{"id":440,"date":"2019-07-04T18:12:46","date_gmt":"2019-07-04T21:12:46","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=440"},"modified":"2019-07-25T16:18:18","modified_gmt":"2019-07-25T19:18:18","slug":"musica-antiga-59-interculturalismo-na-musica-antiga","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/04\/musica-antiga-59-interculturalismo-na-musica-antiga\/","title":{"rendered":"M\u00fasica Antiga #59 \u2013 Interculturalismo na M\u00fasica Antiga"},"content":{"rendered":"<p class=\"western\" align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">O epis\u00f3dio assinala os di\u00e1logos interculturais que t\u00eam caracterizado cada vez mais o cen\u00e1rio internacional relativo aos grupos dedicados \u00e0 interpreta\u00e7\u00e3o hist\u00f3rica da m\u00fasica do passado. Com exemplos que envolvem repert\u00f3rios bem diversos, tais como o medieval e o renascentista europeus, o da Am\u00e9rica Espanhola do s\u00e9culo XVII, o persa, o \u00e1rabe e o judeu antigos, s\u00e3o destacados tr\u00eas conjuntos musicais: o Constantinople, o Sarband e o The Ivory Consort. <\/span><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Este epis\u00f3dio foi ao ar no dia 03 de julho de 2019.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-59-interculturalismo-na-m%25C3%25BAsica-antiga%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Branle de la Raye<\/b> \u2013 Thoinot Arbeau, pseud\u00f4nimo de Jean Tabourot \u2013 Constantinople. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Harbi (radif)<\/b> \u2013 An\u00f4nimo (persa tradicional) \u2013 Int\u00e9rprete: Constantinople. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Zarambesques <\/b>\u2013 Lucas Ruiz de Ribayaz (s\u00e9culo XVII) \u2013 Int\u00e9rpretes: Constantinople, Jos\u00e9 Angel Gutierrez e Teresita de Jes\u00fas Islas. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Ayyu-ha s-saqi Qum Yedid nafsi<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rprete: Sarband.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Laudemus Virginem (Livro Vermelho fol. 23)<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rprete: Sarband. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Adir La-Na<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rprete: The Ivory Consort.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Shalom L&#8217;ven Dodi<\/b> \u2013 An\u00f4nimo \u2013 Int\u00e9rprete: The Ivory Consort.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Jesus of Nazareth \u2013 <\/b>Sarband a partir de Johann Sebastian Bach \u2013 Int\u00e9rprete: Sarband.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O epis\u00f3dio assinala os di\u00e1logos interculturais que t\u00eam caracterizado cada vez mais o cen\u00e1rio internacional relativo aos grupos dedicados \u00e0 interpreta\u00e7\u00e3o hist\u00f3rica da m\u00fasica do passado. Com exemplos que envolvem repert\u00f3rios bem diversos, tais como o medieval e o renascentista europeus, o da Am\u00e9rica Espanhola do s\u00e9culo XVII, o persa, o \u00e1rabe e o judeu &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/04\/musica-antiga-59-interculturalismo-na-musica-antiga\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #59 \u2013 Interculturalismo na M\u00fasica Antiga&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/440"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=440"}],"version-history":[{"count":2,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/440\/revisions"}],"predecessor-version":[{"id":455,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/440\/revisions\/455"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}