{"id":3258,"date":"2018-12-11T16:50:01","date_gmt":"2018-12-11T18:50:01","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=3258"},"modified":"2018-12-13T19:38:55","modified_gmt":"2018-12-13T21:38:55","slug":"novidades-no-acervo-novembro-2018","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-novembro-2018\/","title":{"rendered":"Novidades no acervo &#8211; novembro 2018"},"content":{"rendered":"<div id=\"pl-3258\"  class=\"panel-layout\" ><div id=\"pg-3258-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-3258-0\" ><div id=\"pgc-3258-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <strong>novembro de 2018<\/strong>.<\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3258-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3258-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083300.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"892\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083300.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083300.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083300-150x150.jpg 150w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083300-300x297.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083300-768x761.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-2-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-3258-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083300\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF 2815<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEckert, Alexandra.  De(s)encontros cer\u00e2micos.   Novo Hamburgo : Pinacoteca Feevale, 2017.  [32] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083479.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1226\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083479.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083479.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083479-220x300.jpg 220w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083479-768x1046.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083479-752x1024.jpg 752w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-2-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-3258-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083479\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:002 L697<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPatti, Enzo. Romanelli, Toni. Libri d'artista dalla colezione dell'Accademia di Belle Arti di Palermo. Palermo: Fondazione Federico II, 2017. 199 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083387.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1268\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083387.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083387.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083387-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083387-768x1082.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083387-727x1024.jpg 727w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-2-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-3258-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083387\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.038 G652a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGooding, Mel. [Abstract art. Portugu\u00eas] Arte abstrata. S\u00e3o Paulo: Cosac &amp; Naify, 2002. 96 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-3-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-3-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"8\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1387\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-195x300.jpg 195w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-768x1184.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-664x1024.jpg 664w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-720x1110.jpg 720w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-360x555.jpg 360w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-840x1294.jpg 840w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082985-420x647.jpg 420w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-3-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-3258-3-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082985\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.074(450) A168c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAccademia di Belle Arti di Palermo. Le collezioni del patrimonio. Palermo: Accademia di Belle Arti di Palermo, [201?]. 135, [8] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-3-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"10\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082906.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1272\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082906.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082906.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082906-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082906-768x1085.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082906-725x1024.jpg 725w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-3-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-3258-3-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082906\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.074(469:81) C691<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNeto, Maria Jo\u00e3o. Malta, Marize. Cole\u00e7\u00f5es de arte em Portugal e Brasil nos s\u00e9culos XIX e XX: cole\u00e7\u00f5es em ex\u00edlio. Casal de Cambra: Caleidosc\u00f3pio, 2018.  308 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-3-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-3-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"12\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083497.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1097\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083497.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083497.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083497-246x300.jpg 246w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083497-768x936.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083497-840x1024.jpg 840w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-3-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"13\" ><div class=\"panel-widget-style panel-widget-style-for-3258-3-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083497\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t73(45) G541<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCipolla, Giuseppe. La gipsoteca dell'Accademia di Belle Arti di Palermo: conoscenza, conservazione e divulgazione scientifica. Palermo: Accademia di Belle Arti di Palermo, 2016. 175 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-3-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"14\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080221.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1146\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080221.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080221.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080221-236x300.jpg 236w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080221-768x978.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080221-804x1024.jpg 804w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-4-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-3258-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080221\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.039(816.5) S933<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCorona, Marilice Villeroy. Studio P - Atelier aberto de pintura : cat\u00e1logo 2016 - 2018.   Porto Alegre : UFRGS, 2018.  50 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"16\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083083.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1260\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083083.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083083.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083083-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083083-768x1075.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083083-731x1024.jpg 731w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-4-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-3258-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083083\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76(81:430) P742<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tO poder da multiplica\u00e7\u00e3o. 1. ed.  S\u00e3o Paulo : Esta\u00e7\u00e3o Liberdade,: Kerber, 2018.  248 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083383.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1272\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083383.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083383.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083383-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083383-768x1085.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083383-725x1024.jpg 725w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-4-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-3258-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083383\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76.02 G333m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGenna, Francesca. Materiali e metodi per l'incisione sostenibile : alcune esperienze. Palermo : Navarra, 2015.  173 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-5\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-3258-5\" ><div id=\"pgc-3258-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"20\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3258-6\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-3258-6\" ><div id=\"pgc-3258-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-3258-6-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083485.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1295\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083485.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083485.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083485-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083485-768x1105.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083485-712x1024.jpg 712w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-6-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"22\" ><div class=\"panel-widget-style panel-widget-style-for-3258-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083485\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t782(81) P281o<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tP\u00e1scoa, M\u00e1rcio. \u00d3pera em Manaus. Manaus : Valer, 2009.  323 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-3258-6-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083488.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1313\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083488.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083488.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083488-206x300.jpg 206w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083488-768x1120.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083488-702x1024.jpg 702w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-6-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"24\" ><div class=\"panel-widget-style panel-widget-style-for-3258-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083488\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t782(81) P281op<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tP\u00e1scoa, M\u00e1rcio. \u00d3pera em Bel\u00e9m.   Manaus : Valer, 2009.  537 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-6-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-6-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-3258-6-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082585.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1200\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082585.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082585.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082585-225x300.jpg 225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082585-768x1024.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-6-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"26\" ><div class=\"panel-widget-style panel-widget-style-for-3258-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082585\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t787.61(035) N739p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNoad, Frederick M. Playing the guitar: a self-instruction guide to technique and theory. 3. ed. rev. exp. New York: Schirmer Books: Macmillan Publishing, c1981. 186 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-7\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-7\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-7-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Teatro<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3258-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-8\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-8-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-8-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-8-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"28\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082601.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082601.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082601.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082601-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082601-768x1143.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082601-688x1024.jpg 688w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-8-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-3258-8-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082601\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.9(816.5) M541c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMenegaz, Carla Beatriz Santos.    Casa doArtista Riograndense: mem\u00f3ria viva do radioteatro em Porto Alegre: um abrigo de muitas hist\u00f3rias. Porto Alegre: Casa do Artista Riograndense, 2018. 128 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-8-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-8-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"30\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083386.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1358\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083386.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083386.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083386-199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083386-768x1159.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083386-679x1024.jpg 679w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-8-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-3258-8-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083386\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.071.2 C117t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCabral, Michelle Nascimento. Processos comunicacionais no teatro de rua: performatividade e espa\u00e7o p\u00fablico. Jundia\u00ed: Paco, 2017.  206 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-8-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-8-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"32\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083271.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1233\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083271.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083271.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083271-219x300.jpg 219w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083271-768x1052.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083271-747x1024.jpg 747w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-8-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"33\" ><div class=\"panel-widget-style panel-widget-style-for-3258-8-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083271\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t869.0(816.5)-272.4  L933h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLucas, Elisa Martins. Hist\u00f3rias de uma mala s\u00f3. Porto Alegre: EDIPUCRS, 2018.  56 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-8-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-9\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-3258-9\" ><div id=\"pgc-3258-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-9-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"34\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3258-10\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-3258-10\" ><div id=\"pgc-3258-10-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-10-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"35\" ><div class=\"panel-widget-style panel-widget-style-for-3258-10-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001079484.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1382\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001079484.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001079484.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001079484-195x300.jpg 195w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001079484-768x1179.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001079484-667x1024.jpg 667w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-10-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"36\" ><div class=\"panel-widget-style panel-widget-style-for-3258-10-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001079484\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t070.431 L174i 4.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLage, Nilson. Ideologia e t\u00e9cnica da not\u00edcia. 4. ed. rev. e atual. Florian\u00f3polis: Insular, 2012.  152 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-10-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-10-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"37\" ><div class=\"panel-widget-style panel-widget-style-for-3258-10-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001058563.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1318\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001058563.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001058563.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001058563-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001058563-768x1125.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001058563-699x1024.jpg 699w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-10-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"38\" ><div class=\"panel-widget-style panel-widget-style-for-3258-10-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001058563\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t159.964.2 P974ps<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRivera, Tania. Celes, Luiz Augusto Monnerat. Sousa, Edson Luiz Andre de. Psican\u00e1lise. Rio de Janeiro: Funarte, 2017.  589 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-10-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-10-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"39\" ><div class=\"panel-widget-style panel-widget-style-for-3258-10-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083282.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1243\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083282.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083282.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083282-217x300.jpg 217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083282-768x1061.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001083282-741x1024.jpg 741w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-10-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"40\" ><div class=\"panel-widget-style panel-widget-style-for-3258-10-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001083282\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t37.036 L615e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLerina, Roger. Escola Projeto 30 anos : livro, m\u00fasica e arte fazendo parte. Porto Alegre : Editora Projeto, 2018.  112 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-10-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-11\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-11\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-11-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"41\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Partituras<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3258-12\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-12\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-12-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-12-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-12-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"42\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080000.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1322\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080000.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080000.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080000-204x300.jpg 204w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080000-768x1128.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080000-697x1024.jpg 697w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-12-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"43\" ><div class=\"panel-widget-style panel-widget-style-for-3258-12-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080000\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 R291m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRebello, Arnaldo. Marapat\u00e1 [m\u00fasica]. S\u00e3o Paulo: Ricordi Brasileira, c1963.  1 partitura (4 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-12-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-12-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"44\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080082.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1299\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080082.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080082.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080082-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080082-768x1108.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080082-709x1024.jpg 709w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-12-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"45\" ><div class=\"panel-widget-style panel-widget-style-for-3258-12-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080082\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 786.2 G816b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGreenwald, M.. Barbara [m\u00fasica].   S\u00e3o Paulo : Fermata do Brasil, : Century Music, c1911. 1 partitura [2] p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-12-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-12-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"46\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-2.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1190\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-2.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-2.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-2-227x300.jpg 227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-2-768x1015.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-2-774x1024.jpg 774w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-12-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"47\" ><div class=\"panel-widget-style panel-widget-style-for-3258-12-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080399\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 786.2(035) N693e   v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNikolaiev, Alexander. Natanson, Vladimir. Rochina, Liudmila.   Kiun, Olga.  A escola russa de piano [m\u00fasica].   Curitiba : Duetto, 2018.  2 v. + 2 discos sonoros\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-12-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-13\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-13\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-13-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-13-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"48\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1190\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-227x300.jpg 227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-768x1015.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-774x1024.jpg 774w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-13-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"49\" ><div class=\"panel-widget-style panel-widget-style-for-3258-13-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080399\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 786.2(035) N693e   v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNikolaiev, Alexander. Natanson, Vladimir. Rochina, Liudmila.   Kiun, Olga.  A escola russa de piano [m\u00fasica].  Curitiba : Duetto, 2018.  2 v. + 2 discos sonoros\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-13-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-13-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"50\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080022.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1246\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080022.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080022.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080022-217x300.jpg 217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080022-768x1063.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080022-740x1024.jpg 740w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-13-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"51\" ><div class=\"panel-widget-style panel-widget-style-for-3258-13-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080022\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 786.2.087.4 A447m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAlmeida, Carlos Vianna de.  Miniaturas violinisticas : pe\u00e7as f\u00e1ceis para violino e piano [m\u00fasica].   Rio de Janeiro : Arthur Napole\u00e3o, c1964.  1 partitura (10 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-13-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-13-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"52\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080645.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1256\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080645.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080645.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080645-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080645-768x1072.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080645-734x1024.jpg 734w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-13-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"53\" ><div class=\"panel-widget-style panel-widget-style-for-3258-13-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080645\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 787.3 B118s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBach, Johann Sebastian. Becker, Hugo.  Suiten (Sonaten) : f\u00fcr violoncello solo [m\u00fasica].   New York : C. F. Peters, [s. d.].  1 partitura (45 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-13-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-14\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-14\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-14-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-14-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-14-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"54\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1282\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v1.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v1-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v1-768x1094.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v1-719x1024.jpg 719w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-14-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"55\" ><div class=\"panel-widget-style panel-widget-style-for-3258-14-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080752\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 787.3(035) D939e  v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDuport, Jean Louis. Schulz, Leo.  Twenty-one etudes: for the violoncello [m\u00fasica]. [New York]: G. Schirmer,: Hal Leonard, c1902.c1930. 2 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-14-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-14-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"56\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v2.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1277\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v2.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v2.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v2-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v2-768x1090.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080752-v2-722x1024.jpg 722w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-14-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"57\" ><div class=\"panel-widget-style panel-widget-style-for-3258-14-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080752\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 787.3(035) D939e  v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDuport, Jean Louis. Schulz, Leo.  Twenty-one etudes : for the violoncello [m\u00fasica].  [New York] : G. Schirmer,  : Hal Leonard, c1902.c1930.  2 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-14-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-14-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"58\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000974816.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1274\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000974816.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000974816.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000974816-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000974816-768x1087.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/000974816-723x1024.jpg 723w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-14-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"59\" ><div class=\"panel-widget-style panel-widget-style-for-3258-14-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000974816\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 787.3(035) K94b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKr\u01d4stev, Anatoli. Basic principles in studying cello scales [m\u00fasica]. Sofia: Musica Publishing House, 1994. 1 partitura (88 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-14-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-15\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-15\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-15-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-15-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"60\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080635.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1262\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080635.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080635.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080635-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080635-768x1077.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080635-730x1024.jpg 730w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-15-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"61\" ><div class=\"panel-widget-style panel-widget-style-for-3258-15-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080635\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 787.3(035) Y19v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tYampolsky, Mark.  Epperson, Gordon. Violoncello technique [m\u00fasica]. Milwaukee : Hal Leonard,: Universal Music, c1971. 1 partitura (83 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-15-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-15-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"62\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080847.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1249\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080847.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080847.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080847-216x300.jpg 216w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080847-768x1066.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080847-738x1024.jpg 738w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-15-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"63\" ><div class=\"panel-widget-style panel-widget-style-for-3258-15-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080847\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART  787.3(076) K92s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKreutzer, Rodolpho.  Mazzacurati, Benedetto.  42 studi per violoncello [m\u00fasica]. Mil\u00e3o : Ricordi, reimp. 1981. 1 partitura (95 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-15-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-15-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"64\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080600.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1184\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080600.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080600.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080600-228x300.jpg 228w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080600-768x1010.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080600-778x1024.jpg 778w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-3258-15-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"65\" ><div class=\"panel-widget-style panel-widget-style-for-3258-15-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080600\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 787.61 D363f<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDelpriora, Mark. Four images: after a poem by e. e. Cummings [m\u00fasica]. Novato : Guitar Arts, c1994. 1 partitura (24 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-15-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-16\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-16\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-16-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-16-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"66\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>CDs e DVDs<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3258-17\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-17\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-17-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-17-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-17-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"67\" ><div class=\"panel-widget-style panel-widget-style-for-3258-17-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd-954-v1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"802\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd-954-v1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd-954-v1.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd-954-v1-300x267.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd-954-v1-768x684.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-17-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"68\" ><div class=\"panel-widget-style panel-widget-style-for-3258-17-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080399\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD  954   v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNikolaiev, Alexander. Natanson, Vladimir. Rochina, Liudmila.   Kiun, Olga.  A escola russa de piano [m\u00fasica]. Curitiba : Duetto, 2018.  2 v. + 2 discos sonoros\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-17-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-17-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"69\" ><div class=\"panel-widget-style panel-widget-style-for-3258-17-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd954-v2.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"871\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd954-v2.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd954-v2.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd954-v2-300x290.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080399-cd954-v2-768x743.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-17-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"70\" ><div class=\"panel-widget-style panel-widget-style-for-3258-17-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080399\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD  954  v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNikolaiev, Alexander. Natanson, Vladimir. Rochina, Liudmila.   Kiun, Olga.  A escola russa de piano [m\u00fasica]. Curitiba : Duetto, 2018. 2 v. + 2 discos sonoros\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-17-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-17-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"71\" ><div class=\"panel-widget-style panel-widget-style-for-3258-17-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080936.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"810\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080936.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080936.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080936-300x270.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001080936-768x691.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-17-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"72\" ><div class=\"panel-widget-style panel-widget-style-for-3258-17-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001080936\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   955<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDutra, Ot\u00e1vio. Souza, M\u00e1rcio de. Jos\u00e9, Nivaldo. Espia s\u00f3: o viol\u00e3o de Oct\u00e1vio Dutra:  Duo Retrato Brasileiro [grava\u00e7\u00e3o de som].  Porto Alegre: Fumproarte, [2003?].  1 disco sonoro + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-17-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-18\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-18\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-18-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-18-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-18-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"73\" ><div class=\"panel-widget-style panel-widget-style-for-3258-18-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"901\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492-150x150.jpg 150w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492-300x300.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492-768x769.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081492-600x600.jpg 600w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-18-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"74\" ><div class=\"panel-widget-style panel-widget-style-for-3258-18-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001081492\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD 956<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBrasil, Jaime Vaz.  Os olhos de Borges [grava\u00e7\u00e3o de som].   Porto Alegre : Fumproarte, p1999.  1 disco sonoro + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-18-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-18-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"75\" ><div class=\"panel-widget-style panel-widget-style-for-3258-18-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081566.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"887\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081566.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081566.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081566-300x296.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081566-768x757.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-18-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"76\" ><div class=\"panel-widget-style panel-widget-style-for-3258-18-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001081566\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   957<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSouza, Pery. Ucha, Danilo. Regional: a m\u00fasica de Porto Alegre [grava\u00e7\u00e3o de som]. Porto Alegre : Smc, [19--].  1 disco sonoro + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-18-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-18-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"77\" ><div class=\"panel-widget-style panel-widget-style-for-3258-18-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081635.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"928\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081635.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081635.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081635-291x300.jpg 291w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001081635-768x792.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-18-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"78\" ><div class=\"panel-widget-style panel-widget-style-for-3258-18-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001081635\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD 958  v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tClube do Choro de Porto Alegre. Correa, Runi. Clube do Choro de Porto Alegre: 15 anos [grava\u00e7\u00e3o de som].   Porto Alegre : Fumproarte, [2005?]. 1 disco sonoro (2 v.) + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-18-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-19\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-19\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-19-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-3258-19-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-19-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"79\" ><div class=\"panel-widget-style panel-widget-style-for-3258-19-1-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-19-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082033.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"923\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082033.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082033.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082033-293x300.jpg 293w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082033-768x788.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-19-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"80\" ><div class=\"panel-widget-style panel-widget-style-for-3258-19-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082033\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD 959<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPiva, Rog\u00e9rio. Branco, Carlos. Machado, Luiz. O choro: a m\u00fasica de Porto Alegre [grava\u00e7\u00e3o de som]. Porto Alegre : [s. n.], [s. d].  1 disco sonoro + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-19-2\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-19-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"81\" ><div class=\"panel-widget-style panel-widget-style-for-3258-19-2-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-19-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082103.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"764\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082103.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082103.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082103-300x255.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082103-768x652.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-19-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"82\" ><div class=\"panel-widget-style panel-widget-style-for-3258-19-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082103\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   960   v.1-3<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBrahms, Johannes.  Brahms [grava\u00e7\u00e3o de som].  [Rio de Janeiro?] : Reader's Digest M\u00fasica, [19--?].  1disco sonoro (3 v.) + encarte  (Cl\u00e1ssicos de Todos os Tempos)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-19-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-3258-19-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"83\" ><div class=\"panel-widget-style panel-widget-style-for-3258-19-3-0\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-19-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082405-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"915\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082405-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082405-1.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082405-1-295x300.jpg 295w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/001082405-1-768x781.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><\/div><div id=\"panel-3258-19-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"84\" ><div class=\"panel-widget-style panel-widget-style-for-3258-19-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-3258\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001082405\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD  961<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGeorgiadis, Susie. Sensale, Angiolina. Homage: compositoras do Brasil e It\u00e1lia [grava\u00e7\u00e3o de som]. [s. l.]: Drama M\u00fasica, p. 2018.c2018. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-3258-19-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-3258-20\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-3258-20\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-3258-20-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3258-20-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"85\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em novembro de 2018. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-novembro-2018\/\">Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":3299,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-3258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/3258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=3258"}],"version-history":[{"count":79,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/3258\/revisions"}],"predecessor-version":[{"id":3392,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/3258\/revisions\/3392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/3299"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=3258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=3258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=3258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}