{"id":15146,"date":"2021-08-24T16:36:31","date_gmt":"2021-08-24T19:36:31","guid":{"rendered":"https:\/\/www.ufrgs.br\/difusaocultural\/?p=15146"},"modified":"2021-08-24T22:31:21","modified_gmt":"2021-08-25T01:31:21","slug":"cineastas-liliana-sulzbach-e-carlos-roberto-franke-sao-os-convidados-do-tela-virtual-especial-o-metodo","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/difusaocultural\/cineastas-liliana-sulzbach-e-carlos-roberto-franke-sao-os-convidados-do-tela-virtual-especial-o-metodo\/","title":{"rendered":"Cineastas Liliana Sulzbach e Carlos Roberto Franke s\u00e3o os convidados do Tela Virtual especial ‘O M\u00e9todo’"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]O projeto\u00a0Tela Virtual<\/strong>\u00a0da Sala Reden\u00e7\u00e3o-Cinema Universit\u00e1rio da UFRGS exibe nesta quinta-feira,\u00a026 de agosto, \u00e0s 19h<\/strong>, o longa\u00a0\u201cO M\u00e9todo\u201d (2019)<\/em>, de\u00a0Liliana Sulzbach e Carlos Roberto Franke<\/strong>, no\u00a0nosso canal do YouTube<\/span><\/a><\/span>. Ap\u00f3s a sess\u00e3o, os diretores participam de um bate-papo online para debater a realiza\u00e7\u00e3o do filme.<\/p>\n

A partir da obra do\u00a0cineasta Eduardo Coutinho<\/strong>, \u201cO M\u00e9todo\u201d desvenda, interpreta e revela as ferramentas e conhecimentos utilizados por experientes documentaristas na arte e no of\u00edcio de representar a realidade. O realizador paulistano est\u00e1 entre os nomes de destaque no cinema nacional e mundial, construindo sua filmografia a partir de uma aproxima\u00e7\u00e3o sincera com seus temas e entrevistados, possibilitando que as linguagens do cinema se dilu\u00edssem na realidade que captava.\u00a0<\/p>\n

Como um dos g\u00eaneros mais presentes e relevantes na arte do cinema, o document\u00e1rio resulta das in\u00fameras possibilidades e formas de narrar, observar, apontar, restaurar e imaginar situa\u00e7\u00f5es e pensamentos que partem de uma realidade objetiva. O filme de Liliana Sulzbach e Carlos Roberto Franke mergulha nesse processo de registrar o mundo, tanto pelo trabalho de Coutinho, como de outros realizadores e realizadoras, apresentando um panorama de abordagens utilizadas no cinema documental.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”15149″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]Liliana Sulzbach[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”15152″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”50%” max_width_mobile=”default”][vc_column_text]Carlos Roberto Franke[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

O M\u00c9TODO<\/span><\/b><\/p>\n

(Dir. Liliana Sulzbach e Carlos Roberto Franke | Brasil | 2019 | 80 min)<\/span><\/i><\/p>\n

O M\u00e9todo desvenda, interpreta e revela as ferramentas e conhecimentos utilizados por experientes documentaristas na arte e no of\u00edcio de representar a realidade.<\/p>\n

O Tela Virtual<\/strong><\/p>\n

O Tela Virtual tem como objetivo aproximar a virtualidade das telas de computador e celular, dentro de todas as limita\u00e7\u00f5es definidas pelas regras de distanciamento social, \u00e0 experi\u00eancia da sess\u00e3o de cinema. Num formato de exibi\u00e7\u00e3o online de um filme, seja curta, m\u00e9dia ou longa-metragem, seguida de um debate, realizado ao vivo no\u00a0canal da Difus\u00e3o Cultural no Youtube<\/a>, as sess\u00f5es t\u00eam como foco o contato direto com a equipe das produ\u00e7\u00f5es, assim como pesquisas relacionadas aos filmes exibidos.[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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