{"id":4315,"date":"2019-06-04T16:13:14","date_gmt":"2019-06-04T19:13:14","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=4315"},"modified":"2019-07-01T10:48:21","modified_gmt":"2019-07-01T13:48:21","slug":"novidades-no-acervo-maio-2019","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-maio-2019\/","title":{"rendered":"Novidades no acervo – maio 2019"},"content":{"rendered":"
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Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em maio de 2019<\/strong>.<\/p>\n

Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\tCrary, Jonathan. T\u00e9cnicas do observador: vis\u00e3o e modernidade no s\u00e9culo XIX. Rio de Janeiro: Contraponto, 2012. 166 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tArnold, Dana. Art history: a very short introduction. Oxford: Oxford University Press, [20--] 16, 125 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tIversen, Margaret. Melville, Stephen W. Writing art history: disciplinary departures. Chicago: University of Chicago Press, 2010. x, 243 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tDidi-Huberman, Georges. Goodman, John, (Historiador da arte). [Devant l'image: question pos\u00e9e aux fin d'une histoire de l'art. Ingl\u00eas] Confronting images: questioning the ends of a certain history of art. Pennsylvania: The Pennsylvania State University Press, 2005. xxvi, 310 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tVal\u00e9ry, Paul. Teor\u00eda po\u00e9tica y est\u00e9tica. 3. ed. Boadilla del Monte, Madrid: A. Machado Libros, 2009. 207 p\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tGottschaller, Pia Lucio Fontana: the artist's materials. Los Angeles : The Getty Conservation Institute, c2012. vii, 144 pages \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tBlair, Sheila. Bloom, Jonathan. [The art and architecture of Islam 1250-1800. Espanhol] Arte y arquitectura del Islam 1250-1800. Madrid: C\u00e1tedra, 1999. 527 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tEttinghausen, Richard. Grabar, Oleg. [The art and architecture of Islam 650-1250. Espanhol] Arte y arquitectura del Islam 650-1250. 5. ed. Madrid: C\u00e1tedra, 2014. 489 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tCamille, Michael. The gothic idol : ideology and image-making in medieval art. Cambridge, Mass: Cambridge University Press, 1989. xxxii, 407 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tCamille, Michael. Image on the edge: the margins of medieval art. Cambridge, Mass: Harvard University Press, 1992. 176 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tToman, Rolf. Bednorz, Achim. Gotik. Espanhol] El g\u00f3tico: arquitectura, escultura, pintura. Potsdam: H.F.Ullmann, c 2007. 520 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tBarasch, Moshe. Icon: studies in the history of an idea. New York: New York University, 2012. 298 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t726.6(44) C183g<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCamille, Michael. The gargoyles of Notre-Dame: medievalism and the monsters of modernity. Chicago: The University of Chicago Press, 2009. xvii, 439 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t75.032.55 A199p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAdamova, A. T. Bayani, Manijeh. Persian painting : the arts of the book and portraiture. London: Thames & Hudson, c2015. 552 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t75.039(73) L699A<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAlloway, Lawrence. Lichtenstein, Roy. Roy Lichtenstein. New York: Abbeville Press, 1983.127 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t92:7.072 F679e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFontana, Lucio. Da Costa, Val\u00e9rie. \u00c9crits de Lucio Fontana: manifestes, textes, entretiens. [Dijon]: Les Presses Du Reel, 2013. 407 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tHess, Barbara. Gabriel, John William. Fontana, Lucio. Lucio Fontana 1899-1968: \"a new fact in sculpture\". K\u00f6ln: Taschen, c2006. 96 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tLins, Mayra Vilar. Pasquali, Lanussi. Pereira, Jo\u00e3ozito. Coaty: [cat\u00e1logo]. Salvador: Blade, 2016. [64] p + 1 revista (59 p.) + 4 folhas soltas dobradas (4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Teatro<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t792.01 A785l 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tArtaud, Antonin. Guinsburg, J. Telesi, S\u00edlvia Fernandes. Mercado Neto, Antonio. [Ouvres compl\u00e8tes. Portugu\u00eas] Linguagem e vida. 2. ed. S\u00e3o Paulo: Perspectiva, 2011. 290 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t92:792 C392Z<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tZugno, Fernando. Ida Celina: hist\u00f3ria(s) em mim. Porto Alegre: [s.n.], 2012. 218 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t92:792 C972M<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMendon\u00e7a, Renato. Carlos Cunha Filho: talento em primeira pessoa. Porto Alegre: [s.n.], 2013.122 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t92:792 F515F<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tFerreira, Luiz Gonzaga Lopes. Deborah Finocchiaro: a arte transformadora. Porto Alegre: [s.n.], 2014. 262 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t92:792 S676L<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLerina, Roger. Mauro Soares: a luz no protagonista. Porto Alegre: [s.n.], 2015. 151 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tKiechaloski, Zeca. Luiz Paulo Vasconcellos: ao mestre, com carinho. Porto Alegre: [s.n.], 2016. 159 p.; 21 cm (Ga\u00fachos em Cena; 7)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Outros assuntos<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t 003 B285i v.4<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tBarthes, Roland. [Oeuvres compl\u00e9tes. Portugu\u00eas] In\u00e9ditos. S\u00e3o Paulo, SP: Martins Fontes, 2004-2005. 4 v. (Roland Barthes)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t1:37 Z88g<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tZordan, Paola. Gaia educa\u00e7\u00e3o: arte e filosofia da diferen\u00e7a. Curitiba: Appris, 2019. 137 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t165 L991c 5.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLyotard, Jean-Fran\u00e7ois. [La condition posmoderne. Portugu\u00eas] A condi\u00e7\u00e3o p\u00f3s-moderna. 5. ed. Rio de Janeiro: Jos\u00e9 Olympio, 1998. 131 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t316.722(55) A233i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAdghirni, Samy. Os iranianos. S\u00e3o Paulo: Contexto, 2014. 217 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t331(091) T469f 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tThompson, Edward Palmer. Bottmann, Denise. A forma\u00e7\u00e3o da classe oper\u00e1ria inglesa. 2. ed. Rio de Janeiro: Paz e Terra, 1987-1989. 3 v. (Cole\u00e7\u00e3o oficinas da hist\u00f3ria; v. 1, 5, 8)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tHeuser, Ester Maria Dreher. Aquino, Julio Groppa. Corazza, Sandra Mara. Aula com.: em vias de uma did\u00e1tica da inven\u00e7\u00e3o. Cascavel: Edunioeste, 2018. 247 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t82.09 B285C<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCuller, Jonathan. Barthes: a very short introduction. Oxford : Oxford University Press, 2002. 12, 144 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t820(73)-4 S699q<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSontag, Susan. Figueiredo, Rubens. [Where the stress falls: essays. Portugu\u00eas] Quest\u00e3o de \u00eanfase: ensaios. S\u00e3o Paulo: Companhia das Letras, 2005. 446 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t92 P372S 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSchwarcz, L\u00edlia Moritz. As barbas do imperador: D. Pedro II, um monarca nos tr\u00f3picos. 2. ed. S\u00e3o Paulo, SP: Companhia das Letras, 1999. 623 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t930 P658p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tPinsky, Jaime. Por que gostamos de hist\u00f3ria. S\u00e3o Paulo: Contexto, 2013. 222 p\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t940.1 L516c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLe Goff, Jacques. Stahel, Monica. A civiliza\u00e7\u00e3o do ocidente medieval. Petr\u00f3polis: Vozes, 2016 387 p. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t942 T469p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tThompson, Edward Palmer. Negro, Antonio Luigi. Silva, S\u00e9rgio. As peculiaridades dos ingleses e outros artigos. Campinas: Ed. Unicamp, 2001. 286 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Partituras<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 C416p v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCerqueira, Daniel Lemos. Piano Maranhense: partituras livro I solo [m\u00fasica]. S\u00e3o Lu\u00eds: Ed. do autor, 2019. XIII, 341 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 786.2 C416p v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCerqueira, Daniel Lemos. Piano Maranhense: partituras livro II solo [m\u00fasica]. S\u00e3o Lu\u00eds: Ed. do autor, 2019. XIX, 347 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tPART 788.5.087.34 L131v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLacerda, Osvaldo. Varia\u00e7\u00f5es sobre \"Peixe Vivo\" : pra quarteto de flautas-doces [m\u00fasica]. S\u00e3o Paulo : Music\u00e1lia, c1977. 1 partitura (11 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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CD<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 976<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tVictorio, Roberto. Trilogia Bororo [grava\u00e7\u00e3o de som]. [S\u00e3o Paulo]: MCK, [2016]. \t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 977 CD 1-2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tVictorio, Roberto. Chronos [grava\u00e7\u00e3o de som]. [S\u00e3o Paulo]: MCK, [2010]. 2 discos sonoros\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em maio de 2019. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para … Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":4321,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-4315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=4315"}],"version-history":[{"count":92,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4315\/revisions"}],"predecessor-version":[{"id":4509,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4315\/revisions\/4509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/4321"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=4315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=4315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=4315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}