{"id":7506,"date":"2025-08-28T13:21:00","date_gmt":"2025-08-28T16:21:00","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=7506"},"modified":"2025-08-28T13:21:00","modified_gmt":"2025-08-28T16:21:00","slug":"novidades-no-acervo-agosto-2025","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-agosto-2025\/","title":{"rendered":"Novidades no Acervo &#8211; Agosto 2025"},"content":{"rendered":"<div id=\"pl-7506\"  class=\"panel-layout\" ><div id=\"pg-7506-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-7506-0\" ><div id=\"pgc-7506-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7506-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7506-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <b>Agosto <\/b><b>de 2025.<\/b><\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi:<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-7506-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7506-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7506-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7506-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7506-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7506-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7506-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7506-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Historia-da-arte-e-luta-de-classes.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1338\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Historia-da-arte-e-luta-de-classes.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Historia-da-arte-e-luta-de-classes.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Historia-da-arte-e-luta-de-classes-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Historia-da-arte-e-luta-de-classes-689x1024.jpg 689w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Historia-da-arte-e-luta-de-classes-768x1142.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-2-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-7506-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001290082\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7(091) H129h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHadjinicolaou, Nicos. Hist\u00f3ria da arte e luta de classes.  S\u00e3o Paulo : Lavrapalavra, 2024.  311 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Estacao-imagem.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1313\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Estacao-imagem.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Estacao-imagem.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Estacao-imagem-206x300.jpg 206w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Estacao-imagem-702x1024.jpg 702w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Estacao-imagem-768x1120.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-2-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-7506-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001158570\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t003 E79<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tVaz, Paulo Bernardo. Casa Nova, Vera. Esta\u00e7\u00e3o imagem : desafios. Belo Horizonte : UFMG, 2002.  214 p. : il. color.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7506-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0002.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1279\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0002.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0002.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0002-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0002-721x1024.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0002-768x1091.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-2-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-7506-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000882862\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.031.8 S877a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tStone, Rebecca.  Art of the andes : from chav\u00edn to inca. London : Thames and Hudson, 1995. 224 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7506-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7506-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7506-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7506-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7506-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7506-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7506-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"9\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Seguredos-guardados.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Seguredos-guardados.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Seguredos-guardados.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Seguredos-guardados-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Seguredos-guardados-688x1024.jpg 688w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Seguredos-guardados-768x1143.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-4-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"10\" ><div class=\"panel-widget-style panel-widget-style-for-7506-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000685569\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t299.6(81) P899s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPrandi, Reginaldo. Segredos guardados: orix\u00e1s na alma brasileira. S\u00e3o Paulo : Companhia das Letras, 2005.  328 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7506-4-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"11\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"1208\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0001.jpg 737w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0001-183x300.jpg 183w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Document_250820_131619_page-0001-625x1024.jpg 625w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><\/a><\/div><\/div><div id=\"panel-7506-4-1-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"12\" ><div class=\"panel-widget-style panel-widget-style-for-7506-4-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000882856\" >\n\t\t\t\t\t\t\t\t1 R735p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRognon, Fr\u00e9d\u00e9ric. Santoro, Claudio Cesar.  Les primitifs, nos contemporains. Portugu\u00eas Os primitivos, nossos contempor\u00e2neos : ensaio e textos.  S\u00e3o Paulo : Papirus, 1991.  218 p. (Filosofar no presente)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"13\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Pele-negra-mascaras-brancas.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1422\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Pele-negra-mascaras-brancas.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Pele-negra-mascaras-brancas.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Pele-negra-mascaras-brancas-190x300.jpg 190w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Pele-negra-mascaras-brancas-648x1024.jpg 648w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Pele-negra-mascaras-brancas-768x1213.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-4-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"14\" ><div class=\"panel-widget-style panel-widget-style-for-7506-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001134206\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t316.347 F214p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFanon, Frantz. Nascimento, Sebasti\u00e3o. Camargo, Raquel Peixoto do Amaral. Kilomba, Grada.  Peau noire, masques blancs. Portugu\u00eas Pele negra, m\u00e1scaras brancas. S\u00e3o Paulo : Ubu, 2020.  312 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7506-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"15\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/O-espectador-emancipado.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1342\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/O-espectador-emancipado.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/O-espectador-emancipado.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/O-espectador-emancipado-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/O-espectador-emancipado-687x1024.jpg 687w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/O-espectador-emancipado-768x1145.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-4-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"16\" ><div class=\"panel-widget-style panel-widget-style-for-7506-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000933406\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.01 R185e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRanci\u00e8re, Jacques. Le spectateur \u00e9mancip\u00e9. Portugu\u00eas O espectador emancipado.  S\u00e3o Paulo : WMF Martins Fontes, 2012.  128 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7506-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7506-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7506-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7506-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7506-6\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7506-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7506-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Introducao-a-sociologia-da-musica.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1389\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Introducao-a-sociologia-da-musica.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Introducao-a-sociologia-da-musica.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Introducao-a-sociologia-da-musica-194x300.jpg 194w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Introducao-a-sociologia-da-musica-663x1024.jpg 663w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Introducao-a-sociologia-da-musica-768x1185.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-6-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-7506-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001289779\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.01 A241i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAdorno, Theodor Wiesengrund, 1903-1969. Introdu\u00e7\u00e3o \u00e0 sociologia da m\u00fasica : doze prele\u00e7\u00f5es te\u00f3ricas. S\u00e3o Paulo : UNESP, 2011. 419 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7506-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Harmonia-no-seculo-XX.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1300\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Harmonia-no-seculo-XX.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Harmonia-no-seculo-XX.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Harmonia-no-seculo-XX-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Harmonia-no-seculo-XX-709x1024.jpg 709w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Harmonia-no-seculo-XX-768x1109.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7506-6-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-7506-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7506\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001290127\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t781.41 P466h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPersichetti, Vincent.  Corr\u00eaa, Antenor Ferreira. kerr, Dorot\u00e9a.  Parreira, Leci Maria Rodrigues. Marchetto, Luiz Fernando Lemos.  The harmony of century XX. Portugu\u00eas Harmonia no s\u00e9culo XX : aspectos criativos e pr\u00e1tica.  S\u00e3o Paulo : Via Lettera, 2012.  240 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7506-6-3\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-7506-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Agosto de 2025. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-agosto-2025\/\">Continue<\/a><\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-7506","post","type-post","status-publish","format-standard","hentry","category-avisos"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=7506"}],"version-history":[{"count":14,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7506\/revisions"}],"predecessor-version":[{"id":7530,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7506\/revisions\/7530"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=7506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=7506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=7506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}