{"id":416,"date":"2019-06-07T17:16:13","date_gmt":"2019-06-07T20:16:13","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=416"},"modified":"2019-06-09T11:59:48","modified_gmt":"2019-06-09T14:59:48","slug":"musica-antiga-54-da-poesia-para-a-cancao-a-musa-marilia","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/06\/07\/musica-antiga-54-da-poesia-para-a-cancao-a-musa-marilia\/","title":{"rendered":"M\u00fasica Antiga #54 \u2013 Da poesia para a can\u00e7\u00e3o: a musa Mar\u00edlia"},"content":{"rendered":"<p align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">O tema deste epis\u00f3dio s\u00e3o as can\u00e7\u00f5es compostas nos s\u00e9culos XVIII e XIX a partir de \u201cMar\u00edlia de Dirceu\u201d, obra po\u00e9tica de Tom\u00e1s Ant\u00f4nio Gonzaga (1744-1810). Essa publica\u00e7\u00e3o, que teve grande repercuss\u00e3o tanto no Brasil como em Portugal, serviu de mat\u00e9ria para a cria\u00e7\u00e3o de v\u00e1rias modinhas que tematizaram a figura de Mar\u00edlia, personagem-musa dos poemas desse livro. No programa, al\u00e9m de coment\u00e1rios, uma sele\u00e7\u00e3o de <i>performances<\/i> que abordaram em uma perspectiva hist\u00f3rica esse repert\u00f3rio. Este epis\u00f3dio foi ao ar no dia 29 de maio de 2019.<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-54-da-poesia-para-a-can%25C3%25A7%25C3%25A3o-a-musa-mar%25C3%25ADlia%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Montagem \u201cLuiza\u201d\/\u201cLigia\u201d\/\u201cMaria, Maria\u201d<\/b> \u2013 Tom Jobim\/Tom Jobim\/Milton Nascimento \u2013 Int\u00e9rpretes (cantores): Chico Buarque\/Tom Jobim\/Milton Nascimento. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Mar\u00edlia tu n\u00e3o conheces<\/b> \u2013 An\u00f4nimo (s\u00e9c. XVIII) \u2013 Int\u00e9rprete: Collegium Musicum de Minas. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Acaso sa\u0303o estes<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rpretes: Camilla de Falleiro (soprano) e Guilherme Camargo (viol\u00e3o). <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Ah! Mari\u0301lia que tormento\/Os mares minha bela<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rpretes: Rosemeire Moreira (soprano), Tiago Pinheiro (tenor), <span style=\"color: #000000;\">Guilherme de Camargo (guitarra),<\/span> Ricardo Kanji (flauta).<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Mari\u0301lia bela\/Ja\u0301 que so\u0301 estou dando ais<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rpretes: Rosemeire Moreira (soprano), Tiago Pinheiro (tenor), <span style=\"color: #000000;\">Rosana Lanzelotte (cravo)<\/span> e Ricardo Kanji (flauta).<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Vejo, Mar\u00edlia que o n\u00e9dio gado<\/b><b> \u2013 <\/b>An\u00f4nimo \u2013 Int\u00e9rpretes: <span style=\"color: #222222;\">Anna Maria Kiefer (mezzo-soprano), Gisela Nogueira (viola) e Edelton Gloeden (guitarra)<\/span>.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Por morto, Mar\u00edlia, aqui me reputo<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rpretes: Anna Maria Kiefer (mezzo-soprano), Gisela Nogueira (viola) e Edelton Gloeden (guitarra).<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Mar\u00edlia de Dirceu (Lira I)<\/b> \u2013 Tom\u00e1s Ant\u00f4nio Gonzaga e <span style=\"color: #000000;\">Rudi Vilela<\/span> \u2013 Int\u00e9rprete: <span style=\"color: #000000;\">Rudi Vilela<\/span>.<\/span><\/span><\/span><\/p>\n<p class=\"western\" align=\"LEFT\"><span style=\"color: #333333;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Trabalhos citados no epis\u00f3dio: <\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">ALMEIDA, Adriana Xavier de. <strong>Modinhas no Brasil Imperial<\/strong>: ornamenta\u00e7\u00e3o sob a influ\u00eancia dos <em>castrati<\/em>. 2014. Disserta\u00e7\u00e3o (Mestrado em M\u00fasica) \u2013 Instituto de Artes, Universidade Estadual de Campinas, Campinas, 2014. Dispon\u00edvel em:\u00a0<a href=\"http:\/\/repositorio.unicamp.br\/jspui\/bitstream\/REPOSIP\/285328\/1\/Almeida_AdrianaXavierde_M.pdf\">http:\/\/repositorio.unicamp.br\/jspui\/bitstream\/REPOSIP\/285328\/1\/Almeida_AdrianaXavierde_M.pdf<\/a> . Acesso em: 5 maio 2019.<\/span><\/span><\/p>\n<p><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">ARA\u00daJO, Mozart de. <strong>A modinha e o lundu no s\u00e9culo XVIII<\/strong>: uma pesquisa hist\u00f3rica e bibliogr\u00e1fica. S\u00e3o Paulo: Ricordi Brasileira, 1963.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">FURTADO, Joaci Pereira. A sorte deste mundo: percursos de Mar\u00edlia de Dirceu no s\u00e9culo XIX. <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Leitura: Teoria &amp; Pr\u00e1tica<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">, Campinas, v. 36, n. 72, p. 73-83, 2018. Dispon\u00edvel em: <a href=\"https:\/\/ltp.emnuvens.com.br\/ltp\/article\/view\/665\/443\">https:\/\/ltp.emnuvens.com.br\/ltp\/article\/view\/665\/443<\/a> . Acesso em: 27 maio 2019.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">JARDIM, Ana Cristina Magalh\u00e3es. <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>O mito de <\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><i><b>Mar\u00edlia de Dirceu<\/b><\/i><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b> \u2013 1792 a 1889<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">: aspectos da constru\u00e7\u00e3o e da apropria\u00e7\u00e3o de her\u00f3is rom\u00e2nticos e o processo de forma\u00e7\u00e3o da Na\u00e7\u00e3o Brasileira. 2014. Disserta\u00e7\u00e3o (Mestrado em Hist\u00f3ria) \u2013 Instituto de Ci\u00eancias Humanas e Sociais, Universidade Federal de Ouro Preto, 2014. Dispon\u00edvel em: <a href=\"https:\/\/www.repositorio.ufop.br\/bitstream\/123456789\/4231\/1\/DISSERTA\u00c7\u00c3O_MitoMar\u00edliaDirceu.pdf\">https:\/\/www.repositorio.ufop.br\/bitstream\/123456789\/4231\/1\/DISSERTA%C3%87%C3%83O_MitoMar%C3%ADliaDirceu.pdf<\/a> . Acesso em: 22 maio 2019.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Sugest\u00e3o de leitura:<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">HANSEN, Jo\u00e3o Adolfo. As liras de Gonzaga: entre ret\u00f3rica e valor de troca. <b>Via Atl\u00e2ntica<\/b>, S\u00e3o Paulo, n. 1, p. 40-53, mar. 1997.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O tema deste epis\u00f3dio s\u00e3o as can\u00e7\u00f5es compostas nos s\u00e9culos XVIII e XIX a partir de \u201cMar\u00edlia de Dirceu\u201d, obra po\u00e9tica de Tom\u00e1s Ant\u00f4nio Gonzaga (1744-1810). Essa publica\u00e7\u00e3o, que teve grande repercuss\u00e3o tanto no Brasil como em Portugal, serviu de mat\u00e9ria para a cria\u00e7\u00e3o de v\u00e1rias modinhas que tematizaram a figura de Mar\u00edlia, personagem-musa dos &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/06\/07\/musica-antiga-54-da-poesia-para-a-cancao-a-musa-marilia\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #54 \u2013 Da poesia para a can\u00e7\u00e3o: a musa Mar\u00edlia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/416"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":5,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/416\/revisions"}],"predecessor-version":[{"id":425,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/416\/revisions\/425"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}