{"id":5176,"date":"2020-01-08T14:53:26","date_gmt":"2020-01-08T17:53:26","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=5176"},"modified":"2020-01-13T10:49:24","modified_gmt":"2020-01-13T13:49:24","slug":"novidades-no-acervo-dezembro-2019","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-dezembro-2019\/","title":{"rendered":"Novidades no acervo &#8211; dezembro 2019"},"content":{"rendered":"<div id=\"pl-5176\"  class=\"panel-layout\" ><div id=\"pg-5176-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-5176-0\" ><div id=\"pgc-5176-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <strong>Dezembro de 2019<\/strong>.<\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-5176-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-5176-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265094.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1414\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265094.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265094.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265094-191x300.jpg 191w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265094-768x1207.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265094-652x1024.jpg 652w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-2-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-5176-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108088\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t655.332 B586c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBiegeleisen, J.I.. The complete book of silk screen printing production. New York: Dover Pubications, Inc., c1963. 249 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265096.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1257\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265096.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265096.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265096-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265096-768x1073.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265096-733x1024.jpg 733w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-2-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-5176-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108120\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t655.332 S839s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSternberg, Harry. Silk screen color printing: resenting a new addition to the graphic arts-serigraphy. A demonstration and explanation of the process of making \"multiple original\" color prints. New York: Mcgraw-Hill Book Company, Inc, c1942. xvii,78 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265154.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1264\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265154.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265154.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265154-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265154-768x1079.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265154-729x1024.jpg 729w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-2-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-5176-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109202\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t676.026.22 H477p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHeller, Jules. Papermaking. New York: Watson-Guptill Publications, 1997. 216 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-3-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-3-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"8\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265199.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1495\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265199.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265199.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265199-181x300.jpg 181w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265199-768x1276.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265199-616x1024.jpg 616w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-3-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-5176-3-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109807\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.01 B433a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBell, Clive. Art. New York: Capricorn Books, 1958. 190 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-3-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"10\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265191.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1439\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265191.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265191.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265191-188x300.jpg 188w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265191-768x1228.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265191-640x1024.jpg 640w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-3-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-5176-3-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109822\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.01 H848a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHoward, V. A.. Artistry, the work of artists. Indianapolis: Hackett Pub., c1982. 212 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-3-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-3-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"12\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265139.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1413\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265139.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265139.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265139-191x300.jpg 191w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265139-768x1206.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265139-652x1024.jpg 652w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-3-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"13\" ><div class=\"panel-widget-style panel-widget-style-for-5176-3-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109500\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.031.3(94) C329a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCaruana, Wally. Aboriginal art. New York: Thames and Hudson, 1993. 216 p.187\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-3-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"14\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265180.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1296\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265180.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265180.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265180-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265180-768x1106.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265180-711x1024.jpg 711w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-4-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-5176-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109837\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.032 G874a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGroenewegen-Frankfort, H. A.. Ashmole, Bernard. Janson, Horst Woldemar. Art of the ancient world: painting, pottery, sculpture, architecture from Egypt, Mesopotamia, Crete, Greece, and Rome. Engleewood Cliffs: Prentice-Hall, : Harry N. Abrams, 1981. 496 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"16\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265080.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265080.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265080.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265080-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265080-768x1143.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265080-688x1024.jpg 688w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-4-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-5176-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001107955\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) B933a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGarcia, Maria Amelia Bulh\u00f5es. Pimentel, Lucia Gouvea. Arte contempor\u00e2nea no Brasil. Belo Horizonte: C\/arte, 2019. 126 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265161.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1023\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265161.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265161.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265161-264x300.jpg 264w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265161-768x873.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-4-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-5176-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108872\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) D539<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBohns, Neiva Maria Fonseca. Di\u00e1rio de uma boneca: Lia Menna Barreto. Viam\u00e3o: Funda\u00e7\u00e3o Vera Chaves Barcellos, Libretos, 2019.  80 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-5-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-5-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265153.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"931\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265153.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265153.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265153-290x300.jpg 290w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265153-768x794.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-5-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-5176-5-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109139\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) P769<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tThomaz, Didonet. Ni\u00f1o Bernal, Ra\u00fal. Politopos irregulares: Didonet Thomaz. Curitiba: Do Autor, 2019 191 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-5-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-5-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"22\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265162.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1060\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265162.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265162.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265162-255x300.jpg 255w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265162-768x905.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265162-869x1024.jpg 869w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-5-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-5176-5-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108887\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(816.5) M332<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSalvatori, Maristela. Rands, Nick. Maria Lucia Cattani. Porto Alegre: UFRGS, 2019. 204 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-5-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-5-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"24\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265099.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1037\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265099.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265099.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265099-260x300.jpg 260w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265099-768x885.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265099-889x1024.jpg 889w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-5-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-5176-5-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108246\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76(73) W979a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tWye, Deborah. Artists &amp; Prints: masterworks from the Museum of Modern Art. New York: The Museum of Modern Art, c2004. 288 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-5-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-6\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"26\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265100X.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1261\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265100X.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265100X.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265100X-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265100X-768x1076.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265100X-731x1024.jpg 731w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-6-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"27\" ><div class=\"panel-widget-style panel-widget-style-for-5176-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108228\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76(091) E34a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEichenberg, Fritz. The art of the print: masterpieces, history, techniques. London: Thames and Hudson, 1976. 611 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"28\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265102.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1183\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265102.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265102.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265102-228x300.jpg 228w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265102-768x1009.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265102-779x1024.jpg 779w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-6-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-5176-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108279\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t761(520) U34<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNewland, Amy Reigle. Uhlenbeck, Chris. Ukiyo-E to Shin Hanga: the art of japanese woodblock prints. New York: Mallard Press, c1990. 256 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-6-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-6-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"30\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265115.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1178\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265115.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265115.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265115-229x300.jpg 229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265115-768x1005.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265115-782x1024.jpg 782w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-6-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-5176-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108148\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76(73) T531<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEdmunds, Allan L.. Taha, Halima. Three decades of American printmaking: the Brandywine Workshop collection. New York: Hudson Hills Press, c2004. 239 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-7\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-7\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-7-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-7-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"32\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265116.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1186\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265116.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265116.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265116-228x300.jpg 228w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265116-768x1012.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265116-777x1024.jpg 777w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-7-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"33\" ><div class=\"panel-widget-style panel-widget-style-for-5176-7-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108143\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t77 E56p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEnfield, Jill. Photo-imaging: a complete guide to alternative processes. New York: Watson-Guptill Publications, c2002. 160 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-7-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-7-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"34\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265124.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1019\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265124.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265124.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265124-265x300.jpg 265w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265124-768x870.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-7-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"35\" ><div class=\"panel-widget-style panel-widget-style-for-5176-7-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109217\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76:502 D131n<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDahl, Carolyn A.. Natural impressions: taking an artistic path trough nature. New York: Watson-Guptill Publications, 2002. 112 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-7-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-7-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"36\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265125.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1108\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265125.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265125.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265125-244x300.jpg 244w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265125-768x945.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265125-832x1024.jpg 832w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-7-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"37\" ><div class=\"panel-widget-style panel-widget-style-for-5176-7-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109261\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76:159.954 B877m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBrown, Kathan. Magical secrets about thinking creatively: the art of etching and the truth of life. San Francisco: Crown Point Press, 2006. 121 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-7-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-8\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-8-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-8-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-8-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"38\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265127.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1267\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265127.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265127.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265127-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265127-768x1081.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265127-727x1024.jpg 727w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-8-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"39\" ><div class=\"panel-widget-style panel-widget-style-for-5176-8-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109299\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t741(73) I43<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tInfinite possibilities: serial imagery in 20th century drawings. Wellesley: Davis Museum and Cultural Center, c2004. 123 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-8-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-8-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"40\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265128.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1181\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265128.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265128.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265128-229x300.jpg 229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265128-768x1008.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265128-780x1024.jpg 780w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-8-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"41\" ><div class=\"panel-widget-style panel-widget-style-for-5176-8-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109296\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t741(73) K16d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKantor, Jordan. Drawing from the modern 1975-2005. New York: The Museum of Modern Art, c2005. 220 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-8-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-8-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"42\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265129.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1208\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265129.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265129.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265129-224x300.jpg 224w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265129-768x1031.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265129-763x1024.jpg 763w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-8-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"43\" ><div class=\"panel-widget-style panel-widget-style-for-5176-8-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109330\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76.036(410.1) C273a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCarey, Frances. Griffiths, Antony. Coppel, Stephen. Avant-garde british printmaking, 1914-1960.  London: Trustees of the British Museum, c1990. 240 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-8-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-9\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-9\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-9-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-9-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"44\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-9-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265130.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1175\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265130.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265130.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265130-230x300.jpg 230w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265130-768x1003.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265130-784x1024.jpg 784w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-9-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"45\" ><div class=\"panel-widget-style panel-widget-style-for-5176-9-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109297\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF   3114<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDrawings II. Chicago: Original Smith Printing, c2007. 32 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-9-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-9-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"46\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-9-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265136.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1350\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265136.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265136.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265136-200x300.jpg 200w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265136-768x1152.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265136-683x1024.jpg 683w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-9-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"47\" ><div class=\"panel-widget-style panel-widget-style-for-5176-9-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109474\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.072.3 B285r<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBarthes, Roland. Howard, Richard. The responsability of forms: critical essays on music, art, and representation. Berkeley: University of California Press, 1991. 312 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-9-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-9-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"48\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-9-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265138.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1452\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265138.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265138.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265138-186x300.jpg 186w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265138-768x1239.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265138-635x1024.jpg 635w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-9-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"49\" ><div class=\"panel-widget-style panel-widget-style-for-5176-9-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109491\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:159.9 L847n<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLondon, Peter. No more secondhand art: awakening the artist within. Boston: Shambhala, 1989.  xvii,190 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-9-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-10\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-10\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-10-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-10-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"50\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265091.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1216\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265091.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265091.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265091-222x300.jpg 222w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265091-768x1038.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265091-758x1024.jpg 758w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-10-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"51\" ><div class=\"panel-widget-style panel-widget-style-for-5176-10-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108074\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.037.1(44) M433dr<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tElderfield, John. Golding, John. Dabrowski, Magdalena. The drawings of Henri Matisse. New York: Thames and Hudson, c1984. 311 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-10-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-10-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"52\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265143.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1363\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265143.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265143.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265143-198x300.jpg 198w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265143-768x1163.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265143-676x1024.jpg 676w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-10-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"53\" ><div class=\"panel-widget-style panel-widget-style-for-5176-10-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109640\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t746.1(816.4) G669m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGorini, Berenice. Veiga, Semiramis Fabiola Augusta Gorini da. Mem\u00f3ria tran\u00e7ada: litoral sul de Santa Catarina 1987-1988. Florian\u00f3polis : Edeme, 2001. 115 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-10-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-10-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"54\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265145.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1330\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265145.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265145.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265145-203x300.jpg 203w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265145-768x1135.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265145-693x1024.jpg 693w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-10-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"55\" ><div class=\"panel-widget-style panel-widget-style-for-5176-10-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109647\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.067.26 C968<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDormer, Peter. The culture of craft: status and future. Manchester: Manchester Universit Press, 1997. 242 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-10-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-11\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-11\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-11-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-11-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-11-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"56\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-11-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265152.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1197\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265152.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265152.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265152-226x300.jpg 226w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265152-768x1021.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265152-770x1024.jpg 770w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-11-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"57\" ><div class=\"panel-widget-style panel-widget-style-for-5176-11-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109185\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76(493) T164i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTanis, James. Horst, Daniel. Images of discord: a graphic interpretation of the oppening decades of the Eighty Years' War. Bryn Mawr: Bryn Mawr College Library, : W.B. Eerdmans, : Grand Rapids, 2013. xi, 123 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-11-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-11-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"58\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-11-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265095.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1269\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265095.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265095.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265095-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265095-768x1083.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265095-726x1024.jpg 726w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-11-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"59\" ><div class=\"panel-widget-style panel-widget-style-for-5176-11-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108127\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF   3112<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGrabados japoneses contemporaneos 1950-1983.  24 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-11-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-11-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"60\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-11-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265081.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"974\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265081.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265081.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265081-277x300.jpg 277w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265081-768x831.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-11-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"61\" ><div class=\"panel-widget-style panel-widget-style-for-5176-11-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001107882\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.036(450) M829<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGiorgio Morandi 1890-1964. Barcelona: Fundaci\u00f3n Caja de Pensiones, c1984. 279 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-11-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-12\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-12\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-12-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-12-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-12-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"62\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265093.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1237\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265093.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265093.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265093-218x300.jpg 218w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265093-768x1056.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265093-745x1024.jpg 745w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-12-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"63\" ><div class=\"panel-widget-style panel-widget-style-for-5176-12-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108083\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76:316.3 M473p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMayor, A. Hyatt. Prints &amp; people: a social history of printed pictures. New Jersey: Princeton University Press, c1980. 1v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-12-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-12-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"64\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265088.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"845\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265088.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265088.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265088-300x282.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265088-768x721.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-12-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"65\" ><div class=\"panel-widget-style panel-widget-style-for-5176-12-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108003\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76(73) F453g<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tField, Richard S.. Fine, Ruth. A graphic muse: prints by contemporary american women. New York: Hudson Hills Press, c1987. 163 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-12-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-12-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"66\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265187.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1218\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265187.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265187.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265187-222x300.jpg 222w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265187-768x1039.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265187-757x1024.jpg 757w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-12-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"67\" ><div class=\"panel-widget-style panel-widget-style-for-5176-12-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109832\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.036.2(481) S358e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSchneede, Uwe M.. Edvard Munch: the early masterpieces. New York: W. W. Norton, c1988. 103 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-12-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-13\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-13\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-13-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-13-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"68\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265188.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1462\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265188.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265188.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265188-185x300.jpg 185w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265188-768x1248.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265188-630x1024.jpg 630w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-13-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"69\" ><div class=\"panel-widget-style panel-widget-style-for-5176-13-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109829\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.072.3 P844a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPorter, Fairfield. Downes, Rackstraw. Art in its own terms: selected criticism 1935-1975. Cambridge: Zoland Books, 1993. 288 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-13-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-13-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"70\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265190.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1413\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265190.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265190.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265190-191x300.jpg 191w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265190-768x1206.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265190-652x1024.jpg 652w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-13-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"71\" ><div class=\"panel-widget-style panel-widget-style-for-5176-13-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109826\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7 P195m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPanofsky, Erwin. Meaning in the visual arts. Chicago: The University of Chicago Press, c1982. 364 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-13-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-13-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"72\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-13-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1217\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-222x300.jpg 222w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-768x1039.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-757x1024.jpg 757w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-840x1136.jpg 840w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-420x568.jpg 420w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-720x974.jpg 720w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265090-360x487.jpg 360w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-13-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"73\" ><div class=\"panel-widget-style panel-widget-style-for-5176-13-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108045\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76 B573<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBaden, Linda. Beyond black &amp; white: chiaroscuro prints from Indiana Collections. Indiana: Indiana University Art Museum, c1989. 159 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-13-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-14\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-14\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-14-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-14-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-14-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"74\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265192.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1647\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265192.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265192.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265192-164x300.jpg 164w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265192-768x1405.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265192-560x1024.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-14-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"75\" ><div class=\"panel-widget-style panel-widget-style-for-5176-14-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109819\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t73.02 G723c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGowland Moreno, Luis. El collage. Buenos Aires: Centro Editor de America Latina, c1968. 75 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-14-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-14-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"76\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265193.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"950\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265193.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265193.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265193-284x300.jpg 284w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265193-768x811.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-14-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"77\" ><div class=\"panel-widget-style panel-widget-style-for-5176-14-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109813\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.034 G971r<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGuldener, Hermine van. Rijksmuseum Amsterdam. Munich: Ahrbeck, Knorr &amp; Hirth, c1973. 103 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-14-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-14-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"78\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265194.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1474\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265194.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265194.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265194-183x300.jpg 183w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265194-768x1258.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265194-625x1024.jpg 625w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-14-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"79\" ><div class=\"panel-widget-style panel-widget-style-for-5176-14-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109812\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.01 K16c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKandinsky, Wassily. Concerning the spiritual in art. New York: Dover Publications, 1977. 57 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-14-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-15\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-15\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-15-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-15-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"80\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265195.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"842\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265195.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265195.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265195-300x281.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265195-768x719.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-15-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"81\" ><div class=\"panel-widget-style panel-widget-style-for-5176-15-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109790\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.036.2(492) G613c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHammacher, Arno. Catalogue of 272 works by Vincent van Gogh belonging to the collection of the State Museum Kr\u00f6ller-M\u00fcller. 8.ed. Otterlo: Kr\u00f6ller-M\u00fcller Museum, 1968.  xv, 83 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-15-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-15-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"82\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265197.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1459\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265197.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265197.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265197-185x300.jpg 185w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265197-768x1245.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265197-632x1024.jpg 632w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-15-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"83\" ><div class=\"panel-widget-style panel-widget-style-for-5176-15-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109800\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.072.3 R956a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRuskin, John. On art and life. London: Penguin Books, 2004. 97 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-15-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-15-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"84\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-15-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265089.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1241\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265089.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265089.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265089-218x300.jpg 218w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265089-768x1059.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265089-743x1024.jpg 743w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-15-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"85\" ><div class=\"panel-widget-style panel-widget-style-for-5176-15-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108041\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t741.039 L843b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLombino, Mary-Kay. Glenn, Constance W.. By hand: pattern, precision and repetition in contemporary drawing. California: University Art Museum, c2001. 56 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-15-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-16\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-16\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-16-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-16-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-16-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"86\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265179.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1351\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265179.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265179.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265179-200x300.jpg 200w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265179-768x1153.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265179-682x1024.jpg 682w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-16-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"87\" ><div class=\"panel-widget-style panel-widget-style-for-5176-16-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109840\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tR   7.045(03) H174d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHall, James. Clark, Kenneth. Dictionary of subjects and symbols in art. Edi\u00e7\u00e3o revisada New York: Icon Editions, : Harper &amp; Row Publishers, : Grand Rapids, 1979, c1974. 349 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-16-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-16-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"88\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265092.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1115\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265092.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265092.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265092-242x300.jpg 242w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265092-768x951.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265092-827x1024.jpg 827w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-16-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"89\" ><div class=\"panel-widget-style panel-widget-style-for-5176-16-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108063\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t76 I56<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRuzicka, Joseph. Ink on paper: the Quad\/Collection, 1971-1996. Milwaukee: Milwaukee Art Museum, c1996. 167 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-16-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-5176-16-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-17\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-17\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-17-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-17-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"90\" ><div class=\"panel-widget-style panel-widget-style-for-5176-17-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-5176-18\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-18\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-18-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-18-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-18-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"91\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974190.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1276\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974190.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974190.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974190-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974190-768x1089.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974190-722x1024.jpg 722w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-18-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"92\" ><div class=\"panel-widget-style panel-widget-style-for-5176-18-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001107959\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF   3110<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tUniversidade Federal do Rio Grande do Sul. Instituto de Artes. Departamento de M\u00fasica. Wolff, Daniel. Inda, Paulo Bernardo Renault. Ara\u00fajo, Marcos Vin\u00edcius. Winter, Leonardo Loureiro. Alves, Fl\u00e1via Domingues. 11\u00ba Festival de Viol\u00e3o da UFRGS. Porto Alegre: UFRGS, 2019. DVD (2 v.) + 1 folheto\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-18-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-18-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"93\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265142.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1479\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265142.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265142.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265142-183x300.jpg 183w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265142-768x1262.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265142-623x1024.jpg 623w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-18-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"94\" ><div class=\"panel-widget-style panel-widget-style-for-5176-18-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000976576\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t784.4 V154v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tValente, Helo\u00edsa de Ara\u00fajo Duarte. As vozes da can\u00e7\u00e3o na m\u00eddia. S\u00e3o Paulo: Via Lettera, 2003. 237 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-18-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-5176-18-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-19\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-19\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-19-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-19-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"95\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Teatro<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-5176-20\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-20\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-20-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-20-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-20-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"96\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-20-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265126.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1292\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265126.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265126.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265126-209x300.jpg 209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265126-768x1103.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265126-713x1024.jpg 713w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-20-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"97\" ><div class=\"panel-widget-style panel-widget-style-for-5176-20-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-2c997061b12c-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108337\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.028 D763<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFritsch, Valter Henrique de Castro. Dramaturgia: po\u00e9ticas do moderno e do contempor\u00e2neo. Rio de Janeiro: Bonecker, 2019. 208 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-20-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-20-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"98\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-20-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265159.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1375\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265159.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265159.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265159-196x300.jpg 196w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265159-768x1173.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265159-670x1024.jpg 670w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-20-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"99\" ><div class=\"panel-widget-style panel-widget-style-for-5176-20-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-2c997061b12c-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108804\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.028 L723t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLigiero, Zeca. Teatro das origens: estudo das performances afro-amer\u00edndias. Rio de Janeiro: Garamond, 2019. 295 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-20-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-5176-20-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-21\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-21\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-21-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-21-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"100\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-5176-22\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-22\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-22-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-22-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-22-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"101\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-22-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265097.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1635\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265097.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265097.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265097-165x300.jpg 165w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265097-768x1395.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265097-564x1024.jpg 564w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-22-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"102\" ><div class=\"panel-widget-style panel-widget-style-for-5176-22-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001107903\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t37.01 B846<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCorazza, Sandra Mara. Brevi\u00e1rio dos sonhos em educa\u00e7\u00e3o. S\u00e3o Leopoldo: Oikos, 2019. 229 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-22-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-22-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"103\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-22-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265098.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1302\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265098.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265098.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265098-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265098-768x1111.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265098-708x1024.jpg 708w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-22-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"104\" ><div class=\"panel-widget-style panel-widget-style-for-5176-22-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001108178\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t1 C764<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHeuser, Ester Maria Dreher. Contra o ju\u00edzo: Deleuze e os herdeiros de Spinoza. Curitiba: Appris, 2019. 206 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-22-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-22-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"105\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-22-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265135.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1343\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265135.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265135.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265135-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265135-768x1146.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265135-686x1024.jpg 686w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-22-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"106\" ><div class=\"panel-widget-style panel-widget-style-for-5176-22-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109476\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t003 B285se<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBarthes, Roland. Howard, Richard. The semiotic challenge. Berkeley: University of California Press, 1994. 293 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-22-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-23\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-23\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-23-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-23-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-23-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"107\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-23-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265137.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1486\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265137.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265137.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265137-182x300.jpg 182w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265137-768x1268.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265137-620x1024.jpg 620w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-23-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"108\" ><div class=\"panel-widget-style panel-widget-style-for-5176-23-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109482\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t316 B342s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBaudrillard, Jean. Poster, Mark. Selected writings. Stanford: Stanford University Press, 1998. 230 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-23-2\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-23-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"109\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-23-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265149.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1258\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265149.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265149.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265149-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265149-768x1073.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265149-733x1024.jpg 733w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-23-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"110\" ><div class=\"panel-widget-style panel-widget-style-for-5176-23-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109054\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t37.043 T255<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRizza, Juliana Lapa. Magalh\u00e3es, Joanalira Corpes. Ribeiro, Paula Regina Costa. Costa, Ana Luiza Chaffe. Tecituras sobre corpos, g\u00eaneros e sexualidades no espa\u00e7o escolar. Rio Grande: Editora da FURG, 2019. 312 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-23-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-5176-23-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"111\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-23-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265200.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1452\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265200.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265200.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265200-186x300.jpg 186w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265200-768x1239.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265200-635x1024.jpg 635w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-23-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"112\" ><div class=\"panel-widget-style panel-widget-style-for-5176-23-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000996152\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t800.1 C345l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCassirer, Ernst. Langer, Susanne K.. Language and myth. New York: Dover, 1953. 103 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-23-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-5176-24\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-5176-24-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-24-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"113\" ><div class=\"panel-widget-style panel-widget-style-for-5176-24-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>CD's e DVD's<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-5176-25\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-5176-25\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-5176-25-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-25-1\"  class=\"panel-grid-cell\" ><div id=\"panel-5176-25-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"114\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-25-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974306.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"870\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974306.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974306.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974306-300x290.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974306-768x742.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-5176-25-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"115\" ><div class=\"panel-widget-style panel-widget-style-for-5176-25-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-746a8ca537f2-5176\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001109357\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   1002<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCorr\u00eaa, Marcos Kr\u00f6ning. Viol\u00f5es. Santa Maria: MKC Records, 2008.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-5176-25-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-5176-25-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-5176-25-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Dezembro de 2019. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-dezembro-2019\/\">Continue<\/a><\/p>\n","protected":false},"author":1,"featured_media":5148,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-5176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/5176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=5176"}],"version-history":[{"count":49,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/5176\/revisions"}],"predecessor-version":[{"id":5231,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/5176\/revisions\/5231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/5148"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=5176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=5176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=5176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}