{"id":491,"date":"2021-09-29T18:04:00","date_gmt":"2021-09-29T21:04:00","guid":{"rendered":"https:\/\/www.ufrgs.br\/documenta\/?post_type=docs&p=491"},"modified":"2023-11-08T11:11:39","modified_gmt":"2023-11-08T14:11:39","password":"","slug":"240-titulo-uniforme","status":"publish","type":"docs","link":"https:\/\/www.ufrgs.br\/documenta\/d\/240-titulo-uniforme\/","title":{"rendered":"240 – T\u00edtulo uniforme"},"content":{"rendered":"\n
Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m o t\u00edtulo uniforme utilizado para agrupar documentos de um autor ou entidade, extratos de diferentes trabalhos, obras completas, formas liter\u00e1rias, documentos em diversas edi\u00e7\u00f5es ou tradu\u00e7\u00f5es, documentos legais, etc.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio para documento legal e para tradu\u00e7\u00f5es quando presente na obra o t\u00edtulo original. N\u00e3o repetitivo.<\/td><\/tr>
Uso<\/strong><\/td>Em todos os formatos, exceto SE<\/strong> e TD<\/strong>.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, cap. 25.
O campo 240 n\u00e3o \u00e9 usado quando o campo 130<\/a> (Entrada principal – T\u00edtulo uniforme) estiver presente.
Use sempre a sequ\u00eancia de preenchimento de subcampos a<\/strong>, g<\/strong>, d<\/strong>, k<\/strong>, m<\/strong>, n<\/strong>, o<\/strong>, p<\/strong>, r<\/strong>, s <\/strong>e l<\/strong>.<\/td><\/tr>
Recupera\u00e7\u00e3o<\/strong><\/td>Pesquisar palavras<\/em>:
– subcampos a<\/strong>, d<\/strong>, g<\/strong>, k<\/strong>, l<\/strong>, m<\/strong>, n<\/strong>, p<\/strong>, r<\/strong> s\u00e3o recuper\u00e1veis pelos \u00edndices T\u00edtulo (WTI) e Palavras gerais (WRD).
Percorrer \u00edndice<\/em>:
– subcampos a<\/strong>, d<\/strong>, l<\/strong>, m<\/strong>, n<\/strong>, p<\/strong>, r<\/strong> s\u00e3o recuper\u00e1veis pelo \u00edndice T\u00edtulo (TIT).<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
INDICADORES<\/strong><\/h6>\n\n\n\n
<\/div>\n\n\n\n

Ind. 1<\/span><\/strong> – Necessidade de entrada secund\u00e1ria<\/p>\n\n\n\n

1<\/span><\/strong> = Sim<\/p>\n\n\n\n

Ind. 2<\/span><\/strong> – N\u00famero de caracteres iniciais a ignorar na alfabeta\u00e7\u00e3o, incluindo os espa\u00e7os<\/p>\n\n\n\n

0-9<\/span><\/strong> = N\u00famero de caracteres a ignorar<\/p>\n\n\n\n

<\/div>\n\n\n\n
SUBCAMPOS<\/strong><\/h6>\n\n\n\n
<\/div>\n\n\n\n

a – T\u00edtulo uniforme<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m o t\u00edtulo uniforme.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio. N\u00e3o repetitivo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

d – Data de assinatura do tratado<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a data de assinatura usada num t\u00edtulo uniforme para um tratado ou outro acordo governamental.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio para documentos com data de assinatura do tratado. Repetitivo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

g – Informa\u00e7\u00f5es adicionais<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m qualquer outro dado que n\u00e3o possa ser inclu\u00eddo em subcampo espec\u00edfico.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Opcional. N\u00e3o repetitivo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

k – Subcabe\u00e7alho de forma<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m o subcabe\u00e7alho de forma. Inclui Manuscritos, Protocolos, Sele\u00e7\u00f5es, etc.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regras 25.5 e 25.13-25.35.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

l – Idioma do texto<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a denomina\u00e7\u00e3o, por extenso, do idioma do documento registrado no 008\/35-37.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio para obras traduzidas. N\u00e3o repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regra 25.5C.<\/td><\/tr>
Fun\u00e7\u00e3o<\/strong><\/td>Use F8<\/strong> para auxiliar o preenchimento do subcampo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

m – Meio de execu\u00e7\u00e3o<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o do meio de execu\u00e7\u00e3o ao qual se destina a obra musical.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. Repetitivo.<\/td><\/tr>
Uso<\/strong><\/td>No formato MU<\/strong>.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regra 25.30B.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

n – N\u00famero da parte\/se\u00e7\u00e3o do trabalho<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o num\u00e9rica para uma parte ou se\u00e7\u00e3o de um trabalho.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio para itens constitu\u00eddos de partes numeradas consecutivas de uma obra. Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>O nome de uma sub-parte \u00e9 indicado no subcampo p<\/strong>.
Em t\u00edtulos de m\u00fasica, a s\u00e9rie, opus ou n\u00famero do \u00edndice tem\u00e1tico \u00e9 descrito neste subcampo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

o – Arranjo musical<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a abreviatura do termo arranjo (arr.).<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. N\u00e3o repetitivo.<\/td><\/tr>
Cr\u00edticas<\/strong><\/td>Este subcampo possui cr\u00edtica de conte\u00fado. Preenchimento incorreto impossibilita o salvamento do registro.<\/td><\/tr>
Uso<\/strong><\/td>No formato MU<\/strong>.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regra 25.35C.<\/td><\/tr>
Fun\u00e7\u00e3o<\/strong><\/td>Use F8<\/strong> para preencher o subcampo.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

p – Nome da parte\/se\u00e7\u00e3o do trabalho<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o do nome da parte\/se\u00e7\u00e3o de um trabalho.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio quando o item que est\u00e1 sendo catalogado consiste de partes identificadas por um t\u00edtulo pr\u00f3prio. Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Uma parte com nome que indica uma sub-parte \u00e0 primeira parte\/se\u00e7\u00e3o \u00e9 contida num subcampo p <\/strong>separado.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

r – Tonalidade<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a indica\u00e7\u00e3o da tonalidade.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. N\u00e3o repetitivo.<\/td><\/tr>
Uso<\/strong><\/td>No formato MU<\/strong>.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regra 25.30D.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

s – Vers\u00e3o<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o da vers\u00e3o, edi\u00e7\u00e3o, etc.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. N\u00e3o repetitivo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
EXEMPLOS<\/strong><\/h6>\n\n\n\n
<\/div>\n\n\n\n
240 10<\/span> |a<\/span> B\u00edblia |p<\/span> A.T. |p<\/span> Apocalipse...\n\n240 10<\/span> |a<\/span> Concerto |m<\/span> piano |m<\/span> orquestra |n<\/span> n. 5, op. 8, K. 501 |r<\/span> D\u00f3 maior\n\n240 10<\/span> |a<\/span> Don Giovanni |s<\/span> Libreto<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Obra de t\u00edtulo Moby Dick, ou, A Baleia, de autoria de Herman Melville, traduzida do original Moby Dick, or The Whale por Berenice Xavier:<\/p>\n\n\n\n
240 10<\/span> |a<\/span> Moby Dick, or, The whale |l<\/span> Portugu\u00eas\n245 10<\/span> |a<\/span> Moby Dick, ou, A baleia |c<\/span> Herman Melville; tradu\u00e7\u00e3o de Berenice Xavier\n740 12<\/span> |a<\/span> A baleia<\/strong><\/pre>\n\n\n\n
100 10<\/span> |a<\/span> Beethoven, Ludwig van |d<\/span> 1770-1827 |4<\/span> aut\n240 10<\/span> |a<\/span> Fidelio |n<\/span> (1814) |s<\/span> Libreto |l<\/span> Ingl\u00eas\n245 10<\/span> |a<\/span> Fidelio |c<\/span> Ludwig van Beethoven<\/strong>\n\n100 10<\/span> |a<\/span> Bullet, Gerald William |d<\/span> 1894-1958 |4<\/span> aut\n240 10<\/span> |a<\/span> Poemas |k<\/span> Sele\u00e7\u00f5es\n245 10<\/span> |a<\/span> Poems |c<\/span> by Gerald Bullet<\/strong>\n\n100 10<\/span> |a<\/span> Schubert, Franz |4<\/span> aut\n240 10<\/span> |a<\/span> Sinfonias |n<\/span> n. 1, op. 21 |p<\/span> Andante cantabile com moto |r<\/span> C major\n245 10<\/span> |a<\/span> Obras para orquestra |c<\/span> Franz Schubert<\/strong>\n\n100 10<\/span> |a<\/span> Gardner, Ernest |4<\/span> aut\n240 10<\/span> |a<\/span> Anatomy : regional study of human body |l<\/span> Portugu\u00eas\n245 10<\/span> |a<\/span> Anatomia : |b<\/span> estudo regional do corpo humano |c<\/span> Ernest Gardner; tradu\u00e7\u00e3o de Liberato J. A. Oidio<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Tratado entre Brasil e Paraguai:<\/p>\n\n\n\n
110 1_<\/span> |a<\/span> Brasil |4<\/span> aut\n240 10<\/span> |a<\/span> Tratados, etc. |g<\/span> Paraguai, |d<\/span> 1973 abr. 26\n710 1_<\/span> |a<\/span> Paraguai. |t<\/span> Tratados, etc. |g<\/span> Brasil, |d<\/span> 1973 abr. 26. |4<\/span> aut<\/strong><\/pre>\n\n\n\n
110 1_<\/span> |a<\/span> Fran\u00e7a |4<\/span> aut\n240 10<\/span> |a<\/span> Tratados, etc. |g<\/span> Pol\u00f4nia, |d<\/span> 1948 mar. 2 |k<\/span> Protocolos, etc.\n710 1_<\/span> |a<\/span> Pol\u00f4nia. |t<\/span> Tratados, etc. |d<\/span> 1948 mar. 2 |k<\/span> Protocolos, etc.<\/strong>\n\n110 10<\/span> |a<\/span> Instituto Nacional de Pesquisas Espaciais |4<\/span> aut\n240 10<\/span> |a<\/span> Relat\u00f3rio anual (1977)\n245 10<\/span> |a<\/span> Relat\u00f3rio anual |c<\/span> Instituto Nacional de Pesquisas Espaciais<\/strong>\n\n110 1_<\/span> |a<\/span> Brasil |4<\/span> aut\n240 00<\/span> |a<\/span> Lei n.8.714, de 12 de mar\u00e7o de 1990\n245 10<\/span> |a<\/span> Coment\u00e1rios a Lei n.8714\/90 |c<\/span> por Almeida Jr.\n<\/strong>\n110 2_<\/span> |a<\/span> Brasil\n240 10<\/span> |a<\/span> Constitui\u00e7\u00e3o (1946)\n245 10<\/span> |a<\/span> Coment\u00e1rios federal\n<\/strong>\n110 2_<\/span> |a<\/span> Brasil\n240 10<\/span> |a<\/span> Leis, etc.\n245 10<\/span> |a<\/span> Seguran\u00e7a e medicina do trabalho<\/strong><\/pre>\n","protected":false},"excerpt":{"rendered":"
CATEGORIA: Registro bibliogr\u00e1fico<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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