{"id":13379,"date":"2020-11-18T16:48:44","date_gmt":"2020-11-18T19:48:44","guid":{"rendered":"https:\/\/www.ufrgs.br\/difusaocultural\/?p=13379"},"modified":"2020-11-26T13:10:25","modified_gmt":"2020-11-26T16:10:25","slug":"live-discute-a-producao-cinematografica-de-mulheres-indigenas","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/difusaocultural\/live-discute-a-producao-cinematografica-de-mulheres-indigenas\/","title":{"rendered":"Live discute a produ\u00e7\u00e3o cinematogr\u00e1fica de mulheres ind\u00edgenas"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

A parceria entre a Sala Reden\u00e7\u00e3o e o Cinemas em Rede, parte da\u00a0Rede Nacional de Ensino e Pesquisa, traz nesta quinta-feira, 19 de novembro, \u00e0s 19h<\/strong>, uma live incr\u00edvel com retransmiss\u00e3o no nosso canal do YouTube<\/span><\/a>. A conversa faz parte do ciclo online “Outros Cinemas Amer\u00edndios: novos olhares sobre a produ\u00e7\u00e3o audiovisual ind\u00edgena”, que ocorre at\u00e9 dezembro, e \u00e9 organizado pela\u00a0RNP com o Grupo de Pesquisas em Po\u00e9ticas Amer\u00edndias.<\/p>\n\n

Participam do debate “Mulheres ind\u00edgenas realizadoras”:<\/p>\n\n

– Vanuzia Bomfim<\/strong>, diretora de “A for\u00e7a das mulheres Patax\u00f3s” (2018) e ind\u00edgena Patax\u00f3\/BA;
– Marta Tipuici<\/strong>, diretora de “Tecendo nossos caminhos” (2019) e ind\u00edgena Manoki\/MT;
– Curadoras da mostra Joana Brand\u00e3o<\/strong> e Olinda Muniz Wanderley<\/strong>;
– Participa\u00e7\u00e3o especial de Clarisse Alvarenga<\/strong> e Marcela Borela<\/strong>.<\/p>\n\n

As curadoras do ciclo s\u00e3o a professora e cineasta Joana Brand\u00e3o Tavares (UFSB) \u2013 diretora de \u201cNew York, mais uma cidade\u201d (2019), e a jornalista e cineasta Olinda Muniz Wanderley, ind\u00edgena patax\u00f3-h\u00e3-h\u00e3e. Olinda atua no projeto \u00cdndios Online (www.indiosonline.net) e j\u00e1 dirigiu filmes como \u201cUma mulher, uma aldeia\u201d (2017) e \u201cKaapora \u2013 O Chamado das Matas\u201d (2020).<\/p>\n

Assista a live em https:\/\/youtu.be\/kW52qEnJhdg<\/span><\/a><\/p>\n\n

Saiba mais sobre a programa\u00e7\u00e3o do ciclo em http:\/\/www.cinemasemrede.rnp.br\/2020\/10\/07\/rnp-promove-ciclo-de-exibicoes-sobre-a-pr<\/a>oducao-audiovisual-indigena\/<\/a><\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”13382″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default”…<\/p>\n","protected":false},"author":2,"featured_media":13380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[161],"tags":[],"class_list":["post-13379","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cinema"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/posts\/13379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/comments?post=13379"}],"version-history":[{"count":4,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/posts\/13379\/revisions"}],"predecessor-version":[{"id":13385,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/posts\/13379\/revisions\/13385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/media\/13380"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/media?parent=13379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/categories?post=13379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/difusaocultural\/wp-json\/wp\/v2\/tags?post=13379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}