{"id":4156,"date":"2019-05-14T14:32:15","date_gmt":"2019-05-14T17:32:15","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=4156"},"modified":"2019-07-01T10:46:39","modified_gmt":"2019-07-01T13:46:39","slug":"novidades-no-acervo-abril-2019","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-abril-2019\/","title":{"rendered":"Novidades no acervo – abril 2019"},"content":{"rendered":"
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Veja nesta p\u00e1gina os livros e partituras que entraram no acervo da Biblioteca em abril de 2019<\/strong>.<\/p>\n

Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7:39 L429a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLayton, Robert. [The anthropology of art. Portugu\u00eas] A antropologia da arte. Lisboa: Ed. 70, 2001. 302 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.01 F636p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFlori\u00eanski, P\u00e1vel. Jallageas, Neide. Bytsenko, Anastassia. [Obr\u00e1tnaia perspektiva. Portugu\u00eas] A perspectiva inversa. S\u00e3o Paulo: Editora 34, 2012. 143 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.036 A786<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCosta, Helouise. Caires, Daniel Rincon. Arte degenerada-80 anos: repercuss\u00f5es no Brasil. S\u00e3o Paulo: Museu de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo, 2018. 183 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(81) C593ly<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tRolnik, Suely. Diserens, Corinne. Guitton, Aur\u00e9lie. Lygia Clark da obra ao acontecimento: Somos o molde. A voc\u00ea cabe o sopro. S\u00e3o Paulo: Pinacoteca do Estado de S\u00e3o Paulo, 2005. 95 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(81) C593lyg<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLygia Clark. Barcelona: Fundaci\u00f3 Antoni T\u00e0pies, 1998. 362 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(091) H673<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSalzstein, Sonia. Bandeira, Jo\u00e3o. Historicidade e arte contempor\u00e2nea: ensaios e conversas. S\u00e3o Paulo: Instituto de Cultura Contempor\u00e2nea (ICC): ECA-USP [2012]. 422 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.039(816.5) M533<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFlori\u00eanski, P\u00e1vel. Jallageas, Neide. Bytsenko, Anastassia. [Obr\u00e1tnaia perspektiva. Portugu\u00eas] A perspectiva inversa. S\u00e3o Paulo: Editora 34, 2012. 143 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.075 O13c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tObrist, Hans Ulrich. Raza, Asad. [Ways of curating. Portugu\u00eas] Caminhos da curadoria. Rio de Janeiro: Cobog\u00f3, 2014. 214 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t728.222(815.3) J19e 3.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tJacques, Paola Berenstein. Est\u00e9tica da ginga: a arquitetura das favelas atrav\u00e9s da obra de H\u00e9lio Oiticica. 3. ed. Rio de Janeiro: Casa da Palavra: EDUFBA, c2007. 159 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t78(540) S225<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tC\u00e1mara de Landa, Enrique. Corral Bermejo, Ignacio. De la Fuente Garc\u00eda, M\u00f3nica. Gonz\u00e1les Legido, Mar\u00eda. Sangita y natya: m\u00fasica y artes esc\u00e9nicas de la India. 2. ed. Valladolid: Universidad de Valladolid, 2004. 243, [12] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t781.7(673) R317i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tRedinha, Jos\u00e9. Instrumentos musicais de Angola: sua constru\u00e7\u00e3o e descri\u00e7\u00e3o. [Lisboa]: Associa\u00e7\u00e3o das Universidades de L\u00edngua Portuguesa, 2018. [5], 230 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Teatro<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t792.071.5 T253te<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tHartmann, Luciana. Veloso, Jorge das Gra\u00e7as. O teatro e suas pedagogias: pr\u00e1ticas e reflex\u00f5es. Bras\u00edlia: Editora Unb, 2016. 322 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t875-21 E89m 6.ed<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tEur\u00edpides. Kury, M\u00e1rio da Gama. Med\u00e9ia; Hip\u00f3lito; As troianas. 6. ed. Rio de Janeiro: Jorge Zahar, 2003. 238 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t008(81) H734i 5.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tHollanda, Heloisa Buarque de. Impress\u00f5es de viagem: CPC, vanguarda e desbunde: 1960\/1970. [5. ed.] Rio de Janeiro, RJ: Aeroplano, [2005]. 239 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.01 B283o<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tBarthes, Roland. Pascoal, Isabel. [L'obvie et l'obtus. Essais critiques III. Portugu\u00eas] O \u00f3bvio e o obtuso. Lisboa: Edi\u00e7\u00f5es 70, 2009. 312 p. :\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t820 W913o<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tWoolf, Virginia. Tadeu, Tomaz. Santiago, Silviano. [Orlando: a biography. Portugu\u00eas] Orlando: uma biografia. Belo Horizonte: Aut\u00eantica, 2015. 284 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t930:32 P832 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tR\u00e9mond, Ren\u00e9. Rocha, Dora. Por uma hist\u00f3ria pol\u00edtica. 2. ed. Rio de Janeiro: FGV, 2003. 464 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t940.1 F825i 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFranco J\u00fanior, Hil\u00e1rio. A Idade M\u00e9dia: nascimento do Ocidente. 2. ed. rev. e ampl. S\u00e3o Paulo: Brasiliense, 2001. 200 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t945\"14\/15\" B948e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tBurckhardt, Jacob. [Der Staate als Kunstwerk. Portugu\u00eas] O Estado como obra de arte. S\u00e3o Paulo: Penguin Classics: Companhia das Letras, 2012. 126 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Partituras<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 F363aca<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFernandez, Oscar Lorenzo. Acalanto: (n. 3 da su\u00edte das 5 notas) para piano [m\u00fasica]. S\u00e3o Paulo : Vitale, c1944. 1 partitura (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 F363l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFernandez, Oscar Lorenzo. Lamento: (n. 6 da su\u00edte das 5 notas) para piano [m\u00fasica]. S\u00e3o Paulo: Vitale, c1944. 1 partitura (3 p.) \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 F363te<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFernandez, Oscar Lorenzo. Teimosia: (n. 2 da su\u00edte das 5 notas) para piano [m\u00fasica]. S\u00e3o Paulo: Vitale, c1944. 1 partitura (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Veja nesta p\u00e1gina os livros e partituras que entraram no acervo da Biblioteca em abril de 2019. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir … Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":4170,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-4156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=4156"}],"version-history":[{"count":55,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4156\/revisions"}],"predecessor-version":[{"id":4507,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4156\/revisions\/4507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/4170"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=4156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=4156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=4156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}