{"id":446,"date":"2019-07-17T17:40:18","date_gmt":"2019-07-17T20:40:18","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=446"},"modified":"2019-07-25T16:15:41","modified_gmt":"2019-07-25T19:15:41","slug":"musica-antiga-61-grandes-nomes-da-musica-antiga-nikolaus-harnoncourt","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/17\/musica-antiga-61-grandes-nomes-da-musica-antiga-nikolaus-harnoncourt\/","title":{"rendered":"M\u00fasica Antiga #61 \u2013 Grandes nomes da M\u00fasica Antiga: Nikolaus Harnoncourt"},"content":{"rendered":"<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Dando sequ\u00eancia \u00e0 s\u00e9rie \u201cGrandes nomes da M\u00fasica Antiga\u201d, o epis\u00f3dio trata da trajet\u00f3ria de Nikolaus Harnoncourt (1929-2016), uma das figuras mais importantes do movimento voltado para a recupera\u00e7\u00e3o da m\u00fasica do passado a partir de uma perspectiva hist\u00f3rica de interpreta\u00e7\u00e3o. No programa, al\u00e9m de coment\u00e1rios, audi\u00e7\u00f5es de obras de Heinrich Ignaz Franz von Biber (1644-1704), Johann Sebastian Bach (1685-1750) e Ludwig van Beethoven (1770-1827). <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Este epis\u00f3dio foi ao ar no dia 17 de julho de 2019.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-61-grandes-nomes-da-m%25C3%25BAsica-antiga-nikolaus-harnoncourt%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Primeiro movimento (\u201cVivace\u201d) da sonata para viola da gamba e cravo em Sol menor, BWV 1029<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Johann Sebastian Bach \u2013 Int\u00e9rpretes: Nikolaus Harnoncourt (viola da gamba) e Herbert Tachezi (cravo).<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Sonata Sancti Polycarpi<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Heinrich Ignaz Franz von Biber \u2013 Int\u00e9rprete: Concentus Musicus Wien, sob a dire\u00e7\u00e3o de Nikolaus Harnoncourt.<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\">\u201c<span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Jesus Alegria dos Homens\u201d, coro\/final da Cantata n\u00b0 147, <\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>\u201cCora\u00e7\u00e3o e Boca e Atos e Vida\u201d <\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">\u2013 Johann Sebastian Bach \u2013 Int\u00e9rpretes: Concentus Musicus Wien e coro, sob a dire\u00e7\u00e3o de Nikolaus Harnoncourt. <\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Final da Paix\u00e3o Segundo S\u00e3o Mateus<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Johann Sebastian Bach \u2013 Int\u00e9rpretes: Concentus Musicus Wien, Coro Arnold Schoenberg e Meninos Cantores de Viena, sob a dire\u00e7\u00e3o de Nikolaus Harnoncourt. <\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Quarto movimento (\u201cAllegro\u201d) da Sinfonia n\u00b0 5, em D\u00f3 menor, Op. 67<\/b><\/span><\/span><b> <\/b><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">\u2013 Beethoven \u2013 Int\u00e9rprete: Concentus Musicus Wien, sob a reg\u00eancia de Nikolaus Harnoncourt.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Trabalhos citados no epis\u00f3dio: <\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">HARNONCOURT, Nikolaus. <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>O discurso dos sons<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">: caminhos para uma nova compreens\u00e3o musical. Rio de Janeiro: J. Zahar, 1988.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">HARNONCOURT, Nikolaus. <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>O di\u00e1logo musical<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">: Monteverdi, Bach e Mozart. Rio de Janeiro: J. Zahar, 1993.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dando sequ\u00eancia \u00e0 s\u00e9rie \u201cGrandes nomes da M\u00fasica Antiga\u201d, o epis\u00f3dio trata da trajet\u00f3ria de Nikolaus Harnoncourt (1929-2016), uma das figuras mais importantes do movimento voltado para a recupera\u00e7\u00e3o da m\u00fasica do passado a partir de uma perspectiva hist\u00f3rica de interpreta\u00e7\u00e3o. No programa, al\u00e9m de coment\u00e1rios, audi\u00e7\u00f5es de obras de Heinrich Ignaz Franz von Biber &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/17\/musica-antiga-61-grandes-nomes-da-musica-antiga-nikolaus-harnoncourt\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #61 \u2013 Grandes nomes da M\u00fasica Antiga: Nikolaus Harnoncourt&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/446"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=446"}],"version-history":[{"count":2,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/446\/revisions"}],"predecessor-version":[{"id":452,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/446\/revisions\/452"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}