{"id":495,"date":"2021-09-27T18:04:00","date_gmt":"2021-09-27T21:04:00","guid":{"rendered":"https:\/\/www.ufrgs.br\/documenta\/?post_type=docs&p=495"},"modified":"2024-12-16T11:27:22","modified_gmt":"2024-12-16T14:27:22","password":"","slug":"245-indicacao-titulo","status":"publish","type":"docs","link":"https:\/\/www.ufrgs.br\/documenta\/d\/245-indicacao-titulo\/","title":{"rendered":"245 – Indica\u00e7\u00e3o de t\u00edtulo"},"content":{"rendered":"\n
Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m o t\u00edtulo principal e tamb\u00e9m pode conter a designa\u00e7\u00e3o geral do material (meio), restante do t\u00edtulo, outras informa\u00e7\u00f5es sobre o t\u00edtulo, o restante da transcri\u00e7\u00e3o da p\u00e1gina de rosto e a indica\u00e7\u00e3o de responsabilidade.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio. N\u00e3o repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regra 1.1.<\/td><\/tr>
Recupera\u00e7\u00e3o<\/strong><\/td>Pesquisar palavras<\/em>:
– subcampos a<\/strong>, b<\/strong>, h<\/strong>, k<\/strong>, n<\/strong>, p<\/strong> s\u00e3o recuper\u00e1veis pelos \u00edndices T\u00edtulo (WTI) e Palavras gerais (WRD).
Percorrer \u00edndice<\/em>:
– subcampos a<\/strong>, b<\/strong>, n<\/strong>, p<\/strong> s\u00e3o recuper\u00e1veis pelo \u00edndice T\u00edtulo (TIT).<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
INDICADORES<\/strong><\/h6>\n\n\n\n
<\/div>\n\n\n\n

Ind. 1<\/span><\/strong> – Necessidade de entrada secund\u00e1ria<\/p>\n\n\n\n

0<\/span><\/strong> = N\u00e3o<\/p>\n\n\n\n

Para o formato SE<\/strong> use sempre Ind. 1<\/strong> = 0<\/p>\n\n\n\n

1<\/span><\/strong> = Sim<\/p>\n\n\n\n

Ind. 2<\/span><\/strong> – N\u00famero de caracteres iniciais a ignorar na alfabeta\u00e7\u00e3o, incluindo os espa\u00e7os<\/p>\n\n\n\n

0-9<\/span><\/strong> = N\u00famero de caracteres a ignorar<\/p>\n\n\n\n

Os caracteres !”()-{};:.?\/\\@*%=^_`~ ‘[],<> n\u00e3o devem ser contabilizados no n\u00famero de caracteres a ignorar porque s\u00e3o desconsiderados pelo sistema na ordena\u00e7\u00e3o do \u00edndice de t\u00edtulos.<\/p>\n\n\n\n

<\/div>\n\n\n\n
SUBCAMPOS<\/strong><\/h6>\n\n\n\n
<\/div>\n\n\n\n

a – T\u00edtulo principal<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m o t\u00edtulo principal exatamente como aparece na fonte de informa\u00e7\u00e3o, incluindo t\u00edtulo alternativo, mas excluindo t\u00edtulos equivalentes e outras informa\u00e7\u00f5es sobre o t\u00edtulo.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio. N\u00e3o repetitivo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.
Pontua\u00e7\u00e3o final autom\u00e1tica com a presen\u00e7a somente dos subcampos c<\/strong> e h<\/strong>.
Pontua\u00e7\u00e3o final fornecida pelo bibliotec\u00e1rio na presen\u00e7a de pelo menos um subcampo diferente de c<\/strong>.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

b – Outras informa\u00e7\u00f5es sobre o t\u00edtulo<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m todas as informa\u00e7\u00f5es sobre o t\u00edtulo que aparecem na fonte principal de informa\u00e7\u00e3o, incluindo t\u00edtulos subsequentes ao primeiro em obras sem t\u00edtulo coletivo e outras informa\u00e7\u00f5es sobre o t\u00edtulo, por\u00e9m excluindo t\u00edtulos equivalentes, os quais devem ser registrados no campo 246<\/a>.
Cont\u00e9m tamb\u00e9m frase relacionada com o t\u00edtulo, indicativa, entre outros, do car\u00e1ter, conte\u00fado, motivos ou ocasi\u00e3o da produ\u00e7\u00e3o ou publica\u00e7\u00e3o do documento.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. N\u00e3o Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Diferentes ocorr\u00eancias de t\u00edtulos subsequentes e\/ou outras informa\u00e7\u00f5es sobre o t\u00edtulo s\u00e3o registradas neste subcampo.
Para publica\u00e7\u00f5es seriadas os t\u00edtulos subsequentes s\u00e3o indicados nos campos 780<\/a>, 785<\/a> e 787<\/a>.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna e final fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

c – Indica\u00e7\u00e3o de responsabilidade\/outras informa\u00e7\u00f5es da p\u00e1gina de rosto<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a indica\u00e7\u00e3o, transcrita do documento, referente \u00e0s pessoas ou entidades respons\u00e1veis pelo seu conte\u00fado e\/ou outras informa\u00e7\u00f5es da p\u00e1gina de rosto que n\u00e3o foram registradas em outro subcampo.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio para documentos com indica\u00e7\u00e3o de responsabilidade. N\u00e3o repetitivo.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

h – Designa\u00e7\u00e3o geral do material<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o geral do material, de acordo com a Lista Norte-Americana de Designa\u00e7\u00e3o Geral do Material do CCAA2, regra 1.1C.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Optativo. N\u00e3o Repetitivo.<\/td><\/tr>
Cr\u00edtica<\/strong><\/td>Este subcampo possui cr\u00edtica de conte\u00fado. Preenchimento incorreto impossibilita o salvamento do registro.<\/td><\/tr>
Fun\u00e7\u00e3o<\/strong><\/td>Use F8<\/strong> para preencher o subcampo ou consulte a Tabela S – Designa\u00e7\u00e3o Geral do Material<\/a>.<\/em><\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o autom\u00e1tica.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

k – Forma<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a forma do material.
Tipos espec\u00edficos de materiais s\u00e3o distinguidos pelo exame de seu car\u00e1ter f\u00edsico, assunto de seu conte\u00fado intelectual ou ordem da informa\u00e7\u00e3o dentro deles (p. ex., anais, di\u00e1rios, diret\u00f3rios, jornais, memorandos, etc.).<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio para documento cujo t\u00edtulo principal necessita esclarecimentos. Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Para registro destes dados recomenda-se utilizar o CCAA2, regra 1.1E6.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

n – N\u00famero da parte\/se\u00e7\u00e3o do trabalho<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o num\u00e9rica para uma parte ou se\u00e7\u00e3o de um trabalho.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio quando o item que est\u00e1 sendo catalogado consiste de partes consecutivas de uma obra e estas partes s\u00e3o numeradas. Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Em t\u00edtulos musicais, o epis\u00f3dio ou o \u00edndice num\u00e9rico tem\u00e1tico s\u00e3o geralmente contidos no subcampo n<\/strong>.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna e final fornecidas pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

p – Nome da parte\/se\u00e7\u00e3o do trabalho<\/span><\/strong><\/p>\n\n\n\n

Descri\u00e7\u00e3o<\/strong><\/td>Cont\u00e9m a designa\u00e7\u00e3o do nome da parte\/se\u00e7\u00e3o de um trabalho.<\/td><\/tr>
Caracter\u00edsticas<\/strong><\/td>Obrigat\u00f3rio quando o item que est\u00e1 sendo catalogado consiste de partes identificadas por um t\u00edtulo pr\u00f3prio. Repetitivo.<\/td><\/tr>
Notas<\/strong><\/td>Uma parte com nome que indica uma sub-parte \u00e0 primeira parte\/se\u00e7\u00e3o \u00e9 contida num subcampo p<\/strong> separado.<\/td><\/tr>
Pontua\u00e7\u00e3o<\/strong><\/td>Pontua\u00e7\u00e3o interna fornecida pelo bibliotec\u00e1rio.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
EXEMPLOS<\/strong><\/h6>\n\n\n\n
<\/div>\n\n\n\n
245 10<\/mark> |a<\/mark> \u201cSutil \u00e9 o Senhor\u201d : |b<\/mark> a ci\u00eancia e a vida de Albert Einstein |c<\/mark> Abraham Pais ; tradu\u00e7\u00e3o Fernando Parente e Viriato Esteves ; revis\u00e3o da tradu\u00e7\u00e3o Cesar Benjamin\n\n245 14<\/mark> |a<\/mark> The analysis of the law |c<\/mark> Sir Matthew Hale. The students companion \/ Giles Jacob.\n\n245 10<\/mark> |a<\/mark> Project directory |c<\/mark> TDC\n246 11<\/mark> |a<\/mark> Repertoire des projets\n\n245 00<\/mark> |a<\/mark> Cokemaking international |c<\/mark> Verein Deutscher Kokereifachleute = Association of German Cokemaking Experts\n\n245 13<\/mark> |a<\/mark> La mer : |b<\/mark> Khamma ; Rhapsody for clarinet and orchestra |c<\/mark> Claude Debussy |h<\/mark> grava\u00e7\u00e3o de som\n\n245 04<\/mark> |a<\/mark> The Green bag : |b<\/mark> a useless but entertaining magazine for lawyers |h<\/mark> microforma\n\n245 00<\/mark> |a<\/mark> READ: |b<\/mark> revista eletr\u00f4nica de administra\u00e7\u00e3o |h<\/mark> recurso eletr\u00f4nico\n\n245 00<\/mark> |a<\/mark> Current contents on diskette. |p<\/mark> Engineering, technology and applied sciences |h<\/mark> recurso eletr\u00f4nico\n\n245 10<\/mark> |a<\/mark> Four years at Yale : |k<\/mark> diares\n\n245 10<\/mark> |a<\/mark> Faust. |n<\/mark> Part one<\/strong>\n\n245 00<\/mark> |a<\/mark> Kidney international. |c<\/mark> International Society of Nephrology |p<\/mark> Supplement\n\n245 10<\/mark> |a<\/mark> Advanced calculus, |p<\/mark> Student handbook<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de obras de um autor, sem t\u00edtulo coletivo, com a primeira obra predominante (Regra 1.1G1):<\/p>\n\n\n\n
100 1_<\/span> |a<\/span> Del Pichia, Menotti |4<\/span> aut\n245 10<\/span> |a<\/span> Juca mulato |c<\/span> Menotti Del Picchia\n505 0_<\/span> |a<\/span> M\u00e1scaras \u2013 Ang\u00fastia de D. Jo\u00e3o \u2013 O amor de Dulcin\u00e9a\n740 02<\/span> |a<\/span> M\u00e1scaras\n740 02<\/span> |a<\/span> Ang\u00fastia de D. Jo\u00e3o\n740 22<\/span> |a<\/span> O amor de Dulcin\u00e9a<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de obras de um autor, sem t\u00edtulo coletivo, sem obra predominante (Regra 1.1G3):<\/p>\n\n\n\n
100 10<\/span> |a<\/span> Eur\u00edpedes |4<\/span> aut
245\u00a010<\/span> |a<\/span> Med\u00e9ia ; |b<\/span> As bacantes |c<\/span> Eur\u00edpedes
740\u00a032<\/span> |a<\/span> As bacantes<\/strong>

100 1_<\/span> |a<\/span> London, Jack |d<\/span> 1876-1916 |4<\/span> aut<\/strong>
245\u00a010<\/span> |a<\/span> To build a fire ; |b<\/span> Moon-face ; The law of life ; Love of life |c<\/span> Jack London ; tradu\u00e7\u00f5es Anna Maria Lobo ... [et al.]<\/strong>
246\u00a011<\/span> |a<\/span> Fazer uma fogueira |9<\/span><\/strong> pt<\/strong>
246\u00a011<\/span> |a<\/span> O \"cara-de-lua\" |9<\/span><\/strong> pt<\/strong>
246\u00a011<\/span> |a<\/span> A lei da vida |9<\/span><\/strong> pt<\/strong>
246\u00a011<\/span> |a<\/span> Amor \u00e0 vida |9<\/span><\/strong> pt
740\u00a002<\/span> |a<\/span> Moon-face<\/strong>
740\u00a042<\/span> |a<\/span> The law of life<\/strong>
740\u00a002<\/span> |a<\/span> Love of life<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de obras de um autor, sem t\u00edtulo coletivo, sem obra predominante, com “seguido de” (Regra 1.1G3):<\/p>\n\n\n\n
100 1_<\/span> |a<\/span> Dumas, Alexandre |d<\/span> 1802-1870 |4<\/span> aut\n245 10<\/span> |a<\/span> Mem\u00f3rias gastron\u00f4micas de todos os tempos ; |b<\/span> seguido de, Pequena hist\u00f3ria da culin\u00e1ria |c<\/span> Alexandre Dumas ; tradu\u00e7\u00e3o, apresenta\u00e7\u00e3o e notas: Andr\u00e9 Telles ; consultoria e tradu\u00e7\u00e3o de card\u00e1pios e receitas: Sandra Secchin |h<\/span> recurso eletr\u00f4nico<\/strong>\n700 12<\/span> |a<\/span> Telles, Andr\u00e9 |4<\/span> trl<\/strong>\n740 02<\/span> |a<\/span> Pequena hist\u00f3ria da culin\u00e1ria<\/strong><\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de obras de diferentes autores, sem t\u00edtulo coletivo, com uma das obras predominante (Regra 1.1G1):<\/p>\n\n\n\n
100 1_<\/span> |a<\/span> Andrade, Oswald de |4<\/span> aut\n245 10<\/span> |a<\/span> Mem\u00f3rias sentimentais de Jo\u00e3o Miramar |c<\/span> Oswald de Andrade\n505 0_<\/span> |a<\/span> Serafim Ponte Grande \/ Oswald de Andrade \u2013 H\u00e1 uma gota de sangue em cada poema \/ M\u00e1rio de Andrade<\/strong><\/strong>\n700 1<\/span>_ |a<\/span> Andrade, M\u00e1rio de |4<\/span> aut<\/strong>\n740 02<\/span> |a<\/span> Serafim Ponte Grande<\/strong><\/strong>\n740 02<\/span> |a<\/span> H\u00e1 uma gota de sangue em cada poema<\/strong><\/strong><\/strong><\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de obras de diferentes autores, sem t\u00edtulo coletivo, sem obra predominante (Regra 1.1G3):<\/p>\n\n\n\n
100 1_<\/span> |a<\/span> Bruno, Giordano |4<\/span> aut\n245 10<\/span> |a<\/span> Sobre o infinito |c<\/span> Giordano Bruno. O ensaiador \/ Galileu Galilei. A cidade do sol \/ Tommasco Campanella\n700 1_<\/span> |a<\/span> Galilei, Galileu |4<\/span> aut<\/strong><\/strong>\n700 1<\/span>_ |a<\/span> Campanella, Tommasco |4<\/span> aut<\/strong>\n740 22<\/span> |a<\/span> O ensaiador<\/strong><\/strong>\n740 22<\/span> |a<\/span> A cidade do sol<\/strong><\/strong><\/strong><\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de diversas obras de um mesmo autor, com t\u00edtulo coletivo (Regra 1.1B10):<\/p>\n\n\n\n
100 1_<\/span> |a<\/span> Andrade, M\u00e1rio de |4<\/span> aut\n245 10<\/span> |a<\/span> Obra imatura |c<\/span> M\u00e1rio de Andrade\n505 1_<\/span> |a<\/span> A escrava que n\u00e3o \u00e9 Isaura \u2013 Primeiro andar - Carrosse<\/strong>l<\/strong>\n740 22<\/span> |a<\/span> A escrava que n\u00e3o \u00e9 Isaura<\/strong>\n740 02<\/span> |a<\/span> Primeiro andar<\/strong><\/strong>\n740 02<\/span> |a<\/span> Carrossel<\/strong><\/strong><\/strong><\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Colet\u00e2nea de diversas obras de diferentes autores, com t\u00edtulo coletivo (Regras 1.1B10, 21.1 e 21.7):<\/p>\n\n\n\n
245 00<\/span> |a<\/span> Fundamentos do planejamento educacional |c<\/span> P.H. Coombs ... [et al.]\n505 1_<\/span> |a<\/span> Que \u00e9 planejamento? \/ Philip H. Coombs \u2013 Contexto social do planejamento \/ C.A. Anderson \u2013 Os planos de desenvolvimento da educa\u00e7\u00e3o \/ Poignant \u2013 Custos educacionais \/ C. Beeby<\/strong><\/strong>\n700 1_<\/span> |a<\/span> Coombs, Philip H.<\/strong>\n700 1_<\/span> |a<\/span> Anderson, C.A.<\/strong>\n700 1_<\/span> |a<\/span> Poignant, Raymond<\/strong>\n700 1_<\/span> |a<\/span> Beeby, C.<\/strong>\n740 02<\/span> |a<\/span> Que \u00e9 planejamento?<\/strong>\n740 02<\/span> |a<\/span> Contexto social do planejamento<\/strong>\n740 32<\/span> |a<\/span> Os planos de desenvolvimento da educa\u00e7\u00e3o<\/strong><\/strong>\n740 02<\/span> |a<\/span> Custos educacionais<\/strong><\/strong><\/strong><\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Publica\u00e7\u00e3o seriada Journal of Organic Chemistry<\/em> publicada pela American Chemical Society cuja parte A <\/em>intitula-se Supporting Information, <\/em>apresentada em microforma:<\/p>\n\n\n\n
245 00<\/span> |a<\/span> Journal of organic chemistry. |c<\/span> American Chemical Society |h<\/span> microforma |n<\/span> A, |p<\/span> Supporting information<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Publica\u00e7\u00e3o com sinais de pontua\u00e7\u00e3o … (retic\u00eancias) no t\u00edtulo, estes dever\u00e3o ser substitu\u00eddos por — travess\u00e3o (representado no sistema por h\u00edfens duplos), conforme CCAA2, regra 1.1B1:<\/p>\n\n\n\n
245 10<\/span> |a<\/span> E os alunos gostam de ler e de escrever-- |c<\/span> Ynah de Souza Nascimento<\/strong><\/pre>\n\n\n\n
<\/div>\n\n\n\n
Publica\u00e7\u00e3o seriada Journal of Physical Chemistry<\/em> publicada pela American Chemical Society cuja parte A<\/em> intitula-se Molecules, Spectroscopy, Kinetics, Environmental & General Theory<\/em>:<\/p>\n\n\n\n
245 00<\/span> |a<\/span> Journal of physical chemistry : |b<\/span> international journal. |c<\/span> American Chemical Society |n<\/span> A, |p<\/span> Molecules, spectroscopy, kinetics, environmental & general theory<\/strong><\/pre>\n","protected":false},"excerpt":{"rendered":"
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