{"id":469,"date":"2019-09-12T11:15:06","date_gmt":"2019-09-12T14:15:06","guid":{"rendered":"https:\/\/www.ufrgs.br\/musicaantiga\/?p=469"},"modified":"2020-03-22T19:33:09","modified_gmt":"2020-03-22T22:33:09","slug":"musica-antiga-66-neoclassicismo-e-musica-antiga","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/09\/12\/musica-antiga-66-neoclassicismo-e-musica-antiga\/","title":{"rendered":"M\u00fasica Antiga #66 \u2013 Neoclassicismo e M\u00fasica Antiga"},"content":{"rendered":"<p class=\"western\" align=\"JUSTIFY\"><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">A rela\u00e7\u00e3o entre o movimento da m\u00fasica historicamente informada e o chamado Neoclassicismo, corrente est\u00e9tica do s\u00e9culo XX que consistiu, na m\u00fasica, na apropria\u00e7\u00e3o de elementos do passado tendo em vista a cria\u00e7\u00e3o musical, \u00e9 o tema deste epis\u00f3dio. No programa, coment\u00e1rios e uma sele\u00e7\u00e3o musical que abrange obras de Claude Gervaise (1525-1583), Johann Sebastian Bach (1685-1750), Giovanni Battista Pergolesi (1710-1736), Franz Joseph Haydn (1732-1809), Igor Stravinsky (1882-1971), Heitor Villa-Lobos (1887-1959), Sergei Prokofiev (1891-1953) e Francis Poulenc (1899-1963). <\/span><\/span><\/span><span style=\"color: #222222;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Este epis\u00f3dio foi ao ar no dia 11 de setembro de 2019.<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Ou\u00e7a o epis\u00f3dio pelo player abaixo:<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fradioufrgs%2Fm%25C3%25BAsica-antiga-66-neoclassicismo-e-m%25C3%25BAsica-antiga%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"western\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">M\u00fasicas tocadas neste epis\u00f3dio: <\/span><\/span><!--more--><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Abertura (Sinfonia) do bal\u00e9 \u201cPulcinella\u201d<\/b> \u2013 Igor Stravinsky \u2013 Int\u00e9rprete: Tapiola Sinfonietta, sob a dire\u00e7\u00e3o de Masaaki Suzuki. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Primeiro movimento (Allegro) do Concerto para violino e orquestra em Si bemol maior<\/b> \u2013 Giovanni Battista Pergolesi \u2013 Int\u00e9rpretes: Andrea Keller, violino, e o Concerto K\u00f6ln, sob a dire\u00e7\u00e3o de Werner Erhardt.&nbsp;<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Su\u00edte Francesa, para 2 obo\u00e9s, 2 fagotes, 2 trompetes, 3 trombones, percuss\u00e3o e cravo<\/b> \u2013 Francis Poulenc \u2013 Int\u00e9rprete: Anima Eterna Brugge, sob a dire\u00e7\u00e3o de Jos van Immerseel. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Su\u00edte I<\/b> \u2013 Claude Gervaise \u2013 Int\u00e9rpretes: Ensemble Musica Antiqua e Novus Brass Quartet, sob a dire\u00e7\u00e3o de Christian Mendoze. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Primeiro movimento (Allegro) da Sinfonia n\u00ba 1, em R\u00e9 maior, \u201cCl\u00e1ssica\u201d<\/b> \u2013 Sergei Prokofiev \u2013 Int\u00e9rprete: Orquestra Filarm\u00f4nica Eslovaca, sob a reg\u00eancia de Stephen Gunzenhauser. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>Finale (Vivace) da Sinfonia n\u00ba 101, em R\u00e9 maior, \u201cO Rel\u00f3gio\u201d<\/b> \u2013 Franz Joseph Haydn \u2013 Int\u00e9rprete: Philharmonia Baroque Orchestra, sob a dire\u00e7\u00e3o de Nicholas McGegan.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>\u00c1ria (Cantilena) das Bachianas n\u00b0 5<\/b> \u2013 Heitor Villa-Lobos \u2013 Int\u00e9rpretes: Leila Guimar\u00e3es, soprano, e Orquestra Sinf\u00f4nica Brasileira, sob a reg\u00eancia de Isaac Karabtchevsky. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><b>\u00c1ria da Su\u00edte Orquestral n\u00ba 3, em R\u00e9 maior, BWV 1068<\/b> \u2013 Johann Sebastian Bach \u2013 Int\u00e9rprete: Colegium Aureum, sob a dire\u00e7\u00e3o de Franzjosef Maier. <\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A rela\u00e7\u00e3o entre o movimento da m\u00fasica historicamente informada e o chamado Neoclassicismo, corrente est\u00e9tica do s\u00e9culo XX que consistiu, na m\u00fasica, na apropria\u00e7\u00e3o de elementos do passado tendo em vista a cria\u00e7\u00e3o musical, \u00e9 o tema deste epis\u00f3dio. No programa, coment\u00e1rios e uma sele\u00e7\u00e3o musical que abrange obras de Claude Gervaise (1525-1583), Johann Sebastian &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.ufrgs.br\/musicaantiga\/2019\/09\/12\/musica-antiga-66-neoclassicismo-e-musica-antiga\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;M\u00fasica Antiga #66 \u2013 Neoclassicismo e M\u00fasica Antiga&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/469"}],"collection":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/comments?post=469"}],"version-history":[{"count":5,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/469\/revisions"}],"predecessor-version":[{"id":484,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/posts\/469\/revisions\/484"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/media?parent=469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/categories?post=469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/musicaantiga\/wp-json\/wp\/v2\/tags?post=469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}