{"id":146,"date":"2021-08-24T18:36:32","date_gmt":"2021-08-24T18:36:32","guid":{"rendered":"https:\/\/www.ufrgs.br\/culturayoruba\/?p=146"},"modified":"2022-01-25T18:37:52","modified_gmt":"2022-01-25T18:37:52","slug":"encontro-6-genero-e-interpretacao-social-na-cultura-yoruba-dia-24-08-2021","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/culturayoruba\/encontro-6-genero-e-interpretacao-social-na-cultura-yoruba-dia-24-08-2021\/","title":{"rendered":"ENCONTRO 6: G\u00caNERO E INTERPRETA\u00c7\u00c3O SOCIAL NA CULTURA YOR\u00d9B\u00c1, DIA 24\/08\/2021"},"content":{"rendered":"<p>Oy\u00e8ronk\u00e9 OYEW\u00d9M\u00cd. <strong>La invencion de las mujeres<\/strong>: una perspectiva africana sobre los discursos occidentales del g\u00e9nero. Bogot\u00e1: En la Frontera, 2017, pp. 83-110.<\/p>\n<p>Link: <a href=\"https:\/\/drive.google.com\/file\/d\/1BZZ4uaHTjc-S8DUCQf7R-Z93SA3OrwOK\/view?usp=sharing\">https:\/\/drive.google.com\/file\/d\/1BZZ4uaHTjc-S8DUCQf7R-Z93SA3OrwOK\/view?usp=sharing<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Oy\u00e8ronk\u00e9 OLAJUBU. Seeing through a woman&#8217;s eye: yoruba religious tradition and gender relations. <strong>Journal of Feminist Studies in Religion<\/strong>, v. 20, n. 1, pp. 41-60, 2004.<\/p>\n<p>Link: <a href=\"https:\/\/drive.google.com\/file\/d\/1ZOIe81HbZ9fv02AQiwtnblMlmJpMm57j\/view?usp=sharing\">https:\/\/drive.google.com\/file\/d\/1ZOIe81HbZ9fv02AQiwtnblMlmJpMm57j\/view?usp=sharing<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Molara OGUNDIPE: El termino postfeminismo se esta usando como si las necesidades del feminismo ya\u00a0 se hubieran\u00a0 alcanzado. Los estudios de g\u00e9nero y el trabajo social no solo se han convertido en una moda, sino tambien en una industria. \u00a0In: <strong>Africana<\/strong>s: aportaciones para la descolonizacion del feminismo. Barcelona: Oozebap, 2013, pp.\u00a0 22-56.<\/p>\n<p>Link: <a href=\"https:\/\/drive.google.com\/file\/d\/1mP3FgZ5n6nP_dInOtpAERufMWf4KxwsA\/view?usp=sharing\">https:\/\/drive.google.com\/file\/d\/1mP3FgZ5n6nP_dInOtpAERufMWf4KxwsA\/view?usp=sharing<\/a><\/p>\n<p>&nbsp;<\/p>\n<div id='gallery-1' class='gallery galleryid-146 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6a.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"173\" height=\"300\" src=\"https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6a-173x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-147\" srcset=\"https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6a-173x300.jpg 173w, https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6a.jpg 390w\" sizes=\"auto, (max-width: 173px) 100vw, 173px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-147'>\n\t\t\t\tMulher yor\u00f9b\u00e1, segunda metade do s\u00e9culo XIX\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6b.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6b-200x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-148\" srcset=\"https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6b-200x300.jpg 200w, https:\/\/www.ufrgs.br\/culturayoruba\/wp-content\/uploads\/2022\/01\/Encontro-6b.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-148'>\n\t\t\t\tFotografia de Sarah Forbes Bonetta (1843-1880)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Oy\u00e8ronk\u00e9 OYEW\u00d9M\u00cd. La invencion de las mujeres: una perspectiva africana sobre los discursos occidentales del g\u00e9nero. Bogot\u00e1: En la Frontera,&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-146","post","type-post","status-publish","format-standard","hentry","category-encontro"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/posts\/146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/comments?post=146"}],"version-history":[{"count":1,"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/posts\/146\/revisions"}],"predecessor-version":[{"id":149,"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/posts\/146\/revisions\/149"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/media?parent=146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/categories?post=146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/culturayoruba\/wp-json\/wp\/v2\/tags?post=146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}