<\/p>\r\n
<\/p>\r\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Observadoras Din\u00e2micas das Vibra\u00e7\u00f5es: M\u00fasicas Ind\u00edgenas entre Videoclipes<\/b><\/p>\r\n
Quando as vozes rompem o sil\u00eancio as imagens se movimentam. Os sons desenham imagin\u00e1rios. O vento atravessa os tempos guiando sonoras vibra\u00e7\u00f5es. H\u00e1 hist\u00f3rias transmitidas pelo ar. H\u00e1 mem\u00f3rias recriando imagens. H\u00e1 palavras perpassando o tempo. As produ\u00e7\u00f5es dos Videoclipes na contemporaneidade global exp\u00f5e repert\u00f3rios inventivos e reinterpretam as rela\u00e7\u00f5es entre imagem e som. Com a profus\u00e3o da Internet, enquanto plataforma de exibi\u00e7\u00e3o e de circula\u00e7\u00e3o de conte\u00fados audiovisuais, percebemos nos \u00faltimos anos as expans\u00f5es dos acessos \u00e0s linguagens m\u00faltiplas do Videoclipe. E com isso acompanhamos multid\u00f5es de hist\u00f3rias e vozes dimensionarem novas telas.<\/span><\/p>\r\n Desde as proje\u00e7\u00f5es de imagens acompanhadas da m\u00fasica ao vivo, os v\u00eddeos musicais televisivos com car\u00e1ter publicit\u00e1rio e as h\u00edbridas e transtemporais montagens dos Videoclipes encontramos est\u00e9ticas que desafiam as linhas fronteiri\u00e7as entre linguagens e meios. Video\u00e1lbum, \u00c1lbumvisual, Videoclipes curtos, longos, interativos, documentais e ficcionais nos possibilitam a imagina\u00e7\u00e3o de diferentes realidades e desconstru\u00e7\u00f5es sensoriais das imagens paralisadas.<\/span><\/p>\r\n As musicalidades e sonoridades ind\u00edgenas s\u00e3o for\u00e7as ancestrais transmitidas pelos cantos, instrumentos, l\u00ednguas, rituais e o ar no peito vivo. Com plurais e complexas fun\u00e7\u00f5es entre as sociedades nativas, os sons carregam o poder de evocar, expressar e manter cosmovis\u00f5es e modos de ser ao longo dos tempos. Na atualidade, as rela\u00e7\u00f5es entre tradi\u00e7\u00e3o e contemporaneidade elaboram cen\u00e1rios criativos e inovadores entre artistas ind\u00edgenas e suas vibra\u00e7\u00f5es. No espectro das produ\u00e7\u00f5es audiovisuais, as po\u00e9ticas e estrat\u00e9gias de lutas se presentificam nas imagens que contam hist\u00f3rias e nos sons que guardam e transformam as mem\u00f3rias.<\/span><\/p>\r\n Sendo o canto uma fundamental impulsionadora dos sons das l\u00ednguas, as produ\u00e7\u00f5es de Videoclipes se inserem tamb\u00e9m como arquivos digitais que resguardam e visibilizam l\u00ednguas origin\u00e1rias. A mostra apresenta m\u00fasicas em diferente idiomas como Guarani, Guajajara, Haxta Kuin, Kichwa, Quich\u00e9, Tikuna e Yaathe. Assim como a comunica\u00e7\u00e3o nas l\u00ednguas impostas pela viol\u00eancia da invas\u00e3o colonial, Portugu\u00eas e Espanhol. Sendo a mem\u00f3ria a morada das hist\u00f3rias e forte realizadora dos mundos, os Videoclipes ocupam espa\u00e7os de recria\u00e7\u00e3o das identidades, est\u00e9ticas, afirma\u00e7\u00f5es e resist\u00eancias.<\/span><\/p>\r\n A Mostra Online Observadoras Din\u00e2micas das Vibra\u00e7\u00f5es: M\u00fasicas Ind\u00edgenas entre Videoclipes prop\u00f5e o reverberar dos sons e imagens em movimento. Nesta edi\u00e7\u00e3o adentramos ao universo do Videoclipe com m\u00fasicas de artistas ind\u00edgenas e seus espa\u00e7os criativos de hist\u00f3rias, mem\u00f3rias e sons. S\u00e3o produ\u00e7\u00f5es entre 2015 e 2020 com diferentes enredos, contextos e imag\u00e9ticas. Cria\u00e7\u00f5es coletivas com os mais diversos or\u00e7amentos, fundamentos e alian\u00e7as. Inovando entre montagens, beats, movimentos pol\u00edticos, cantos sagrados, uso de arquivo, versatilidades entre g\u00eaneros musicais e novos olhares acerca da situa\u00e7\u00e3o contempor\u00e2nea dos povos ind\u00edgenas, sua lutas e suas artes no mundo.<\/span><\/p>\r\n A sala reden\u00e7\u00e3o convida o p\u00fablico para a Mostra Online nos dias 7 a 18 de dezembro de 2020 que traz vibrantemente Asas (Wiramiri) (2020) de Ka\u00ea Guajajara, Fique Viva (2019) de Brisa Flow, Xondaro Ka\u2019aguy Regu\u00e1 (2019) de Mc Kunumin, A Todo Povo de Luta (2015) da Comiss\u00e3o Guarani Yvyrupa CGY, Rikchari(Despierta) (2019) de Apak Otavalo, Retomada (2020) dos Br\u00f4s Mc, Mayan Rap (2016) de Grupo Pajch\u2019uj Tzij e Poesia Loca, Yube Dewe (2019) do Coletivo Kayatibu e Mi Mawai, Que Siga el Baile (2020) de Mujeres del Viento Florido, A Floresta Cura (2020) de Djuena Tikuna, Owa Sewaxto Owke Setsotwa Iha (2019) de Cafurnas Fulni\u00f4.<\/span><\/p>\r\n Texto: Karina das Oliveiras, curadora da Mostra.<\/i><\/strong><\/p>\r\n[\/vc_column_text][divider line_type=”No Line”][image_with_animation image_url=”13464″ animation=”Fade In” hover_animation=”none” alignment=”right” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][divider line_type=”No Line”][heading]PROGRAMA\u00c7\u00c3O<\/strong>[\/heading][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]ASAS (WIRAMIRI)<\/strong><\/p>\r\n Ka\u00ea Guajajara feat. Nelson D<\/span><\/p>\r\n (Dir. Abimael Salinas | 2020 | 5 min \u2013 Brasil)\u00a0<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=DEmRh4Jo7fU<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=DEmRh4Jo7fU” align=”center”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]FIQUE VIVA<\/strong><\/p>\r\n Brisa Flow<\/span><\/p>\r\n (Dir: Talita Brito | 2019 | 4 min \u2013 Brasil )<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=wRUzUsTdW0o<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=wRUzUsTdW0o”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]XONDARO KA\u2019AGUY REGU\u00c1<\/strong><\/p>\r\n Kunumi Mc<\/span><\/p>\r\n (Dir. ANGRY | 2019 | 3 mim \u2013 Brasil)<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=cT7ZXxAMetY<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=cT7ZXxAMetY”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A TODO POVO DE LUTA<\/strong><\/p>\r\n Comiss\u00e3o Guarani Yvyrupa CGY<\/span><\/p>\r\n (Dir. Luiza Mandetta Xaka Poty, Vinicius Toro Vera Mir\u0129, Ruka Karai Xondaro, Coletivo de v\u00eddeo Tenonde Por\u00e3 | 2015 | 4 min \u2013 Brasil)<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=uUvS8Gnbkwk<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=uUvS8Gnbkwk”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]RIKCHARI (DESPIERTA)<\/strong><\/p>\r\n Apak Otalavo- Associa\u00e7\u00e3o de produtores audiovisuais Kichwas<\/span><\/p>\r\n (Dir. Valeria Rivilla, Carlos Abreo, Hugo Llumiquinga | 2019 | 4 mim \u2013 Equador)<\/span><\/p>\r\n Los Nin, Inmortal Kultura, La MafiAndina, Don Gatto, Runa Rap, Humazapas, AfroImbaya, Danilo Arroyo, Ear Worm Studio, Ave de Altura.<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=JdbZNeQ-Apo<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=JdbZNeQ-Apo”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]RETOMADA<\/strong><\/p>\r\n Br\u00f4s Mc\u2019s<\/span><\/p>\r\n (Dir. Higor Lobo | 2020 | 3 min \u2013 Brasil)<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=2BOzVntagzo<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=2BOzVntagzo” align=”center”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]MAYAN RAP<\/strong><\/p>\r\n Grupo Pajch\u2019uj Tzij e Poesia Loca<\/span><\/p>\r\n (Dir. Mauricio Men\u00e9ndez | 2016 | 4 min \u2013 Guatemala)<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=PZ03RsMgKl0<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=PZ03RsMgKl0″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]YUBE DEWE<\/strong><\/p>\r\n Grupo Kayatibu_Ni Ishanai ~ Floresta Futuro<\/span><\/p>\r\n (Dir. Kayatibu e Mi Mawai | 2019 | 2 min \u2013 Brasil)<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=hjVTNMBaJvc<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=hjVTNMBaJvc”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]QUE SIGA EL BAILE!<\/strong><\/p>\r\n Mujeres del Viento Florido,\u00a0<\/span>Banda Femenil Regional<\/span><\/p>\r\n (2020 | 15 min \u2013 M\u00e9xico)<\/span><\/p>\r\n Assista: <\/span>https:\/\/www.youtube.com\/watch?v=IDXz8HBGcH8<\/span><\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=IDXz8HBGcH8″ align=”center”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A FLORESTA CURA<\/strong><\/p>\r\n