{"id":2998,"date":"2018-10-30T14:11:12","date_gmt":"2018-10-30T17:11:12","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=2998"},"modified":"2018-12-12T15:00:35","modified_gmt":"2018-12-12T17:00:35","slug":"novidades-no-acervo-outubro-2018","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-outubro-2018\/","title":{"rendered":"Novidades no acervo – outubro 2018"},"content":{"rendered":"
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Veja nesta p\u00e1gina os livros, partituras, CDs e DVDs que entraram no acervo da Biblioteca em outubro de 2018<\/strong>.<\/p>\n

Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t681.32.06 L287a 3.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLanier, Lee. Advanced Maya texturing and lighting. 3rd ed. Indianapolis, Ind.: Sybex, c2015. 440 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039.01 S625s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLippard, Lucy R. (Org.). Seis a\u00f1os: la desmaterializaci\u00f3n del objeto art\u00edstico de 1966 a 1972. Madrid: Akal, c2004. 378 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t75.038 S824w<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tStella, Frank. Working space. Cambridge, Mass: Harvard University Press, c1986. 177 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t75.039(411) D657<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSearle, Adrian. Peter Doig. London: Phaidon Press, 2007. 158 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t75.039(493) T968 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLoock, Ulrich. Luc Tuymans. 2nd ed. London: Phaidon Press, 2003. 260 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t781.7(81) G453s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tGidal, Marc Meistrich. Spirit song: Afro-Brazilian religious music and boundaries. New York: Oxford University Press, 2016. 220 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tSantos, Luana Zambiazzi dos. Todos na produ\u00e7\u00e3o: etnografia de narrativas s\u00f4nicas e raps em espa\u00e7os urbanos populares. Jundia\u00ed: Paco Editorial, 2017. 299 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tEcheverria, Regina. Furac\u00e3o Elis. Vers\u00e3o atual. S\u00e3o Paulo: Ediouro, 2007. 247 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Teatro<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\tDi\u00e9guez, Ileana. Cen\u00e1rios liminares: (teatralidades, performances e pol\u00edtica). 2. ed. Uberl\u00e2ndia: Edufu, 2016. 214 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tAuslander, Philip. Liveness: performance in a mediatized culture. 2nd ed. Abingdon: Routledge, 2008. 208 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tJohnstone, Keith. Impro for storytellers. New York: Routledge, 1999. 375 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tLecoq, Jacques. El cuerpo po\u00e9tico: una pedagog\u00eda de la creaci\u00f3n teatral. 7. ed. Barcelona: Alba, 2016. 237 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t792.07 S786t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tToporkov, Vasilii Osipovich. Stanislavski: in rehearsal. 2nd ed. New York: Routledge, 2004. 163 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t792.071 H688p 7.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tHodge, Francis. Play directing: analysis, communication, and style. 7th ed. Abingdon, Oxon: Routledge, 2010. 392 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tSmiley, Sam. Playwriting: the structure of action. rev. and exp. ed. New Haven: Yale University Press, 2005. 324 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tBentley, Eric. The playwright as thinker. 4th ed. Minneapolis: University of Minnesota Press, 2010. 392 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t003 K92m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tKress, Gunther. Multimodality: a social semiotic approach to contemporary communication. Abingdon, Oxon: Routledge, 2010. 212 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t621.397 C566h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCianci, Philip J. HDTV and the transition to digital broadcasting: understanding new television technologies. Burlington, Mass: Focal Press, 2014. 216 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t72(8) G984a 6.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tGutierrez, Ramon. Arquitectura y urbanismo en Iberoam\u00e9rica. 6. ed. Madrid : C\u00e1tedra, 2010. 802 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Partituras<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 78.684 W515v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tWessman, Harri. Vesi v\u00e4syy lumen alle: sopraano-ja altto\u00e4\u00e4nille, Huilulle, pianolle ja jousiorkesterille. Helsinki: Fazer Musik, c1984. 1 partitura (10 p.) + partes.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784:786.2 T231d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tTavares, Hekel. 3 dansas sertanejas: C\u00f4cos. S\u00e3o Paulo: Irm\u00e3os Vitale, c1939. 1 partitura (7 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784.1 M672b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMiranda, Ronaldo. Belo belo: coro a capela. Rio de Janeiro: Funarte, 1982. 1 partitura ([14] p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784.1 T119c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tTacuchian, Ricardo. Can\u00e7\u00e3o de barco: coro misto. Rio de Janeiro: Funarte, 1982. 1 partitura ([9] p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784.4(81) M843<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tKorenchendler, Henrique David. Moreninha, se eu te pedisse... coro misto a capela. Rio de Janeiro: FUNARTE, c1988. 1 partitura (4 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784.4(81) S948<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMiranda, Ronaldo. Su\u00edte nordestina: coro misto a capela. Rio de Janeiro: FUNARTE, c1988. 1 partitura (8 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 785.1 G934c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tGuerra-Peixe, C\u00e9sar. Cinematogr\u00e1fica. [Rio de Janeiro]: Rioarte, [19--?]. 1 partitura (19 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 F632son<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFlorence, Paulo. [Sonata 1\u00ba tempo] Sonata para piano e violoncello: 1\u00ba tempo. S\u00e3o Paulo: Casa Bevilacqua, c1947. 1 partitura (3 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2(035) L477c v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLee, Bill; Progris, Jim. Complete jazz piano method: book 1. [Miami]: CPP\/Belwin, c1992. 2 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2(035) O48q<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tOliveira, Flavio. Quando olhos e m\u00e3os. S\u00e3o Paulo: ECA-USP, 1978. 1 partitura (6 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2.087.4 K76t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tKocian, Jaroslav. Trois Pi\u00e8ces d'impression: pour violon et piano. New York: G. Schirmer, c1911. 1 partitura (11 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 787.2 V548r<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tVerona, Valdir. Rio abaixo: \u00e1lbum de partituras e tablaturas para viola de 10 cordas afina\u00e7\u00e3o rio abaixo. Caxias do Sul: S\u00e3o Miguel, 2018. 1 partitura [45 p.] + 1 disco sonoro.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 787.3 F884t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFrescobaldi, Girolamo; Cassad\u00f3, Gaspar. Toccata: violoncello. New York: Universal Edition, c1925. 1 partitura (3 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 787.61 Y23p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tYanieri, Isabel. P\u00edezas para gu\u00edtarra. 2. ed. corrigida e ampliada. Montevideo: Urtext, c2018. 1 partitura [16 p.].\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 787.61 Y23pi tomo 2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tYanieri, Isabel. P\u00edezas para gu\u00edtarra - tomo II. 1 ed. Montevideo: Urtext, c2018. 1 partitura [12 p.].\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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CDs e DVDs<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 953<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tVerona, Valdir. Rio abaixo: \u00e1lbum de partituras e tablaturas para viola de 10 cordas afina\u00e7\u00e3o rio abaixo. Caxias do Sul: S\u00e3o Miguel, 2018. 1 partitura [45 p.] + 1 disco sonoro.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tDVD 320<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tUniversidade Federal do Rio Grande do Sul. Instituto de Artes. Departamento de M\u00fasica. 10\u00ba Festival de Viol\u00e3o da UFRGS. Porto Alegre: UFRGS, 2018. DVD (7 v.) + 1 folheto.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Veja nesta p\u00e1gina os livros, partituras, CDs e DVDs que entraram no acervo da Biblioteca em outubro de 2018. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o … Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":3148,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-2998","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/2998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=2998"}],"version-history":[{"count":82,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/2998\/revisions"}],"predecessor-version":[{"id":3384,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/2998\/revisions\/3384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/3148"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=2998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=2998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=2998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}