{"id":7538,"date":"2025-09-18T13:40:26","date_gmt":"2025-09-18T16:40:26","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=7538"},"modified":"2025-09-18T13:40:26","modified_gmt":"2025-09-18T16:40:26","slug":"novidades-no-acervo-setembro-2025","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-setembro-2025\/","title":{"rendered":"Novidades no Acervo &#8211; Setembro 2025"},"content":{"rendered":"<div id=\"pl-7538\"  class=\"panel-layout\" ><div id=\"pg-7538-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-7538-0\" ><div id=\"pgc-7538-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7538-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7538-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <strong>Setembro<\/strong> <b>de 2025.<\/b><\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi:<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-7538-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7538-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7538-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7538-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7538-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7538-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7538-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7538-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/WhatsApp-Image-2025-09-12-at-18.02.53.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1087\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/WhatsApp-Image-2025-09-12-at-18.02.53.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/WhatsApp-Image-2025-09-12-at-18.02.53.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/WhatsApp-Image-2025-09-12-at-18.02.53-248x300.jpg 248w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/WhatsApp-Image-2025-09-12-at-18.02.53-848x1024.jpg 848w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/WhatsApp-Image-2025-09-12-at-18.02.53-768x928.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-2-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-7538-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000930683\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t745.6 L966p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLupton, Ellen. Thinking with type: a critical guide for designers, writers, editors &amp; students. Portugu\u00eas Pensar com tipos : guia para designers, escritores, editores e estudantes.  2. ed. rev. ampl. S\u00e3o Paulo, SP : Cosac &amp; Naify, 2013.  222 [2] p. : il. ; 21 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7538-2-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Design-Cenografico.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"863\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Design-Cenografico.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Design-Cenografico.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Design-Cenografico-300x288.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Design-Cenografico-768x736.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-2-1-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-7538-2-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001292698\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.03 S676d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSoares, Le\u00f4nidas Garcia. Design cenogr\u00e1fico : a luz como elemento de transforma\u00e7\u00e3o da apar\u00eancia visual do int\u00e9rprete.  Porto Alegre : Marca Visual, 2025.  340 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Muro.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1205\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Muro.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Muro.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Muro-224x300.jpg 224w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Muro-765x1024.jpg 765w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Muro-768x1028.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-2-2-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-7538-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293200\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 T686m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tToro, Dami\u00e1n.  Muro. Quito : Flap Servicios Editoriales, 2023.  283 p. : il. color.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7538-2-2-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"8\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Apariencia-desnuda.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1283\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Apariencia-desnuda.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Apariencia-desnuda.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Apariencia-desnuda-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Apariencia-desnuda-718x1024.jpg 718w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Apariencia-desnuda-768x1095.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-2-2-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-7538-2-2-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293203\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.036.7 P348a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPaz, Octavio.  Apariencia desnuda : la obra de Marcel Duchamp. Madrid : Alianza Editorial, 1989. 187 p. : il.  (Alianza forma ; 81)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7538-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"10\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Gauguin.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1351\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Gauguin.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Gauguin.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Gauguin-200x300.jpg 200w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Gauguin-682x1024.jpg 682w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Gauguin-768x1153.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-2-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-7538-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293444\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.036.4(44) G268no<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGauguin, Paul. Fernandes, Anibal.  Noa noa. Lisboa : Max Limonad, 1982.  77 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7538-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7538-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7538-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"12\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>Outros assuntos<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7538-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7538-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7538-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7538-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"13\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Teatro-e-politica-expressionismo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1336\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Teatro-e-politica-expressionismo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Teatro-e-politica-expressionismo.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Teatro-e-politica-expressionismo-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Teatro-e-politica-expressionismo-690x1024.jpg 690w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Teatro-e-politica-expressionismo-768x1140.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-4-1-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"14\" ><div class=\"panel-widget-style panel-widget-style-for-7538-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001292990\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t830-2 H618t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHeym, Georg.   Toller, Ernst. Kaiser, Georg. Merkel, Ulrich.  Teatro e pol\u00edtica : poesias e pe\u00e7as do expressionismo alem\u00e3o. Paz e Terra : Rio de Janeiro, 1983. 178 p.  (Biblioteca Alem\u00e3 ; 1)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"15\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Performatividade-da-Luz.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1320\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Performatividade-da-Luz.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Performatividade-da-Luz.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Performatividade-da-Luz-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Performatividade-da-Luz-698x1024.jpg 698w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Performatividade-da-Luz-768x1126.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-4-2-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"16\" ><div class=\"panel-widget-style panel-widget-style-for-7538-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293542\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.022 L937p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLuciani, N\u00e1dia Moroz. Performatividade da luz : a ilumina\u00e7\u00e3o c\u00eanica como elo entre a cena e o p\u00fablico.  Paranava\u00ed : Edunespar, 2024. 321 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7538-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"17\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1542\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica-175x300.jpg 175w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica-598x1024.jpg 598w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica-768x1316.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Literatura-e-musica-896x1536.jpg 896w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-4-3-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"18\" ><div class=\"panel-widget-style panel-widget-style-for-7538-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-ec51991e655b-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001195703\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78:82 O48l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tOliveira, Solange Ribeiro de. Literatura e m\u00fasica : modula\u00e7\u00f5es p\u00f3s-coloniais. S\u00e3o Paulo : Perspectiva, 2002.  221 p.  (Debates)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7538-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7538-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7538-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>M\u00fasica<\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7538-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7538-6\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7538-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7538-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Viver-a-musica.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1278\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Viver-a-musica.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Viver-a-musica.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Viver-a-musica-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Viver-a-musica-721x1024.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Viver-a-musica-768x1091.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-6-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-7538-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001266882\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.071.5 R414v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRenner, Katia Klar. Viver a m\u00fasica: significados expressivos na vida adulta. Curitiba : Appris, 2023. 127 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7538-6-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"22\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Arranjo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1189\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Arranjo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Arranjo.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Arranjo-227x300.jpg 227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Arranjo-775x1024.jpg 775w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Arranjo-768x1015.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-6-1-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-7538-6-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000949687\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t781.61 A444a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAlmada, Carlos de Lemos.  Arranjo. S\u00e3o Paulo: UNICAMP, 2000.  364 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7538-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"24\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Uirapuru.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1200\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Uirapuru.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Uirapuru.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Uirapuru-225x300.jpg 225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Uirapuru-768x1024.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-6-2-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-7538-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293665\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t785 L177h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLago, Manoel Aranha Corr\u00eaa do. Bernstein, Guilherme.  Heitor Villa-Lobos: Uirapuru: do T\u00e9dio de Alvorada ao Uirapuru: partituras de estudo comentadas. Rio de Janeiro : Andrea Jakobsson Est\u00fadio, 2023. 188 p. : il. color. ; 29cm x 22cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7538-6-2-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"26\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-theory-of-musical-narrative.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1336\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-theory-of-musical-narrative.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-theory-of-musical-narrative.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-theory-of-musical-narrative-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-theory-of-musical-narrative-690x1024.jpg 690w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-theory-of-musical-narrative-768x1140.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-6-2-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"27\" ><div class=\"panel-widget-style panel-widget-style-for-7538-6-2-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293339\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t781.61 A444a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAlm\u00e9n, Byron. A theory of musical narrative. Bloomington: Indiana University Press, c2008.  248 p. : il. (Musical meaning and interpretation)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-6-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7538-6-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"28\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Campos-neutrais.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1188\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Campos-neutrais.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Campos-neutrais.jpg 900w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Campos-neutrais-227x300.jpg 227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Campos-neutrais-776x1024.jpg 776w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Campos-neutrais-768x1014.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/div><\/div><div id=\"panel-7538-6-3-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-7538-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;001293509\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART   784.4(81) R173c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRamil, Vitor.  Campos neutrais: songbook.  Pelotas : V. Ramil, 2017.  71 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7538-6-3-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"30\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-dimensao-sonora.jpeg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"1329\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-dimensao-sonora.jpeg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-dimensao-sonora.jpeg 928w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-dimensao-sonora-209x300.jpeg 209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-dimensao-sonora-715x1024.jpeg 715w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/A-dimensao-sonora-768x1100.jpeg 768w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/a><\/div><\/div><div id=\"panel-7538-6-3-3\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-7538-6-3-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-d1400d03840d-7538\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/sabi.ufrgs.br\/F?func=file&#038;file_name=consultanrb&#038;000792216\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t781.1 R696d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRodr\u00edguez, \u00c1ngel.  La dimensi\u00f3n sonora del lenguage audivisual. Portugu\u00eas A dimens\u00e3o sonora da linguagem audiovisual.  S\u00e3o Paulo, SP: SENAC S\u00e3o Paulo, c2006.  340 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7538-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em Setembro de 2025. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-no-acervo-setembro-2025\/\">Continue<\/a><\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-7538","post","type-post","status-publish","format-standard","hentry","category-avisos"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=7538"}],"version-history":[{"count":19,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7538\/revisions"}],"predecessor-version":[{"id":7577,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7538\/revisions\/7577"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=7538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=7538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=7538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}