{"id":4855,"date":"2019-08-04T11:05:29","date_gmt":"2019-08-04T11:05:29","guid":{"rendered":"https:\/\/www.ufrgs.br\/ppgav\/?page_id=4855"},"modified":"2026-09-30T09:55:37","modified_gmt":"2026-09-30T12:55:37","slug":"linhas-de-pesquisa","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/","title":{"rendered":"Linhas de Pesquisa"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"4855\" class=\"elementor elementor-4855\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6e6dfdc4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6e6dfdc4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-63b4ef48\" data-id=\"63b4ef48\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-13a07103 elementor-widget elementor-widget-text-editor\" data-id=\"13a07103\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Conte\u00fado da p\u00e1gina<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Alternar tabela de conte\u00fado\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #7f7f7f;color:#7f7f7f\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #7f7f7f;color:#7f7f7f\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#Linhas_de_Pesquisa_do_PPGAV_UFRGS\" >Linhas de Pesquisa do PPGAV | UFRGS<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#i\" >\u00a0<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#AREA_DE_CONCENTRACAO_HISTORIA_TEORIA_E_CRITICA_HTC\" >\u00c1REA DE CONCENTRA\u00c7\u00c3O: HIST\u00d3RIA, TEORIA E CR\u00cdTICA (HTC)<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#1_Historia_e_teoria_dos_processos_artisticos\" >1. Hist\u00f3ria e teoria dos processos art\u00edsticos<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#2_Imagens_culturas_e_memoria\" >2. Imagens, culturas e mem\u00f3ria<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#3_Relacoes_sistemicas_da_arte\" >3. Rela\u00e7\u00f5es sist\u00eamicas da arte<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#i-2\" >\u00a0<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#AREA_DE_CONCENTRACAO_POETICAS_VISUAIS_PV\" >\u00c1REA DE CONCENTRA\u00c7\u00c3O: PO\u00c9TICAS VISUAIS (PV)<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#1_Desdobramentos_da_imagem\" >1. Desdobramentos da imagem<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#2_Espacos_e_midias\" >2. Espa\u00e7os e m\u00eddias<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.ufrgs.br\/ppgav\/linhas-de-pesquisa\/#3_Linguagens_e_contextos_de_criacao\" >3. Linguagens e contextos de cria\u00e7\u00e3o<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Linhas_de_Pesquisa_do_PPGAV_UFRGS\"><\/span>Linhas de Pesquisa do PPGAV | UFRGS<span class=\"ez-toc-section-end\"><\/span><\/h2><p>As <strong>Linhas de Pesquisa do PPGAV | UFRGS<\/strong> correspondem \u00e0 estrutura do Programa e s\u00e3o adotadas tanto para o <strong>Mestrado<\/strong> quanto para o <strong>Doutorado<\/strong>, nas \u00e1reas de concentra\u00e7\u00e3o <strong>Hist\u00f3ria, Teoria e Cr\u00edtica de Arte<\/strong> e <strong>Po\u00e9ticas Visuais<\/strong>.<\/p><p>\u00a0<\/p><hr \/><h3><span class=\"ez-toc-section\" id=\"i\"><\/span>\u00a0<span class=\"ez-toc-section-end\"><\/span><\/h3><h3><span class=\"ez-toc-section\" id=\"AREA_DE_CONCENTRACAO_HISTORIA_TEORIA_E_CRITICA_HTC\"><\/span><span style=\"color: #000080;\">\u00c1REA DE CONCENTRA\u00c7\u00c3O: HIST\u00d3RIA, TEORIA E CR\u00cdTICA (HTC)<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3><p class=\"isSelectedEnd\">Re\u00fane pesquisas em <strong>Hist\u00f3ria da Arte, Teoria e Cr\u00edtica<\/strong>, com \u00eanfase na arte moderna e contempor\u00e2nea, distribu\u00eddas em tr\u00eas linhas de pesquisa.<\/p><h4><span class=\"ez-toc-section\" id=\"1_Historia_e_teoria_dos_processos_artisticos\"><\/span>1. Hist\u00f3ria e teoria dos processos art\u00edsticos<span class=\"ez-toc-section-end\"><\/span><\/h4><p class=\"isSelectedEnd\"><strong>Descri\u00e7\u00e3o:<\/strong><br \/>Analisa hist\u00f3rica e conceitualmente as po\u00e9ticas art\u00edsticas e sua inscri\u00e7\u00e3o na hist\u00f3ria da arte e na cultura visual, no passado e no presente.<\/p><p class=\"isSelectedEnd\" style=\"padding-left: 40px;\"><strong>Professores(as):<\/strong><\/p><ul><li style=\"list-style-type: none;\"><ul><li style=\"list-style-type: none;\"><ul data-spread=\"false\"><li>Daniela Pinheiro Machado Kern<\/li><li>Niura Aparecida Legramante Ribeiro<\/li><li>Paulo Antonio de Menezes Pereira da Silveira<\/li><li>Joana Bosak de Figueiredo<\/li><li>Marina Andrade C\u00e2mara<\/li><li>S\u00edlvio Marcus de Souza Correa<\/li><\/ul><\/li><\/ul><\/li><\/ul><h4><span class=\"ez-toc-section\" id=\"2_Imagens_culturas_e_memoria\"><\/span>2. Imagens, culturas e mem\u00f3ria<span class=\"ez-toc-section-end\"><\/span><\/h4><p class=\"isSelectedEnd\"><strong>Descri\u00e7\u00e3o:<\/strong><br \/>Analisa as rela\u00e7\u00f5es transversais entre as imagens art\u00edsticas, as culturas que lhes d\u00e3o origem e as pol\u00edticas da mem\u00f3ria que as exp\u00f5em ou as ocultam.<\/p><p class=\"isSelectedEnd\" style=\"padding-left: 40px;\"><strong>Professores(as):<\/strong><\/p><ul><li style=\"list-style-type: none;\"><ul><li style=\"list-style-type: none;\"><ul data-spread=\"false\"><li>Alexandre Ricardo dos Santos<\/li><li>Cl\u00e1udia Piant\u00e1 Costa Cabral<\/li><li>Eduardo Ferreira Veras<\/li><li>M\u00f4nica Zielinsky<\/li><li>Paula Viviane Ramos<\/li><\/ul><\/li><\/ul><\/li><\/ul><h4><span class=\"ez-toc-section\" id=\"3_Relacoes_sistemicas_da_arte\"><\/span>3. Rela\u00e7\u00f5es sist\u00eamicas da arte<span class=\"ez-toc-section-end\"><\/span><\/h4><p class=\"isSelectedEnd\"><strong>Descri\u00e7\u00e3o:<\/strong><br \/>Analisa a produ\u00e7\u00e3o art\u00edstica e suas condi\u00e7\u00f5es de instaura\u00e7\u00e3o, institucionaliza\u00e7\u00e3o e gera\u00e7\u00e3o de mem\u00f3ria, considerando aspectos de curadoria, colecionismo e mercado.<\/p><p class=\"isSelectedEnd\" style=\"padding-left: 40px;\"><strong>Professores(as):<\/strong><\/p><ul><li style=\"list-style-type: none;\"><ul><li style=\"list-style-type: none;\"><ul data-spread=\"false\"><li>Ana Maria Albani de Carvalho<\/li><li>Bruna Wulff Fetter<\/li><li>Felipe Barnerdes Caldas<\/li><li>Maria Am\u00e9lia Bulh\u00f5es Garcia<\/li><li>Vanessa Barrozo Teixeira Aquino<\/li><\/ul><\/li><\/ul><\/li><\/ul><hr \/><h3><span class=\"ez-toc-section\" id=\"i-2\"><\/span>\u00a0<span class=\"ez-toc-section-end\"><\/span><\/h3><h3><span class=\"ez-toc-section\" id=\"AREA_DE_CONCENTRACAO_POETICAS_VISUAIS_PV\"><\/span><span style=\"color: #000080;\">\u00c1REA DE CONCENTRA\u00c7\u00c3O: PO\u00c9TICAS VISUAIS (PV)<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3><p class=\"isSelectedEnd\">Re\u00fane pesquisas em arte com \u00eanfase nas <strong>Po\u00e9ticas Visuais<\/strong>, seus processos e sua articula\u00e7\u00e3o te\u00f3rico-pr\u00e1tica, distribu\u00eddas em tr\u00eas linhas de pesquisa.<\/p><h4><span class=\"ez-toc-section\" id=\"1_Desdobramentos_da_imagem\"><\/span>1. Desdobramentos da imagem<span class=\"ez-toc-section-end\"><\/span><\/h4><p class=\"isSelectedEnd\"><strong>Descri\u00e7\u00e3o:<\/strong><br \/>Aborda processos de cria\u00e7\u00e3o que investigam a imagem e seus desdobramentos em meios, procedimentos, tecnologias e conceitos.<\/p><p class=\"isSelectedEnd\" style=\"padding-left: 40px;\"><strong>Professores(as):<\/strong><\/p><ul><li style=\"list-style-type: none;\"><ul><li style=\"list-style-type: none;\"><ul data-spread=\"false\"><li>Marilice Villeroy Corona<\/li><li>Sandra Rey<\/li><li>Katia Maria Kariya Prates<\/li><\/ul><\/li><\/ul><\/li><\/ul><h4><span class=\"ez-toc-section\" id=\"2_Espacos_e_midias\"><\/span>2. Espa\u00e7os e m\u00eddias<span class=\"ez-toc-section-end\"><\/span><\/h4><p class=\"isSelectedEnd\"><strong>Descri\u00e7\u00e3o:<\/strong><br \/>Explora a produ\u00e7\u00e3o art\u00edstica nos diferentes espa\u00e7os em ambientes naturais, artificiais ou aumentados, considerando as transitoriedades e seus fluxos em rede. A partir das proposi\u00e7\u00f5es dos artistas, as pesquisas da linha compreendem e investigam a ubiquidade digital e dialogam com diversos campos do conhecimento em rela\u00e7\u00e3o \u00e0 arte contempor\u00e2nea.<\/p><p class=\"isSelectedEnd\" style=\"padding-left: 40px;\"><strong>Professores(as):<\/strong><\/p><ul><li style=\"list-style-type: none;\"><ul><li style=\"list-style-type: none;\"><ul data-spread=\"false\"><li>Alberto Marinho Ribas Semeler<\/li><li>Elaine Athayde Alves Tedesco<\/li><li>Lilian Maus Junqueira<\/li><li>Marina Bortoluz Polidoro<\/li><li>Teresinha Barachini<\/li><\/ul><\/li><\/ul><\/li><\/ul><h3><span class=\"ez-toc-section\" id=\"3_Linguagens_e_contextos_de_criacao\"><\/span>3. Linguagens e contextos de cria\u00e7\u00e3o<span class=\"ez-toc-section-end\"><\/span><\/h3><p class=\"isSelectedEnd\"><strong>Descri\u00e7\u00e3o:<\/strong><br \/>Re\u00fane produ\u00e7\u00f5es em arte que investigam linguagens, m\u00e9todos e contextos de apresenta\u00e7\u00e3o.<\/p><p class=\"isSelectedEnd\" style=\"padding-left: 40px;\"><strong>Professores(as):<\/strong><\/p><ul><li style=\"list-style-type: none;\"><ul><li style=\"list-style-type: none;\"><ul data-spread=\"false\"><li>Adriane Hernandez<\/li><li>Alessandra Lucia Bocchio<\/li><li>Cl\u00e1udia Vicari Zanatta<\/li><li>Jo\u00e3o Carlos Machado<\/li><li>Maria Ivone dos Santos<\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Linhas de Pesquisa do PPGAV | UFRGS As Linhas de Pesquisa do PPGAV | UFRGS correspondem \u00e0 estrutura do Programa e s\u00e3o adotadas tanto para o Mestrado quanto para o Doutorado, nas \u00e1reas de concentra\u00e7\u00e3o Hist\u00f3ria, Teoria e Cr\u00edtica de Arte e Po\u00e9ticas Visuais. \u00a0 \u00a0 \u00c1REA DE CONCENTRA\u00c7\u00c3O: HIST\u00d3RIA, TEORIA E CR\u00cdTICA (HTC) Re\u00fane [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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Re\u00fane&hellip;","_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/pages\/4855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/comments?post=4855"}],"version-history":[{"count":3,"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/pages\/4855\/revisions"}],"predecessor-version":[{"id":14791,"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/pages\/4855\/revisions\/14791"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/ppgav\/wp-json\/wp\/v2\/media?parent=4855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}