{"id":7972,"date":"2026-08-17T17:51:14","date_gmt":"2026-08-17T20:51:14","guid":{"rendered":"https:\/\/www.ufrgs.br\/bibart\/?p=7972"},"modified":"2026-09-29T19:26:41","modified_gmt":"2026-09-29T22:26:41","slug":"novidades-do-acervo-setembro-2026","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/bibart\/novidades-do-acervo-setembro-2026\/","title":{"rendered":"Novidades do acervo- setembro 2026"},"content":{"rendered":"<div id=\"pl-7972\"  class=\"panel-layout\" ><div id=\"pg-7972-0\"  class=\"panel-grid panel-has-style\" ><div id=\"super\" class=\"panel-row-style panel-row-style-for-7972-0\" ><div id=\"pgc-7972-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7972-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7972-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em <strong>setembro de 2026<\/strong>.<\/p>\n<p>Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para abrir os registros no SABi.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-7972-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7972-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7972-1\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7972-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">Artes Visuais<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-7972-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7972-2\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7972-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7972-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-2-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"2\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/solange-pessoa.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1129\" height=\"1500\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/solange-pessoa.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/solange-pessoa.jpg 1129w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/solange-pessoa-226x300.jpg 226w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/solange-pessoa-771x1024.jpg 771w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/solange-pessoa-768x1020.jpg 768w\" sizes=\"auto, (max-width: 1129px) 100vw, 1129px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/b74r7acsav?limiters=FT1%3AY&#038;q=solange%20pessoa&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) S684 <\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPessoa, Solange.   Solange Pessoa.  Rio de Janeiro : Cobog\u00f3,  : Circle books, 2019. 425 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"4\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1223\" height=\"1723\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida.jpg 1223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida-727x1024.jpg 727w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida-768x1082.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/ceramica-um-caminho-de-vida-1090x1536.jpg 1090w\" sizes=\"auto, (max-width: 1223px) 100vw, 1223px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/vrrhsr7srv?limiters=FT1%3AY&#038;q=cer%C3%A2mica%2C%20um%20caminho%20de%20vida&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t738(816.5) L736c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLinck, Maria Annita Tollens.   Cer\u00e2mica, um caminho de vida : Marianita Linck.  Porto Alegre : Imagens da Terra, 2017. 175 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"6\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1393\" height=\"1769\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti.jpg 1393w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti-236x300.jpg 236w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti-806x1024.jpg 806w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti-768x975.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/erika-verzutti-1210x1536.jpg 1210w\" sizes=\"auto, (max-width: 1393px) 100vw, 1393px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/wysh3uyy5v?limiters=FT1%3AY&#038;q=erika%20verzutti&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) V574e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tVerzutti, Erika.   Erika Verzutti.  Rio de Janeiro : Cobog\u00f3, 2013. 163 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"8\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1776\" height=\"2560\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte.jpg 1776w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte-710x1024.jpg 710w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte-768x1107.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte-1066x1536.jpg 1066w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/isso-e-arte-1421x2048.jpg 1421w\" sizes=\"auto, (max-width: 1776px) 100vw, 1776px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/rnr6dyjpyb?limiters=FT1%3AY&#038;q=isso%20%C3%A9%20arte%3F%20will%20gompertz&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.036 G634i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGompertz, Will.   Isso \u00e9 arte ? 150 anos de arte moderna do impressionismo at\u00e9 hoje.  Rio de Janeiro : Zahar, 2013. 443 p. : il. color.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"10\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mascaras-e-imaginarios_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mascaras-e-imaginarios_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mascaras-e-imaginarios_page-0001.jpg 836w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mascaras-e-imaginarios_page-0001-187x300.jpg 187w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mascaras-e-imaginarios_page-0001-639x1024.jpg 639w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mascaras-e-imaginarios_page-0001-768x1231.jpg 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/zrhrpw4j65?limiters=FT1%3AY&#038;q=m%C3%A1scaras%20e%20imagin%C3%A1rios&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.024 B869m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBrondani, Joice Aglae.   M\u00e1scaras e imagin\u00e1rios : buf\u00e3o, commedia dell\u2019arte e pr\u00e1ticas espetaculares populares brasileiras.  Curitiba : Appris, 2020. 375 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"12\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-pre-historica-do-Brasil.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"329\" height=\"500\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-pre-historica-do-Brasil.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-pre-historica-do-Brasil.jpg 329w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-pre-historica-do-Brasil-197x300.jpg 197w\" sizes=\"auto, (max-width: 329px) 100vw, 329px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"13\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/geiemea2ob?limiters=FT1%3AY&#038;q=arte%20pr%C3%A9%20historica%20do%20brasil&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.031(81) P968a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tProus, Andr\u00e9.   Arte pr\u00e9-hist\u00f3rica do Brasil.  2. ed. atual.  Belo Horizonte : C\/arte, 2011. 128 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"14\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banksy.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1250\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banksy.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banksy.jpg 1000w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banksy-240x300.jpg 240w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banksy-819x1024.jpg 819w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banksy-768x960.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/bavgu4wtzz?ctx=KeCDD0n4iYKu01GUvHj9_&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=wall%20and%20piece&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 B218w<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBanksy.   Wall and piece.  Londres : Century, 2006. 238 p. : il. color.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"16\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/dada-berlim_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"1037\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/dada-berlim_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/dada-berlim_page-0001.jpg 605w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/dada-berlim_page-0001-175x300.jpg 175w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/dada-berlim_page-0001-597x1024.jpg 597w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ahiagvi4rf?ctx=s71WhaJ6A2VCaVFMQqhoU&#038;limiters=FT1%3AY&#038;pos=1&#038;q=dada%20berlim&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.037.4 B164d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBaitello Junior, Norval.   Dad\u00e1-Berlim : des\/montagem.  2.ed.  S\u00e3o Paulo : Annablume, 1994. 126 p. : il. ; 10,5x18cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"18\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-da-cultura-visual.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"1316\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-da-cultura-visual.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-da-cultura-visual.jpg 928w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-da-cultura-visual-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-da-cultura-visual-722x1024.jpg 722w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-da-cultura-visual-768x1089.jpg 768w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/am6euybvof?ctx=sZrY3RdUkaOPbwU1HLHai&#038;limiters=FT1%3AY&#038;pos=1&#038;q=educa%C3%A7%C3%A3o%20da%20cultura%20visual&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t37.036 E24ed<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEduca\u00e7\u00e3o da cultura visual : aprender... pesquisar... ensinar.  Santa Maria : Ed. da UFSM, 2015. 294 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"20\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1677\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression-219x300.jpg 219w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression-748x1024.jpg 748w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression-768x1051.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/facial-expression-1122x1536.jpg 1122w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/7gql2l4mov?ctx=2EUSpPa7XR-EPeRrNBE2R&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=facial%20expression&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t743 F159a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFaigin, Gary.   The artist's complete guide to facial expression.  New York : Watson-Guptill, 1990. 287 p. : il. ; 28,5 x 21,5 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"22\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1256\" height=\"1776\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001.jpg 1256w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001-724x1024.jpg 724w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001-768x1086.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/kika-costa_page-0001-1086x1536.jpg 1086w\" sizes=\"auto, (max-width: 1256px) 100vw, 1256px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/sdnqcvvhmz?ctx=7AOWRUmwYLemmLSgJMlQr&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=kika%20costa&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t738 F451k<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFidelis, Gaud\u00eancio.   Kika Costa : formas e anjos : obras 1984-2019.  Porto Alegre : Marcavisual, 2021. 319 p. : il. color. ; 23x29,7cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"24\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/libelo-contra-a-arte-moderna_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"617\" height=\"1045\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/libelo-contra-a-arte-moderna_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/libelo-contra-a-arte-moderna_page-0001.jpg 617w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/libelo-contra-a-arte-moderna_page-0001-177x300.jpg 177w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/libelo-contra-a-arte-moderna_page-0001-605x1024.jpg 605w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/cccna2vosb?ctx=qlW2hgEg9rKKe8l-JKKhr&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=libelo%20contra%20a%20arte%20moderna%20&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.072.3 D143l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDal\u00ed, Salvador.   Libelo contra a arte moderna.  Porto Alegre : L&amp;PM, 2005. 105 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-1-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"26\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-1-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/warhol_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1141\" height=\"1389\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/warhol_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/warhol_page-0001.jpg 1141w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/warhol_page-0001-246x300.jpg 246w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/warhol_page-0001-841x1024.jpg 841w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/warhol_page-0001-768x935.jpg 768w\" sizes=\"auto, (max-width: 1141px) 100vw, 1141px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-1-25\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"27\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-1-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/7zk4xlbjab?ctx=rZXuHtIVShOiS1QCx2rWu&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=4&#038;q=warhol&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t75.039(73) W275H<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHonnef, Klaus.   Andy warhol 1928-1987 : a comercializacao da arte.  Koln : Benedikt Taschen, 2005. 95 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-2-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"28\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1131\" height=\"1297\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape.jpg 1131w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape-262x300.jpg 262w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape-893x1024.jpg 893w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape-768x881.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/janaina-tschape-540x620.jpg 540w\" sizes=\"auto, (max-width: 1131px) 100vw, 1131px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/p2getyhtp5?limiters=FT1%3AY&#038;q=JANAINA%20TSCHAPE&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) T 877<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTsch\u00e4pe, Janaina.   Janaina Tsch\u00e4pe.  Munich : Hirmer,  : Cobog\u00f3, 2017.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"30\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/design-como-arte.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"793\" height=\"1213\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/design-como-arte.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/design-como-arte.jpg 793w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/design-como-arte-196x300.jpg 196w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/design-como-arte-669x1024.jpg 669w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/design-como-arte-768x1175.jpg 768w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/e2pikhdqsb?limiters=FT1%3AY&#038;q=design%20como%20arte&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t745 M963d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMunari, Bruno.   Design como arte.  Rio de Janeiro : Cobog\u00f3, 2024. 269 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"32\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-das-roupas.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"993\" height=\"1500\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-das-roupas.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-das-roupas.jpg 993w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-das-roupas-199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-das-roupas-678x1024.jpg 678w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-das-roupas-768x1160.jpg 768w\" sizes=\"auto, (max-width: 993px) 100vw, 993px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"33\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/fckzk4zniz?limiters=FT1%3AY&#038;q=espirito%20das%20roupas&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t391 S729e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Souza, Gilda de Mello e.   O Esp\u00edrito das roupas: a moda no s\u00e9culo dezenove.  2 ed.  S\u00e3o Paulo : Companhia das Letras,  : Ouro sobre azul, 2019. 246 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"34\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1561\" height=\"1873\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna.jpg 1561w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna-250x300.jpg 250w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna-853x1024.jpg 853w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna-768x922.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lucia-laguna-1280x1536.jpg 1280w\" sizes=\"auto, (max-width: 1561px) 100vw, 1561px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"35\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/77ewwalrbz?limiters=FT1%3AY&#038;q=lucia%20laguna%20cobog%C3%B3&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) L182<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCampos, Marcelo.   L\u00facia Laguna.  Rio de Janeiro : Cobog\u00f3, 2021. 219 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"36\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/vanguarguas-em-retrocesso.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"1217\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/vanguarguas-em-retrocesso.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/vanguarguas-em-retrocesso.jpg 809w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/vanguarguas-em-retrocesso-199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/vanguarguas-em-retrocesso-681x1024.jpg 681w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/vanguarguas-em-retrocesso-768x1155.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"37\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/i7r6hyymsj?limiters=FT1%3AY&#038;q=vanguardas%20em%20retrocesso&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.038 M619v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMiceli, S\u00e9rgio.   Vanguardas em retrocesso : ensaios de hist\u00f3ria social e intelectual do modernismo latino-americano.  S\u00e3o Paulo : Companhia das letras, 2012. 217 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"38\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-contemporanea_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1189\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-contemporanea_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-contemporanea_page-0001.jpg 801w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-contemporanea_page-0001-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-contemporanea_page-0001-690x1024.jpg 690w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-contemporanea_page-0001-768x1140.jpg 768w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"39\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/bjvh4ihqfz?ctx=77jl--WLz_4VuPmvUtkjM&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=catherine%20millet&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 M653a-p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMillet, Catherine.   A arte contempor\u00e2nea.  Lisboa : Instituto Piaget, 1997. 147 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"40\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/barroco-mineiro-artes-e-trabalho.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"881\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/barroco-mineiro-artes-e-trabalho.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/barroco-mineiro-artes-e-trabalho.jpg 669w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/barroco-mineiro-artes-e-trabalho-228x300.jpg 228w\" sizes=\"auto, (max-width: 669px) 100vw, 669px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"41\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/oahjnh5yzr?ctx=e6Oq_DqZWwKVebl-ArSv2&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=5&#038;q=barroco%20mineiro&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.034.7 B742b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBoschi, Caio Cesar.   O barroco mineiro : artes e trabalho.  S\u00e3o Paulo : Brasiliense, 1988 78p. : il., fot.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"42\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/diccionario-de-artes-y-artistas_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"1045\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/diccionario-de-artes-y-artistas_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/diccionario-de-artes-y-artistas_page-0001.jpg 665w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/diccionario-de-artes-y-artistas_page-0001-191x300.jpg 191w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/diccionario-de-artes-y-artistas_page-0001-652x1024.jpg 652w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"43\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/kuxoiwu5cr?ctx=5MBmh92R0XhHfXM2gYa7W&#038;limiters=FT1%3AY&#038;pos=1&#038;q=diccionario%20de%20artes%20y%20artistas&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tR 7(03) M981d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMurray, Peter.   Diccionario de arte y artistas.  Barcelona : Instituto Parram\u00f3n Ediciones, 1978. 597 p. ; 18 x 11,5cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"44\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/elias-maroso-vida-que-sobra.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1056\" height=\"1364\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/elias-maroso-vida-que-sobra.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/elias-maroso-vida-que-sobra.jpg 1056w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/elias-maroso-vida-que-sobra-232x300.jpg 232w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/elias-maroso-vida-que-sobra-793x1024.jpg 793w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/elias-maroso-vida-que-sobra-768x992.jpg 768w\" sizes=\"auto, (max-width: 1056px) 100vw, 1056px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"45\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ek6xe2sgy5?ctx=K3BuGnM2iUwx0ytcbRHCF&#038;limiters=FT1%3AY&#038;pos=1&#038;q=elias%20maroso&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tC M354<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMaroso, Elias Edmundo.   Elias Maroso: vida que sobra.  Porto Alegre : AAMARGS, 2025. 99 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"46\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1879\" height=\"2499\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1.jpg 1879w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1-226x300.jpg 226w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1-770x1024.jpg 770w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1-768x1021.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1-1155x1536.jpg 1155w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/francis-bacon-1-1540x2048.jpg 1540w\" sizes=\"auto, (max-width: 1879px) 100vw, 1879px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"47\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/sabi.ufrgs.br\/F\/J1YB34TKMCVHXJJ2IGAHSJ3U4HI32H84GNKSCIVTX4NFKCFXGH-42616?func=item-global&#038;doc_number=001313691&#038;doc_library=URS01&#038;set_number=020816\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 B128b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFrancis Bacon: a beleza da carne. Sao Paulo : MASP, 2024. 273 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"48\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lamp_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"882\" height=\"1238\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lamp_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lamp_page-0001.jpg 882w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lamp_page-0001-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lamp_page-0001-730x1024.jpg 730w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/lamp_page-0001-768x1078.jpg 768w\" sizes=\"auto, (max-width: 882px) 100vw, 882px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"49\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/jpeuccrvz5?ctx=GhqYSQtUVHdOqhtESGNs-&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=2&#038;q=el%20libro%20de%20artista&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.071(02) L697<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEl libro de artista como materializaci\u00f3n del pensamiento.  Madrid : Universidad Complutense de Madrid, 2013. 111 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"50\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-mundo-sem-chao_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"917\" height=\"1309\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-mundo-sem-chao_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-mundo-sem-chao_page-0001.jpg 917w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-mundo-sem-chao_page-0001-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-mundo-sem-chao_page-0001-717x1024.jpg 717w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-mundo-sem-chao_page-0001-768x1096.jpg 768w\" sizes=\"auto, (max-width: 917px) 100vw, 917px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"51\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/rcrlb65cnr?ctx=LON0_FJHFly-bw26iUVJJ&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=no%20mundo%20sem%20ch%C3%A3o&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7(81)(091) N739<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDuarte, Paulo Sergio.   No mundo sem ch\u00e3o : escritos sobre arte.  Rio de Janeiro : Cobog\u00f3, 2023. 468 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-2-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"52\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-2-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/zona-de-contagio.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1021\" height=\"1505\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/zona-de-contagio.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/zona-de-contagio.jpg 1021w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/zona-de-contagio-204x300.jpg 204w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/zona-de-contagio-695x1024.jpg 695w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/zona-de-contagio-768x1132.jpg 768w\" sizes=\"auto, (max-width: 1021px) 100vw, 1021px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-2-25\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"53\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-2-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/sr5uu4q535?ctx=3W5CjyMMN9j-nrn9ncIMJ&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=zona%20de%20cont%C3%A1gio&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 Z87<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tZona de cont\u00e1gio : intera\u00e7\u00f5es, trocas e cria\u00e7\u00f5es experimentais em arte contempor\u00e2nea.  2.ed.  Bras\u00edlia : Editorial Sol, 2018. 130 p. : il. color. ; 26 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-2-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7972-2-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"54\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1213\" height=\"1677\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik.jpg 1213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik-217x300.jpg 217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik-741x1024.jpg 741w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik-768x1062.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/abraham-palatnik-1111x1536.jpg 1111w\" sizes=\"auto, (max-width: 1213px) 100vw, 1213px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"55\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/rqermxvylb?limiters=FT1%3AY&#038;q=abraham%20palatnik&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 A159<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAbraham Palatnik : experimenta\u00e7\u00e3o\/encantamento.  S\u00e3o Paulo : Nara Roesler, 2021. 343 p. : il. color.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"56\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/epistemologias-do-sul_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"1316\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/epistemologias-do-sul_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/epistemologias-do-sul_page-0001.jpg 928w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/epistemologias-do-sul_page-0001-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/epistemologias-do-sul_page-0001-722x1024.jpg 722w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/epistemologias-do-sul_page-0001-768x1089.jpg 768w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"57\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/p3soy5kzij?limiters=FT1%3AY&#038;q=epistemologias%20do%20sul&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t1 E64<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEpistemologias do sul.  S\u00e3o Paulo : Cortez, 2010. 637 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"58\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1216\" height=\"1696\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade.jpg 1216w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade-734x1024.jpg 734w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade-768x1071.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-da-arte-panorama-das-artes-plasticas-e-da-arquitectura-da-pre-historia-a-actualidade-1101x1536.jpg 1101w\" sizes=\"auto, (max-width: 1216px) 100vw, 1216px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"59\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/q2ob3txwh5?limiters=FT1%3AY&#038;q=hist%C3%B3ria%20da%20arte%2C%20panorama&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7(091) J35his 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tJanson, Horst Woldemar.   Historia da arte : panorama das artes pl\u00e1sticas e da arquitectura da pr\u00e9-hist\u00f3ria \u00e0 actualidade.  2.ed.  Lisboa : Funda\u00e7\u00e3o Calouste Gulbenkian, 1977. 766 p. : il., fot.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"60\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/maria-laet-poro.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1113\" height=\"1389\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/maria-laet-poro.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/maria-laet-poro.jpg 1113w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/maria-laet-poro-240x300.jpg 240w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/maria-laet-poro-821x1024.jpg 821w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/maria-laet-poro-768x958.jpg 768w\" sizes=\"auto, (max-width: 1113px) 100vw, 1113px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"61\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/i5r7nroz7b?limiters=FT1%3AY&#038;q=maria%20laet%2C%20poro&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) L158p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLaet, Maria.   Poro.  Rio de Janeiro : Cobog\u00f3, 2018. 82 p. : fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"62\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/laura-lima-on_off.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1107\" height=\"1297\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/laura-lima-on_off.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/laura-lima-on_off.jpg 1107w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/laura-lima-on_off-256x300.jpg 256w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/laura-lima-on_off-874x1024.jpg 874w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/laura-lima-on_off-768x900.jpg 768w\" sizes=\"auto, (max-width: 1107px) 100vw, 1107px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"63\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/uvwlrmq6hn?limiters=FT1%3AY&#038;q=laura%20lima&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) L377<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLaura Lima on_off.  Rio de Janeiro : Cobog\u00f3, 2014. 356 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"64\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1221\" height=\"1617\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons.jpg 1221w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons-227x300.jpg 227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons-773x1024.jpg 773w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons-768x1017.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/anatomy-lessons-1160x1536.jpg 1160w\" sizes=\"auto, (max-width: 1221px) 100vw, 1221px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"65\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/pjwc4rw6sz?ctx=-YPSfUEIKgwAIM2_TuYqG&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=anatomy%20lessons&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t743 H161a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHale, Robert Beverly.   Anatomy lessons from the great masters.  New York : Watson-Guptill, 2000. 271 p. : il. ; 27,5 x 21 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"66\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/corporeidades-encruzilhadas.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1048\" height=\"1280\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/corporeidades-encruzilhadas.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/corporeidades-encruzilhadas.jpg 1048w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/corporeidades-encruzilhadas-246x300.jpg 246w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/corporeidades-encruzilhadas-838x1024.jpg 838w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/corporeidades-encruzilhadas-768x938.jpg 768w\" sizes=\"auto, (max-width: 1048px) 100vw, 1048px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"67\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iffxxiyekb?ctx=yUg5pyC4uC4A_2hTpH_qx&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=corporeidades%20encruzilhadas&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 R672c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Rocha, Nap\u00ea.   Corporeidades Encruzilhadas : Paulo Nazareth e cadernos de \u00c1frica.  Rio de Janeiro : Cobog\u00f3, 2024. 189 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"68\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/digital-visions_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1213\" height=\"1357\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/digital-visions_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/digital-visions_page-0001.jpg 1213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/digital-visions_page-0001-268x300.jpg 268w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/digital-visions_page-0001-915x1024.jpg 915w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/digital-visions_page-0001-768x859.jpg 768w\" sizes=\"auto, (max-width: 1213px) 100vw, 1213px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"69\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/o47ktgrfqr?ctx=sHSR8Yk4v2927x1B4SdH1&#038;limiters=FT1%3AY&#038;pos=1&#038;q=digital%20visions&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:6 P653d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGoodman, Cynthia.   Digital visions: computers and art.  New York : Harry N. Abrams, 1987. 207 p. ; 23 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"70\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estatuaria-e-ideologia.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1201\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estatuaria-e-ideologia.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estatuaria-e-ideologia.jpg 821w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estatuaria-e-ideologia-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estatuaria-e-ideologia-700x1024.jpg 700w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estatuaria-e-ideologia-768x1123.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"71\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/v2v7bxzrvv?ctx=8bb-tal4kIyjLTFDovNsU&#038;limiters=FT1%3AY&#038;pos=1&#038;q=estatu%C3%A1ria%20e%20ideologia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t73.03(816.51) D633p 2.ed.<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDoberstein, Arnoldo Walter.   Porto Alegre 1900-1920 : estatu\u00e1ria e ideologia.  2. ed. rev. ampl.  Porto Alegre : Ed. da Cidade,  : Letra &amp; Vida, 2011. 167 p. : il. + 16 p. de fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"72\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Imediacoes.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1073\" height=\"1461\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Imediacoes.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Imediacoes.jpg 1073w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Imediacoes-220x300.jpg 220w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Imediacoes-752x1024.jpg 752w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Imediacoes-768x1046.jpg 768w\" sizes=\"auto, (max-width: 1073px) 100vw, 1073px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"73\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/krkrx7mgib?ctx=0XqvNmQfD4lBlJt1RLcLT&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=imedia%C3%A7%C3%B5es&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.072.3 I32<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tImedia\u00e7\u00f5es : a cr\u00edtica de Wilson Coutinho.  Rio de Janeiro : Conex\u00e3o Artes Visuais, 2008. 351 p. ; 25 x 18,5 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"74\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/las-escuelas-de-arte-de-vanguardia.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1232\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/las-escuelas-de-arte-de-vanguardia.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/las-escuelas-de-arte-de-vanguardia.jpg 800w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/las-escuelas-de-arte-de-vanguardia-195x300.jpg 195w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/las-escuelas-de-arte-de-vanguardia-665x1024.jpg 665w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/las-escuelas-de-arte-de-vanguardia-768x1183.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"75\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/mmclm7xh5v?ctx=BBUcBbnor1PVfMKvegT-Q&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=las%20escuelas%20de%20arte%20de%20vanguardia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.071.5 E74e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLas escuelas de arte de vanguardia : 1900-1933.  Madrid : Taurus, 1980. 320 p. : il. ; 21 x 13,5cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-2-3-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"76\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-2-3-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/olympia_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"1221\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/olympia_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/olympia_page-0001.jpg 813w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/olympia_page-0001-200x300.jpg 200w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/olympia_page-0001-682x1024.jpg 682w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/olympia_page-0001-768x1153.jpg 768w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><\/a><\/div><\/div><div id=\"panel-7972-2-3-23\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"77\" ><div class=\"panel-widget-style panel-widget-style-for-7972-2-3-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7afcf20e5f89-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/7ovfj65xcf?ctx=dzgUM8-Q_KGWQGQke23kL&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=olympia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.036(44) F911o<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFriedrich, Otto.   Olympia : Paris no tempo dos impressionistas.  S\u00e3o Paulo : Companhia das Letras, 1993. 334 p. : il. color. ; 21 x 14cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7972-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7972-3\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7972-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"78\" ><div class=\"panel-widget-style panel-widget-style-for-7972-3-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #ffffff;\">M\u00fasica<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-7972-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7972-4\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7972-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7972-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-4-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"79\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banda-municipal-de-porto-alegre.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1172\" height=\"1456\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banda-municipal-de-porto-alegre.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banda-municipal-de-porto-alegre.jpg 1172w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banda-municipal-de-porto-alegre-241x300.jpg 241w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banda-municipal-de-porto-alegre-824x1024.jpg 824w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/banda-municipal-de-porto-alegre-768x954.jpg 768w\" sizes=\"auto, (max-width: 1172px) 100vw, 1172px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"80\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/if43ogpuor?limiters=FT1%3AY&#038;q=banda%20municipal&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78(091)(816.5) S235b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSanti, \u00c1lvaro.   Banda Municipal de Porto Alegre : hist\u00f3ria, m\u00fasica e cultura.  Porto Alegre : Libretos, 2026. 375 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"81\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1181\" height=\"1637\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone.jpg 1181w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone-216x300.jpg 216w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone-739x1024.jpg 739w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone-768x1065.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-cantiga-de-ninar-francisco-mignone-1108x1536.jpg 1108w\" sizes=\"auto, (max-width: 1181px) 100vw, 1181px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"82\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/3zbp7svz5v?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=cantiga%20de%20ninar&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784 M636c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMignone, Francisco.   Cantiga de ninar [m\u00fasica].  S\u00e3o Paulo : Cembra, c1952. 1 partitura(2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"83\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1223\" height=\"1657\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti.jpg 1223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti-221x300.jpg 221w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti-756x1024.jpg 756w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti-768x1041.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ideale-f.-paolo-tosti-1134x1536.jpg 1134w\" sizes=\"auto, (max-width: 1223px) 100vw, 1223px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"84\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/s7gholumhj?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=ideale%20&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.3 T716i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTosti, Paolo.   Ideale : melodia n. 1 [m\u00fasica].  Buenos Aires : Ricordi, (19--). 1 partitura ( 4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"85\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1209\" height=\"1729\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer.jpg 1209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer-716x1024.jpg 716w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer-768x1098.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-paradiso-meyerbeer-1074x1536.jpg 1074w\" sizes=\"auto, (max-width: 1209px) 100vw, 1209px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"86\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/pkgsimnrdr?limiters=FT1%3AY&#038;q=o%20paradiso&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 M612p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMeyerbeer, Giacomo.   O paradiso [m\u00fasica].  Buenos Aires : Ricordi, [S. d.]. 1 partitura para canto e piano (4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"87\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1185\" height=\"1665\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo.jpg 1185w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo-214x300.jpg 214w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo-729x1024.jpg 729w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo-768x1079.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-revelacao-armando-paracampo-1093x1536.jpg 1093w\" sizes=\"auto, (max-width: 1185px) 100vw, 1185px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"88\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/cza5qan4w5?limiters=FT1%3AY&#038;q=revela%C3%A7%C3%A3o%20armando&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 P221r<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tParacampo, Armando.   Revela\u00e7\u00e3o [m\u00fasica].  Rio de Janeiro : Mangione, 1935. 1 partitura para canto e piano (4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"89\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1209\" height=\"1669\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001.jpg 1209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001-217x300.jpg 217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001-742x1024.jpg 742w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001-768x1060.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-arte-e-o-oficio-de-ser-violeiro_page-0001-1113x1536.jpg 1113w\" sizes=\"auto, (max-width: 1209px) 100vw, 1209px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"90\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/w3j2l4jzcf?ctx=yjZ6MEKKoKqLWmhjvg81n&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=a%20arte%20e%20o%20of%C3%ADcio%20de%20ser%20violeiro&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t787.61 M582a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Silva, Marcos Mesquita da.   A arte e o of\u00edcio de ser violeiro : forma\u00e7\u00e3o de acordes e escalas.  Bras\u00edlia : Esta\u00e7\u00e3o Brasileira, 2019. 352 p. ; 21,30 x 28x30cm + 2 CD-ROM\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"91\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.1-a-arte-e-o-oficio-de-ser-violeiro.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"725\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.1-a-arte-e-o-oficio-de-ser-violeiro.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.1-a-arte-e-o-oficio-de-ser-violeiro.jpg 821w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.1-a-arte-e-o-oficio-de-ser-violeiro-300x265.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.1-a-arte-e-o-oficio-de-ser-violeiro-768x678.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"92\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/w3j2l4jzcf?ctx=8FZcvW9sdoSA1OGgVdVV-&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=a%20arte%20e%20o%20of%C3%ADcio%20de%20ser%20violeiro&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD 1026 v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Silva, Marcos Mesquita da.   A arte e o of\u00edcio de ser violeiro : forma\u00e7\u00e3o de acordes e escalas.  Bras\u00edlia : Esta\u00e7\u00e3o Brasileira, 2019. 352 p. ; 21,30 x 28x30cm + 2 CD-ROM\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"93\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/musica-popular-brasileira.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"929\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/musica-popular-brasileira.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/musica-popular-brasileira.jpg 669w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/musica-popular-brasileira-216x300.jpg 216w\" sizes=\"auto, (max-width: 669px) 100vw, 669px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"94\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/kmnk43ojnr?ctx=6Lbgx6m8eOBSGKfUQuFq9&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=11&#038;q=m%C3%BAsica%20popular%20brasileira&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78(81) K91m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKrausche, Valter.   M\u00fasica popular brasileira : da cultura de roda \u00e0 musica de massa.  S\u00e3o Paulo : Brasiliense, 1983. 97 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"95\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1236\" height=\"1748\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001.jpg 1236w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001-724x1024.jpg 724w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001-768x1086.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-care-selve-G.F.HANDEL_page-0001-1086x1536.jpg 1086w\" sizes=\"auto, (max-width: 1236px) 100vw, 1236px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"96\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/bctdl4cvw5?ctx=sh43qlsKxrePw3bgyLdLP&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=care%20selve&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 H236ca<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tH\u00e4ndel, Georg Friedrich.   Care Selve : from \"Atalanta\" [m\u00fasica].  New York : Edward B. Marks, c1941. 1 partitura de canto (2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"97\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1177\" height=\"1573\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti.jpg 1177w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti-224x300.jpg 224w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti-766x1024.jpg 766w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti-768x1026.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera.-donizetti-1149x1536.jpg 1149w\" sizes=\"auto, (max-width: 1177px) 100vw, 1177px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"98\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/udjjoda4wv?ctx=Mi9rAab2ZvaiACBFaVAS7&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=3&#038;q=composizioni&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 785.7 D683co<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDonizetti, Gaetano.   Composizioni da camera : per canto e pianoforte [m\u00fasica].  Milano : Ricordi, c1961. 1 partitura ( 63 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"99\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1237\" height=\"1661\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen.jpg 1237w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen-223x300.jpg 223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen-763x1024.jpg 763w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen-768x1031.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-G-Zwei-MArchenaugen-1144x1536.jpg 1144w\" sizes=\"auto, (max-width: 1237px) 100vw, 1237px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"100\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iealmychrz?ctx=xDqs9dWepthwExtn9k00r&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=das%20neue&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 782.8 O61 v.3<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Das neue Operettenbuch : die sch\u00f6nsten Operettenmelodien in ungek\u00fcrzten Originalausgaben und vollst\u00e4ndigen Texten [m\u00fasica].  Mainz : Schott'S Sohne, [19--]. 5 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"101\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1236\" height=\"1744\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001.jpg 1236w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001-726x1024.jpg 726w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001-768x1084.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-el-ultimo-romantico-jose-tellaeche_page-0001-1089x1536.jpg 1089w\" sizes=\"auto, (max-width: 1236px) 100vw, 1236px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"102\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/gyvals34rb?ctx=i7RsjAOT0TBOpfiSEYUl1&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=el%20ultimo%20romantico&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 782.8 S728u<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSoutullo, Reveriano.   El ultimo rom\u00e2ntico : zarzuela en dos actos, divididos en cuatro cuadros [m\u00fasica].  Madri : Union Musical Ediciones, c1968. 1 partitura (124 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"103\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1230\" height=\"1746\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001.jpg 1230w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001-721x1024.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001-768x1090.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-je-crois-entendre-encore-BIZET_page-0001-1082x1536.jpg 1082w\" sizes=\"auto, (max-width: 1230px) 100vw, 1230px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-25\" class=\"so-panel widget widget_sow-headline\" data-index=\"104\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/2nz5v5a54f?ctx=6YK1gFfZTQX3cbpbYPwGp&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=4&#038;q=bizet&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 B625j<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBizet, Georges.   Je croix entendre encore [m\u00fasica].  Buenos Aires : Ricordi, [S. d.]. 1 partitura para canto e piano ( 4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-26\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"105\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-26\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1753\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti-716x1024.jpg 716w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti-768x1099.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-popular-italian-songs-luciano-pavarotti-1073x1536.jpg 1073w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-27\" class=\"so-panel widget widget_sow-headline\" data-index=\"106\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/sabi.ufrgs.br\/F\/2BA6IEHR37VPUL3PPGJDHE8C7CGJJTNF1M316MM4ABR5NBYEA8-40072?func=item-global&#038;doc_number=001313759&#038;doc_library=URS01&#038;set_number=004340\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.4 P831 <\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPopular italian songs : Luciano Pavarotti [m\u00fasica].  Roma : Bixio Gruppo Editoriale,  : Nuova Carisch, c1994. 1 partitura ( 39 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-28\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"107\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-28\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1217\" height=\"1785\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001.jpg 1217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001-698x1024.jpg 698w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001-768x1126.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quem-sabe-a.-carlos-gomes_page-0001-1047x1536.jpg 1047w\" sizes=\"auto, (max-width: 1217px) 100vw, 1217px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-29\" class=\"so-panel widget widget_sow-headline\" data-index=\"108\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/uehsy6bgyr?ctx=_IeFQxvXRaOiK-IyBEswr&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=quem%20sabe&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 G633q<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGomes, Antonio Carlos.   Quem sabe?! : modinha [m\u00fasica].  S\u00e3o Paulo : E.S. Mangione, [19--]. 1 partitura (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-30\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"109\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-30\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1705\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert.jpg 1201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert-721x1024.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert-768x1090.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-serenata-de-cantos-del-cisne-schubert-1082x1536.jpg 1082w\" sizes=\"auto, (max-width: 1201px) 100vw, 1201px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-31\" class=\"so-panel widget widget_sow-headline\" data-index=\"110\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/zlmsirfigb?ctx=UN3pdUg8XEwTaCR7_yEB2&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=serenata%20de%20cantos&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 S384se<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSchubert, Franz.   Serenata : (de \"Cantos del Cisne\") [m\u00fasica].  Buenos Aires : Ricordi, [19--]. 1 partitura (6 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-1-32\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"111\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-1-32\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1224\" height=\"1678\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001.jpg 1224w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001-219x300.jpg 219w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001-747x1024.jpg 747w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001-768x1053.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ya-mis-horas-felices.-R.-SOUTULLO_page-0001-1120x1536.jpg 1120w\" sizes=\"auto, (max-width: 1224px) 100vw, 1224px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-1-33\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"112\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-1-33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ydgax5jj3v?ctx=wfoBzRXfVtg2yQMMnDjqr&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=ya%20mis%20horas%20felices&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 S728y<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSoutullo, Reveriano.   Ya mis horas felices : romanza del baritono [m\u00fasica].  Buenos Aires : Ricordi, [19--]. 1 partitura para canto e piano (5 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-4-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"113\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-acompanha-781.1-M543a-acustica-musical-em-palavras-e-sons-flo-menezes.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"835\" height=\"727\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-acompanha-781.1-M543a-acustica-musical-em-palavras-e-sons-flo-menezes.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-acompanha-781.1-M543a-acustica-musical-em-palavras-e-sons-flo-menezes.jpg 835w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-acompanha-781.1-M543a-acustica-musical-em-palavras-e-sons-flo-menezes-300x261.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-acompanha-781.1-M543a-acustica-musical-em-palavras-e-sons-flo-menezes-768x669.jpg 768w\" sizes=\"auto, (max-width: 835px) 100vw, 835px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"114\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/gztwao3oi5?limiters=FT1%3AY&#038;q=cd%20ac%C3%BAstica%20musical%20em%20palavras%20e%20sons&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD ANEXO 312<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMenezes, Flo.   A ac\u00fastica musical em palavras e sons.  2. ed. rev.  Cotia : Ateli\u00ea Editorial, 2014. 307 p. : il. + CD\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"115\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1153\" height=\"1625\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini.jpg 1153w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini-727x1024.jpg 727w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini-768x1082.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-fenesta-che-lucive-vincenzo-bellini-1090x1536.jpg 1090w\" sizes=\"auto, (max-width: 1153px) 100vw, 1153px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"116\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/esysp3umhr?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=partitura%20fenesta%20che%20lucive%20vincenzo%20bellini&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.3 B444f<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBellini, Vincenzo.   Fenesta che Lucive : c\u00e9lebre can\u00e7\u00e3o napolitana [m\u00fasica].  S\u00e3o Paulo : Cembra, (19--). 1 partitura para canto (2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"117\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1137\" height=\"1589\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi.jpg 1137w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi-733x1024.jpg 733w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi-768x1073.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-nina-g.-b.-pergolesi-1099x1536.jpg 1099w\" sizes=\"auto, (max-width: 1137px) 100vw, 1137px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"118\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/4dg46o6du5?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=nina&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.3 P439n<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Pergolesi, Giovanni Battista.   Nina [m\u00fasica].  S\u00e3o Paulo : Irm\u00e3os Vitale, c1946. 1 partitura para canto e piano ( 2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"119\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1193\" height=\"1729\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel.jpg 1193w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel-707x1024.jpg 707w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel-768x1113.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ombra-mai-fu-handel-1060x1536.jpg 1060w\" sizes=\"auto, (max-width: 1193px) 100vw, 1193px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"120\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ghwhcpdw25?limiters=FT1%3AY&#038;q=ombra%20mai%20fu&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 H236o<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tH\u00e4ndel, Georg Friedrich.   Ombra mai fu [m\u00fasica].  S\u00e3o Paulo : Ricordi, [19--]. 1 partitura de canto (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"121\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1217\" height=\"1717\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar.jpg 1217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar-726x1024.jpg 726w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar-768x1084.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-tuyo-es-mi-corazon-f.-lehar-1089x1536.jpg 1089w\" sizes=\"auto, (max-width: 1217px) 100vw, 1217px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"122\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qe2ejw34iz?limiters=FT1%3AY&#038;q=tuyo%20es%20mi%20coraz%C3%B3n&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 L522t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLehar, Franz.   Tuyo es mi coraz\u00f3n [m\u00fasica].  Buenos Aires : Ricordi, c1957. 1 partitura para canto e piano (4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"123\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/auto-aprendizagem-musical.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"1229\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/auto-aprendizagem-musical.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/auto-aprendizagem-musical.jpg 813w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/auto-aprendizagem-musical-198x300.jpg 198w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/auto-aprendizagem-musical-677x1024.jpg 677w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/auto-aprendizagem-musical-768x1161.jpg 768w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"124\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qy2v6blwmb?ctx=ZR3Eq8yxi1E1joOKxVx-w&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=auto%20aprendizagem%20musical&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.071.5 G614a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tGohn, Daniel Marcondes.   Auto-aprendizagem musical : alternativas tecnol\u00f3gicas.  S\u00e3o Paulo : Annablume,  : FAPESP, 2003. 211 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"125\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.2-a-arte-e-o-oficio-de-ser-violeiro.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"825\" height=\"721\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.2-a-arte-e-o-oficio-de-ser-violeiro.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.2-a-arte-e-o-oficio-de-ser-violeiro.jpg 825w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.2-a-arte-e-o-oficio-de-ser-violeiro-300x262.jpg 300w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cd-v.2-a-arte-e-o-oficio-de-ser-violeiro-768x671.jpg 768w\" sizes=\"auto, (max-width: 825px) 100vw, 825px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"126\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/w3j2l4jzcf?ctx=8FZcvW9sdoSA1OGgVdVV-&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=a%20arte%20e%20o%20of%C3%ADcio%20de%20ser%20violeiro&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCD 1026 v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSilva, Marcos Mesquita da.   A arte e o of\u00edcio de ser violeiro : forma\u00e7\u00e3o de acordes e escalas.  Bras\u00edlia : Esta\u00e7\u00e3o Brasileira, 2019. 352 p. ; 21,30 x 28x30cm + 2 CD-ROM\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"127\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1169\" height=\"1573\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini.jpg 1169w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini-223x300.jpg 223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini-761x1024.jpg 761w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini-768x1033.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-15-composizioni-da-camera-vincenzo-bellini-1142x1536.jpg 1142w\" sizes=\"auto, (max-width: 1169px) 100vw, 1169px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"128\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/wvmiv4n5df?ctx=w95B-QMeG31o7BFzWHX0C&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=2&#038;q=composizioni&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 785.7 B444c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBellini, Vincenzo.   Composizioni da camera : per canto e pianoforte [m\u00fasica].  Milano : Ricordi, reimpress\u00e3o 1979. 1 partitura ( 69 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"129\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1208\" height=\"1740\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001.jpg 1208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001-711x1024.jpg 711w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001-768x1106.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-com-e-gentil-DONIZETTI_page-0001-1066x1536.jpg 1066w\" sizes=\"auto, (max-width: 1208px) 100vw, 1208px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"130\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/v7c2b5zuf5?ctx=iUnKOLFAK0CHH-nd_jRaq&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=com%27%20%C3%A9%20gentil&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 D683co<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDonizetti, Gaetano.   Com' \u00e8 gentil [m\u00fasica].  Milano : Ricordi, reimp. 1944. 1 partitura para canto e piano ( 4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"131\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1229\" height=\"1637\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt.jpg 1229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt-225x300.jpg 225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt-769x1024.jpg 769w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt-768x1023.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-R-Gern-hab\u00b4-ich-die-Frau\u00b4n-gekUbt-1153x1536.jpg 1153w\" sizes=\"auto, (max-width: 1229px) 100vw, 1229px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"132\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iealmychrz?ctx=xDqs9dWepthwExtn9k00r&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=das%20neue&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 782.8 O61 v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Das neue Operettenbuch : die sch\u00f6nsten Operettenmelodien in ungek\u00fcrzten Originalausgaben und vollst\u00e4ndigen Texten [m\u00fasica].  Mainz : Schott'S Sohne, [19--]. 5 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"133\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1657\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile-222x300.jpg 222w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile-757x1024.jpg 757w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile-768x1039.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-P-Leise-erklingen-Glocken-vom-Campanile-1136x1536.jpg 1136w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"134\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iealmychrz?ctx=xDqs9dWepthwExtn9k00r&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=das%20neue&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 782.8 O61 v.4<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Das neue Operettenbuch : die sch\u00f6nsten Operettenmelodien in ungek\u00fcrzten Originalausgaben und vollst\u00e4ndigen Texten [m\u00fasica].  Mainz : Schott'S Sohne, [19--]. 5 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"135\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1677\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001-219x300.jpg 219w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001-748x1024.jpg 748w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001-768x1051.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-grUs-euch-gott-alle-miteinander-CARL-ZELLER_page-0001-1122x1536.jpg 1122w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"136\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/loqxmtzh7n?ctx=-Hx5wlbkkE_Y5Hjd2XnxH&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=euch%20gott&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 Z51g<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tZeller, Carl.   Gr\u00fc\u00df euch Gott, alle miteinander! [m\u00fasica].  Mainz : Schott, [19--]. 1 partitura para canto e piano (2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"137\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1232\" height=\"1738\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001.jpg 1232w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001-726x1024.jpg 726w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001-768x1083.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-la-canzone-dell-amore-C.A.BIXIO_page-0001-1089x1536.jpg 1089w\" sizes=\"auto, (max-width: 1232px) 100vw, 1232px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-25\" class=\"so-panel widget widget_sow-headline\" data-index=\"138\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/l2kqphrbhr?ctx=qAV-YuncW2W2vFMglWq8l&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=la%20canzone&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 B624c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBixio, C. A..   La canzone dell'amore [m\u00fasica].  Rio de Janeiro : Mangione, c1986. 1 partitura para canto e piano (2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-26\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"139\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-26\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1125\" height=\"1589\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai.jpg 1125w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai-725x1024.jpg 725w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai-768x1085.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pratical-method-of-italian-singing-vaccai-1087x1536.jpg 1087w\" sizes=\"auto, (max-width: 1125px) 100vw, 1125px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-27\" class=\"so-panel widget widget_sow-headline\" data-index=\"140\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/on4k5mt3vv?ctx=QcMQWkk2ukFK3j3RxRCxl&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=practical%20method%20of%20italian%20singing&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.9 V113p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tVaccai, Nicola.   Practical method of italian singing [m\u00fasica].  New York : Schirmer, c1975. 1 partitura (40 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-28\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"141\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-28\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1777\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti-706x1024.jpg 706w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti-768x1114.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-romanze-su-testi-italiani-francesco-paolo-tosti-1059x1536.jpg 1059w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-29\" class=\"so-panel widget widget_sow-headline\" data-index=\"142\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/sstkhl2x5j?ctx=P-u5jy4j1gm45LteP6dl7&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=su%20testi%20italiani&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.3 T716r<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTosti, Paolo.   Romanze su testi italiani : prima raccolta (1873-1882) [m\u00fasica].  Buenos Aires : Ricordi, c1993. 1 partitura ( 194 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-30\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"143\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-30\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1228\" height=\"1748\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection.jpg 1228w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection-719x1024.jpg 719w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection-768x1093.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-the-jose-carreras-collection-1079x1536.jpg 1079w\" sizes=\"auto, (max-width: 1228px) 100vw, 1228px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-31\" class=\"so-panel widget widget_sow-headline\" data-index=\"144\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/7xr6fce6qr?ctx=UyLv1vwnFeZbL7ysIu5KI&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=the%20jos%C3%A9%20carreras&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.4 J83<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tThe Jos\u00e9 Carreras collection [m\u00fasica].  London : Wise Publications, c1994. 1 partitura ( 64 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-2-32\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"145\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-2-32\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/praticas-digitais-em-educacao-musical_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"1196\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/praticas-digitais-em-educacao-musical_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/praticas-digitais-em-educacao-musical_page-0001.jpg 928w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/praticas-digitais-em-educacao-musical_page-0001-233x300.jpg 233w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/praticas-digitais-em-educacao-musical_page-0001-795x1024.jpg 795w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/praticas-digitais-em-educacao-musical_page-0001-768x990.jpg 768w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-2-33\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"146\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-2-33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/2cmdb224nr?ctx=UO778OizON26uJpWJjYjk&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=pr%C3%A1ticas%20digitais%20em%20educa%C3%A7%C3%A3o&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.071.5 P912<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPr\u00e1ticas digitais em educa\u00e7\u00e3o musical : reflex\u00f5es e experi\u00eancias.  Jo\u00e3o Pessoa : Editora do CCTA, 2023. 272 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-4-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7972-4-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"147\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1196\" height=\"1660\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms.jpg 1196w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms-216x300.jpg 216w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms-738x1024.jpg 738w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms-768x1066.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-berceuse-joh.-brahms-1107x1536.jpg 1107w\" sizes=\"auto, (max-width: 1196px) 100vw, 1196px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"148\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/evjyoka56v?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=berceuse%20op%2049&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 B813b<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBrahms, Johannes.   Berceuse op. 49, n. 4 : canto e piano [m\u00fasica].  S\u00e3o Paulo : Cembra, (19-- ). 1 partitura (2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"149\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1217\" height=\"1697\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua.jpg 1217w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua-734x1024.jpg 734w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua-768x1071.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-i-te-vurria-vasa.-e.-di-capua-1102x1536.jpg 1102w\" sizes=\"auto, (max-width: 1217px) 100vw, 1217px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"150\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/4zikmif3rb?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=partitura%20i%20te%20vurria%20vasa%20e%20di%20capua&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 C255i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDi Capua, Eduardo.   I' te vurria vasa! para canto e piano [m\u00fasica].  S\u00e3o Paulo : Ricordi, (19-- ). 1 partitura (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"151\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1889\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert.jpg 1201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert-191x300.jpg 191w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert-651x1024.jpg 651w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert-768x1208.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-ninna-nanna-f.-schubert-977x1536.jpg 977w\" sizes=\"auto, (max-width: 1201px) 100vw, 1201px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"152\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/nmiwte4fej?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=ninna%20nanna&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 S384n<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSchubert, Franz.   Ninna-Nanna : op. 24, n.2 [m\u00fasica].  Milano : Ricordi italiana, 1947. 1 partitura (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"153\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1145\" height=\"1577\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg.jpg 1145w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg-218x300.jpg 218w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg-743x1024.jpg 743w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg-768x1058.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-pourquoi-me-reveiller-humphrey-procter-gregg-1115x1536.jpg 1115w\" sizes=\"auto, (max-width: 1145px) 100vw, 1145px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"154\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/r6qhrit33n?limiters=FT1%3AY&#038;q=Werther%20%3A%20an%20opera%20in%20four%20acts&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 M415w<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMassenet, Jules.   Werther : an opera in four acts [m\u00fasica].  New York : International Music Company, c1956. 1 partitura para canto e piano (8 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"155\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1769\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy-709x1024.jpg 709w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy-768x1109.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-vaghissima-sembianza-donaudy-1064x1536.jpg 1064w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"156\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/o4ptrbheff?limiters=FT1%3AY&#038;q=donaudy&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 D677v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDonaudy, Stefano.   Vaghissima semblanza [m\u00fasica].  Reimpress\u00e3o 1974.  Milano : Ricordi, c1918. 1 partitura (3 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"157\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/caminho-para-a-emulacao.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"909\" height=\"1333\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/caminho-para-a-emulacao.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/caminho-para-a-emulacao.jpg 909w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/caminho-para-a-emulacao-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/caminho-para-a-emulacao-698x1024.jpg 698w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/caminho-para-a-emulacao-768x1126.jpg 768w\" sizes=\"auto, (max-width: 909px) 100vw, 909px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"158\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/6dgoztgvtj?ctx=67AwTs3dvVjasOYmx4jyu&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=caminho%20para%20a%20emula%C3%A7%C3%A3o&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t785(410) H474c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNeves, Marcus Vin\u00edcius Sant'Anna Held.   O caminho para a emula\u00e7\u00e3o : m\u00fasica, estilo e recep\u00e7\u00e3o na Inglaterra de francesco Geminiani (1687-1762).  S\u00e3o Paulo : Dial\u00e9tica, 2025. 266 p. : il. ; 23 x 16cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"159\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1161\" height=\"1577\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001.jpg 1161w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001-221x300.jpg 221w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001-754x1024.jpg 754w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001-768x1043.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/educacao-musical-dialogos-insurgentes_page-0001-1131x1536.jpg 1131w\" sizes=\"auto, (max-width: 1161px) 100vw, 1161px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"160\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/vxuro6rlwz?ctx=PWya4EYFbnDuPrvqaXED2&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=educa%C3%A7%C3%A3o%20musical%3A%20di%C3%A1logos%20&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t78.071.5 E24educa\u00e7<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEduca\u00e7\u00e3o musical : di\u00e1logos insurgentes.  S\u00e3o Paulo : Hucitec, 2023. 241 p. : il. ; 20 x 27cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"161\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1224\" height=\"1736\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001.jpg 1224w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001-212x300.jpg 212w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001-722x1024.jpg 722w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001-768x1089.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-a-estrada-do-bosque-humberto-teixeira_page-0001-1083x1536.jpg 1083w\" sizes=\"auto, (max-width: 1224px) 100vw, 1224px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"162\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/c2ruqpzg7f?ctx=UWvuWthCbSBmGBjhbuf_f&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=a%20estrada%20do%20bosque&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 N722e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tNisa.   A estrada do bosque [m\u00fasica].  S\u00e3o Paulo : Irm\u00e3os Vitale, c1950. 1 partitura para canto e piano (4 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"163\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1173\" height=\"1577\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi.jpg 1173w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi-223x300.jpg 223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi-762x1024.jpg 762w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi-768x1033.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-composizioni-da-camera-giuseppe-verdi-1143x1536.jpg 1143w\" sizes=\"auto, (max-width: 1173px) 100vw, 1173px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"164\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/6p6xp7parr?ctx=73knFea3-1fyAU4wdqJ9p&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=composizioni&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 785.7 V484c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tVerdi, Giuseppe.   Composizioni da camera : per canto e pianoforte [m\u00fasica].  Milano : Ricordi, reimpress\u00e3o 1978. 1 partitura ( 79 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"165\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1221\" height=\"1645\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz.jpg 1221w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz-223x300.jpg 223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz-760x1024.jpg 760w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz-768x1035.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-B-Dein-ist-mein-ganzes-Herz-1140x1536.jpg 1140w\" sizes=\"auto, (max-width: 1221px) 100vw, 1221px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"166\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iealmychrz?ctx=xDqs9dWepthwExtn9k00r&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=das%20neue&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 782.8 O61 v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Das neue Operettenbuch : die sch\u00f6nsten Operettenmelodien in ungek\u00fcrzten Originalausgaben und vollst\u00e4ndigen Texten [m\u00fasica].  Mainz : Schott'S Sohne, [19--]. 5 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"167\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1229\" height=\"1653\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde.jpg 1229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde-223x300.jpg 223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde-761x1024.jpg 761w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde-768x1033.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-DNOB-Y-Schon-ist-diesse-Abendstunde-1142x1536.jpg 1142w\" sizes=\"auto, (max-width: 1229px) 100vw, 1229px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"168\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iealmychrz?ctx=xDqs9dWepthwExtn9k00r&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=das%20neue&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 782.8 O61 v.5<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Das neue Operettenbuch : die sch\u00f6nsten Operettenmelodien in ungek\u00fcrzten Originalausgaben und vollst\u00e4ndigen Texten [m\u00fasica].  Mainz : Schott'S Sohne, [19--]. 5 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"169\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1225\" height=\"1857\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense.jpg 1225w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense-198x300.jpg 198w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense-675x1024.jpg 675w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense-768x1164.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-que-tu-es-catullo-da-paixao-cearense-1013x1536.jpg 1013w\" sizes=\"auto, (max-width: 1225px) 100vw, 1225px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"170\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/efdxcyjipf?ctx=tjQ1TR-8wwbl981rCQ0p6&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=o%20que%20tu%20%C3%A9s&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784:786.2 C387q<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCearense, Catullo da Paix\u00e3o.   O que tu \u00e9s : can\u00e7\u00e3o para piano-canto e piano-solo [m\u00fasica].  Rio de Janeiro : Guimar\u00e3es Martins, c1943. 1 partitura [3 p.]\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"171\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1721\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto.jpg 1201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto-209x300.jpg 209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto-715x1024.jpg 715w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto-768x1101.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-o-salutaris-marietta-netto-1072x1536.jpg 1072w\" sizes=\"auto, (max-width: 1201px) 100vw, 1201px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-25\" class=\"so-panel widget widget_sow-headline\" data-index=\"172\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qy6vgfm3pb?ctx=Ozmx97Do7wIo0R9y4CueV&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=o%20salutaris&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 783 N476s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tCearense, Catullo da Paix\u00e3o.   O que tu \u00e9s : can\u00e7\u00e3o para piano-canto e piano-solo [m\u00fasica].  Rio de Janeiro : Guimar\u00e3es Martins, c1943. 1 partitura [3 p.]\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-26\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"173\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-26\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1197\" height=\"1689\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001.jpg 1197w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001-726x1024.jpg 726w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001-768x1084.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-quanto-e-bella-quanto-e-cara-DONIZETTI_page-0001-1089x1536.jpg 1089w\" sizes=\"auto, (max-width: 1197px) 100vw, 1197px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-27\" class=\"so-panel widget widget_sow-headline\" data-index=\"174\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/kpf6kzaj4v?ctx=RnKwmmfBzGmSvSI-8mTEv&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=quanto%20%C3%A9%20bella&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 D683q<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDonizetti, Gaetano.   Quanto \u00e8 bella, quanto \u00e8 cara [m\u00fasica].  Milano : Ricordi, reimp. 1979. 1 partitura para canto e piano (2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-28\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"175\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-28\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1223\" height=\"1743\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001.jpg 1223w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001-719x1024.jpg 719w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001-768x1095.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-senza-nisciuno-e.-de-curtis_page-0001-1078x1536.jpg 1078w\" sizes=\"auto, (max-width: 1223px) 100vw, 1223px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-29\" class=\"so-panel widget widget_sow-headline\" data-index=\"176\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qigxgfmg5f?ctx=kgVy-B6UU9VYhGTvawYci&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=senza%20nisciuno&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.3 C978s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDe Curtis, Ernesto.   Senza nisciuno [m\u00fasica].  Buenos Aires : Ricordi, [19--]. 1 partitura ( 2 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-30\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"177\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-30\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1230\" height=\"1736\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001.jpg 1230w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001-726x1024.jpg 726w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001-768x1084.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/partitura-votre-toast-je-peux-BIZET_page-0001-1088x1536.jpg 1088w\" sizes=\"auto, (max-width: 1230px) 100vw, 1230px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-31\" class=\"so-panel widget widget_sow-headline\" data-index=\"178\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/fdk2yxt5d5?ctx=A-EcAqZ-PXHMK_0vq2y-A&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=votre%20toast&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tPART 784.2 B625v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBizet, Georges.   Votre toast, je peux vous le rendre [m\u00fasica].  Buenos Aires : Ricordi, [S. d.]. 1 partitura para canto e piano (10 p.)\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-4-3-32\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"179\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-4-3-32\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/sopapo-contemporaneo_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"1337\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/sopapo-contemporaneo_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/sopapo-contemporaneo_page-0001.jpg 957w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/sopapo-contemporaneo_page-0001-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/sopapo-contemporaneo_page-0001-733x1024.jpg 733w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/sopapo-contemporaneo_page-0001-768x1073.jpg 768w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><\/a><\/div><\/div><div id=\"panel-7972-4-3-33\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"180\" ><div class=\"panel-widget-style panel-widget-style-for-7972-4-3-33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/uasmrbdrej?ctx=kKw_lcGRenRyOD8_zvvTy&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=sopapo&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t789 B333s<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBatista, Jos\u00e9.   O sopapo contempor\u00e2neo : um elo com a ancestralidade.  Porto Alegre : MS2, 2021. 209 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-7972-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7972-5\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7972-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"181\" ><div class=\"panel-widget-style panel-widget-style-for-7972-5-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2><span style=\"color: #4c4c4c;\">Outros Assuntos<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-7972-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-7972-6\" id=\"super\" data-stretch-type=\"full\" ><div id=\"pgc-7972-6-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-7972-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-6-1-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"182\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1037\" height=\"1500\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro.jpg 1037w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-708x1024.jpg 708w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-768x1111.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-720x1042.jpg 720w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-360x521.jpg 360w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-840x1216.jpg 840w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pensamento-feminista-brasileiro-420x608.jpg 420w\" sizes=\"auto, (max-width: 1037px) 100vw, 1037px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"183\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/kxitwz3ihj?limiters=FT1%3AN%2CFT%3AN%2CRV%3AN%2CFC%3AN&#038;q=pensamento%20feminista%20brasileiro\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t396 P418<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPensamento feminista brasileiro : forma\u00e7\u00e3o e contexto. Rio de Janeiro : Bazar do Tempo, 2019. 398 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"184\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1216\" height=\"1912\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001.jpg 1216w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001-191x300.jpg 191w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001-651x1024.jpg 651w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001-768x1208.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/africa_page-0001-977x1536.jpg 977w\" sizes=\"auto, (max-width: 1216px) 100vw, 1216px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"185\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/25vvgsg7ef?limiters=FT1%3AY&#038;q=africa%20leni&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t77 R553a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRiefenstahl, Leni.   Leni Riefenstahl: \u00c1frica.  K\u00f6ln : Taschen, 2010. 399 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"186\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1705\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo.jpg 1201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo-721x1024.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo-768x1090.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/construtivismo-afetivo-1082x1536.jpg 1082w\" sizes=\"auto, (max-width: 1201px) 100vw, 1201px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"187\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/lnszn3rh6v?limiters=FT1%3AY&#038;q=construtivismo%20afetivo&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t73.036 K65c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKlintowitz, Jacob.   O construtivismo afetivo de Emanoel Ara\u00fajo.  S\u00e3o Paulo : Ra\u00edzes, 1981. 156 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"188\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-de-tudo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1149\" height=\"1477\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-de-tudo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-de-tudo.jpg 1149w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-de-tudo-233x300.jpg 233w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-de-tudo-797x1024.jpg 797w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/espirito-de-tudo-768x987.jpg 768w\" sizes=\"auto, (max-width: 1149px) 100vw, 1149px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"189\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/fr73lnnw5r?limiters=FT1%3AY&#038;q=espirito%20de%20tudo&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) R416e<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRenn\u00f3, Ros\u00e2ngela.   Esp\u00edrito de tudo: Ros\u00e2ngela Renn\u00f3.  Rio de Janeiro : Cobog\u00f3, 2017. 157 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"190\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-3_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1056\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-3_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-3_page-0001.jpg 730w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-3_page-0001-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-3_page-0001-708x1024.jpg 708w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"191\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qqbc5bh26j?limiters=FT1%3AY&#038;q=hist%C3%B3ria%20da%20vida%20privada%20da%20europa%20feudal%20a%20renascen%C3%A7a&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t392(4) H673 2021 v.3<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHist\u00f3ria da vida privada.  S\u00e3o Paulo : Companhia das Letras,  : Companhia de Bolso, 2009. 5 v. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"192\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-lgbtqia.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1026\" height=\"1404\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-lgbtqia.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-lgbtqia.jpg 1026w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-lgbtqia-219x300.jpg 219w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-lgbtqia-748x1024.jpg 748w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-lgbtqia-768x1051.jpg 768w\" sizes=\"auto, (max-width: 1026px) 100vw, 1026px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"193\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ec46yakwpj?limiters=FT1%3AY&#038;q=hist%C3%B3ria%20lgbtqia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:301 H673<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHist\u00f3rias LGBTQIA+ : vol. 2, antologia.  S\u00e3o Paulo : MASP, 2024. 605 p. ; 25 x 18 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"194\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1586\" height=\"2560\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista.jpg 1586w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista-186x300.jpg 186w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista-634x1024.jpg 634w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista-768x1240.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista-952x1536.jpg 952w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-alienista-1269x2048.jpg 1269w\" sizes=\"auto, (max-width: 1586px) 100vw, 1586px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"195\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/bwbwggj7av?limiters=FT1%3AY&#038;q=o%20alienista&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t869.0(81)-3 M149a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tAssis, Machado de.   O alienista.  Rio de Janeiro : Cobog\u00f3, 2020. 110 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"196\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-completo_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"909\" height=\"1357\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-completo_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-completo_page-0001.jpg 909w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-completo_page-0001-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-completo_page-0001-686x1024.jpg 686w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-completo_page-0001-768x1147.jpg 768w\" sizes=\"auto, (max-width: 909px) 100vw, 909px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"197\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/gaayizw3sf?limiters=FT1%3AY&#038;q=teatro%20completo%20denoy%20de%20oliveira&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.072 D413<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDenoy de Oliveira : teatro completo.  S\u00e3o Paulo : CPC-UMES, 2025. 477 p. : il. ; 23 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"198\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-pedagogia-hip-hop.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"958\" height=\"1360\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-pedagogia-hip-hop.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-pedagogia-hip-hop.jpg 958w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-pedagogia-hip-hop-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-pedagogia-hip-hop-721x1024.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/a-pedagogia-hip-hop-768x1090.jpg 768w\" sizes=\"auto, (max-width: 958px) 100vw, 958px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"199\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/tlm3jbobcj?limiters=FT1%3AN%2CFT%3AN%2CRV%3AN%2CFC%3AN&#038;q=a%20pedagogia%20hip-hop\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t784.4 D541p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDias, Cristiane Correia.   A pedagogia hip-hop : consci\u00eancia, resist\u00eancia e saberes em luta.  Curitiba : Appris, 2019. 207 p. ; 23 cm.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"200\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-didatica_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"697\" height=\"1050\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-didatica_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-didatica_page-0001.jpg 697w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-didatica_page-0001-199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-didatica_page-0001-680x1024.jpg 680w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"201\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/x3gmyej3jj?ctx=iKzy7Xkj8C0Sapmk_FSw8&#038;limiters=FT1%3AY&#038;pos=2&#038;q=arte%20e%20did%C3%A1tica&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.071.5 A786<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tArte e did\u00e1tica.  Petr\u00f3polis : Vozes, 2010 156 p\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"202\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"865\" height=\"1209\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.1.jpg 865w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.1-215x300.jpg 215w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.1-733x1024.jpg 733w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.1-768x1073.jpg 768w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"203\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/jbvprbsnxv?ctx=lumrKXcLBhs5od-5F5dbm&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=as%20vozes%20do%20sil%C3%AAncio&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.01 M259v v.1<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMalraux, Andr\u00e9.   As vozes do sil\u00eancio.  Lisboa : Livros do Brasil, 19-- 2v. : il. ; 21 x 15cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"204\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/fracasso-de-bilheteria.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"921\" height=\"1337\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/fracasso-de-bilheteria.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/fracasso-de-bilheteria.jpg 921w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/fracasso-de-bilheteria-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/fracasso-de-bilheteria-705x1024.jpg 705w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/fracasso-de-bilheteria-768x1115.jpg 768w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"205\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/27ubgkb36z?ctx=o-fc6IhWw7mxBJcjYsV7v&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=fracasso%20de%20bilheteria&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t316.734 K96f<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tKuperman, Mario.   Fracasso de bilheteria: tr\u00eas ensaios sobre a circula\u00e7\u00e3o da cultura no Brasil.  S\u00e3o Paulo : Marco Zero, 2007. 168 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"206\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/homens-de-papel.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"784\" height=\"1176\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/homens-de-papel.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/homens-de-papel.jpg 784w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/homens-de-papel-200x300.jpg 200w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/homens-de-papel-683x1024.jpg 683w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/homens-de-papel-768x1152.jpg 768w\" sizes=\"auto, (max-width: 784px) 100vw, 784px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-25\" class=\"so-panel widget widget_sow-headline\" data-index=\"207\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/xpp2k52ypv?ctx=ynltbznLAl60kcCJNd05l&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=homens%20de%20papel&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t869.0(81)-2 M321h<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMarcos, Pl\u00ednio.   Homens de papel.  S\u00e3o Paulo : Parma, [19--]. 60 p. ; 20 x 13,5cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-26\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"208\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-26\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mundializacao-da-cultura_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"713\" height=\"1101\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mundializacao-da-cultura_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mundializacao-da-cultura_page-0001.jpg 713w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mundializacao-da-cultura_page-0001-194x300.jpg 194w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/mundializacao-da-cultura_page-0001-663x1024.jpg 663w\" sizes=\"auto, (max-width: 713px) 100vw, 713px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-27\" class=\"so-panel widget widget_sow-headline\" data-index=\"209\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/t262hebljf?ctx=fZvhznG1scOb3O3IOih_o&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=a%20mundializa%C3%A7%C3%A3o%20da%20cultura&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t316.7 W279m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tWarnier, Jean-Pierre.   A mundializa\u00e7\u00e3o da cultura.  Bauru : EDUSC, c2000. 182 p. ; 19 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-28\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"210\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-28\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-que-e-uma-escola-livre.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"865\" height=\"1161\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-que-e-uma-escola-livre.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-que-e-uma-escola-livre.jpg 865w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-que-e-uma-escola-livre-224x300.jpg 224w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-que-e-uma-escola-livre-763x1024.jpg 763w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-que-e-uma-escola-livre-768x1031.jpg 768w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-29\" class=\"so-panel widget widget_sow-headline\" data-index=\"211\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/4wy26jowv5?ctx=fw7P1-EaxJ0LWi8EXInT8&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=o%20que%20%C3%A9%20uma%20escola%20livre&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7(81) Q3<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tO que \u00e9 uma escola livre?.  Rio de Janeiro : Cobog\u00f3, 2015. 168 p. : fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-30\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"212\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-30\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pecas-breves-e-deliciosas.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"797\" height=\"1201\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pecas-breves-e-deliciosas.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pecas-breves-e-deliciosas.jpg 797w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pecas-breves-e-deliciosas-199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pecas-breves-e-deliciosas-680x1024.jpg 680w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/pecas-breves-e-deliciosas-768x1157.jpg 768w\" sizes=\"auto, (max-width: 797px) 100vw, 797px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-31\" class=\"so-panel widget widget_sow-headline\" data-index=\"213\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/zgnihw7gun?ctx=p7hphz5IOQz_0A_V9825v&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=pe%C3%A7as%20breves%20e%20deliciosas&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t821-2 P364<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPe\u00e7as breves e deliciosas.  Porto Alegre : Tche, 1987. 368 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-32\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"214\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-32\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/spix-e-martius-relatorios-ao-rei.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"924\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/spix-e-martius-relatorios-ao-rei.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/spix-e-martius-relatorios-ao-rei.jpg 924w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/spix-e-martius-relatorios-ao-rei-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/spix-e-martius-relatorios-ao-rei-706x1024.jpg 706w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/spix-e-martius-relatorios-ao-rei-768x1114.jpg 768w\" sizes=\"auto, (max-width: 924px) 100vw, 924px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-33\" class=\"so-panel widget widget_sow-headline\" data-index=\"215\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/sabi.ufrgs.br\/F\/3XF9ENJ6D5FFM4XFRM2SQ8TBYDK8CGD56NURPE3EVVHRPE96V5-00686?func=item-global&#038;doc_number=001215110&#038;doc_library=URS01&#038;set_number=004135\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t910.4(81) S761<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSpix e Martius: relat\u00f3rios ao rei.  Rio de Janeiro : Capivara, 2018. 351 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-1-34\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"216\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-1-34\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tudo-que-e-solido-desmancha-no-ar-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1052\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tudo-que-e-solido-desmancha-no-ar-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tudo-que-e-solido-desmancha-no-ar-1.jpg 724w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tudo-que-e-solido-desmancha-no-ar-1-206x300.jpg 206w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tudo-que-e-solido-desmancha-no-ar-1-705x1024.jpg 705w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-1-35\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"217\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-1-35\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/23td6spypj?ctx=tdvv14gG7ULHLruH2nSXx&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=tudo%20que%20%C3%A9%20s%C3%B3lido%20desmancha%20no%20ar&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t130.2 B516t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBerman, Marshall.   Tudo que \u00e9 s\u00f3lido desmancha no ar : a aventura da modernidade.  S\u00e3o Paulo : Companhia de Bolso, 2005. 465 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-7972-6-2-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"218\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/viagem-pelo-brasil-em-52-historias.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1146\" height=\"1500\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/viagem-pelo-brasil-em-52-historias.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/viagem-pelo-brasil-em-52-historias.jpg 1146w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/viagem-pelo-brasil-em-52-historias-229x300.jpg 229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/viagem-pelo-brasil-em-52-historias-782x1024.jpg 782w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/viagem-pelo-brasil-em-52-historias-768x1005.jpg 768w\" sizes=\"auto, (max-width: 1146px) 100vw, 1146px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"219\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ejicfktugr?limiters=FT1%3AY&#038;q=52%20hist%C3%B3rias&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t398.2(81) S163v<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSalerno, Silvana.   Viagem pelo Brasil em 52 Hist\u00f3rias.  2. ed.  S\u00e3o Paulo : Cia das Letrinhas, 2024. 160 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"220\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade-.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1164\" height=\"1752\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade-.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade-.jpg 1164w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade--199x300.jpg 199w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade--680x1024.jpg 680w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade--768x1156.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-censura-liberdade--1020x1536.jpg 1020w\" sizes=\"auto, (max-width: 1164px) 100vw, 1164px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"221\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/kze5uu3lhn?limiters=FT1%3AY&#038;q=arte%2C%20censura%2C%20liberdade&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:159.954 A786<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tArte censura liberdade : reflex\u00f5es \u00e0 luz do presente.  Rio de Janeiro : Cobog\u00f3, 2018. 260 f.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"222\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/curadoria-de-Aa-Z.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"753\" height=\"1101\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/curadoria-de-Aa-Z.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/curadoria-de-Aa-Z.jpg 753w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/curadoria-de-Aa-Z-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/curadoria-de-Aa-Z-700x1024.jpg 700w\" sizes=\"auto, (max-width: 753px) 100vw, 753px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"223\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/iuf6sr6gwb?limiters=FT1%3AY&#038;q=curadoria%20de%20A%20a%20Z&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.075 H699c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHoffmann, Jens.   [Curadoria] de A a Z.  Rio de Janeiro : Cobog\u00f3, 2017. 96 f.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"224\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estetica-da-esperanca_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"909\" height=\"1337\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estetica-da-esperanca_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estetica-da-esperanca_page-0001.jpg 909w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estetica-da-esperanca_page-0001-204x300.jpg 204w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estetica-da-esperanca_page-0001-696x1024.jpg 696w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/estetica-da-esperanca_page-0001-768x1130.jpg 768w\" sizes=\"auto, (max-width: 909px) 100vw, 909px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"225\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/adlxetwt4v?limiters=FT1%3AY&#038;q=est%C3%A9tica%20da%20esperan%C3%A7a&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t791.43 D413<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDenoy de Oliveira : a est\u00e9tica da esperan\u00e7a.  S\u00e3o Paulo : CPC-UMES Livros, 2025. 366 p., [28 p.] : il. ; 23 cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"226\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-4_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"1048\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-4_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-4_page-0001.jpg 728w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-4_page-0001-208x300.jpg 208w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-4_page-0001-711x1024.jpg 711w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"227\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qqbc5bh26j?limiters=FT1%3AY&#038;q=hist%C3%B3ria%20da%20vida%20privada%20da%20europa%20feudal%20a%20renascen%C3%A7a&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t392(4) H673 2021 v.4<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHist\u00f3ria da vida privada.  S\u00e3o Paulo : Companhia das Letras,  : Companhia de Bolso, 2009. 5 v. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"228\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/impressoes-e-expressoes_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1057\" height=\"1245\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/impressoes-e-expressoes_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/impressoes-e-expressoes_page-0001.jpg 1057w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/impressoes-e-expressoes_page-0001-255x300.jpg 255w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/impressoes-e-expressoes_page-0001-869x1024.jpg 869w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/impressoes-e-expressoes_page-0001-768x905.jpg 768w\" sizes=\"auto, (max-width: 1057px) 100vw, 1057px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"229\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/64xie6fgt5?limiters=FT1%3AY&#038;q=impress%C3%B5es%20e%20express%C3%B5es&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t712 I347<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tImpress\u00f5es e express\u00f5es da cultura do extremo sul do Brasil.  Rio de Janeiro, RJ : Paisagens H\u00edbridas, 2026. 122 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"230\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-publicas_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"884\" height=\"1228\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-publicas_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-publicas_page-0001.jpg 884w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-publicas_page-0001-216x300.jpg 216w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-publicas_page-0001-737x1024.jpg 737w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-publicas_page-0001-768x1067.jpg 768w\" sizes=\"auto, (max-width: 884px) 100vw, 884px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"231\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/4jywo6msm5?facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;q=Pol%C3%ADticas%20p%C3%BAblicas%20e%20diversidade%20cultural%20no%20Brasil%20contempor%C3%A2neo&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t008:32(81) P769<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPol\u00edticas p\u00fablicas e diversidade cultural no Brasil contempor\u00e2neo.  Porto Alegre : Besti\u00e1rio, 2026. 323 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"232\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1227\" height=\"1687\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia.jpg 1227w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia-218x300.jpg 218w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia-745x1024.jpg 745w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia-768x1056.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/reviravolta-de-gaia-1117x1536.jpg 1117w\" sizes=\"auto, (max-width: 1227px) 100vw, 1227px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"233\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/ktxxhxva3z?limiters=FT1%3AY&#038;q=reviravolta%20de%20gaia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039 L131r<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLacerda, Mariana.   Reviravolta de Gaia.  Rio de Janeiro : Cobog\u00f3, 2023. 238 p. : il, fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"234\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/acontecencias-cronicas-dos-anos-60-70-e-80.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1225\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/acontecencias-cronicas-dos-anos-60-70-e-80.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/acontecencias-cronicas-dos-anos-60-70-e-80.jpg 817w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/acontecencias-cronicas-dos-anos-60-70-e-80-200x300.jpg 200w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/acontecencias-cronicas-dos-anos-60-70-e-80-683x1024.jpg 683w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/acontecencias-cronicas-dos-anos-60-70-e-80-768x1152.jpg 768w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"235\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/d5zxmpns2v?ctx=hc4hceQjSPYrrFneC_L1D&#038;limiters=FT1%3AN%2CFT%3AN%2CRV%3AN%2CFC%3AN&#038;pos=1&#038;q=acontec%C3%AAncias\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:82-94 S676a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSoares, Teresinha Correia.   Acontec\u00eancias: cr\u00f4nicas dos anos 60, 70 e 80.  Rio de Janeiro : Cobog\u00f3, 2017. 116 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"236\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-tecnologia.png\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"855\" height=\"1214\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-tecnologia.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-tecnologia.png 855w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-tecnologia-211x300.png 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-tecnologia-721x1024.png 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arte-e-tecnologia-768x1090.png 768w\" sizes=\"auto, (max-width: 855px) 100vw, 855px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"237\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/2uedvfn4rj?ctx=DeMAI4ID2YfCGLNRDkwTN&#038;limiters=FT1%3AY&#038;pos=3&#038;q=arte%20e%20tecnologia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:6 A786<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tArte e tecnologia : contribui\u00e7\u00f5es para a educa\u00e7\u00e3o est\u00e9tica de p\u00fablicos especiais.  Goi\u00e2nia : C&amp;A Alfa Comunica\u00e7\u00e3o, 2018. 148 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"238\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.2.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"845\" height=\"1205\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.2.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.2.jpg 845w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.2-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.2-718x1024.jpg 718w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-vozes-do-silencio-v.2-768x1095.jpg 768w\" sizes=\"auto, (max-width: 845px) 100vw, 845px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"239\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/jbvprbsnxv?ctx=lumrKXcLBhs5od-5F5dbm&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=as%20vozes%20do%20sil%C3%AAncio&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.01 M259v v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMalraux, Andr\u00e9.   As vozes do sil\u00eancio.  Lisboa : Livros do Brasil, 19-- 2v. : il. ; 21 x 15cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"240\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-das-mulheres_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1057\" height=\"1229\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-das-mulheres_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-das-mulheres_page-0001.jpg 1057w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-das-mulheres_page-0001-258x300.jpg 258w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-das-mulheres_page-0001-881x1024.jpg 881w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-das-mulheres_page-0001-768x893.jpg 768w\" sizes=\"auto, (max-width: 1057px) 100vw, 1057px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"241\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/3zijf3daev?ctx=_A2FeMGPzMcwhMUwcjf1o&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=6&#038;q=historia%20das%20mulheres&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t94-055.2 H673<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tStoria delle donne Portugu\u00eas Hist\u00f3ria das mulheres no Ocidente.  Porto : Afrontamento, 1993-1995. 5 v. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"242\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/invencao-das-mulheres.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"917\" height=\"1345\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/invencao-das-mulheres.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/invencao-das-mulheres.jpg 917w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/invencao-das-mulheres-205x300.jpg 205w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/invencao-das-mulheres-698x1024.jpg 698w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/invencao-das-mulheres-768x1126.jpg 768w\" sizes=\"auto, (max-width: 917px) 100vw, 917px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-25\" class=\"so-panel widget widget_sow-headline\" data-index=\"243\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/s7e2zllwyj?ctx=crnKYgQkVaQWnaQfD15Xt&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=inven%C3%A7%C3%A3o%20das%20mulheres&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t396 O98i<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tOy\u011bw\u00f9m\u00ed, Oy\u00e8r\u00f3nk\u00e9.   A inven\u00e7\u00e3o das mulheres : construindo um sentido africano para os discursos ocidentais de g\u00eanero.  Rio de Janeiro : Bazar do Tempo, 2021. 323 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-26\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"244\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-26\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-tremor-do-mundo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1217\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-tremor-do-mundo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-tremor-do-mundo.jpg 821w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-tremor-do-mundo-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-tremor-do-mundo-691x1024.jpg 691w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/no-tremor-do-mundo-768x1138.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-27\" class=\"so-panel widget widget_sow-headline\" data-index=\"245\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/a4u2jjmcrr?ctx=7d26810JPtjjiOeeurL2v&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=no%20tremor%20do%20mundo&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t316.42 N795<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tDuarte, Luisa.   No tremor do mundo: ensaios e entrevistas \u00e0 luz da pandemia.  Rio de Janeiro : Cobog\u00f3, 2020. 350 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-28\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"246\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-28\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/os-dois-nobres-parentes.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"932\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/os-dois-nobres-parentes.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/os-dois-nobres-parentes.jpg 932w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/os-dois-nobres-parentes-209x300.jpg 209w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/os-dois-nobres-parentes-712x1024.jpg 712w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/os-dois-nobres-parentes-768x1104.jpg 768w\" sizes=\"auto, (max-width: 932px) 100vw, 932px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-29\" class=\"so-panel widget widget_sow-headline\" data-index=\"247\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/5lzzupoyef?ctx=xawTeEfBWBRQLS5_uR-lZ&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=os%20dois%20nobres%20parentes&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t820-2 S527do<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tShakespeare, William.   Os dois nobres parentes.  Porto Alegre : Movimento,  : EDUNISC, 2016. 245 p. ; 23 x 16cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-30\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"248\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-30\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/preceptor-ou-vantagens-da-educacao-particular-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1213\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/preceptor-ou-vantagens-da-educacao-particular-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/preceptor-ou-vantagens-da-educacao-particular-1.jpg 817w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/preceptor-ou-vantagens-da-educacao-particular-1-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/preceptor-ou-vantagens-da-educacao-particular-1-690x1024.jpg 690w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/preceptor-ou-vantagens-da-educacao-particular-1-768x1140.jpg 768w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-31\" class=\"so-panel widget widget_sow-headline\" data-index=\"249\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/gr2pc6kaxf?ctx=HBnMhvuSgmvNhiOYCwjcs&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=preceptor%20ou%20vantagens&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t830-2 L575p<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t Lenz, Jakob Michael Reinhold.   O preceptor ou vantagens da educa\u00e7\u00e3o particular : uma com\u00e9dia.  Rio de Janeiro : Paz e Terra, 1983. 179 p. ; 21 x 14cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-2-32\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"250\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-2-32\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/T.S.-ELIOT.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"941\" height=\"1361\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/T.S.-ELIOT.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/T.S.-ELIOT.jpg 941w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/T.S.-ELIOT-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/T.S.-ELIOT-708x1024.jpg 708w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/T.S.-ELIOT-768x1111.jpg 768w\" sizes=\"auto, (max-width: 941px) 100vw, 941px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-2-33\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"251\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-2-33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/t7gqnt7mo5?ctx=2ADUH1mtfELaRVwrZ-Yz_&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=OBRA%20COMPLETA%20TEATRO&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t820(73)-2 E42o v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tEliot, T. S..   Obra completa.  S\u00e3o Paulo : ARX, 2004. 2 v.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-6-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-7972-6-3-0\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image panel-first-child\" data-index=\"252\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-0\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/artistas-autoria-e-as-praticas-colaborativas_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"873\" height=\"1229\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/artistas-autoria-e-as-praticas-colaborativas_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/artistas-autoria-e-as-praticas-colaborativas_page-0001.jpg 873w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/artistas-autoria-e-as-praticas-colaborativas_page-0001-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/artistas-autoria-e-as-praticas-colaborativas_page-0001-727x1024.jpg 727w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/artistas-autoria-e-as-praticas-colaborativas_page-0001-768x1081.jpg 768w\" sizes=\"auto, (max-width: 873px) 100vw, 873px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-1\" class=\"so-panel widget widget_sow-headline\" data-index=\"253\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/vyjifquuyz?limiters=FT1%3AY&#038;q=artistas%20autoria&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.039(81) C578a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tArtistas, autoria e as pr\u00e1ticas colaborativas.  S\u00e3o Paulo : Intermeios, 2013. 502 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-2\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"254\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-2\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cenografia-brasileira_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"1395\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cenografia-brasileira_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cenografia-brasileira_page-0001.jpg 1183w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cenografia-brasileira_page-0001-254x300.jpg 254w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cenografia-brasileira_page-0001-868x1024.jpg 868w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/cenografia-brasileira_page-0001-768x906.jpg 768w\" sizes=\"auto, (max-width: 1183px) 100vw, 1183px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-3\" class=\"so-panel widget widget_sow-headline\" data-index=\"255\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/e7nuzbhvrj?limiters=FT1%3AY&#038;q=cenografia%20brasileira&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.023 S489ce<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSerroni, Jos\u00e9 Carlos.   Cenografia brasileira : notas de um cen\u00f3grafo.  S\u00e3o Paulo : SESC S\u00e3o Paulo, 2013. 375 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-4\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"256\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-4\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/escolinha-de-arte_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"952\" height=\"1340\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/escolinha-de-arte_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/escolinha-de-arte_page-0001.jpg 952w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/escolinha-de-arte_page-0001-213x300.jpg 213w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/escolinha-de-arte_page-0001-727x1024.jpg 727w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/escolinha-de-arte_page-0001-768x1081.jpg 768w\" sizes=\"auto, (max-width: 952px) 100vw, 952px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-5\" class=\"so-panel widget widget_sow-headline\" data-index=\"257\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/bxjcjn3lvj?limiters=FT1%3AY&#038;q=Escolinha%20de%20arte%20da%20UFRGS%20&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.071.5 E74<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tLeal, Fl\u00e1via. Escolinha de Arte da UFRGS (1960-2011): 51 Anos de Arte\/Educa\u00e7\u00e3o. Curitiba : Appris, 2021. 178 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-6\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"258\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-6\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-2_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1045\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-2_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-2_page-0001.jpg 721w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-2_page-0001-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-2_page-0001-707x1024.jpg 707w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-7\" class=\"so-panel widget widget_sow-headline\" data-index=\"259\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qqbc5bh26j?limiters=FT1%3AY&#038;q=hist%C3%B3ria%20da%20vida%20privada%20da%20europa%20feudal%20a%20renascen%C3%A7a&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t392(4) H673 2021 v.2<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHist\u00f3ria da vida privada.  S\u00e3o Paulo : Companhia das Letras,  : Companhia de Bolso, 2009. 5 v. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-8\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"260\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-8\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-5_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"1056\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-5_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-5_page-0001.jpg 728w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-5_page-0001-207x300.jpg 207w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historia-privada-5_page-0001-706x1024.jpg 706w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-9\" class=\"so-panel widget widget_sow-headline\" data-index=\"261\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/qqbc5bh26j?limiters=FT1%3AY&#038;q=hist%C3%B3ria%20da%20vida%20privada%20da%20europa%20feudal%20a%20renascen%C3%A7a&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t392(4) H673 2021 v.5<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHist\u00f3ria da vida privada.  S\u00e3o Paulo : Companhia das Letras,  : Companhia de Bolso, 2009. 5 v. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-10\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"262\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-10\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/livre-troca_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"1328\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/livre-troca_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/livre-troca_page-0001.jpg 936w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/livre-troca_page-0001-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/livre-troca_page-0001-722x1024.jpg 722w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/livre-troca_page-0001-768x1090.jpg 768w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-11\" class=\"so-panel widget widget_sow-headline\" data-index=\"263\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/aitlh42ier?limiters=FT1%3AY&#038;q=Livre-troca%20%3A%20di%C3%A1logos%20entre%20ci%C3%AAncia%20e%20arte&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7:6 B729l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tBourdieu, Pierre.   Livre-troca : di\u00e1logos entre ci\u00eancia e arte.  Rio de Janeiro : Bertrand Brasil, 1995. 135 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-12\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"264\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-12\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tecnologias-criacoes-e-novos-horizontes_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"869\" height=\"1233\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tecnologias-criacoes-e-novos-horizontes_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tecnologias-criacoes-e-novos-horizontes_page-0001.jpg 869w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tecnologias-criacoes-e-novos-horizontes_page-0001-211x300.jpg 211w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tecnologias-criacoes-e-novos-horizontes_page-0001-722x1024.jpg 722w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/tecnologias-criacoes-e-novos-horizontes_page-0001-768x1090.jpg 768w\" sizes=\"auto, (max-width: 869px) 100vw, 869px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-13\" class=\"so-panel widget widget_sow-headline\" data-index=\"265\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/wuuxbzfrsv?limiters=FT1%3AY&#038;q=tecnologias%2C%20cria%C3%A7%C3%B5es%20e%20novos%20horizontes&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t008(81) T255<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTecnologias, cria\u00e7\u00f5es e novos horizontes das artes e do audiovisual.  Porto Alegre : Besti\u00e1rio, 2026. 294 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-14\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"266\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-14\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/um-pais-chamado-para.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1068\" height=\"1400\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/um-pais-chamado-para.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/um-pais-chamado-para.jpg 1068w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/um-pais-chamado-para-229x300.jpg 229w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/um-pais-chamado-para-781x1024.jpg 781w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/um-pais-chamado-para-768x1007.jpg 768w\" sizes=\"auto, (max-width: 1068px) 100vw, 1068px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-15\" class=\"so-panel widget widget_sow-headline\" data-index=\"267\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/zxepdjcwyr?limiters=FT1%3AY&#038;q=Um%20pa%C3%ADs%20chamado%20Par%C3%A1.%20Bel%C3%A9m%20do%20Par%C3%A1%3A&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t77(811.5) P149<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tUm pa\u00eds chamado Par\u00e1.  Bel\u00e9m do Par\u00e1: : Tempo d'Imagem, 2025. 194 p. : fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-16\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"268\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-16\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arquiteto-e-o-imperador-da-assiria.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"1061\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arquiteto-e-o-imperador-da-assiria.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arquiteto-e-o-imperador-da-assiria.jpg 689w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arquiteto-e-o-imperador-da-assiria-195x300.jpg 195w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/arquiteto-e-o-imperador-da-assiria-665x1024.jpg 665w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-17\" class=\"so-panel widget widget_sow-headline\" data-index=\"269\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/j26ywe2l3v?ctx=vcI6PrV62F-aFOKQOEk1Y&#038;limiters=FT1%3AY&#038;pos=1&#038;q=o%20arquiteto%20e%20o%20imperador&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t860-2 A773a<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tArrabal, Fernando.   O arquiteto e o imperador da Ass\u00edria.  S\u00e3o Paulo : Abril Cultural, c1976. xxiii, 132 p. : il., fots.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-18\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"270\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-18\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-lagrimas-amargas-de-petra-von-kant-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1217\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-lagrimas-amargas-de-petra-von-kant-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-lagrimas-amargas-de-petra-von-kant-1.jpg 817w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-lagrimas-amargas-de-petra-von-kant-1-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-lagrimas-amargas-de-petra-von-kant-1-687x1024.jpg 687w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/as-lagrimas-amargas-de-petra-von-kant-1-768x1144.jpg 768w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-19\" class=\"so-panel widget widget_sow-headline\" data-index=\"271\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/etohoglwun?ctx=MgDbSZJBiFroJVP57_YD_&#038;limiters=FT1%3AY&#038;pos=1&#038;q=as%20l%C3%A1grimas%20amargas&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t830-2 F249l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFassbinder, Rainer Werner.   As l\u00e1grimas amargas de Petra von Kant.  Rio de Janeiro : Cobog\u00f3, 1983. 128 p. ; 21 x 14cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-20\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"272\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-20\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Cultura-Popular.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1212\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Cultura-Popular.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Cultura-Popular.jpg 800w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Cultura-Popular-198x300.jpg 198w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Cultura-Popular-676x1024.jpg 676w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/Cultura-Popular-768x1164.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-21\" class=\"so-panel widget widget_sow-headline\" data-index=\"273\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/65yh6rzlsf?ctx=T5iy1UepnCBqqvZr1MOEv&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=cultura%20popular&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t784.4 T588c<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tTinhorao, Jose Ramos.   Cultura popular : temas e quest\u00f5es.  2.ed.  S\u00e3o Paulo : Ed. 34, 2006. 257 p. : il. ; 21 x 14cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-22\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"274\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-22\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-da-ecologia_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1049\" height=\"1425\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-da-ecologia_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-da-ecologia_page-0001.jpg 1049w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-da-ecologia_page-0001-221x300.jpg 221w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-da-ecologia_page-0001-754x1024.jpg 754w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/historias-da-ecologia_page-0001-768x1043.jpg 768w\" sizes=\"auto, (max-width: 1049px) 100vw, 1049px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-23\" class=\"so-panel widget widget_sow-headline\" data-index=\"275\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/sfv7mx2l55?ctx=GTr3s0tXAjZ-t6sfuNa3G&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=historia%20da%20ecologia&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t7.01 H673<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tHist\u00f3rias da ecologia, v. 2 : antologia.  S\u00e3o Paulo : MASP, 2025. 548 p\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-24\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"276\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-24\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/metodologia-aplicada-em-museus_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"812\" height=\"1208\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/metodologia-aplicada-em-museus_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/metodologia-aplicada-em-museus_page-0001.jpg 812w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/metodologia-aplicada-em-museus_page-0001-202x300.jpg 202w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/metodologia-aplicada-em-museus_page-0001-688x1024.jpg 688w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/metodologia-aplicada-em-museus_page-0001-768x1143.jpg 768w\" sizes=\"auto, (max-width: 812px) 100vw, 812px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-25\" class=\"so-panel widget widget_sow-headline\" data-index=\"277\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/f3ijkzbox5?ctx=bNr4MJ6J5eptcadwY4eLj&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=metodologia%20aplicada%20em%20museus&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t069 S237m<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tSantos, Fausto Henrique dos.   Metodologia aplicada em museus.  S\u00e3o Paulo : Mackenzie, 2000. 225 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-26\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"278\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-26\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"1668\" height=\"2494\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo.jpg 1668w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo-685x1024.jpg 685w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo-768x1148.jpg 768w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo-1027x1536.jpg 1027w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/o-livro-africano-sem-titulo-1370x2048.jpg 1370w\" sizes=\"auto, (max-width: 1668px) 100vw, 1668px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-27\" class=\"so-panel widget widget_sow-headline\" data-index=\"279\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/7qt554shov?ctx=qzNQBGmYG1Qeu4OnHYnaO&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=o%20livro%20africano%20sem%20titulo&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t29(675) F961l<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tFu-Kiau, Kimbwandende Kia Bunseki.   O livro africano sem t\u00edtulo: cosmologia dos Bantu-Kongo.  Rio de Janeiro : Cobog\u00f3, 2024. 201 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-28\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"280\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-28\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/oswald-de-andrade-um-teatro-por-fazer.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"1201\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/oswald-de-andrade-um-teatro-por-fazer.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/oswald-de-andrade-um-teatro-por-fazer.jpg 813w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/oswald-de-andrade-um-teatro-por-fazer-203x300.jpg 203w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/oswald-de-andrade-um-teatro-por-fazer-693x1024.jpg 693w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/oswald-de-andrade-um-teatro-por-fazer-768x1135.jpg 768w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-29\" class=\"so-panel widget widget_sow-headline\" data-index=\"281\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/tosxg7fb2j?ctx=jR8eIQ-ig1xMVLCeQ5dtN&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=um%20teatro%20por%20fazer&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t792.01(81) R484t<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tRibeiro, Maria L\u00facia Campanha da Rocha.   Um teatro por-fazer.  Rio de Janeiro : Diadorim, 1997. 193 p. ; 21 x 14cm\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-30\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"282\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-30\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-culturais_page-0001.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"1333\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-culturais_page-0001.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-culturais_page-0001.jpg 933w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-culturais_page-0001-210x300.jpg 210w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-culturais_page-0001-717x1024.jpg 717w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/politicas-culturais_page-0001-768x1097.jpg 768w\" sizes=\"auto, (max-width: 933px) 100vw, 933px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-31\" class=\"so-panel widget widget_sow-headline\" data-index=\"283\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/af6xsll73v?ctx=0ByA7Mh3kOjlBKjalNI1Q&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=3&#038;q=pol%C3%ADticas%20culturais&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t008 P769<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tPol\u00edticas culturais.  Barueri : Manole, 2003. 142 p.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-7972-6-3-32\" class=\"so-panel widget widget_kadence_about_with_image kadence_about_with_image\" data-index=\"284\" ><div class=\"kad_img_upload_widget kt-image-widget-widget-6-3-32\"><a href=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-diamante-do-grao-mogol_page-0001-1.jpg\" data-rel=\"lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"1205\" src=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-diamante-do-grao-mogol_page-0001-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-diamante-do-grao-mogol_page-0001-1.jpg 809w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-diamante-do-grao-mogol_page-0001-1-201x300.jpg 201w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-diamante-do-grao-mogol_page-0001-1-687x1024.jpg 687w, https:\/\/www.ufrgs.br\/bibart\/wp-content\/uploads\/teatro-diamante-do-grao-mogol_page-0001-1-768x1144.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/a><\/div><\/div><div id=\"panel-7972-6-3-33\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"285\" ><div class=\"panel-widget-style panel-widget-style-for-7972-6-3-33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-417e34b04f8c-7972\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h3 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/research.ebsco.com\/c\/5ovcoe\/search\/details\/c3axfmycvr?ctx=FoJoXzsaQk7IMB4aFLV5C&#038;facetFilter=LocationLibrary%3AQXJ0IC0gSW5zdGl0dXRvIERlIEFydGVz&#038;limiters=FT1%3AY&#038;pos=1&#038;q=o%20diamante%20do%20gr%C3%A3o&#038;searchMode=all\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t869.0(81)-272.4 M149d<\/a>\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tMachado, Maria Clara.   Teatro : O diamante do Gr\u00e3o-Mogol ; Tribob\u00f3 city ; Aprendiz de feiticeiro.  Rio de Janeiro : Agir, 1972. 219 p. : il.\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-7972-6-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Veja nesta p\u00e1gina os livros, partituras e CDs que entraram no acervo da Biblioteca em setembro de 2026. Clique ou toque nos n\u00fameros de localiza\u00e7\u00e3o para &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/www.ufrgs.br\/bibart\/novidades-do-acervo-setembro-2026\/\">Continue<\/a><\/p>\n","protected":false},"author":35,"featured_media":7973,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20,54],"tags":[],"class_list":["post-7972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avisos","category-novidades"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/comments?post=7972"}],"version-history":[{"count":78,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7972\/revisions"}],"predecessor-version":[{"id":8071,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/posts\/7972\/revisions\/8071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media\/7973"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/media?parent=7972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/categories?post=7972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/bibart\/wp-json\/wp\/v2\/tags?post=7972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}