Schedule

NIME 2019

Installations
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Sala dos Sons & Centro Cultural, UFRGS

Available from June 3rd through June 6th

MARKOV MAGIC CIRCLE

Sala dos Sons, UFRGS

Sofy Yuditskaya

Music Dept, NYU/GSAS, NYC, New York, United States

TOUCHING AFFECTIVE

Hall 312, Centro Cultural, UFRGS

Hannah E. Wolfe

Media Arts and Technology, University of California, Santa Barbara, California, United States

CHOWNDOLO

Room 312, Centro Cultural, UFRGS

Giacomo Lepri

Centre for Digital Music, Queen Mary University, London, United Kingdom

Alessia Milo

Queen Mary University of London, London, United Kingdom

Fabio Morreale

Creative Arts and Industries, University of Auckland, Auckland, New Zealand

MATERIA ANIMATA

Room 308, Centro Cultural, UFRGS

Ricardo Scholz

Informatics Centre, Universidade Federal de Pernambuco, Recife/PE, Brazil

Iuru Brainer Araújo Tregne

UM Coletivo, Recife/PE, Brazil

GUAÍBA’S SOUND ISLAND

Hall 308, Centro Cultural, UFRGS

Camila Proto

Federal University of Rio Grande do Sul, Porto Alegre/RS, Brazil

SOMACOUSTICS

Room 304, Centro Cultural, UFRGS

Maros Suran Bomba

Aalborg University, Aalborg, Denmark

Palle Dahlstedt

Dept. of Communication, Aalborg University, Aalborg, Denmark
Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden

FERNWEH VR

Room 310, Centro Cultural, UFRGS

Guido Flichman

UBA, Buenos Aires, Argentina

Matias Brunacci

UDK, Berlin, Germany

ACTING VOICES – MADRIGALE A SEI VASI

Room 305, Centro Cultural, UFRGS

Paulo Vitor Itaboraí

Universidade de São Paulo, São Paulo, Brazil

Alex Buck

CalArts, Santa Clarita, California, United States

EMBODIED SONIC MEDITATION: RESONANCE OF THE HEART

Jiayue Cecilia Wu

University of Colorado, Denver, Colorado, United States

Donghao Ren

University of California, Santa Barbara, California, United States

June 3rd

Workshops
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9:00 - 18:30

Centro Cultural, UFRGS

NIME PRIMER WORKSHOP

Room 309
9:00 - 11:30

Dan Overholt

Sound and Music Computing, Aalborg University, Copenhagen, Denmark

Stefania Serafin

Department of Architecture, Design and Media Technology, Aarlborg University, Copenhagen, Denmark

Laurel Pardue

Department of Architecture, Design and Media Technology, Aarlborg University, Copenhagen, Denmark

COSMO WORKSHOP: INTRODUCTION TO EFFECT PROCESSING WITH CSOUND AND THE COSMO-DSP LIBRARY

Room 211
9:00 - 13:00

Alex Hofmann

Dept. of Music Acoustics, University of Music and Performing Arts, Vienna, Austria
Austrian Academy of Sciences, Vienna, Austria

Bernt Isak Wærstad

Norwegian Academy of Music, Music Technology, Oslo, Norway

DIY INSTRUMENT DESIGN

Room 211
14:30 - 18:30

Diana Castro

Music Experience Design Lab, NYU, New York, United States

MAKING PREDICTIVE NIMES WITH NEURAL NETWORKS

Room 311
9:00 - 18:30

Charles Patrick Martin

Research School of Computer Science, The Australian National University, Canberra, Australia

Jim Torresen

Department of Informatics, University of Oslo, Oslo, Norway

Tejaswinee Kelkar

Department of Musicology, University of Oslo, Oslo, Norway

OPEN RESEARCH STRATEGIES AND TOOLS IN THE NIME COMMUNITY

Room 309
Part 1 11:30 - 13:00
Part 2 14:30 - 16:00

Alexander Refsum Jensenius

University of Oslo, Oslo, Norway

Andrew P. McPherson

Queen Mary University of London, London, United Kingdom

Anna Xambó

Norwegian University of Science and Technology, Trondheim, Norway

Dan Overholt

Aalborg University, Copenhagen, Denmark

Guillaume Pellerin

IRCAM, Paris, France

Ivica Ico Bukvic

Virginia Tech, Blacksburg, Virginia, United States

Rebecca Fiebrink

Goldsmiths University of London, London, United Kingdom

Rodrigo Schramm

Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

ETHICS AT NIME

Room 309
16:00 - 18:30

Alexander Refsum Jensenius

University of Oslo, Oslo, Norway

Rodrigo Schramm

Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

Lamberto Coccioli

Royal Birmingham Conservatoire, Birmingham, UK

Clara Mancini

The Open University, Milton Keynes, UK

Michael J. Lyons

Ritsumeikan University, Kyoto, Japan

Music
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20:00

Salão de Atos, UFRGS

TROIS MACHINS DE LA GRÂCE AIMANTE (CORETET NO. 1)

Rob Hamilton

Rensselaer Polytechnic Institute, Troy, United States

iCONS

Rodrigo F. Cádiz

Pontifícia Universidad Catolica de Chile, Santiago, Chile

UNCERTAIN RHYTHMS

Paul Stapleton

Sonic Arts Research Centre, Belfast, United Kingdom

VERSE N.1

Luiz Naveda

State University of Minas Gerais, Belo Horizonte, Brazil

Natacha Lamounier

State University of Minas Gerais, Belo Horizonte, Brazil

VRENGT: A SHARED BODY-MACHINE INSTRUMENT FOR MUSIC-DANCE PERFORMANCE

Alexander Refsum Jensenius

University of Oslo, Norway

Cagri Erdem

University of Oslo, Norway

Katja Henriksen Schia

University of Oslo, Norway

TANTO MAR

André Lopes Martins

Universidade de São Paulo - USP, Brazil

Paulo Assis

Universidade de São Paulo - USP, Brazil

TEMPO TRANSVERSAL - FLAUTA EXPANDIDA

Cássia Carrascoza Bomfim

Universidade de São Paulo - USP, Brazil

Felipe Merker

Federal University of Pelotas, Pelotas, Brazil

RIVER

Yiyao Nie

New York University Tisch School of Art

June 4th

Posters
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Session 1 & 2

Room 311, Centro Cultural, UFRGS

STELLAR COMMAND: A PLANETARIUM BASED COSMIC PERFORMANCE INTERFACE

Angelo Fraietta

UNSW Art and Design, University of NSW, Paddington, New South Wales, Australia

CREATING ORDER AND PROGRESS

Angelo Fraietta

UNSW Art and Design, University of NSW, Paddington, New South Wales, Australia

THE HALF-PHYSLER: AN OSCILLATING REAL-TIME INTERFACE TO A TUBE RESONATOR MODEL

Alex Hofmann

Dept. of Music Acoustics, University of Music and Performing Arts, Vienna
>Austrian Academy of Sciences, Vienna, Austria

Vasileios Chatziioannou

Department of Music Acoustics, University of Music and Performing Arts Vienna, Vienna, Austria

Sebastian Schmutzhard

Acoustics Research Institute, Austrian Academy of Sciences, Vienna, Austria

Gökberk Erdogan

Electrical & Electronics Engineering, Bogazici University, Istanbul, Turkey

Alexander Mayer

Department of Music Acoustics – Wiener Klangstil, University of Music and Performing Arts Vienna, Vienna, Austria

SIBILIM: A LOW-COST CUSTOMIZABLE WIRELESS MUSICAL INTERFACE

Helena de Souza Nunes

Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

Federico Visi

www.federicovisi.com, Hamburg, Germany

Lydia Wohl Helena Coelho

Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

Rodrigo Schramm

Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

TAPTOP, ARMTOP, BLOWTOP: EVOLVING THE PHYSICAL LAPTOP INSTRUMENT

Doga Cavdir

CCRMA, Stanford Universtiy, Stanford, California, United States

Juan Sierra

CCRMA, Stanford University, Stanford, California, United States

Ge Wang

CCRMA, Stanford University, Stanford, California, United States

WHERE IS THE QUIET: IMMERSIVE EXPERIENCE DESIGN USING THE BRAIN, MECHATRONICS, AND MACHINE LEARNING

McLean J. Macionis

California Institute of the Arts, Valencia, California, United States

Ajay Kapur

California Institute of the Arts, Valencia, California, United States

TOWARDS THE CONCEPT OF DIGITAL DANCE AND MUSIC INSTRUMENTS

João Nogueira Tragtenberg

Creativity and Innovation for Music Manufacturing, SENAI Innovation Institute for ICT, Recife, PE, Brazil
Centro de Informatica, UFPE, Recife, PE, Brazil

Filipe Calegario

Creativity and Innovation for Music Manufacturing, SENAI Innovation Institute for ICT, Recife, PE, Brazil
Instituto SENAI de Inovação para Tecnologias da Informação e Comunicação, Recife, Brazil

Giordano Cabral

Centro de Informática, Universidade Federal de Pernambuco, Recife, Pernambuco, Brazil

Geber L. Ramalho

Centro de Informática, Universidade Federal de Pernambuco, Recife, Pernambuco, Brazil

PICO: A PORTABLE AUDIO EFFECT BOX FOR TRADITIONAL PLUCKED-STRING INSTRUMENTS

Julian Jaramillo

Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, Brazil

Fernando Iazzetta

Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, Brazil

THE WORLDWIDE WEB IN AN ANALOG PATCHBAY

Don Derek Haddad

Responsive Environments, Media Lab, MIT, Cambridge, Massachusetts, United States

Joe Paradiso

Responsive Environments, Media Lab, MIT, Cambridge, Massachusetts, United States

A PHYSICAL INTELLIGENT INSTRUMENT USING RECURRENT NEURAL NETWORKS

Torgrim Rudland Næss

University of Oslo, Oslo, Norway

Charles Patrick Martin

Department of Informatics, University of Oslo, Oslo, Norway

EXPRESSIVE POTENTIALS OF MOTION CAPTURE IN MUSICAL PERFORMANCE

Nicolas Bazoge

University of Rennes 2, Rennes, France

Bruno Bossis

EA Arts: Pratiques et Poétiques, Université Rennes 2, Rennes, France

Ronan Gaugne

Universidad Rennes, Inria, CNRS, IRISA, Rennes, France

A BASSLINE GENERATION SYSTEM BASED ON SEQUENCE-TO-SEQUENCE LEARNING

Behzad Haki

Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain

Sergi Jorda

Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain

A MIDI CONTROLLER MAPPER FOR THE BUILT-IN AUDIO MIXER IN UNITY GAME ENGINE

Pedro Pablo Lucas

Independent Researcher, Guayaquil, Ecuador

Demos
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Session 1 & 2

Room 211, Centro Cultural, UFRGS

SCREENPLAY: A TOPIC-THEORY-INSPIRED INTERACTIVE SYSTEM

George Meikle

Performing Arts, Edge Hill University, Ormskirk, Lancashire, United Kingdom

MUSCULAR WIRES

Monica Bate

Departamento de Artes Visuales, Universidad de Chile, Santiago, RM, Chile

Javier Jaimovich

Departamento de Sonido, Universidad de Chile, Santiago, RM, Chile

Francisca Morand

Departamento de Danza, Universidad de Chile, Santiago, RM, Chile

AUDIOSTELLAR: A SAMPLER-LIKE MUSICAL INSTRUMENT FOR LATENT SOUND STRUCTURE DISCOVERY AND EXPERIMENTATION

Leandro Garber

CONICET, CIIPME, Capital Federal, Argentina

Tomás Ciccola

MUNTREF Art and Science, UNTREF, Buenos Aires, Argentina

HANDY INTERMODULATOR

Laewoo Kang

Information Science, Cornell University, Ithaca, New York, United States

EAVI EMG BOARD

Balandino Di Donato

EAVI, Goldsmiths, University of London, London, United Kingdom

Atau Tanaka

EAVI, Goldsmiths, University of London, London, United Kingdom

Michael Zbyszynski

Goldsmiths, University of London, London, United Kingdom

A "VOICE" INSTRUMENT WITH NEUTRAL VOICE AND INTONATION BASED ON VOCAL TRACT MODELS WITH SOFT MATERIAL

Kazuhiro Jo

Faculty of Design, Kyushu University, Fukuoka, Japan

Fou Yoshimura

Graduate School of Design, Kyushu University, Fukuoka, Japan

Papers: Robotics & Mechatronics
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9:00 - 10:30

Room 309, Centro Cultural, UFRGS

KEYNOTE

Marcelo Wanderley

McGill University, Canada

AN ACTIVE WINE GLASS SYSTEM WITH A LIQUID SLOSHING VIBRATO MECHANISM

Lior Arbel

Faculty of Architecture and Town Planning, Technion - Israel
Institute of Technology, Haifa, Israel

Yoav Y. Schechner

Viterbi Faculty of Electrical Engineering, Technion - Israel
Institute of Technology, Haifa, Israel

Noam Amir

Department of Communication Disorders, Sackler Faculty of Medicine, Tel Aviv University, Tel Aviv, Israel

EXPLORING DYNAMIC VARIATIONS FOR EXPRESSIVE MECHATRONIC CHORDOPHONES

Juan Pablo Yepez Placencia

School of Engineering and Computer Science, Victoria University of Wellington, Wellington, New Zealand

Jim Murphy

New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand

Dale Carnegie

School of Engineering and Computer Science, Victoria University of Wellington, Wellington, New Zealand

EXPLORING HUMAN-MACHINE SYNERGY AND INTERACTION ON A ROBOTIC INSTRUMENT

Sang-won Leigh

Media Lab, MIT, Cambridge, Massachusetts, United States

Abhinandan Jain

Media Lab, MIT, Cambridge, Massachusetts, United States

Pattie Maes

Media Lab, MIT, Cambridge, Massachusetts, United States

Papers: Theory & Evaluation
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11:30 - 13:00

Room 309, Centro Cultural, UFRGS

BESPOKE DESIGN FOR INCLUSIVE MUSIC: THE CHALLENGES OF EVALUATION

Alex Michael Lucas

Sonic Arts Research Centre, Queen's University Belfast, Belfast, United Kingdom

Miguel Ortiz

Sonic Arts Research Centre, Queen's University Belfast, Belfast, United Kingdom

Franziska Schroeder

Sonic Arts Research Centre, Queen's University Belfast, Belfast, United Kingdom

MATERIAL EMBODIMENTS OF ELECTROACOUSTIC MUSIC: AN EXPERIMENTAL WORKSHOP STUDY

Enrique Tomas

Tangible Music Lab, University of Art and Design of Linz, Linz, Austria

Thomas Gorbach

Multidisciplinary Design Group, Institute of Design and Assessment of Technology, Faculty of Informatics, TU Wien, Vienna, Austria

Hilda Tellioglu

Multidisciplinary Design Group, Institute of Design and Assessment of Technology, Faculty of Informatics, TU Wien, Vienna, Austria

Martin Kaltenbrunner

Tangible Music Lab, University of Art and Design of Linz, Linz, Austria

REANIMATING THE READYMADE

Peter Bussigel

Ian Gillespie Faculty of Design + Dynamic Media, Emily Carr University of Art + Design, Vancouver, Canada

Stephan Moore

Emily Carr University of Art + Design, Vancouver, Canada

Scott Smallwood

Dept. of Music, University of Alberta, Edmonton, Alberta, Canada

FICTIONAL INSTRUMENTS, REAL VALUES: DISCOVERING MUSICAL BACKGROUNDS WITH NON-FUNCTIONAL PROTOTYPES

Giacomo Lepri

Centre for Digital Music, Queen Mary University of London, UK

Andrew P. McPherson

Centre for Digital Music, Queen Mary University of London, UK

Papers: Sensors, Multi-touch & Network
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14:30 - 16:00

Room 309, Centro Cultural, UFRGS

MAGPICK: AN AUGMENTED GUITAR PICK FOR NUANCED CONTROL

Fabio Morreale

Creative Arts and Industries, University of Auckland, Auckland, New Zealand

Andrea Guidi

Electronic Engineering and Computer Science, Queen Mary University of London, London, United Kingdom

Andrew P. McPherson

Centre for Digital Music, Queen Mary University of London, London, United Kingdom

BENDIT_I/O: A SYSTEM FOR NETWORKED PERFORMANCE OF CIRCUIT-BENT DEVICES

Anthony T. Marasco

Experimental Music & Digital Media, Louisiana State University, Baton Rouge, Louisiana, United States

Edgar Berdahl

Louisiana State University, Baton Rouge, Louisiana, United States

ILLUMIWEAR: A FIBER-OPTIC ETEXTILE FOR MULTIMEDIA INTERACTIONS

Josh Urban Davis

Discovery Lab, Dartmouth College, Hanover, New Hampshire, United States

PRACTICAL CONSIDERATIONS FOR MIDI OVER BLUETOOTH LOW ENERGY AS A WIRELESS INTERFACE

Johnty Wang

Input Devices and Music Interaction Laboratory, McGill University, Montreal, Quebec, Canada

Axel Mulder

Infusion Systems, Montreal, Quebec, Canada

Marcelo Wanderley

Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada

Papers: History & Critique
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17:00 - 18:30

Room 309, Centro Cultural, UFRGS

LEARNING FROM HISTORY: RECREATING AND REPURPOSING HARRIET PADBERG'S COMPUTER COMPOSED CANON AND FREE FUGUE

Richard J. Savery

Georgia Tech Center for Music Technology, Georgia Institute of Technology, Atlanta, Georgia, United States

Jason Brent Smith

Georgia Tech Center for Music Technology, Georgia Institute of Technology, Atlanta, Georgia, United States

Benjamin Genchel

Georgia Tech Center for Music Technology, Georgia Institute of Technology, Atlanta, Georgia, United States

Anthony Caulkins

Molly E. Jones

Anna Savery

LATIN AMERICAN NIMES: ELECTRONIC MUSICAL INSTRUMENTS AND EXPERIMENTAL SOUND DEVICES IN THE TWENTIETH CENTURY

Martin Matus Lerner

Universidad Nacional de Quilmes, Buenos Aires, Argentina

THE MODULAR BACKWARD EVOLUTION - WHY TO USE OUTDATED TECHNOLOGIES

Beat Rossmy

Media Informatics Lab, Ludwig-Maximilians University of Munich (LMU), Munich, Germany

Alexander Wiethoff

Media Informatics Lab, Ludwig-Maximilians University of Munich (LMU), Munich, Germany

EPHEMERAL INSTRUMENTS

Vincent Goudard

Sorbonne Université, Paris, France

Music
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20:00

Salão de Atos, UFRGS

GIRA

João Nogueira Tragtenberg

SENAI Innovation Institute for ICT, Recife, Brazil

Filipe Calegario

SENAI Innovation Institute for ICT, Recife, Brazil

BAD MOTHER / GOOD MOTHER - AN AUDIOVISUAL PERFORMANCE

Annina Rüst

Florida Atlantic University, Jupiter, United States

COLLIGATION

James Dooley

Royal Birmingham Conservatoire, Birmingham, United Kingdom

SELF-BUILT INSTRUMENT

Jiyun Park

Academy of Media Art Cologne, Cologne, Germany

BORROWED VOICES: PERFORMATIVE SINGING SYNTHESIS FEATURING T-VOKS AND C-VOKS

Boris Doval

Institut Jean Le Rond d'Alembert, Paris, France

Christophe d'Alessandro

CNRS Sorbonne Université, Paris, France

Grégoire Locqueville

Institut Jean Le Rond d'Alembert, Paris, France

Xiao Xiao

MIT Media Lab, Cambridge, United States

DIY BIONOISE

Sabina Hyoju Ahn

Kunstuniversität Linz, Linz, Austria

MUSICURSOR

Martim Galvão

Brown University, Providence, United States

PYTHAGOREAN DOMINO

Ana Dall'Ara-Majek

CIRMMT, Montreal, Canada

Takuto Fukuda

CIRMMT, Montreal, Canada

June 5th

Posters
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Session 3 & 4

Room 311, Salão de Atos, UFRGS

BORDER: A LIVE PERFORMANCE BASED ON WEB AR AND A GESTURE CONTROLLED INSTRUMENT

Kiyu Nishida

Karlsruhe University of Arts and Design, Karlsruhe, Germany
School of Design, Kyushu University, Fukuoka, Japan

Akishige Yuguchi

Graduate School of Information Science, Nara Institute of Science and Technology, Nara, Japan

Kazuhiro Jo

Faculty of Design, Kyushu University, Fukuoka, Japan
YCAM, Yamaguchi, Japan

Paul Modler

Karlsruhe University of Arts and Design, Karlsruhe, Germany
School of Design, Kyushu University, Fukuoka, Japan

Markus Noisternig

IRCAM, CNRS, Sorbonne University, Paris, France

INSPECTING MEANINGFUL LATENT REPRESENTATIONS OF MUSICVAE

Ruihan Yang

New York University, Shanghai, China

Tianyao Chen

New York University, New York, United States

Yiyi Zhang

New York University, New York, United States

Gus Xia

New York University, Shanghai, China

EL MAPA NO ES EL TERRITORIO: SENSOR MAPPING FOR AUDIOVISUAL PERFORMANCES

Fabian Sguiglia

CONICET, Buenos Aires, Argentina
Escuela de Artes, Universidad Nacional de Quilmes, Bernal, Buenos Aires, Argentina

Pauli Coton

Universidad de las Artes, Buenos Aires, Argentina

Fernando Toth

Universidad de Buenos Aires, Buenos Aires, Argentina

CORETET: A VIRTUAL REALITY STRING QUARTET FOR THE 21ST CENTURY

Rob Hamilton

Department of Arts, Rensselaer Polytechnic Institute, Troy, New York, United States

PARAMETERIZED MELODY GENERATION WITH AUTOENCODERS AND TEMPORALLY-CONSISTENT NOISE

Aline Weber

Institute of Informatics, Federal University of Rio Grande do Sul, Porto Alegre, RS, Brazil

Lucas Nunes Alegre

Institute of Informatics, Federal University of Rio Grande do Sul, Porto Alegre, RS, Brazil

Jim Torresen

Department of Informatics, University of Oslo, Oslo, Norway

Bruno C. da Silva

Institute of Informatics, Federal University of Rio Grande do Sul, Porto Alegre, RS, Brazil

SEARCHING FOR THE PERFECT INSTRUMENT: INCREASED IMMERSION THROUGH INTERACTIVE EVOLUTIONARY INSTRUMENT DESIGN

Dhruv Chauhan

University of Bristol, Bristol, United Kingdom

Peter Bennett

University of Bristol, Bristol, United Kingdom

CD-SYNTH: A ROTATING, UNTETHERED, DIGITAL SYNTHESIZER

Patrick Chwalek

Media Lab, MIT, Cambridge, Massachusetts, United States

Joe Paradiso

Media Lab, MIT, Cambridge, Massachusetts, United States

ENHANCING THE EXPRESSIVITY OF THE SENSEL MORPH VIA AUDIO-RATE SENSING

Razvan Paisa

Aalborg University, Copenhagen, Denmark

Dan Overholt

Sound and Music Computing, Aalborg University, Copenhagen, Denmark

INTRODUCING LOCUS: A NIME FOR IMMERSIVE EXOCENTRIC AURAL ENVIRONMENTS

Disha Sardana

Human Centered Design, Virginia Tech, Blacksburg, Virginia, United States

Woohun Joo

Human Centered Design, Virginia Tech, Blacksburg, Virginia, United States

Ivica Ico Bukvic

SOPA, DISIS, ICAT, Virginia Tech, Blacksburg, Virginia, United States

Greg Earle

ECE Dept., Virginia Tech, Blacksburg, Virginia, United States

MESH GARDEN: A CREATIVE-BASED MUSICAL GAME FOR PARTICIPATORY MUSICAL PERFORMANCE

Tate Carson

Experimental Music & Digital Media, Louisiana State University, Baton Rouge, Louisiana, United States

ADAPTIVE MAPPING OF SOUND COLLECTIONS FOR DATA-DRIVEN MUSICAL INTERFACES

Gerard Roma

CeReNeM, University of Huddersfield, Huddersfield, United Kingdom

Owen Green

CeReNeM, University of Huddersfield, Huddersfield, United Kingdom

Pierre Alexandre Tremblay

CeReNeM, University of Huddersfield, Huddersfield, United Kingdom

NETWORKED HEAD-MOUNTED DISPLAYS FOR ANIMATED NOTATION AND AUDIO-SCORES WITH SMARTVOX

Jonathan Bell

PRISM, Aix-Marseille University, Marseille, PACA, France

REACH: A KEYBOARD-BASED GESTURE RECOGNITION SYSTEM FOR LIVE PIANO SOUND MODULATION

Niccolò Granieri

Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom

James Dooley

Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom

HA DOU KEN MUSIC: DIFFERENT MAPPINGS TO PLAY MUSIC WITH JOYSTICKS

Gabriel Lopes Rocha

Computer Science Department, Federal University of São João del-Rei, São João del-Rei, Minas Gerais, Brazil

João Teixera Araújo

Computer Science Department, Federal University of São João del-Rei, São João del-Rei, Minas Gerais, Brazil

Flávio Luiz Schiavoni

Computer Science Department, Federal University of São João del-Rei, São João del-Rei, Minas Gerais, Brazil

Demos
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Session 3 & 4

Room 211, Centro Cultural, UFRGS

COLLABORATIVE MUSICAL PERFORMANCES WITH AUTOMATIC HARP BASED ON IMAGE RECOGNITION AND FORCE SENSING RESISTORS

Yupu Lu

School of Aerospace Engineering, Tsinghua University, Beijing, China

Yijie Wu

Department of Computer Science, The University of Hong Kong, Hong Kong

Yuxiang Ma

School of Aerospace Engineering, Tsinghua University, Beijing, China

Shijie Zhu

School of Aerospace Engineering, Tsinghua University, Beijing, China

AUSYNTHAR: A SIMPLE LOW-COST MODULAR SYNTHESIZER BASED ON AUGMENTED REALITY

Pedro Pablo Lucas

Independent Researcher, Guayaquil, Ecuador

CHORDATA: A STRING BASED MUSIC CONTROLLER

Stevie Jonathan Sutanto

Interface Cultures, Kunstuniversität Linz, Linz, Austria

Wesley Lee Yang

Interface Cultures, Kunstuniversität Linz, Linz, Austria

ACADEMIC FESTIVAL OVERTURE

Dietmar Hellmich

Composer, Vienna, Austria

Oliver Hödl

Faculty of Informatics, Cooperative Systems Research Group, University of Vienna, Vienna, Austria

VIRTUAL HOMO DEUS 1

Philip Liu

Berlin University of the Arts, Berlin, Germany

STEAM SYNTH: SYNTHESIS WITH TACTILE, ELECTRONIC, ACOUSTIC AND MECHANICAL PROPERTIES

Stephen J. Harhai

Handmade Electronic Instruments, Denver, Colorado

Papers: New Instruments & Interactions
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9:00 - 10:30

Room 309, Centro Cultural, UFRGS

KEYNOTE

Eduardo Reck Miranda

Plymouth University, United Kingdom

ADAPTIVE MULTIMODAL MUSIC LEARNING VIA INTERACTIVE HAPTIC INSTRUMENT

Yian Zhang

NYU Shanghai, Shanghai, China

Yinmiao Li

NYU Shanghai, Shanghai, China

Daniel Chin

NYU Shanghai, Shanghai, China

Gus Xia

NYU Shanghai, Shanghai, China

BLIKSEM: AN ACOUSTIC SYNTHESIS FUZZ PEDAL

Lloyd May

Bregman Studio, Dartmouth College, Hanover, New Hampshire, United States

Spencer Topel

Bregman Studio, Department of Music, Dartmouth College, Hanover, New Hampshire, United States
Yale Quantum Institute, Yale University, New Haven, Connecticut, United States

REBUILDING AND REINTERPRETING A DIGITAL MUSICAL INSTRUMENT - THE SPONGE

Ajin Jiji Tom

CIRMMT, Music Technology Department, McGill University, Montreal, Quebec, Canada

Harish Jayanth Venkatesan

Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada

Ivan Franco

Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada

Marcelo Wanderley

Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada

Papers: Instrument Augmentation
click or tap to expand

11:30 - 13:00

Room 309, Centro Cultural, UFRGS

DRMMR: AN AUGMENTED PERCUSSION IMPLEMENT

Hunter Brown

Digital Musics, Dartmouth College, Hanover, New Hampshire, United States

Spencer Topel

Music, Dartmouth College, Hanover, New Hampshire, United States
Yale Quantum Institute, Yale University, New Haven, Connecticut, United States

THE SLOWQIN: AN INTERDISCIPLINARY APPROACH TO REINVENTING THE GUQIN

Echo Ho

Tangible Music Lab - Institute of Media Studies, University of Art and Design, Linz, Austria

Alberto de Campo

Generative Art / Computational Art at the Institute for Time-Based Media, Berlin University of the Arts, Berlin, Germany

TAMING AND TICKLING THE BEAST - MULTI-TOUCH KEYBOARD AS INTERFACE FOR A PHYSICALLY MODELLED INTERCONNECTED RESONATING SUPER-HARP

Palle Dahlstedt

Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden
Dept. of Communication, Aalborg University, Aalborg, Denmark

SEPARATING SOUND FROM SOURCE: SONIC TRANSFORMATION OF THE VIOLIN THROUGH ELECTRODYNAMIC PICKUPS AND ACOUSTIC ACTUATION

Laurel Pardue

Department of Architecture, Design and Media Technology, Aarlborg University, Copenhagen, Denmar
Centre for Digital Music, Queen Mary University of London, UK

Kurijn Buys

Centre for Digital Music, Queen Mary University of London, UK

Dan Overholt

Sound and Music Computing, Aalborg University, Copenhagen, Denmark

Andrew P. McPherson

Centre for Digital Music, Queen Mary University of London, UK

Michael Edinger

Musiklab, Copenhagen, Denmark

Papers: Inclusion, Education & Collaboration
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14:30 - 16:00

Room 309, Centro Cultural, UFRGS

STRATEGIES TO FACILITATE RAPID CREATIVE DEVELOPMENT WITH MULTIPLE NETWORKED DEVICES

Oliver Bown

UNSW Faculty of Art & Design, Interactive Media Lab, Sydney, NSW, Australia

Angelo Fraietta

UNSW Art and Design, University of NSW, Paddington, New South Wales, Australia

Sam Ferguson

Faculty of Engineering and IT, University of Technology Sydney, Sydney, NSW, Australia

Lian Loke

Architecture, Design and Planning, University of Sydney, Sydney, Australia

ON THE INCLUSIVITY OF CONSTRAINT: CREATIVE APPROPRIATION IN INSTRUMENTS FOR NEURODIVERSE CHILDREN AND YOUNG PEOPLE

Joe Wright

Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom

James Dooley

Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom

NIME PROTOTYPING IN TEAMS: A PARTICIPATORY APPROACH TO TEACHING PHYSICAL COMPUTING

Anna Xambó

Department of Music, Norwegian University of Science and Technology, Trondheim, Norway

Sigurd Saue

Department of Music, Norwegian University of Science and Technology, Trondheim, Norway

Alexander Refsum Jensenius

University of Oslo, Oslo, Norway

Robin Støckert

Department of Mathematical Sciences, Norwegian University of Science and Technology, Trondheim, Norway

Oeyvind Brandtsegg

Department of Music, Norwegian University of Science and Technology, Trondheim, Norway

SOUND CONTROL: SUPPORTING CUSTOM MUSICAL INTERFACE DESIGN FOR CHILDREN WITH DISABILITIES

Samuel Thompson Parke-Wolfe

Department of Computing, Goldsmiths University of London, United Kingdom

Hugo Scurto

STMS Ircam-CNRS-Sorbonne Université, Paris, France

Rebecca Fiebrink

Department of Computing, Goldsmiths University of London, London, United Kingdom

Papers: Software & Algorithms
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17:00 - 18:30

Room 309, Centro Cultural, UFRGS

VENEER: VISUAL AND TOUCH-BASED PROGRAMMING FOR AUDIO

Vesa Petri Norilo

DocMus, University of the Arts, Helsinki, Finland

COMPOSING AND EXECUTING INTERACTIVE MUSIC USING THE HIPHOP.JS LANGUAGE

Bertrand Petit

INDES, INRIA, Sophia-Antipolis, France

Manuel Serrano

Inria, Sophia Antipolis, France

T-VOKS: CONTROLLING SINGING AND SPEAKING SYNTHESIS WITH THE THEREMIN

Xiao Xiao

MIT Media Lab, Cambridge, Massachusetts, United States
Institut Jean Le Rond d'Alembert, Paris, France

Grégoire Locqueville

Institut Jean Le Rond d'Alembert, Paris, France

Christophe d'Alessandro

Institut Jean Le Rond D'Alembert, CNRS Sorbonne Université, Paris, France

Boris Doval

Institut Jean Le Rond d'Alembert, Paris, France

A COMPARISON OF OPEN-SOURCE LINUX FRAMEWORKS FOR AN AUGMENTED MUSICAL INSTRUMENT IMPLEMENTATION

Eduardo Meneses

IDMIL, McGill University, Montreal, Quebec, Canada
CIRMMT, McGill University, Montreal, Quebec, Canada

Johnty Wang

Input Devices and Music Interaction Laboratory, McGill University, Montreal, Quebec, Canada
CIRMMT, McGill University, Montreal, Quebec, Canada

Sergio Freire

School of Music - CEGeME, Universidade Federal de Minas Gerais (UFMG), Belo Horizonte, Minas Gerais, Brazil

Marcelo Wanderley

Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada

June 6th

Posters
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Session 5 & 6

Room 311, Centro Cultural, UFRGS

INTIMAL: WALKING TO FIND PLACE, BREATHING TO FEEL PRESENCE

Ximena Alarcon Diaz

RITMO Centre for Interdisciplinary Research in Rhythm, Time and Motion - Dep. of Musicology, University of Oslo, Oslo, Norway

Victor Evaristo Gonzalez Sanchez

RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway

Cagri Erdem

RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway

THE SCALE NAVIGATOR: A SYSTEM FOR NETWORKED ALGORITHMIC HARMONY

Nathan Turczan

MTIID, California Institute of the Arts, Valencia, California, United States

Ajay Kapur

California Institute of the Arts, Valencia, California, United States

HMUSIC: A DOMAIN SPECIFIC LANGUAGE FOR MUSIC PROGRAMMING AND LIVE CODING

Andre Rauber Du Bois

Universidade Federal de Pelotas, Pelotas, RS, Brazil

Rodrigo Geraldo Ribeiro

Departament of Computer Science, Universidade Federal de Ouro Preto, Ouro Preto, Minas Gerais, Brazil

HYPESAX: SAXOPHONE ACOUSTIC AUGMENTATION

Cristopher Ramos Flores

New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand

Jim Murphy

New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand

Michael Norris

New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand

ABDUCTION, DIAGRAMS AND ALGORITHMS FOR INTERACTION WITH LIVE-ELECTRONICS

Daniel F. Puig

Universidade Federal do Sul da Bahia, UFSB, Itabuna, Bahia, Brazil

BLENDING DIMENSIONS' WHEN COMPOSING FOR DMI AND SYMPHONIC ORCHESTRA

Oliver Hödl

Faculty of Informatics, Cooperative Systems Research Group, University of Vienna, Vienna, Austria

ESMERIL - A INTERACTIVE AUDIO PLAYER AND COMPOSITION SYSTEM FOR COLLABORATIVE EXPERIMENTAL MUSIC NETLABELS

Cristiano Figueiró

IHAC, UFBA, Salvador, Bahia, Brazil

Guilherme Soares

CECULT, UFRB, Santo Amaro, Bahia, Brazil

Bruno Rohde

Universidade Federal da Bahia, Salvador, Bahia, Brazil

COMPOSING IN SPACE-TIME WITH RAINBOWS: A FRAMEWORK FOR SPATIAL META-COMPOSITION

Robert S. Jarvis

Exertion Games Lab, RMIT University, Melbourne, VIC, Australia

Florian Floyd Mueller

Exertion Games Lab, RMIT University, Melbourne, VIC, Australia

Darrin Sean Verhagen

Digital Media/School of Design/Audiokinectic Experiments Lab, RMIT University, Melborne, VIC, Australia

TECHNOLOGICAL INTERFACES APPLIED IN DANCE PERFORMANCE TO CREATE MUSIC AND GARMENT MOVEMENTS

Natacha Lamounier

Federal University of Minas Gerais, Belo Horizonte, Brazil

Luiz Naveda

Post Graduate Program in Arts, State University of Minas Gerais, Belo Horizonte, Minas Gerais, Brazil

Adriana Bicalho

Federal University of Minas Gerais, Belo Horizonte, Brazil

OTOKIN: MAPPING FOR SOUNDSPACE EXPLORATION THROUGH DANCE IMPROVISATION

Palle Dahlstedt

Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden
Dept. of Communication, Aalborg University, Aalborg, Denmark

Ami Skånberg Dahlstedt

Dept. of Drama, Theatre & Dance, Royal Holloway University of London, London, United Kingdom
Academy of Music and Drama, University of Gothenburg, Gothenburg, Sweden

COMPOSING UNDERSTANDINGS: MUSIC, MOTION, GESTURE AND EMBODIED COGNITION

Guilherme Bertissolo

UFBA, Salvador, BA, Brazil

SHOW THEM MY SCREEN: MIRRORING A LAPTOP SCREEN AS AN EXPRESSIVE AND COMMUNICATIVE MEANS IN COMPUTER MUSIC

Sang Won Lee

Computer Science, Virginia Tech, Blacksburg, Virginia, United States

TOWARDS A TELEMATIC DIMENSION SPACE

Patrick Müller

Institute for Computer Music and Sound Technology, Zurich University of the Arts, Zurich, Switzerland

EOLOS: A WIRELESS MIDI WIND CONTROLLER

Juan Mariano Ramos

CONICET, CABA, Argentina
Escuela Universitaria de Artes, Universidad Nacional de Quilmes, Bernal, Buenos Aires, Argentina
Departamento de Artes Dramáticas, Universidad Nacional de las Artes, CABA, Argentina

Demos
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Session 5 & 6

Room 211, Centro Cultural, UFRGS

EXPLORING THE CONTAINER METAPHOR FOR EQUALISATION MANIPULATION

Christopher Dewey

School of Computing and Engineering, University of Huddersfield, Huddersfield, United Kingdom

Jonathan P. Wakefield

School of Computing and Engineering, University of Huddersfield, Huddersfield, United Kingdom

A SPATIALLY DISTRIBUTED VIBROTACTILE ACTUATOR ARRAY FOR THE FINGERTIPS

Edgar Berdahl

Louisiana State University, Baton Rouge, Louisiana, United States

Austin Franklin

Louisiana State University, Baton Rouge, Louisiana, United States

Eric Sheffield

Louisiana State University, Baton Rouge, Louisiana, United States

GRAIN PRISM: HIEROGLYPHIC INTERFACE FOR GRANULAR SAMPLING

Gabriela Bila Advincula

Media Lab - City Science, MIT, Cambridge, Massachusetts, United States

Don Derek Haddad

Responsive Environments, Media Lab, MIT, Cambridge, Massachusetts, United States

Kent Larson

MIT, Cambridge, Massachusetts, United States

AMIGO: AN ASSISTIVE MUSICAL INSTRUMENT TO ENGAGE, CREATE AND LEARN MUSIC

Isabela Corintha

Sound Design for Digital Media, FEUP, Porto, Portugal

Giordano Cabral

Centro de Informática, Universidade Federal de Pernambuco, Recife, Pernambuco, Brazil

Gilberto Bernardes

Sound Design for Digital Media, FEUP, Porto, Portugal

Papers: Movement & Gesture
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9:00 - 10:30

Room 309, Centro Cultural, UFRGS

VRENGT: A SHARED BODY-MACHINE INSTRUMENT FOR MUSIC-DANCE PERFORMANCE

Cagri Erdem

RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway

Katja Henriksen Schia

Norwegian Contemporary Dance Company

Alexander Refsum Jensenius

RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway

THE RECIPROCITY BETWEEN ANCILLARY GESTURE AND MUSIC STRUCTURE PERFORMED BY EXPERT MUSICIANS

Thais Fernandes Santos

Federal University of Rio Grande do Sul, Porto Alegre, Brazil

SOMACOUSTICS: INTERACTIVE BODY-AS-INSTRUMENT

Maros Suran Bomba

Aalborg University, Aalborg, Denmark

Palle Dahlstedt

Dept. of Communication, Aalborg University, Aalborg, Denmark
Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden

AMBULATION: EXPLORING LISTENING TECHNOLOGIES FOR AN EXTENDED SOUND WALKING PRACTICE

Tim Shaw

Culture Lab, Newcastle University, Newcastle, United Kingdom

John Bowers

Newcastle University, Newcastle, United Kingdom

DESIGNING GESTURES FOR CONTINUOUS SONIC INTERACTION

Atau Tanaka

EAVI, Goldsmiths, University of London, London, United Kingdom

Balandino Di Donato

EAVI, Computing Department, Goldsmiths, University of London, London, United Kingdom

Michael Zbyszynski

Goldsmiths, University of London, London, United Kingdom

Geert Roks

Papers: Mapping & Sound Generation
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11:30 - 13:00

Room 309, Centro Cultural, UFRGS

IMPROVISING A LIVE SCORE TO AN INTERACTIVE BRAIN-CONTROLLED FILM

Richard Ramchurn

Mixed Reality Lab, The University of Nottingham, Nottingham, United Kingdom

Juan Pablo Martinez Avila

Mixed Reality Laboratory, The University of Nottingham, Nottingham, United Kingdom

Sarah Martindale

Horizon Digital Economy Research, University of Nottingham, Nottingham, United Kingdom

Alan Chamberlain

Mixed Reality Lab, University of Nottingham, Nottingham, United Kingdom

Max L. Wilson

School of Computer Science, University of Nottingham, Nottingham, United Kingdom

Steve Benford

University of Nottingham, Nottingham, United Kingdom

PERSPECTIVES ON TIME: PERFORMANCE PRACTICE, MAPPING STRATEGIES & COMPOSITION WITH MIGSI

Sarah Reid

California Institute of the Arts, Santa Clarita, California, United States

Ryan Gaston

California Institute of the Arts, Valencia, California, United States

Ajay Kapur

California Institute of the Arts, Valencia, California, United States

FROM MONDRIAN TO MODULAR SYNTH: RENDERING NIME USING GENERATIVE ADVERSARIAL NETWORKS

Akito Van Troyer

Opera Of The Future, MIT Media Lab, Cambridge, Massachusetts, United States
Electronic Production and Design, Berklee College of Music, Boston, Massachusetts, United States

Rebecca Kleinberger

Media Lab, MIT, Cambridge, Massachusetts, United States

AUTOMATIC RECOGNITION OF SOUNDPAINTING FOR THE GENERATION OF ELECTRONIC MUSIC SOUNDS

David Antonio Gómez

Jáuregui Estia-Recherche, ESTIA, Bidart, France

Irvin Dongo

Informatique, École Supérieure Des Technologies Industrielles Avancées, Bidart, Aquitaine, France

Nadine Couture

Estia-Recherche & LaBRI, ESTIA, Bidart, Pays Basque, France

Papers: Artificial Inteligence & Machine Learning
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14:30 - 16:00

Room 309, Centro Cultural, UFRGS

GENERATING CONVINCING HARMONY PARTS WITH BLSTM NETWORK

Andrei Faitas

Department of Informatics, University of Oslo, Oslo, Norway

Synne Engdahl Baumann

Department of Informatics, University of Oslo, Oslo, Norway

Torgrim Rudland Næss

University of Oslo, Oslo, Norway

Jim Torresen

Department of Informatics, University of Oslo, Oslo, Norway

Charles Patrick Martin

Department of Informatics, University of Oslo, Oslo, Norway

AN INTERACTIVE MUSICAL PREDICTION SYSTEM WITH MIXTURE DENSITY RECURRENT NEURAL NETWORKS

Charles Patrick Martin

Department of Informatics, University of Oslo, Oslo, Norway

Jim Torresen

Department of Informatics, University of Oslo, Oslo, Norway
RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion, University of Oslo, Oslo, Norway

AUGMENTING PARAMETRIC SYNTHESIS WITH LEARNED TIMBRAL CONTROLLERS

Jeff Gregorio

ExCITe Center, Drexel University, Philadelphia, Pennsylvania, United States

Youngmoo Kim

ExCITe Center, Drexel University, Philadelphia, Pennsylvania, United States

SMALL DYNAMIC NEURAL NETWORKS FOR GESTURE CLASSIFICATION WITH THE RULERS (A DIGITAL MUSICAL INSTRUMENT)

Vanessa Yaremchuk

Carolina Brum Medeiros

Marcelo Wanderley

Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada

Music
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20:00

Agulha Night Club

KEYNOTE

Ana María Romano Gomez

Universidad El Bosque, Colombia

WE BASS: INTER(ACTIONS) ON A HYBRID INSTRUMENT

Miguel Antar

University of São Paulo, São Paulo, Brazil

Paulo Assis

University of São Paulo, São Paulo, Brazil

FLEXSYNTH: BLENDING MULTI-DIMENSIONAL SONIC SCENES

Tom Ajin Jiji

McGill University, Montreal, Canada

FIBER OPTIC MIDI CONTROLLER

Jesse Simpson

New York University, United States

SOUND OF COMPUTING THE SIGNAL ANALYSIS OF GRAVITY WAVES

Edgar Berdahl

School of Music, Louisiana State University, Baton Rouge, Louisiana, United States

PANDEMONIUM TRIO

Barry J. Cullen

Queen's University Belfast, Belfast, United Kingdom

Miguel Ortiz

Queen's University Belfast, Belfast, United Kingdom

Paul Stapleton

Sonic Arts Research Centre, Belfast, United Kingdom

OPEN JACK NIGHT