{"id":6184,"date":"2023-05-03T10:54:07","date_gmt":"2023-05-03T13:54:07","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=6184"},"modified":"2023-06-23T11:55:24","modified_gmt":"2023-06-23T14:55:24","slug":"novidades-no-acervo-maio-2023","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-maio-2023\/","title":{"rendered":"Novidades no acervo \u2013 Maio 2023"},"content":{"rendered":"<div id=\"pl-6184\"  class=\"panel-layout\" ><div id=\"pg-6184-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-6184-0\" ><div id=\"pgc-6184-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <strong>Maio <\/strong><strong>de 2022<\/strong>.<\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi:<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-6184-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6184-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974414.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"682\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974414.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974414.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974414-300x227.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974414-768x582.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-2-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-6184-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001166850\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF   3137<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCunha, Eduardo Figueiredo Vieira da. \u00c0 procura de uma sombra do viajante. Porto Alegre : UFRGS, 2013. 1 folha solta dobrada : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974415.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1180\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974415.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974415.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974415-229x300.jpg 229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974415-781x1024.jpg 781w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974415-768x1007.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-2-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-6184-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000940261\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t 77 C172c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCamargo, Marina. Amado, Jana\u00edna. Como se faz um deserto. 1. ed.   Porto Alegre : Ed. do Autor, 2013. 119 p. : il. ; 27 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416-300x300.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416-150x150.jpg 150w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416-768x768.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974416-600x600.jpg 600w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-2-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-6184-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001166909\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t860(83) N454i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNeruda, Pablo. Larrea, Antonio. Isla Negra. Santiago, Chile : Pehu\u00e9n, : Los Andes, 1994. 93 p. : il. color\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-3-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-3-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"8\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974419.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"930\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974419.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974419.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974419-290x300.jpg 290w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974419-768x794.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-3-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-6184-3-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000665533\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF   3138<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCattani, Airton. Trevisan, Armindo. Pesavento, Sandra Jatahy. Ruthschilling, Evelise Anicet. Mira por donde andas : aceras de Porto Alegre. Porto Alegre : Ed. da UFRGS, 2008. 23 p. ; 21 x 21 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-3-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"10\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974420.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1374\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974420.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974420.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974420-197x300.jpg 197w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974420-671x1024.jpg 671w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974420-768x1172.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-3-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-6184-3-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001166703\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.036.1 H882e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHuchet, Stephane. Experimentum mundi : arte e sortil\u00e9gios modernos da semelhan\u00e7a. Porto Alegre : Editora da UFRGS, 2022. 246 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-3-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-3-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"12\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-3-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974422.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1020\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974422.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974422.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974422-265x300.jpg 265w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974422-768x870.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-3-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"13\" ><div class=\"panel-widget-style panel-widget-style-for-6184-3-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167543\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tLA   C368<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCattani, Airton. Silveira, Paulo Antonio de Menezes Pereira da. 12 vis\u00f5es do para\u00edso. Porto Alegre : Marcavisual, 2020. 48 p. : il. ; 23 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-3-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"14\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265495.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1314\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265495.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265495.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265495-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265495-701x1024.jpg 701w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265495-768x1121.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-4-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-6184-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167404\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   V574e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPedrosa, Adriano. Mesquita, Andr\u00e9. Erika Verzutti: a indisciplina da escultura. S\u00e3o Paulo : MASP, 2021. 247 p. : il. ; 25,3 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"16\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265496.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1299\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265496.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265496.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265496-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265496-709x1024.jpg 709w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265496-768x1108.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-4-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-6184-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167343\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   B931t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCarneiro, Amanda. Oliva, Fernando Augusto. Concei\u00e7\u00e3o dos bugres: tudo \u00e9 da natureza do mundo. S\u00e3o Paulo : MASP, 2021. 222 p. : il. ; 25,3 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265497.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1306\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265497.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265497.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265497-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265497-706x1024.jpg 706w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265497-768x1114.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-4-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-6184-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167644\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   P324d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPedrosa, Adriano. Britto, Glaucea Helena de. Schwarcz, Lilia Moritz. Dalton Paula: retratos brasileiros = Dalton Paula: brazilian portraits. S\u00e3o Paulo : MASP, 2022.  383 p. : il. ; 25,3 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-5-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-5-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265499.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1269\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265499.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265499.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265499-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265499-726x1024.jpg 726w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265499-768x1083.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-5-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-6184-5-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167548\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   M394h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPedrosa, Adriano. Carneiro, Amanda. Mesquita, Andr\u00e9. \"Hist\u00f3rias afro-atl\u00e2nticas: antologia. S\u00e3o Paulo : MASP, 2018. 749 p. : il. ; 24,5 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-5-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-5-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"22\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265500.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1313\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265500.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265500.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265500-206x300.jpg 206w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265500-702x1024.jpg 702w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265500-768x1120.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-5-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-6184-5-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167435\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t C   Y24j<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPedrosa, Adriano. Ribeiro, Davismar Teixeira Castro. Joseca Yanomami: kami yamaki urihipe = Joseca Yanomami: nossa terra-floresta = Joseca Yanomami: our forest-land. S\u00e3o Paulo : MASP, 2022.  209 p. : il., fots. ; 25,3 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-5-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-5-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"24\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-5-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265502.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1150\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265502.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265502.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265502-235x300.jpg 235w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265502-801x1024.jpg 801w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265502-768x981.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-5-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-6184-5-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000883921\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.035.93 G448s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGibson, Michael. Neret, Gilles. Simbolismo. S\u00e3o Paulo : Taschen do Brasil, 2006. 255 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-5-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-6\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"26\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265554.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"879\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265554.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265554.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265554-300x293.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265554-768x750.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-6-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"27\" ><div class=\"panel-widget-style panel-widget-style-for-6184-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001158926\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   A772<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGrieneisen, Vera. Arquiteto Wiederspahn : olhares contempor\u00e2neos sobre sua obra. Porto Alegre : UNISINOS, 2022. 135 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"28\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265557.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1081\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265557.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265557.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265557-250x300.jpg 250w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265557-853x1024.jpg 853w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265557-768x922.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-6-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-6184-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167253\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.052(72) R678m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRochfort, Desmond. Mexican muralists : Orozco, Rivera, Siqueiros. S\u00e3o Francisco : Chronicle Books, 1998.  239 p. : il. ; 28 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-6-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-6-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"30\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974417.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1095\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974417.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974417.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974417-247x300.jpg 247w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974417-842x1024.jpg 842w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974417-768x934.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-6-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-6184-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167002\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   M986m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMuseu Oscar Niemeyer (Curitiba, PR). Aquino, Ricardo. Taborda, Felipe. Twice, Martha. Pedroza, Kelly. Markowitz, Michele. +3 : Arthur Bispo do Ros\u00e1rio, Jos\u00e9 Rufino, Raimundo Camilo. Curitiba : Museu Oscar Niemeyer, : Museu Bispo do Ros\u00e1rio, 2005. 179 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-7\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-7\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-7-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-7-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"32\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974425.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"964\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974425.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974425.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974425-280x300.jpg 280w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974425-768x823.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-7-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"33\" ><div class=\"panel-widget-style panel-widget-style-for-6184-7-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001168207\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   H685T<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHockney, David. Tuchman, Maurice. Barron, Stephanie. David Hockney : a retrospective. Los Angeles, Calif : Los Angeles County Museum of Art, c1988. 288 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-7-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-7-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"34\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-scaled.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1829\" height=\"2560\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-scaled.jpg 1829w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-731x1024.jpg 731w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-768x1075.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-1097x1536.jpg 1097w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/page_1-1463x2048.jpg 1463w\" sizes=\"auto, (max-width: 1829px) 100vw, 1829px\" \/><\/a><\/div><\/div><div id=\"panel-6184-7-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"35\" ><div class=\"panel-widget-style panel-widget-style-for-6184-7-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001168241\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC R159Sesc24demaio<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFonseca, Raphael. Figueiredo, Aldrin Moura de. Diniz, Clarissa. Sobral, Divino. Pitta, Fernanda. Campos, Marcelo. Ramos, Paula Viviane. Raio que o parta : fic\u00e7\u00f5es do moderno no Brasil. S\u00e3o Paulo : SESC, 2022. 248 p. : il. color\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-7-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-7-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"36\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-7-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-scaled.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"2139\" height=\"2560\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-scaled.jpg 2139w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-251x300.jpg 251w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-856x1024.jpg 856w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-768x919.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-1284x1536.jpg 1284w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/6d5d0a63-3151-496b-b41e-67a642a77bee-1711x2048.jpg 1711w\" sizes=\"auto, (max-width: 2139px) 100vw, 2139px\" \/><\/a><\/div><\/div><div id=\"panel-6184-7-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"37\" ><div class=\"panel-widget-style panel-widget-style-for-6184-7-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001168336\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 W216e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCorr\u00eaa, Walmor. Groisman, Diego da Silva. Ramos, Paula Viviane. Etnografia cultural da flora m\u00e1gica brasileira. S\u00e3o Paulo : Ed. do Autor, 2022. [219]p. : il. color\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-7-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-8\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-8-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-8-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-8-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"38\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265559.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1209\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265559.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265559.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265559-223x300.jpg 223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265559-762x1024.jpg 762w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265559-768x1032.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-8-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"39\" ><div class=\"panel-widget-style panel-widget-style-for-6184-8-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001168879\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:39 A792<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGonz\u00e1lez Casanova, Jos\u00e9 Miguel. Saumier, Genevi\u00e8ve. Artropolog\u00eda: un acercamiento entre dos disciplinas. Ciudad de M\u00e9xico : FAD-FONCA, 2019. 509 p. ; 21 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-8-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-8-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"40\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265560.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1354\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265560.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265560.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265560-199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265560-681x1024.jpg 681w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265560-768x1155.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-8-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"41\" ><div class=\"panel-widget-style panel-widget-style-for-6184-8-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001168714\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 B933d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBulh\u00f5es, Maria Amelia. Desafios: arte e internet no Brasil. Porto Alegre : Zouk, 2022. 151 p. ; 21 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-8-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-8-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"42\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-8-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265562.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1290\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265562.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265562.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265562-209x300.jpg 209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265562-714x1024.jpg 714w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265562-768x1101.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-8-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"43\" ><div class=\"panel-widget-style panel-widget-style-for-6184-8-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001169084\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 IN61<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFigueiredo, Camila Augusta Pires de Figueiredo. Oliveira, Solange Ribeiro de. Diniz, Thais Flores Nogueira. A intermidialidade a os estudos interartes na arte contempor\u00e2nea. Santa Maria : Editora UFSM, 2020. 319 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-8-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-9\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-9\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-9-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"44\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6184-10\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-10\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-10-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-10-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"45\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974423.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1161\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974423.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974423.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974423-233x300.jpg 233w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974423-794x1024.jpg 794w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974423-768x991.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-10-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"46\" ><div class=\"panel-widget-style panel-widget-style-for-6184-10-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7a5bdf9dde8a-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167740\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t92:78 V181g<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGra\u00e7a-Silvestre, Norma. Flausino Valle : violino soberano. Belo Horizonte : Adi edi\u00e7\u00f5es, 2022. 398 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-10-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-10-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"47\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974424.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1464\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974424.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974424.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974424-184x300.jpg 184w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974424-630x1024.jpg 630w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974424-768x1249.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-10-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"48\" ><div class=\"panel-widget-style panel-widget-style-for-6184-10-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7a5bdf9dde8a-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;06974424\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.071.1 B415f<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFriedman, Sanford. Howard, Richard. Conversations with Beethoven. New York : New York Review Books, 2014. 285 p. ; 21 cm (New York Review Books classics)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-10-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-10-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"49\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-10-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265561.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1307\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265561.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265561.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265561-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265561-705x1024.jpg 705w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265561-768x1115.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-10-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"50\" ><div class=\"panel-widget-style panel-widget-style-for-6184-10-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7a5bdf9dde8a-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001169005\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.071.5 P963<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLima, Sonia Regina Albano de. Procedimentos e a\u00e7\u00f5es multidimensionais na m\u00fasica. S\u00e3o Paulo : Musa, 2022. 285 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-10-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-11\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-11\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-11-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"51\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Teatro<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6184-12\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-12\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-12-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-12-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-12-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"52\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-12-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974421.png\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1190\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974421.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974421.png 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974421-227x300.png 227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974421-774x1024.png 774w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974421-768x1015.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-12-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"53\" ><div class=\"panel-widget-style panel-widget-style-for-6184-12-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001167427\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.07 S786p 34 ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tStanislavski, Constantin. A prepara\u00e7\u00e3o do ator. 34. ed. Rio de Janeiro : Civiliza\u00e7\u00e3o Brasileira, 2016. 365 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-12-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-12-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-6184-12-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-13\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-13\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-13-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-13-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"54\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Partituras<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6184-14\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-14\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-14-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-14-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-14-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"55\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974432.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1176\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974432.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974432.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974432-230x300.jpg 230w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974432-784x1024.jpg 784w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974432-768x1004.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-14-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"56\" ><div class=\"panel-widget-style panel-widget-style-for-6184-14-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7a5bdf9dde8a-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000129649\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 78(082.2) P853 v.10\/1 separata<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCoelho, Manuel Rodrigues. Seixas, Carlos. Cardoso, Frei Manuel. Machado, Manuel. Bomtempo, Joao Domingos. Baptista, Francisco Xavier. Fernandes, Gaspar. Portugaliae musica [m\u00fasica]. Lisboa : Funda\u00e7\u00e3o Calouste Gulbenkian, 1968-1999.  18 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-14-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-14-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"57\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-14-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974428.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1271\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974428.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974428.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974428-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974428-725x1024.jpg 725w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974428-768x1085.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-14-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"58\" ><div class=\"panel-widget-style panel-widget-style-for-6184-14-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7a5bdf9dde8a-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001169193\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART   788.5 T268tr<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTelemann, Georg Philipp. Ru\u00ebtz, Manfred. Triosonate B-Dur : f\u00fcr blockfl\u00f6te (fl\u00f6te, violine), konzertierendes cembalo (klavier) und basso cont\u00ednuo [m\u00fasica]. Basel : B\u00e4renreiter Kassel, 1968. 1 partitura (15 p.) (Hortus Musicus)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-14-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-6184-14-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-15\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-15\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-15-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-15-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"59\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Outros assuntos<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6184-16\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-16\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-16-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-16-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-16-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"60\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974409.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1281\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974409.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974409.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974409-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974409-719x1024.jpg 719w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974409-768x1093.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-16-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"61\" ><div class=\"panel-widget-style panel-widget-style-for-6184-16-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001159900\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t840 B422C<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCahen, G\u00e9rald. Sampaio, Ana Matilde de Mesquita. O beijo : primeiras li\u00e7\u00f5es de amor, hist\u00f3ria, arte e erotismo. S\u00e3o Paulo : Mandarim, 1998. 207 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-16-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-16-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"62\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974411.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1305\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974411.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974411.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974411-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974411-706x1024.jpg 706w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974411-768x1114.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-16-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"63\" ><div class=\"panel-widget-style panel-widget-style-for-6184-16-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000706856\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:061.3 C719a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCol\u00f3quio do Comit\u00ea Brasileiro de Hist\u00f3ria da Arte ( 25. : 2005 out. : Tiradentes, MG) Ribeiro, Mar\u00edlia Andr\u00e9s. Gon\u00e7alves, Denise da Silva. Anais do xxv col\u00f3quio do comit\u00ea brasileiro de hist\u00f3ria da arte. Belo Horizonte : C\/Arte, 2006. 318 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-16-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-16-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"64\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-16-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974412.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1386\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974412.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974412.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974412-195x300.jpg 195w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974412-665x1024.jpg 665w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974412-768x1183.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-16-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"65\" ><div class=\"panel-widget-style panel-widget-style-for-6184-16-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001166782\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t248 D556e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDidi-Huberman, Georges. Lloret, Marta Pi\u00f1ol. Mendia, Amaia Don\u00e9s. [Image, organe, temps. Approche de l'ex-voto. Franc\u00eas] Exvoto : imagen, \u00f3rgano, tiempo. Buenos Aires : Sans Soleil, 2013. 62 p. : il.  (Chiribitas)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-16-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-17\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-17\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-17-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-17-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-17-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"66\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974413.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1392\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974413.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974413.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974413-194x300.jpg 194w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974413-662x1024.jpg 662w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974413-768x1188.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-17-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"67\" ><div class=\"panel-widget-style panel-widget-style-for-6184-17-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000241281\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t159.964.2 N146o<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNaffah Neto, Alfredo. Outr'em-mim : ensaios, cr\u00f4nicas, entrevistas. S\u00e3o Paulo : Plexus, 1998. 141 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-17-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-17-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"68\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1604\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498-168x300.jpg 168w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498-575x1024.jpg 575w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498-768x1369.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265498-862x1536.jpg 862w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-17-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"69\" ><div class=\"panel-widget-style panel-widget-style-for-6184-17-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000217747\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t 5\/6(091) K96e 5.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKuhn, Thomas S.. [The structure of scientific revolutions. Portugu\u00eas] A estrutura das revolu\u00e7\u00f5es cient\u00edficas. 5. ed. S\u00e3o Paulo : Perspectiva, 1997.  257 p. (Cole\u00e7\u00e3o debates ; 115)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-17-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6184-17-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"70\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-17-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974431.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1300\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974431.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974431.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974431-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974431-709x1024.jpg 709w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974431-768x1109.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-17-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"71\" ><div class=\"panel-widget-style panel-widget-style-for-6184-17-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000400307\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t331 E54<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tL'emocione e la regola: i gruppi creativi in Europa dal 1850 al 1950 Portugu\u00eas De Masi, Domenico. Edel, Elia Ferreira. [ L'emocione e la regola: i gruppi creativi in Europa dal 1850 al 1950 Portugu\u00eas] A emo\u00e7\u00e3o e a regra : os grupos criativos na Europa de 1950 a 1950. 6. ed. Rio de Janeiro : Jos\u00e9 Olympio, 1999. 419 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-17-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6184-18\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6184-18\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6184-18-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6184-18-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-18-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"72\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265564.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1287\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265564.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265564.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265564-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265564-716x1024.jpg 716w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265564-768x1098.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-18-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"73\" ><div class=\"panel-widget-style panel-widget-style-for-6184-18-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001165800\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tF   3142<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCuervo, Luciane da Costa. Vargas, Bruna Rodrigues de. Cabral, Ana Cl\u00e1udia de Moura. Tomazi, Marcelo. Nascente, Milena Pereira. Rigo, Rosa Maria. Fanzine CriatividARTE : mural interativo sonoro-c\u00eanico-visual PIBID\/UFRGS [recurso eletr\u00f4nico]. Porto Alegre : UFRGS, 2022. 22 p. : il. color. digital\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-18-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6184-18-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"74\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-18-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265563.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1307\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265563.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265563.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265563-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265563-705x1024.jpg 705w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265563-768x1115.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6184-18-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"75\" ><div class=\"panel-widget-style panel-widget-style-for-6184-18-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6184\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000183992\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t306 F935<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFonseca, Claudia Lee Williams. Fronteiras da cultura : horizontes e territ\u00f3rios da antropologia na Am\u00e9rica Latina. Porto Alegre : Editora da Universidade\/UFRGS, 1993. 231 p. : il. ; 23 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6184-18-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-6184-18-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Maio de 2022. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-maio-2023\/\">Continue<\/a><\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-6184","post","type-post","status-publish","format-standard","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/6184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=6184"}],"version-history":[{"count":19,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/6184\/revisions"}],"predecessor-version":[{"id":6308,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/6184\/revisions\/6308"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=6184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=6184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=6184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}