{"id":421,"date":"2019-06-07T17:44:30","date_gmt":"2019-06-07T20:44:30","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=421"},"modified":"2019-06-07T17:54:17","modified_gmt":"2019-06-07T20:54:17","slug":"musica-antiga-55-musica-medieval-uma-sintese","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/06\/07\/musica-antiga-55-musica-medieval-uma-sintese\/","title":{"rendered":"M\u00fasica Antiga #55 \u2013 M\u00fasica medieval \u2013 uma s\u00edntese"},"content":{"rendered":"<p class=\"western\" align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">O epis\u00f3dio oferece uma vis\u00e3o geral sobre a m\u00fasica da Idade M\u00e9dia, mostrando a diversidade musical desse longo per\u00edodo da Hist\u00f3ria. S\u00e3o tratados temas como o canto gregoriano, o canto crist\u00e3o oriental, o drama lit\u00fargico, a m\u00fasica dos trovadores e as experi\u00eancias polif\u00f4nicas da <i>ars antiqua<\/i> e da <i>ars nova<\/i>. No programa, obras de Hildegard von Bingen (1098-1179), L\u00e9onin (c.1135-1201?), P\u00e9rotin (c.1160-c.1230), Bernart de Ventadorn (c.1130-c.1200), Adam de la Halle (c. 1237-c.1288), Philippe de Vitry (1291-1361) e Guillaume de Machaut (c.1300-1377), al\u00e9m de autores an\u00f4nimos. Este epis\u00f3dio foi ao ar no dia 05 de junho de 2019.<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-55-m%25C3%25BAsica-medieval-uma-s%25C3%25ADntese%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Hino a S\u00e3o Jo\u00e3o Batista<\/b> (Canto gregoriano \u201c<span style=\"color: #0a0a0a;\">Ut queant laxis\u201d)<\/span> \u2013 An\u00f4nimo \u2013 Int\u00e9rprete: <span style=\"color: #000000;\">grupo Hartkeriana, sob a dire\u00e7\u00e3o de Eugeen Liven d&#8217;Abelardo.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\"><b>Christos Anesti<\/b><\/span><span style=\"color: #000000;\"> (Cristo Ressuscitou) \u2013 An\u00f4nimo \u2013 Int\u00e9rpretes: <\/span><span style=\"color: #000000;\">Irm\u00e3 Marie Keyrouz e Coro Bizantino da Igreja de S\u00e3o Juli\u00e3o O Pobre (<\/span><span style=\"color: #000000;\">Chorale Byzantine de Saint-Julien-le-Pauvre).<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\"><b>Di\u00e1logo do Anjo com Maria Madalena<\/b><\/span><span style=\"color: #000000;\"> (trecho do drama lit\u00fargico \u201cOs Peregrinos de Ema\u00fas\u201d) \u2013 An\u00f4nimo \u2013 Int\u00e9rpretes: Antoine Guerber (Anjo), tenor; Jean-Loup Charvet (Maria Madalena), contratenor; e Josep Cabr\u00e9 (Cristo), bar\u00edtono, m\u00fasicos do Ensemble Organum, conjunto dirigido por Marcel P\u00e9r\u00e8s.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\"><b>O Ignis Spiritus Paracliti<\/b><\/span><span style=\"color: #000000;\"> \u2013 Hildegard von Bingen \u2013 Int\u00e9rpretes: <\/span><span style=\"color: #0a0a0a;\"> Catherine Braslavsky (voz) e Joseph Rowe (percuss\u00e3o)<\/span><span style=\"color: #000000;\">.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\"><b>Can vei la lauzeta mover<\/b><\/span><span style=\"color: #000000;\"> \u2013 <\/span><span style=\"color: #000000;\">Bernart de Ventadorn<\/span><span style=\"color: #000000;\"> \u2013 Int\u00e9rprete: Ensemble Micrologus.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Dulce solum natalis patrie (CB 119) \u2013 <\/b>An\u00f4nimo \u2013 Int\u00e9rprete: Studio der Fr\u00fchen Musik.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Fragmento de \u201cAlleluia Pascha nostrum\u201d<\/b> (organum duplum) \u2013 L\u00e9onin (Leoninus) \u2013 Int\u00e9rprete: Lionheart.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Fragmento de \u201cSederunt Princepes\u201d <\/b>\u2013 P\u00e9rotin (Perotinus) \u2013 Int\u00e9rprete: <span style=\"color: #0a0a0a;\">Tonus Peregrinus, sob a dire\u00e7\u00e3o de Antony Pitts<\/span>. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #0a0a0a;\"><b>Robins m&#8217;aime<\/b><\/span><span style=\"color: #0a0a0a;\"> (Robin me ama) (cena 1 de \u201cO jogo de Robin e Marion\u201d)<\/span> \u2013 Adam de la Halle \u2013 Int\u00e9rpretes: <span style=\"color: #0a0a0a;\">Tonus Peregrinus, sob a dire\u00e7\u00e3o de Antony Pitts<\/span>; voz: Kathryn Oswald (no papel de Marion).<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Moteto de \u201cO Romance de Fauvel\u201d: Garrit Gallus &#8211; In nova fert &#8211; Neuma<\/b> \u2013 Philippe de Vitry \u2013 Int\u00e9rprete: Sequentia.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Agnus Dei da \u201cMissa de Notre Dame\u201d<\/b> \u2013 Guillaume de Machaut \u2013 Int\u00e9rprete: Coro de C\u00e2mara Filarm\u00f4nico da Est\u00f4nia, sob a dire\u00e7\u00e3o de Paul Hillier.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O epis\u00f3dio oferece uma vis\u00e3o geral sobre a m\u00fasica da Idade M\u00e9dia, mostrando a diversidade musical desse longo per\u00edodo da Hist\u00f3ria. S\u00e3o tratados temas como o canto gregoriano, o canto crist\u00e3o oriental, o drama lit\u00fargico, a m\u00fasica dos trovadores e as experi\u00eancias polif\u00f4nicas da ars antiqua e da ars nova. No programa, obras de Hildegard &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/06\/07\/musica-antiga-55-musica-medieval-uma-sintese\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #55 \u2013 M\u00fasica medieval \u2013 uma s\u00edntese&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/421"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":2,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/421\/revisions"}],"predecessor-version":[{"id":423,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/421\/revisions\/423"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}