{"id":449,"date":"2019-07-25T16:12:44","date_gmt":"2019-07-25T19:12:44","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=449"},"modified":"2019-07-25T16:12:44","modified_gmt":"2019-07-25T19:12:44","slug":"musica-antiga-62-beethoven-na-musica-antiga","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/25\/musica-antiga-62-beethoven-na-musica-antiga\/","title":{"rendered":"M\u00fasica Antiga #62 \u2013 Beethoven na M\u00fasica Antiga"},"content":{"rendered":"<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">A m\u00fasica de Ludwig van Beethoven (1770-1827) pensada em seu pr\u00f3prio tempo \u00e9 o assunto do epis\u00f3dio. Nele, acompanhados por explica\u00e7\u00f5es e coment\u00e1rios, s\u00e3o exibidos registros fonogr\u00e1ficos de interpreta\u00e7\u00f5es musicais voltadas a <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><i>performances<\/i><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> hist\u00f3ricas. No repert\u00f3rio, destaque para o cravo, o pianoforte, o bandolim, o violoncelo e a flauta traverso. <\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Este epis\u00f3dio foi ao ar no dia 24 de julho de 2019.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-62-beethoven-na-m%25C3%25BAsica-antiga%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Primeiro movimento (Adagio sostenuto) da Sonata n\u00ba 14, para pianoforte ou cravo, em D\u00f3 sustenido menor, Op. 27, n\u00ba 2 (\u201cSonata ao Luar\u201d)<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Ludwig van Beethoven \u2013 Int\u00e9rprete: <\/span><\/span><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Huguette Gr\u00e9my-Chauliac<\/span><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> (cravo).<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Segundo movimento (Allegretto) da Sonata n\u00ba 14, para pianoforte ou cravo, em D\u00f3 sustenido menor, Op. 27, n\u00ba 2 (\u201cSonata ao Luar\u201d)<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Ludwig van Beethoven \u2013 Int\u00e9rprete: Alexei Lubimov (pianoforte).<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Ad\u00e1gio para bandolim e cravo, em Mi bemol maior, WoO 43b<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Ludwig van Beethoven \u2013 Int\u00e9rpretes: Ekaterina Skliar (bandolin) Anna Kislitsyna (cravo).<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Varia\u00e7\u00f5es sobre o dueto \u201cBei M\u00e4nnern welche Liebe f\u00fchlen\u201d da \u00f3pera \u201cA Flauta M\u00e1gica\u201d de Mozart, para violoncelo e pianoforte, em Mi bemol maior, WoO 46<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Ludwig van Beethoven \u2013 Int\u00e9rpretes: Alberto Kanji (violoncelo) e Liliane Kans (pianoforte). <\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Varia\u00e7\u00f5es sobre um tema escoc\u00eas, para flauta e pianoforte, em F\u00e1 maior, Op. 107, n\u00b0 4<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Ludwig van Beethoven \u2013 Int\u00e9rpretes: Raymond Honing (flauta traverso) e Ursula D\u00fctscher (pianoforte).<\/span><\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Terceiro movimento da Sinfonia n\u00ba 6, em F\u00e1 maior, Op. 68, \u201cPastoral\u201d<\/b><\/span><\/span><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> \u2013 Ludwig van Beethoven \u2013 Int\u00e9rprete: Orquestra Revolucion\u00e1ria e Rom\u00e2ntica, sob a reg\u00eancia de John Eliot Gardiner.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A m\u00fasica de Ludwig van Beethoven (1770-1827) pensada em seu pr\u00f3prio tempo \u00e9 o assunto do epis\u00f3dio. Nele, acompanhados por explica\u00e7\u00f5es e coment\u00e1rios, s\u00e3o exibidos registros fonogr\u00e1ficos de interpreta\u00e7\u00f5es musicais voltadas a performances hist\u00f3ricas. No repert\u00f3rio, destaque para o cravo, o pianoforte, o bandolim, o violoncelo e a flauta traverso. Este epis\u00f3dio foi ao ar &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/07\/25\/musica-antiga-62-beethoven-na-musica-antiga\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #62 \u2013 Beethoven na M\u00fasica Antiga&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/449"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=449"}],"version-history":[{"count":1,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/449\/revisions"}],"predecessor-version":[{"id":450,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/449\/revisions\/450"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}