{"id":442,"date":"2019-07-10T17:13:59","date_gmt":"2019-07-10T20:13:59","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=442"},"modified":"2019-07-25T16:17:18","modified_gmt":"2019-07-25T19:17:18","slug":"musica-antiga-60-musicologia-e-musica-antiga","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/10\/musica-antiga-60-musicologia-e-musica-antiga\/","title":{"rendered":"M\u00fasica Antiga #60 \u2013 Musicologia e M\u00fasica Antiga"},"content":{"rendered":"<p class=\"western\" align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">As rela\u00e7\u00f5es entre Musicologia e M\u00fasica Antiga s\u00e3o o tema deste epis\u00f3dio. Comenta-se a respeito do que vem a ser cada uma dessas duas \u00e1reas de atua\u00e7\u00e3o da m\u00fasica para depois, numa trajet\u00f3ria hist\u00f3rica, relacion\u00e1-las. Para tal, s\u00e3o feitos alguns coment\u00e1rios breves sobre o trabalho de determinados musicistas e music\u00f3logos, figuras como Guido Adler (1855-1941), Wanda Landowska (1879-1959), Thurston Dart (1921-1971) e David Munrow (1942-1976), entre outros. Como exemplos musicais, obras de autores an\u00f4nimos, Henry Purcell (1659-1695), Antonio Vivaldi (1678-1741), Johann Sebastian Bach (1685-1750), Antonio Ripa (ca. 1720-1795) e Wolfgang Amadeus Mozart (1756-1791).\u00a0<\/span><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Este epis\u00f3dio foi ao ar no dia 10 de julho de 2019.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-60-musicologia-e-m%25C3%25BAsica-antiga%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Prel\u00fadio n\u00ba 3, em D\u00f3 Sustenido maior, de \u201cO Cravo Bem Temperado\u201d, Livro 1, BWV 848<\/b> \u2013 Johann Sebastian Bach \u2013 Int\u00e9rprete: Wanda Landowska. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\"><b>Primeiro movimento (Allegro) do Concerto de Brandenburgo n\u00ba 1, em F\u00e1 maior, BWV 1046<\/b><\/span><span style=\"color: #222222;\"> \u2013 Johann Sebastian Bach \u2013 Int\u00e9rprete: Busch Chamber Players. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\"><b>Nowell Sing We<\/b><\/span><b> <\/b><span style=\"color: #222222;\">\u2013 An\u00f4nimo (s\u00e9culo XV) \u2013 Int\u00e9rprete: New York Pro Musica.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\"><b>Prel\u00fadio da Su\u00edte para cravo n\u00b0 8, em F\u00e1 maior, Z. 669<\/b><\/span><b> <\/b><span style=\"color: #222222;\">\u2013 Henry Purcell \u2013 Int\u00e9rprete: Thurston Dart.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\"><b>La quinte estampie real<\/b><\/span><b> <\/b><span style=\"color: #222222;\">\u2013 An\u00f4nimo franc\u00eas do s\u00e9culo XIII <\/span><span style=\"color: #222222;\">(do \u201cManuscrit du Roi\u201d) <\/span><span style=\"color: #222222;\">\u2013 <\/span><span style=\"color: #222222;\">The\u00a0Early Music Consort of London (David Munrow ao shawm oriental)<\/span><span style=\"color: #222222;\">. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\"><b>Montenero, para cravo<\/b><\/span><span style=\"color: #222222;\"> \u2013 An\u00f4nimo \u2013 Int\u00e9rprete: Collegium Musicum (<\/span><span style=\"color: #222222;\">Cl\u00e9lia Ognibene, cravo)<\/span><span style=\"color: #222222;\">. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Concerto para flauta em R\u00e9 menor, RV 431a, \u201cIl Gran Mogol\u201d (\u201cO Gr\u00e3o-Mogol\u201d)<\/b> \u2013 Antonio Vivaldi \u2013 Int\u00e9rprete: Indianapolis Baroque Orchestra, com Barthold Kuijken na flauta barroca e dire\u00e7\u00e3o. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #333333;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Allegro Molto em D\u00f3 maior<\/b> \u2013 Wolfgang Amadeus Mozart \u2013 Int\u00e9rprete: Florian Birsak (pianoforte). <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #333333;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\"><b>Moteto \u201cLauda Jerusalem\u201d<\/b><\/span><span style=\"color: #222222;\"> \u2013 Antonio Ripa \u2013 Int\u00e9rprete: Capilla de Indias. <\/span><\/span><\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Trabalho citado no epis\u00f3dio: <\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">KERMAN, Joseph. O movimento da performance hist\u00f3rica. In: KERMAN, Joseph. <b>Musicologia<\/b>. S\u00e3o Paulo: Martins Fontes, 1987. p. 255-306.<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Sugest\u00e3o de leitura:<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #222222;\">DART, Thurston. <\/span><span style=\"color: #222222;\"><b>Interpreta\u00e7\u00e3o da m\u00fasica<\/b><\/span><span style=\"color: #222222;\">. S\u00e3o Paulo: Martins Fontes, 1990.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As rela\u00e7\u00f5es entre Musicologia e M\u00fasica Antiga s\u00e3o o tema deste epis\u00f3dio. Comenta-se a respeito do que vem a ser cada uma dessas duas \u00e1reas de atua\u00e7\u00e3o da m\u00fasica para depois, numa trajet\u00f3ria hist\u00f3rica, relacion\u00e1-las. Para tal, s\u00e3o feitos alguns coment\u00e1rios breves sobre o trabalho de determinados musicistas e music\u00f3logos, figuras como Guido Adler (1855-1941), &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/10\/musica-antiga-60-musicologia-e-musica-antiga\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #60 \u2013 Musicologia e M\u00fasica Antiga&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/442"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=442"}],"version-history":[{"count":3,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/442\/revisions"}],"predecessor-version":[{"id":454,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/442\/revisions\/454"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}