_blank\" rel=\"noopener\">659.3 C934<\/a><\/h3>\n<p>Mitchell, W.J.T.; Hansen, Mark B.N. (Ed.). <strong>Critical terms for media studies<\/strong>. Chicago: The University of Chicago Press, 2010. 353 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-13-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-13-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"57\" ><div class=\"panel-widget-style panel-widget-style-for-2478-13-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000963367.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000963367.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000963367.jpg 422w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000963367-198x300.jpg 198w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-13-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"58\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&000963367\" target=\"_blank\" rel=\"noopener\">82-93 C672c 4.ed.<\/a><\/h3>\n<p>Coelho, Nelly Novaes. <strong>O conto de fadas<\/strong>: s\u00edmbolos, mitos, arqu\u00e9tipos. 4. ed. S\u00e3o Paulo: Paulinas, 2012. 159 p.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-13-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-14\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-14\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-14-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-14-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"59\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Partituras<\/span><\/h2><\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-2478-15\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-15\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-15-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-15-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"60\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073025.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"445\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073025.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073025.jpg 445w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073025-209x300.jpg 209w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><\/a><\/div><\/div><div id=\"panel-2478-15-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"61\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073025\" target=\"_blank\" rel=\"noopener\">PART 782.1(81)  C198g<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Campos, Oct\u00e1vio Meneleu. <strong>Gli Eroi<\/strong>. Manaus: Valer, c2009. 1 partitura.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-15-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-15-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"62\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073016.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"447\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073016.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073016.jpg 447w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073016-210x300.jpg 210w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><\/a><\/div><\/div><div id=\"panel-2478-15-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"63\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073016\" target=\"_blank\" rel=\"noopener\"> PART 782.1(81) M242b<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Malcher, Jos\u00e9 C\u00e2ndido da Gama. <strong>Bug Jargal<\/strong>. Manaus: Valer, c2009. 1 partitura.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-15-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-15-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"64\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072959.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072959.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072959.jpg 440w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072959-206x300.jpg 206w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/a><\/div><\/div><div id=\"panel-2478-15-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"65\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001072959\" target=\"_blank\" rel=\"noopener\">PART  782.1(81) M242j<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Malcher, Jos\u00e9 C\u00e2ndido da Gama. <strong>Jara<\/strong>. Manaus: Valer, c2009. 1 partitura.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-15-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-16\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-16\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-16-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-16-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-16-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"66\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072660.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"438\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072660.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072660.jpg 438w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072660-205x300.jpg 205w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/a><\/div><\/div><div id=\"panel-2478-16-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"67\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001072660\" target=\"_blank\" rel=\"noopener\">PART 782.1(81) P436c<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Pereira, Elp\u00eddio; Gurj\u00e3o, Henrique Eul\u00e1lio. <strong>Calabar; Id\u00e1lia<\/strong>. Manaus: Valer, c2009. 1 partitura.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-16-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-16-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"68\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070283.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070283.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070283.jpg 452w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070283-212x300.jpg 212w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/a><\/div><\/div><div id=\"panel-2478-16-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"69\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001070283\" target=\"_blank\" rel=\"noopener\">PART  784.3:787.61 V468m<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Ventura, Ricardo. <strong>Mata atl\u00e2ntica<\/strong> (Cidade de S\u00e3o Sebasti\u00e3o do Rio de Janeiro). [Rio de Janeiro?]: Ricardo Ventura, c1995. 1 partitura (4 p.).<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-16-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-16-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"70\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075212.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"438\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075212.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075212.jpg 438w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001075212-205x300.jpg 205w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/a><\/div><\/div><div id=\"panel-2478-16-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"71\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001075212\" target=\"_blank\" rel=\"noopener\">PART 786.2 B813h<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Braga, Francisco; Bilac, Olavo. <strong>Hymno \u00e0 Bandeira Nacional<\/strong>. Rio de Janeiro: Carlos Wehrs, [19--]. 1 partitura (3 p.).<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-16-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-17\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-17\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-17-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-17-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-17-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"72\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073256.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073256.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073256.jpg 450w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073256-211x300.jpg 211w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/div><\/div><div id=\"panel-2478-17-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"73\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073256\" target=\"_blank\" rel=\"noopener\"> PART 786.2 R789s<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Rosas, Juventino. <strong>Sopra le onde<\/strong> : valzer. [S.l.]: [s.n.], [s.d.]. 1 partitura (5 p.).<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-17-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-17-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"74\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070029.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070029.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070029.jpg 466w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070029-218x300.jpg 218w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><\/a><\/div><\/div><div id=\"panel-2478-17-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"75\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001070029\" target=\"_blank\" rel=\"noopener\"> PART 787.61 M357c<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Marques, Djalma. <strong>Can\u00e7\u00e3o do novo homen<\/strong>: seresta for guitar. Washington: BME-Brazilian Music Enterprises, c1994. 1 partitura (3 p.).<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-17-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-17-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"76\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070222.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"465\" height=\"640\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070222.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070222.jpg 465w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001070222-218x300.jpg 218w\" sizes=\"auto, (max-width: 465px) 100vw, 465px\" \/><\/a><\/div><\/div><div id=\"panel-2478-17-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"77\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><span style=\"color: #ffffff;\"><a style=\"color: #ffffff;\" href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001070222\" target=\"_blank\" rel=\"noopener\"> PART   787.61 M357s<\/a><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Marques, Djalma. <strong>Seresta<\/strong>: for guitar. Washington: BME-Brazilian Music Enterprises, c1994. 1 partitura (7 p.).<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-17-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-18\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-18\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-18-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-18-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"78\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>CDs<\/h2><\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-2478-19\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-19\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-19-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-19-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-19-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"79\" ><div class=\"panel-widget-style panel-widget-style-for-2478-19-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-19-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072738.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"480\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072738.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072738.jpg 528w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072738-300x273.jpg 300w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-19-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"80\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001072738\" target=\"_blank\" rel=\"noopener\">CD 945<\/a><\/h3>\n<p>Corr\u00eaa, Carmen. <strong>Doutro Lado<\/strong>. [Porto Alegre]: [Fumproarte], [2016]. 1 disco sonoro.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-19-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-19-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"81\" ><div class=\"panel-widget-style panel-widget-style-for-2478-19-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-19-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072911.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"480\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072911.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072911.jpg 594w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001072911-300x242.jpg 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-19-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"82\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001072911\" target=\"_blank\" rel=\"noopener\">CD 946<\/a><\/h3>\n<p>Pedrosa, M\u00f4nica; Ara\u00fajo, Fernando. <strong>Can\u00e7\u00f5es da terra, can\u00e7\u00f5es do mar<\/strong>. [S\u00e3o Paulo]: NovoDisc M\u00eddia Digital, [2010]. 1 disco sonoro.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-19-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-19-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"83\" ><div class=\"panel-widget-style panel-widget-style-for-2478-19-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-19-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073497.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"375\" height=\"336\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073497.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073497.jpg 375w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073497-300x269.jpg 300w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-19-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"84\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073497\" target=\"_blank\" rel=\"noopener\">CD 947<\/a><\/h3>\n<p>Bizet, Georges; Grieg, Edvard; Ermler, Mark. <strong>[Su\u00edtes] Georges Bizet, Edvard Grieg<\/strong>. [Madri]: Mediasat Group, c2005. 1 disco sonoro + Livreto.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-19-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-20\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-20\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-20-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-2478-20-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-20-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"85\" ><div class=\"panel-widget-style panel-widget-style-for-2478-20-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-20-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073652.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"370\" height=\"336\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073652.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073652.jpg 370w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001073652-300x272.jpg 300w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-20-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"86\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001073652\" target=\"_blank\" rel=\"noopener\">CD 948<\/a><\/h3>\n<p>Gershwin, George; Ravel, Maurice; Debussy, Claude. <strong>George Gershwin, Maurice Ravel, Claude Debussy<\/strong>. [Madri]: Mediasat Group, c2005. 1 disco sonoro + Livreto.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-20-2\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-20-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"87\" ><div class=\"panel-widget-style panel-widget-style-for-2478-20-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-20-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074113.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"362\" height=\"336\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074113.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074113.jpg 362w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074113-300x278.jpg 300w\" sizes=\"auto, (max-width: 362px) 100vw, 362px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-20-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"88\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001074113\" target=\"_blank\" rel=\"noopener\">CD 949<\/a><\/h3>\n<p>Beethoven, Ludwig van. <strong>Ludwig van Beethoven<\/strong>. [Madri]: Mediasat Group, c2006. 1 disco sonoro + Livreto.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-20-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-2478-20-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"89\" ><div class=\"panel-widget-style panel-widget-style-for-2478-20-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-20-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074796.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"336\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074796.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074796.jpg 374w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001074796-300x270.jpg 300w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-2478-20-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"90\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&file_name=consultanrb&001074796\" target=\"_blank\" rel=\"noopener\">CD 950 <\/a><\/h3>\n<p><strong>As 150 mais belas melodias<\/strong>. [Rio de Janeiro]: Reader's Digest Brasil, c1997. disco sonoro (3 v., 6 cds).<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-2478-20-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-2478-21\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-2478-21\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-2478-21-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2478-21-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"91\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em agosto de 2018. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-agosto-2018\/\">Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":2492,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[54],"tags":[],"class_list":["post-2478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/2478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=2478"}],"version-history":[{"count":65,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/2478\/revisions"}],"predecessor-version":[{"id":3390,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/2478\/revisions\/3390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/2492"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=2478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=2478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=2478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}