{"id":73388,"date":"2023-11-16T07:24:00","date_gmt":"2023-11-16T10:24:00","guid":{"rendered":"https:\/\/www.ufrgs.br\/jornal\/?p=73388"},"modified":"2023-12-06T10:55:41","modified_gmt":"2023-12-06T13:55:41","slug":"black-representation-in-porto-alegres-carnival-the-fight-against-historical-invisibility","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/jornal\/black-representation-in-porto-alegres-carnival-the-fight-against-historical-invisibility\/","title":{"rendered":"Black representation in Porto Alegre\u2019s Carnival: the fight against historical invisibility"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>Heritage | Interview with members of the Carnival group Afro-Sul\/\u1eccd\u1ecdm\u1ecdde aims to treasure the legacy of the Afro-Brazilian cultural movement<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:10px\"><em>*By Gabhriel Giordani<br>*First published February 16th, 2023<br>*Photo: Members of the Afro-Sul Music and Dance Group participated, before the pandemic, of the show <\/em><br><em>\u201cReminiscences \u2013 Memories of Our Time\u201d. Performed at the Renascen\u00e7a Theater, in Porto Alegre, <\/em><br><em>the show was a manifesto in defense of popular demands. (Image: Maciel Goelzer\/by Afro-Sul)<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Carnival, a Brazilian social historical heritage, first took place in Porto Alegre in the 19th century. One of the main features of this highly rated event is the endeavor made by samba schools and racial and ethnic groups for the recognition black culture and identity deserve, and avoidance of the historical erasure caused by a predominantly white perspective.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Considering the importance of these stories, a <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/246497\">Masters\u2019 thesis from the Museology and Heritage Program from UFRGS<\/a> sought to understand how the almost fifty-year-old Sociocultural Institute of Music and Dance <a href=\"http:\/\/afrosulodomode.org\/\">Afro-Sul\/\u1eccd\u1ecdm\u1ecdde<\/a> contributed to the making of black cultural heritage in the city.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To do that, the researcher Nat\u00e1lia Souza, supervised by Professor Giane Vargas, talked to nine members of the group \u2013 most of them women from the dance team that had already participated in the Afro-Sul wing. The conversation, named Wheel of Memories, intended to value this space as a center of cultural heritage reference of Porto Alegre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The main goal of the researcher was to deepen the <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/177713\">discussion that had started with her undergraduate thesis<\/a> about the trajectory of Bloco Afro-Sul\/Od\u1ecdm\u1ecdde, stressing the importance of the group\u2019s presence on the streets on the Black Consciousness Day, November 20, since the group only performs on that day and not during the Carnival holiday.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The idea of performing exclusively on that day came from the merger with the extinct samba school <em>Garotos da Orgia<\/em> Orgy Boys, in English). After that, the group began seeing themselves as a place of sociocultural assistance services, especially for children and teenagers. The Afro-Sul\/\u1eccd\u1ecdm\u1ecdde group goes beyond dance and music \u2013 it focuses less on the Carnival and more on strengthening the black identity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In her undergraduate thesis, Souza realized the importance of the Afro-Sul&#8217;s support for and involvement in other samba schools during the Carnival, since some blocks from the group are part of multiple samba schools in the parades.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Organizing the reports from the Wheel of Memories<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">For her Masters\u2019 thesis, the researcher moderated conversations \u2013 structured as open and informal debates \u2013 with members of the group. While analyzing their conversations, Souza separated them into categories such as \u201cWe become family\u201d, \u201c\u1eccd\u1ecdm\u1ecdde: it was in the Afro-South that I got to know me\u201d, \u201cFor yourself and for your people, that\u2019s what gives it meaning\u201d and \u201cCarnival, the great teacher\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the first category, the museologist emphasizes how these relationships go beyond the Carnival itself. In the second, she correlates the members\u2019 stories about childhoods and personal trajectories. In the third, she stresses the aspects of the black consciousness, the building of collective memory, and the processes of identification and representation. In the last one, Souza analyzes the perspective of educational actions, both about the Carnival and the Afro-Sul&#8217;s performance in Porto Alegre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The museologist stressed that her participation in the debates should be as minimal as possible, so the interactions between Afro-Sul&#8217;s members would prompt new memories from the group.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The questions to the participants were: \u201cTell me about you and your relationship with the Afro-Sul. What is your profession? What is your role in the Group or the Institution?\u201d, \u201cWhen and how did you get to the Afro-South?\u201d and \u201cWhat is Carnival to you\/or what place does it have in your life? How has it been introduced to you?\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe most outstanding to me was precisely the piece that closes the analysis chapter and concludes that Carnival is a wonderful teacher,\u201d Souza says. \u201cWe have several spaces of knowledge building, and of experiences; I see it as a pedagogical space,\u201d she completes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because she is a white person talking about Afro-Brazilian culture, Souza points out that her work should be seen as a critical analysis of the whiteness and of the fact that there is a part of these groups\u2019 history that is \u2018unknown\u2019. \u201cI am looking at the same history from a different angle,\u201d she says.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To validate this argument, she talks about the performance of <em>Esta\u00e7\u00e3o Primeira de Mangueira<\/em> in 2019, when the school won the Rio de Janeiro\u2019s Carnival parade with the song <a href=\"https:\/\/g1.globo.com\/rj\/rio-de-janeiro\/carnaval\/2019\/noticia\/2019\/03\/08\/conheca-os-herois-citados-no-samba-e-no-enredo-da-mangueira-no-carnaval-de-2019.ghtml\">\u201cLullaby for grown-up people\u201d<\/a> that mentions multiple barely known historical characters from History books such as Dandara, Aleijadinho, and Acotirene.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>\u201cWe have this idea that Porto Alegre is a white city with a white cultural narrative of European references, when, in fact, there are strong black and indigenous presences being silenced in the telling of history.\u201d&nbsp;<\/em><\/p>\n<cite>Nat\u00e1lia Souza<\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Souza says the research was done carefully, so it could have a large referential of black people on the subject to avoid a prevalent white perspective on it. \u201cThis Carnival with a samba school deconstructing this one-sided history made me think about the importance of black stories being told by black people,\u201d she completes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She also emphasizes that the reports from the members of Afro-Sul\/\u1eccd\u1ecdm\u1ecdde, registered as memorialist around the Carnival, can compile an archive of this cultural event. According to her, subsequent studies will be based on this gathering of memories of the Porto Alegre\u2019s Carnival.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To do so, the researcher says new solid references will be needed. Such as, for example, samba schools, blocks or memories of revelers. \u201cThe Carnival still exists in Porto Alegre, and it won\u2019t cease to exist. But what it has been losing throughout the years are its Afro-black references,\u201d Souza completes.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"has-accent-background-color has-background wp-block-paragraph\">Translated into English by <strong><em>Lu\u00edsa de Figueiredo Dias<\/em><\/strong>, undergraduate student enrolled in the course &#8220;Supervised Translation Training I (English)&#8221; of the Undergraduate Program in Language and Literature, under the supervision and translation revision of Professor Elizamari R. Becker (P.h.D.) &#8211; IL\/UFRGS.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>:: Read in portuguese<\/strong><br><a href=\"https:\/\/www.ufrgs.br\/ciencia\/representatividade-negra-no-carnaval-de-porto-alegre-a-luta-contra-a-invisibilidade-historica\/\">Representatividade negra no Carnaval de Porto Alegre: a luta contra a invisibilidade hist\u00f3rica<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heritage | Interview with members of the Carnival group Afro-Sul\/\u1eccd\u1ecdm\u1ecdde aims to treasure the legacy of the Afro-Brazilian cultural movement<span class=\"more-link\"><a href=\"https:\/\/www.ufrgs.br\/jornal\/black-representation-in-porto-alegres-carnival-the-fight-against-historical-invisibility\/\">Leia mais<\/a><\/span><\/p>\n","protected":false},"author":194,"featured_media":60832,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"page_builder":"","footnotes":"","_ppma_block_editor_authors":""},"categories":[4495],"tags":[5108],"ppma_author":[3330],"class_list":["entry","author-gabhrielgiordani","has-excerpt","post-73388","post","type-post","status-publish","format-standard","has-post-thumbnail","category-in-english","tag-especial-novembro-negro-2023"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Black representation in Porto Alegre\u2019s Carnival: the fight against historical invisibility - Jornal da Universidade<\/title>\n<meta name=\"description\" content=\"Reportagens, artigos e 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