{"id":6485,"date":"2024-01-08T13:47:01","date_gmt":"2024-01-08T16:47:01","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=6485"},"modified":"2024-02-05T16:09:34","modified_gmt":"2024-02-05T19:09:34","slug":"novidades-no-acervo-dezembro-2023","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-dezembro-2023\/","title":{"rendered":"Novidades no Acervo &#8211; Dezembro 2023"},"content":{"rendered":"<div id=\"pl-6485\"  class=\"panel-layout\" ><div id=\"pg-6485-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-6485-0\" ><div id=\"pgc-6485-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6485-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6485-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <b>Dezembro de 2023.<\/b><\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi:<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-6485-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6485-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6485-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6485-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6485-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6485-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6485-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6485-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07199763-rotated.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"736\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07199763-rotated.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07199763-rotated.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07199763-300x245.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07199763-768x628.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-2-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-6485-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001046162\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC R642<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRoberto Burle Marx : a figura humana na obra em desenho. Bras\u00edlia : Museu Nacional dos Correios, 2012. 117 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265648.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"609\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265648.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265648.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265648-300x203.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265648-768x520.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-2-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-6485-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001177126\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC   V473h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFetter, Bruna Wulff. Haver\u00e1 consequ\u00eancias - There will be consequences. Viam\u00e3o : Funda\u00e7\u00e3o Vera Chaves Barcellos, 2023. 119 p. : il. color. digital\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6485-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265637.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1324\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265637.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265637.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265637-204x300.jpg 204w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265637-696x1024.jpg 696w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265637-768x1130.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-2-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-6485-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001189474\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 M149a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMachado, Mari\u00e2ngela Ribeiro. O anacronismo das imagens: estudo de caso da exposi\u00e7\u00e3o Levantes. S\u00e3o Paulo : Dial\u00e9tica, 2023.  77 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6485-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6485-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6485-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6485-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6485-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6485-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6485-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"9\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265634.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1297\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265634.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265634.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265634-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265634-711x1024.jpg 711w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265634-768x1107.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-4-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"10\" ><div class=\"panel-widget-style panel-widget-style-for-6485-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-a0577a59966e-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000007488\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t940.1 M111c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMaalouf, Amin. [Les croisades vues par les arabes.. Portugu\u00eas] As cruzadas vistas pelos \u00e1rabes. S\u00e3o Paulo : Brasiliense, 1988. 253 p. : il\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"11\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265647.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1338\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265647.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265647.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265647-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265647-689x1024.jpg 689w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265647-768x1142.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-4-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"12\" ><div class=\"panel-widget-style panel-widget-style-for-6485-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-a0577a59966e-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001066415\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.071.2 T253<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTurle, Licko. Trindade, Jussara. Teatro de rua no Brasil : a primeira d\u00e9cada do terceiro mil\u00eanio. Rio de Janeiro : E-papers, 2010. 254 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6485-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"13\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Untitled_07112022_041350.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1384\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Untitled_07112022_041350.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Untitled_07112022_041350.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Untitled_07112022_041350-195x300.jpg 195w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Untitled_07112022_041350-666x1024.jpg 666w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Untitled_07112022_041350-768x1181.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-4-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"14\" ><div class=\"panel-widget-style panel-widget-style-for-6485-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-a0577a59966e-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001011071\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.028 C515p 4. ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tChekhov, Michael. Cabral, \u00c1lvaro. To the actor : on the technique of the acting. Portugu\u00eas Para o ator. 4. ed.  S\u00e3o Paulo : WMF Martins Fontes, 2015.  xxi, 223 p. : il. ; 21 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-6485-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6485-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6485-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-6485-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-6485-6\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-6485-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-6485-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"16\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265366.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1277\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265366.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265366.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265366-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265366-722x1024.jpg 722w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265366-768x1090.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-6-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-6485-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001189854\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 788.5 N945<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBarros, Daniele Cruz. Novos caminhos da flauta doce : composi\u00e7\u00f5es [m\u00fasica]. Recife : UFPE, 2011. 1 partitura [92] p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-6485-6-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265363.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"797\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265363.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265363.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265363-300x266.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265363-768x680.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-6-1-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-6485-6-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001188514\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   1020<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBarros, Daniele Cruz. Barbosa, Lucas. Imburana [grava\u00e7\u00e3o de som]. [Sert\u00e3o dos Guararapes?] : Maximus, 2023. 1 disco sonoro + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-6485-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265364.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1234\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265364.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265364.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265364-219x300.jpg 219w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265364-747x1024.jpg 747w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265364-768x1053.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-6-2-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-6485-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001189390\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t786.2 S495p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSetti, Kilza. Martins, Denise Andrade de Freitas. Assis, Ana Cl\u00e1udia. O piano de Kilza Setti [m\u00fasica]. Belo Horizonte : Escola de M\u00fasica da UFMG, 2023. 1 partitura (156 p.) + 1 CD  (Cadernos musicais brasileiros ; 15)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-6485-6-2-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"22\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974452-1-rotated.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"793\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974452-1-rotated.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974452-1-rotated.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974452-1-300x264.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/06974452-1-768x677.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-6-2-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-6485-6-2-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001186036\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   1019<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDimitri. Thomazinho, Lucas. The complete works for solo piano from 1985 to 2022 : Dimitri Cervo [m\u00fasica]. [Porto Alegre] : Dimitri Cervo, 2023. 1 disco sonoro + encarte\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-6-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-6485-6-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"24\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265365.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"889\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265365.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265365.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265365-300x296.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/07265365-768x759.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-6485-6-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-6485-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-1ebee4cd1ead-6485\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;07265365\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD   1021<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSetti, Kilza. Martins, Denise Andrade de Freitas. Assis, Ana Cl\u00e1udia. O piano de Kilza Setti [m\u00fasica]. Belo Horizonte : Escola de M\u00fasica da UFMG, 2023. 1 partitura (156 p.) + 1 CD  (Cadernos musicais brasileiros ; 15)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-6485-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Dezembro de 2023. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-dezembro-2023\/\">Continue<\/a><\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-6485","post","type-post","status-publish","format-standard","hentry","category-avisos"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/6485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=6485"}],"version-history":[{"count":25,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/6485\/revisions"}],"predecessor-version":[{"id":6540,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/6485\/revisions\/6540"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=6485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=6485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=6485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}