{"id":4972,"date":"2019-12-02T14:44:18","date_gmt":"2019-12-02T17:44:18","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=4972"},"modified":"2019-12-02T14:45:37","modified_gmt":"2019-12-02T17:45:37","slug":"novidades-no-acervo-novembro-2019","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-novembro-2019\/","title":{"rendered":"Novidades no acervo – novembro 2019"},"content":{"rendered":"
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Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Novembro de 2019<\/strong>.<\/p>\n

Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\tGuimar\u00e3es, Waldo. Silk Screen \u00e9 f\u00e1cil. 2. ed. S\u00e3o Paulo: Pal\u00e1cio do Silk Screen, 1989. 71 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tMara, Tim. The Thames and Hudson Manual of Screen Printing. London: Thames and Hudson, 1979. 175 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tKrauss, Rosalind E.. The optical unconscious. London: The mit Press, 1994 353 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tMandel, Gabriele. Como reconhecer a arte islamica. S\u00e3o Paulo, SP: Martins Fontes, 1985. 68 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.038.5 S354e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSchmied, Wieland. Edward Hopper: portraits of America. Munich: Prestel, 1999. 126 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tHertz, Richard. Levin, Kim. Hafif, Marcia. Perreault, John. Nochlin, Linda. Henry, Gerrit. Rosenblum, Robert. Rose, Barbara. Marshall, Richard. Plagens, Peter. Kosuth, Joseph. Kuspit, Donald B.. Ricard, Rene. Geldzahler, Henry. Gilbert-Rolfe, Jeremy. Owens, Craig. Lawson, Thomas. Crimp, Douglas. Sekula, Allan. Brumfield, John. Lacy, Suzanne. Foster, Hal. Buren, Daniel. Carrier, David. Lippard, Lucy R.. Krauss, Rosalind E.. Buchloh, Benjamin H. D.. Kaprow, Allan. Goldberg, Roselee. Klein, Norman M.. Davis, Douglas. McEvilley, Thomas. Theories of contemporary art. New Jersey: Prentice-Hall, 1985 314 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t 73.036(81) M332 v.1 e v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tCosac, Charles. Mello, Vicente de. Maria. S\u00e3o Paulo: Cosac Naify, 2010. 2 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tRose, Bernice. Drawing Now. New York: Museum of Modern Art, c1976. 96 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tHoptman, Laura. Drawing Now: eight propositions. New York: The Museum of Modern Art, 2002. 192 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tPainting and sculpture in California: the modern era. San Francisco: San Francisco Museum of Modern Art, c1977. 272 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tTallman, Susan. The contemporary print: from pre-pop top postmodern. London: Thames & Hudson, 1996. 304 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tForrer, Matthi. Suzuki, Juzo. Smith, Henry D., II. Hiroshige: prints and drawings. Munich: Prestel, 2004. 254 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tBreuer, Karin. Fine, Ruth. Nash, Steven A.. Thirty-five years at Crown Point Press: making prints, doing art. Berkeley: The University of California Press, 1997. 203 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tBaden, Linda. Echo Press: a decade of printmaking. Bloomington: University of Wisconsin, 1990. 95 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tGoldman, Judith. American prints: process & proofs. New York: Whitney Museum of American Art; Icon Editions: Harper & Row, 1981. 176 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tStevens, Andrew. Tandem Press: five years of collaboration and experimentation. Madison: University of Wisconsin, 1994. 116 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tWatrous, James. American Printmaking: a century of American Printmaking 1880-1980. London: The University of Wisconsin Press, 1984. 334 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tIvins, William Mills. Cohn, Marjorie B.. How prints look: photographs with commentary. Edi\u00e7\u00e3o revisada e expandida Boston: Beacon Press, 1987. 188 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tLumsden, E. S.. The art of etching: a complete and fully illustrated description of etching, drypoint, soft-ground etching aquatint and their allied arts, together with technical notes upon their own work by many of the leading etchers of the present time. New York: Dover Pubications, Inc., 1992. 376 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tRippner, Samantha. Celmins, Vija. The prints of Vija Celmins. New York: Metropolitan Museum of Art; Yale University Press, c2002. 56 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tWestley, Ann. Relief printmaking. New York: Watson-Guptill Publications, 2002. 128 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tCastagna, Rodolfo E.. El aguafuerte y t\u00e9cnicas afines. Buenos Aires: Centro Editor de America Latina, 1968 83 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tChamberlain, Walter. The Thames and Hudson Manual of Etching and Engraving. London: Thames and Hudson, 1977. 200 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tLeaf, Ruth. Etching, engraving and other intaglio printmaking techniques. New York: Dover Publications, INC. c1976. 232 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tDevon, Marjorie. Tamarind : 40 years. Albuquerque: University of New Mexico Press, c2000. xi, 206 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tBarnier, John. Coming into Focus: a step-by-step guide to alternative photographic printing processes. San Francisco: Chronicle Books, c2000. xxiii, 296 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tJames, Christopher. The book of alternative photographic processes. Kentucky: Delmar Cengage Learning, 2002. 386 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tAzevedo, M\u00e1rio C\u00e9sar de. Santos, Maria Ivone dos. Fervenza, H\u00e9lio Cust\u00f3dio. Quadrantes. 44 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tAzevedo, M\u00e1rio C\u00e9sar de. Bueno, Guilherme da Silva. Novais, Carlos Augusto. Silveira, Paulo Antonio de Menezes Pereira da. Tudo sobre nada. 44 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\tBarros, Cassiano de Almeida. Uma chave para a m\u00fasica do s\u00e9culo XVIII. Curitiba: Appris, 2019. 197 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\tHiga, Evandro Rodrigues. \"Para fazer chorar as pedras\": guar\u00e2nias e rasqueados em um Brasil fronteiri\u00e7o. Campo Grande: Editora UFMS, 2019. 336 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Teatro<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t869.0(81)-2 L296d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tLanyi, Jos\u00e9 Paulo. Deus me disse que n\u00e3o existe: romance c\u00eanico. S\u00e3o Paulo: Chiado, 2017 194 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t 342.7 D598<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMenezes, Magali Mendes de. Sperb, Dudu. Petry, Alessandra de Oliveira. Silva, Wagner Machado da. Direitos humanos em debate: educa\u00e7\u00e3o e marcadores sociais da diferen\u00e7a. Porto Alegre: CirKula, 2019. 437 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t396 Z88p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tZordan, Paola. Princesas: produ\u00e7\u00e3o de subjetividade feminina no imagin\u00e1rio de consumo. Curitiba: CRV, 2019. 164 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.047 L263<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMitchell, W.J.T.. Adams, Ann Jensen. Bermingham, Ann. Helsinger, Elizabeth K.. Bunn, David. Snyder, Joel. Harrison, Charles. Said, Edward W.. Mitchell, W.J.T.. Bordo, Jonathan. Taussig, Michael T.. Harrison, Robert Pogue. Landscape and power. 2. ed. Chicago: The University of Chicago Press, 2002. 376 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t7.047 S759l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSpirn, Anne Whiston. The language of landscape. New Haven: Yale Univerrsity Press, 1998. 326 p\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t781.6 M293p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMantovani, Michele Rosita. Perspectivas de delibera\u00e7\u00e3o do fen\u00f4meno da pr\u00e1tica pian\u00edstica em diferentes n\u00edveis de expertise. S\u00e3o Paulo: Anppom, 2019. 349 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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CD's e DVD's<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 831 Collection<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tBeethoven, Ludwig van. Karajan, Herbert von. Symphonien. Hamburg: Deutsche Grammophon, p1963.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 982<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tVolkmann, Tobias. Mainhard, Veruschka. OSN UFF interpreta Edino Krieger: CD em comemora\u00e7\u00e3o aos 90 anos do compositor. Niter\u00f3i, RJ: Universidade Federal Fluminense, 2019.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tCD 984 Collection <\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tMendelssohn-Bartholdy, Felix. Karajan, Herbert von. Sinfonia n\u00ba 3, \"Escocesa\"; Sinfonia n\u00ba 4 \"Italiana\". Hamburg: Deutsche Grammophon; Altaya do Brasil, p1971-1973, c1999.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Novembro de 2019. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para … Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":5029,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-4972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=4972"}],"version-history":[{"count":84,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4972\/revisions"}],"predecessor-version":[{"id":5127,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/4972\/revisions\/5127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/5029"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=4972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=4972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=4972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}