{"id":3699,"date":"2019-03-14T14:59:07","date_gmt":"2019-03-14T17:59:07","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=3699"},"modified":"2019-07-01T10:51:29","modified_gmt":"2019-07-01T13:51:29","slug":"novidades-no-acervo-janeiro-e-fevereiro-2019","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-janeiro-e-fevereiro-2019\/","title":{"rendered":"Novidades no acervo – janeiro, fevereiro e mar\u00e7o 2019"},"content":{"rendered":"
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Veja nesta p\u00e1gina os livros, partituras, CDs e DVDs que entraram no acervo da Biblioteca em janeiro, fevereiro e mar\u00e7o de 2019<\/strong>.<\/p>\n

Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t391.8(673) R317m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tRedinha, Jos\u00e9. M\u00e1scaras e mascarados angolanos: (usos, formas e ritos). [Lisboa]: Associa\u00e7\u00e3o das Universidades de L\u00edngua Portuguesa, 2018. 31, [17] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7:002 E56p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tEncontro Internacional Pure Print (1.: 2018: Porto Alegre, RS). Pure print Porto Alegre. Porto Alegre: Marcavisual, 2019. 112 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7(091) U48<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tTejo, Cristiana. Uma hist\u00f3ria da arte?. Recife: Funda\u00e7\u00e3o Joaquim Nabuco: Massangana, c2011. 98 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.01 C319f<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCarroll, No\u00ebl. Filosofia da arte. Lisboa: Texto & Grafia, 2010. 294 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.01 D194an<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tDanto, Arthur C. Andy Warhol. S\u00e3o Paulo: Cosac Naify, 2012. 205 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(816.5) A111<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tA\u00e3. Porto Alegre: Funda\u00e7\u00e3o Vera Chaves Barcellos, 2018. 132 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(816.5) M533<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMem\u00f3ria: doa\u00e7\u00f5es MACRS 2015 - 2018. Porto Alegre: Museu de Arte Contempor\u00e2nea do Rio Grande do Sul, 2018. 49 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(816.5) R893<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tRSXXI: Rio Grande do Sul experimental. [Rio de Janeiro: Imago, 2018]. 132 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t22. Sal\u00e3o de Artes Pl\u00e1sticas: cat\u00e1logo da exposi\u00e7\u00e3o. Porto Alegre: C\u00e2mara Municipal de Porto Alegre, 2018. 57 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t745.6 H243e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tHannah, Gail Greet. Elementos do design tridimensional: Rowena Reed Kostellow e a estrutura das rela\u00e7\u00f5es visuais. S\u00e3o Paulo: Cosac Naify, 2015. 171 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t75.036.2(492) G613Walt<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tWalther, Ingo F.; Metzger, Rainer. Vincent van Gogh: the complete paintings. K\u00f6ln: Taschen, c2015. 741 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tUma vez n\u00e3o conta. Porto Alegre: Marcavisual, 2019. 38 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t78.072.2 C719<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCol\u00f3quio Nordestino de Musicologia (3: 2014: Recife, PE). Atas. Recife: Editora UFPE, 2017. 253 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t785.121 S587g<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSilveira, Fabricio Lopes da. Guerra sensorial: m\u00fasica pop e cultura underground em Manchester. Porto Alegre: Modelo de Nuvem, 2016. 205 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t788.5(816.5) C294f<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCarpena, Lucia Becker. Flautarium: Conjunto de Flautas Doces da UFRGS: 20 anos. Porto Alegre: UFRGS, 2018. 67 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Outros assuntos<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t069 A174a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAcessibilidade em ambientes culturais: relatos de experi\u00eancias. Porto Alegre: Marcavisual, 2014. 128 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t316.6 G612r 17.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tGoffman, Erving. A representa\u00e7\u00e3o do eu na vida cotidiana. 17. ed. Petr\u00f3polis: Vozes, 2009. 231 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t371.13 P418<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tPara pensar a doc\u00eancia na educa\u00e7\u00e3o infantil. Porto Alegre: Evangraf, 2019. 304 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t371.382 P371 3.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tHorn, Cl\u00e1udia In\u00eas et al. Pedagogia do brincar. 3. ed. Porto Alegre: Media\u00e7\u00e3o, 2018. 176 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t391 S968m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSvendsen, Lars. Moda: uma filosofia. Rio de Janeiro: Zahar, 2010. 223 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t391(091) C331m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCarvalho, Fl\u00e1vio de. A moda e o novo homem. Rio de Janeiro: Beco do Azougue, 2010. 303 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tHollander, Anne. O sexo e as roupas: a evolu\u00e7\u00e3o do traje moderno. Rio de Janeiro: Rocco, 1996. 260 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t830-32 K11u<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tKafka, Franz. Um artista da fome seguido de Na col\u00f4nia penal & outras hist\u00f3rias. Porto Alegre: L&PM, 2017. 124 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Partituras<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784:786.2 A447c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAlmeida, Carlos Vianna de. A ciranda sem fim. S\u00e3o Paulo: Fermata do Brasil, c1966. 1 partitura [2] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 784.4(81) P294p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSilva, Pat\u00e1pio. [Sele\u00e7\u00f5es] Pat\u00e1pio Silva. Rio de Janeiro: Funarte, c1985. 1 partitura (45 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t PART 786.2 B118a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tBach, Johann Sebastian; Lima, Souza. Arioso: (da cantata 156). S\u00e3o Paulo: Irm\u00e3os Vitale, c1970. 1 partitura (5 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 F363v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFernandez, Oscar Lorenzo. Valsinha: (n. 7 da su\u00edte das 5 notas) para piano. S\u00e3o Paulo: Irm\u00e3os Vitale, 1944. 1 partitura (3 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 L774u<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLiszt, Franz. Ungarische Rhapsodie n. 9: \"Pester karneval\" f\u00fcr klavier zu zwei h\u00e4nden. Leipzig: Breitkopf & H\u00e4rtel, c1987. 1 partitura (22 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 L774un<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLiszt, Franz. Ungarische Rhapsodie n. 14: f\u00fcr klavier zu zwei h\u00e4nden. Leipzig: Breitkopf & H\u00e4rtel, c1987. 1 partitura (18 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.6 S676t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSoares, Calimerio. Toccata breve: \u00f3rg\u00e3o. 2. ed. Uberl\u00e2ndia: Universidade Federal de Uberlandia, 1988. 1 partitura [6] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 787.3 S676a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSoares, Calimerio. Andante cantabile: violocelo e piano. Uberl\u00e2ndia: Universidade Federal de Uberl\u00e2ndia, c1990. 1 partitura [7] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 787.61 B242c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tBarcel\u00f3, Ricardo; Sousa, Tiago. Canto para tocar. Toco para cantar. Murcia: Diego Mar\u00edn, 2017. 1 partitura (64, 50 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 788 R969m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tRusso, Amadeu. M\u00e9todo de pist\u00e3o, trombone e bombardino: na clave de sol. S\u00e3o Paulo: Irm\u00e3os Vitale, [19--]. 1 partitura (99 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 788.1 J27m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tJames, Harry. Metodo per tromba: scuola per un moderno uso della tromba. Milano: Curci: Robbins Music Corporation, c1941. 1 partitura (112 p.).\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 788.5 S676i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSoares, Calimerio. Improviso: flauta transversa solo. Uberl\u00e2ndia: Universidade Federal de Uberlandia, c1990. 1 partitura [5] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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CDs, DVDs e CD-ROM<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 971<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMignone, Francisco. 12 valsas brasileiras em forma de estudos. S\u00e3o Paulo: Irm\u00e3os Vitale, 2018. 1 disco sonoro + encarte.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 972<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tGa\u00fachos em Sanary: Sud \u00e0 Sul Brasil Festival - ao vivo. [Porto Alegre]: Midia Brasil - Virtual Musix, 2002. 1 disco sonoro + encarte.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 973<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tPinheiro, Leila. Leila Pinheiro: minha hist\u00f3ria. [S\u00e3o Paulo?]: Polygram, [1993?]. 1 disco sonoro.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 974<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFr\u00f3es, Silvio Deolindo. Silvio Deolindo Fr\u00f3es. [Salvador]: Sons da Bahia, [2000?]. 1 disco sonoro.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCDR 238<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCongresso Brasileiro de Iconografia Musical (4: 2017 : Salvador, BA). Anais ... Salvador: RidIM-Brasil, 2017. 1 CD-ROM.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tDVD 325<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAcessibilidade em ambientes culturais: relatos de experi\u00eancias. Porto Alegre: Marcavisual, 2014. 1 DVD.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Veja nesta p\u00e1gina os livros, partituras, CDs e DVDs que entraram no acervo da Biblioteca em janeiro, fevereiro e mar\u00e7o de 2019. Clique ou toque nos … Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":3709,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-3699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/3699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=3699"}],"version-history":[{"count":128,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/3699\/revisions"}],"predecessor-version":[{"id":4512,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/3699\/revisions\/4512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/3709"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=3699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=3699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=3699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}