{"id":444,"date":"2022-06-09T22:07:18","date_gmt":"2022-06-10T01:07:18","guid":{"rendered":"https:\/\/www.ufrgs.br\/ppgmusica\/?page_id=444"},"modified":"2026-01-29T11:23:40","modified_gmt":"2026-01-29T14:23:40","slug":"teses","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/ppgmusica\/teses\/","title":{"rendered":"Teses"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"444\" class=\"elementor elementor-444\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8880d55 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8880d55\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c42bb05\" data-id=\"c42bb05\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-32dc2de elementor-widget elementor-widget-heading\" data-id=\"32dc2de\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Teses<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-37e7fc3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"37e7fc3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d9026f2\" data-id=\"d9026f2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8280aad elementor-widget elementor-widget-toggle\" data-id=\"8280aad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1361\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1361\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2025<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1361\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1361\"><p><strong>Jovens do Oeste Africano em Tr\u00e2nsito pelo Brasil : capital ac\u00fastico- perform\u00e1tico e imagin\u00e1rios transnacionais<\/strong><\/p><p>Data: 21\/01\/2025<br \/>Autor: KELVIN VENTURIN<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/289944\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/274598<\/a><\/p><p><strong>A memoriza\u00e7\u00e3o de uma pe\u00e7a atonal por pianistas de diferentes n\u00edveis de expertise : um estudo multicaso<\/strong><\/p><p>Data: 28\/03\/2025<br \/>Autor: Lucas Fontbonne Brayner<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/291138\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/274537<\/a><\/p><p><strong>Composition of 12 Classical Guitar\u00c9tudes Resulting from the Identification, Extraction and Adaptation of Current Popular Guitarfrom Around the World<\/strong><br \/>Data: 22\/08\/2025<br \/>Autor: Pierre Lo\u00efc Williman<br \/>Orientador: Prof. Dr. Daniel Wolff<br \/>Reposit\u00f3rio: http:\/\/hdl.handle.net\/10183\/297403\u00a0<\/p><p><strong>Forma\u00e7\u00e3o e atua\u00e7\u00e3o profissional de Bachar\u00e9is em M\u00fasica: um estudo com egressos do Instituto Estadual Carlos Gomes do per\u00edodo de 2000 a 2019<\/strong><br \/>Data: 25\/08\/2025<br \/>Autor: Nayane Nazare Silva de Macedo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Reposit\u00f3rio: http:\/\/hdl.handle.net\/10183\/299769\u00a0<\/p><p><strong>ROBERTO SZIDON COMO PROFESSOR DE PIANO NA ALEMANHA: a constru\u00e7\u00e3o de uma biografia em uma perspectiva sociol\u00f3gica na educa\u00e7\u00e3o musical\u00a0<\/strong><br \/>Data: 19\/09\/2025<br \/>Autor: Antonio Cezar Ferreira<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Reposit\u00f3rio:<\/p><p><strong>Cortejos, Folias e Lutas: processos formativo-musicais na trama da atua\u00e7\u00e3o em neofanfarras <br \/><\/strong>Data: 28\/11\/2025<br \/>Autor: Cleiton Luiz Freitas de Oliveira<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Reposit\u00f3rio:\u00a0<\/p><p><strong>POTENCIALIDADES E IMPASSES NA APRENDIZAGEM AO PIANO NO PRIMEIRO ANO DO CURSO DE M\u00daSICA: DOIS ESTUDOS DE CASO<br \/><\/strong>Data: 05\/12\/2025<br \/>Autor: Arilton Rodrigues Medeiros J\u00fanior<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Regina Antunes Teixeira dos Santos<br \/>Reposit\u00f3rio:\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1362\" class=\"elementor-tab-title\" data-tab=\"2\" role=\"button\" aria-controls=\"elementor-tab-content-1362\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2024<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1362\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"region\" aria-labelledby=\"elementor-tab-title-1362\"><p><strong>M\u00fasicas de rock recriadas para piano solo: interpreta\u00e7\u00e3o e cria\u00e7\u00e3o de arranjos de concerto<\/strong><br \/>Data: 29\/01\/2024<br \/>Autor: Menan Medeiros Duwe<br \/>Orientadora: Prof\u00aa. Dr\u00aa. Catarina Leite Domenici<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/274598\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/274598<\/a><\/p><p><strong>Estrat\u00e9gias metodol\u00f3gicas de pr\u00e1ctica autorregulada en el est\u00fadio deliberado del viol\u00edn<\/strong><br \/>Data: 19\/02\/2024<br \/>Autor: Ricardo Alberto Chacon Casanova<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/274537\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/274537<\/a><\/p><p><strong>Formaci\u00f3n de violinistas profesionales dentro de proyectos sociales : un an\u00e1lisis comparativo entre las experiencias formativas de cuatro violinistas profesionales dentro de El Sistema<\/strong><br \/>Data: 26\/02\/2024<br \/>Autor: Ronner Jose Urbina Cubillan<br \/>Orientadora: Prof\u00aa. Dr\u00aa. Cristina Maria Pavan Capparelli Gerling<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/274084\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/274084<\/a><\/p><p><strong>Composi\u00e7\u00e3o, escuta e avalia\u00e7\u00e3o est\u00e9tica: an\u00e1lise-cr\u00edtica como ferramenta na pr\u00e1tica e teoriza\u00e7\u00e3o do compor<\/strong><br \/>Data: 21\/03\/2024 <br \/>Autor: Jeferson Colling Da Silva<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/276610\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/276610<\/a><\/p><p><strong>O que um recital pode ensinar para o pr\u00f3ximo? desenvolvimento de comportamentos autorregulados para a pr\u00e1tica instrumental<\/strong><br \/>Data: 18\/04\/2024<br \/>Autor: Lucas Farias Silvano<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/276654\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/276654<\/a><\/p><p><strong>Chacarera, Milongueos, Ritmos camperos e Vidala : edi\u00e7\u00f5es cr\u00edtico-interpretativas de quatro Evocaciones Criollas para viol\u00e3o, de Alfonso Broqua<\/strong><br \/>Data: 19\/04\/2024<br \/>Autor: Cau\u00e3 Borges Canilha<br \/>Orientador: Prof. Dr. Daniel Wolff<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/276514\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/276514<\/a><\/p><p><strong>Gesto como diretriz composicional: a inspira\u00e7\u00e3o t\u00e1til-visual como pilar para a imagina\u00e7\u00e3o sonora<\/strong><br \/>Data: 30\/07\/2024<br \/>Autor: Danilo Freitas Valad\u00e3o<br \/>Orientador: Prof. Dr. Ant\u00f4nio Carlos Borges Cunha<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/280076\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/280076<\/a><\/p><p><strong>As can\u00e7\u00f5es visceralmente porto-alegrenses: etnomusicologia e emo\u00e7\u00f5es<\/strong><br \/>Data: 02\/09\/2024<br \/>Autor: Paulo Fernando Parada Ausquia Junior<br \/>Orientador: Prof. Dr. Reginaldo Gil Braga<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/280038\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/280038<\/a><\/p><p><strong>Transgeneridade e doc\u00eancia de m\u00fasica: narrativas de pessoas trans* e travestis sobre o processo de tornar-se professor(as) de m\u00fasica<\/strong><br \/>Data: 27\/09\/2024<br \/>Autora: Yana\u00eah Vasconcelos Mota<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/280756\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/280756<\/a><\/p><p><strong>Perspectivas sobre a obra para viol\u00e3o de Fernando Lewis Mattos a partir de relatos de int\u00e9rpretes colaboradores<\/strong><br \/>Data: 30\/09\/2024<br \/>Autor: Jo\u00e3o Batista Costa de Souza<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Souza de Carvalho<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/281949\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/281949<\/a><\/p><p><strong>Professores de M\u00fasica e Prossumo de Materiais Did\u00e1ticos: pr\u00e1ticas pedag\u00f3gicas cotidianas em uma escola p\u00fablica de arte<\/strong><br \/>Data: 31\/10\/2024<br \/>Autora: Karla Beatriz Soares de Souza<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira de Souza<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/288270\" target=\"_blank\" rel=\"noopener\">https:\/\/lume.ufrgs.br\/handle\/10183\/288270<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1363\" class=\"elementor-tab-title\" data-tab=\"3\" role=\"button\" aria-controls=\"elementor-tab-content-1363\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2023<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1363\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"region\" aria-labelledby=\"elementor-tab-title-1363\"><p><strong>Elabora\u00e7\u00e3o de dois arranjos autorais de m\u00fasicas presentes em jogos de Video Game: Articula\u00e7\u00f5es e influ\u00eancias<\/strong><br \/>Autor: JAIRO BATISTA DA SILVA<br \/>Data: 01\/12\/2023<br \/>Orientadora: Prof.\u00aa Dr.\u00aa CRISTINA MARIA PAVAN CAPPARELLI GERLING<br \/>Reposit\u00f3rio:<a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/273786\"> https:\/\/lume.ufrgs.br\/handle\/10183\/273786<\/a><\/p><p><strong>An\u00e1lise comparativa entre o estilo segoviano e de violonistas da segunda metade do s\u00e9culo XX : par\u00e2metros de expressividade em quatro grava\u00e7\u00f5es da obra sonatina, de Federico Moreno Torroba<\/strong><br \/>Autor: ALEXANDRE AGUIAR LOPES<br \/>Data: 25\/09\/2023<br \/>Orientador: Prof. Dr. DANIEL WOLFF<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/267720\">https:\/\/lume.ufrgs.br\/handle\/10183\/267720<\/a><\/p><p><strong>Pr\u00e1ticas musicais entre meninas no contexto de uma girl band<\/strong><br \/>Autora: AUDREA DA COSTA MARTINS<br \/>Data: 22\/09\/2023<br \/>Orientadora: Prof.\u00aa Dr.\u00aa LUCIANA MARTA DEL BEN<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/267738\">https:\/\/lume.ufrgs.br\/handle\/10183\/267738<\/a><\/p><p><strong>Desenvolvimento da t\u00e9cnica de m\u00e3o esquerda do violino: umaan\u00e1lise da literatura pedag\u00f3gica a partir da psicologia hist\u00f3rico-cultural<\/strong><br \/>Autora: BRIGITTA CALLONI<br \/>Data: 01\/08\/2023<br \/>Orientador: Prof. Dr. FREDI VIEIRA GERLING<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/265225\">https:\/\/lume.ufrgs.br\/handle\/10183\/265225<\/a><\/p><p><strong>Inter-rela\u00e7\u00f5es entre os conhecimentos declarativo e procedimental no aprendizado inicial da SONATA K. 271 de D. SCARLATTI: um estudo com pianistas graduandos e profissionais<\/strong><br \/>Autor: CELSO LUIZ BARRUFI DOS SANTOS JUNIOR<br \/>Data: 04\/04\/2023<br \/>Orientadora: Prof.\u00aa Dr.\u00aa REGINA ANTUNES TEIXEIRA DOS SANTOS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/261853\">https:\/\/lume.ufrgs.br\/handle\/10183\/261853<\/a><\/p><p><strong>Autocr\u00edtica gen\u00e9tica e autoan\u00e1lise em composi\u00e7\u00e3o musical: Dossi\u00ea gen\u00e9tico, Hipertexto, Metodologia<\/strong><br \/>Autor: DARWIN PILLAR CORREA<br \/>Data: 31\/03\/2023<br \/>Orientador: Prof. Dr. CELSO GIANNETTI LOUREIRO CHAVES<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/258689\">https:\/\/lume.ufrgs.br\/handle\/10183\/258689<\/a><\/p><p><strong>A\u00e7\u00f5es m\u00fasico-pedag\u00f3gicas feitas por, para e entre mulheres, em Porto Alegre (2019-2020): um olhar a partir da Sociologia da Educa\u00e7\u00e3o Musical e da Teoria da A\u00e7\u00e3o de Alfred Sch\u00fctz<\/strong><br \/>Autora: MARIA AMELIA BENINCA DE FARIAS<br \/>Data: 24\/02\/2023<br \/>Orientadora: Prof.\u00aa Dr.\u00aa JUSAMARA VIEIRA SOUZA<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/259177\">https:\/\/lume.ufrgs.br\/handle\/10183\/259177<\/a><\/p><p><strong>Fazendo o piano cantar: uma pesquisa art\u00edstica sobre o aprendizado do Cantabile atrav\u00e9s de uma abordagem hol\u00edstica<\/strong><br \/>Autora: MARIANA DO SOCORRO DA SILVA BRITO<br \/>Data: 20\/01\/2023<br \/>Orientadora: Prof.\u00aa Dr.\u00aa CATARINA LEITE DOMENICI<br \/>Reposit\u00f3rio:<a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/256757\"> https:\/\/lume.ufrgs.br\/handle\/10183\/256757<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1364\" class=\"elementor-tab-title\" data-tab=\"4\" role=\"button\" aria-controls=\"elementor-tab-content-1364\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2022<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1364\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"region\" aria-labelledby=\"elementor-tab-title-1364\"><p><strong>A expressividade por meio da manipula\u00e7\u00e3o de recursos de express\u00e3o e evoca\u00e7\u00e3o de emo\u00e7\u00e3o na performance pian\u00edstica de crian\u00e7as<\/strong><br \/>Autor: ANDREI LIQUER SOARES DE ABREU<br \/>Data: 22\/12\/2022<br \/>Orientadora: Prof.\u00aa Dr.\u00aa REGINA ANTUNES TEIXEIRA DOS SANTOS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/256857\">https:\/\/lume.ufrgs.br\/handle\/10183\/256857<\/a><\/p><p><strong>INTERCONEX\u00c3O DE GESTOS CORPORAIS E MUSICAIS NA CONSTRU\u00c7\u00c3O INTERPRETATIVA E PERFORM\u00c1TICA DE UMA OBRA PARA FLAUTA SOLO: UM ESTUDO QUASE-EXPERIMENTO COM TR\u00caS FLAUTISTAS DE GRADUA\u00c7\u00c3O<\/strong><br \/>Autor: VINICIUS DIAS PRATES<br \/>Data: 12\/12\/2022<br \/>Orientador: Prof. Dr. LEONARDO LOUREIRO WINTER<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/256848\">https:\/\/lume.ufrgs.br\/handle\/10183\/256848<\/a><\/p><p><strong>MET\u00c1FORAS COMO ESTRAT\u00c9GIA DE ENSINO EM AULAS DE GRADUA\u00c7\u00c3O EM FLAUTA TRANSVERSAL NO BRASIL: DOIS ESTUDOS DE CASO<\/strong><br \/>Autora: GINA ARANTXA ARBELAEZ HERNANDEZ<br \/>Data: 31\/08\/2022<br \/>Orientador: Prof. Dr. LEONARDO LOUREIRO WINTER<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/250252\">https:\/\/lume.ufrgs.br\/handle\/10183\/250252<\/a><\/p><p><strong>AS ESPECIFICIDADES DAS REPRESENTA\u00c7\u00d5ES MENTAIS EM FUN\u00c7\u00c3O DE DIFERENTES CONDI\u00c7\u00d5ES DE PRIVA\u00c7\u00d5ES SENSORIAIS NA PR\u00c1TICA PIAN\u00cdSTICA: UM ESTUDO EXPERIMENTAL<\/strong><br \/>Autor: RENAN MOREIRA MADEIRA<br \/>Data: 26\/08\/2022<br \/>Orientadora: Prof.\u00aa Dr.\u00aa REGINA ANTUNES TEIXEIRA DOS SANTOS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/248890\">https:\/\/lume.ufrgs.br\/handle\/10183\/248890<\/a><\/p><p><strong>COMPREENS\u00c3O E PRODU\u00c7\u00c3O DE TIMBRE NO PIANO: UM ESTUDO DE CASO COM PIANISTAS P\u00d3S-GRADUANDOS<\/strong><br \/>Autora: NAYANE NOGUEIRA SOARES<br \/>Data: 12\/07\/2022<br \/>Orientadora: Prof.\u00aa Dr.\u00aa CRISTINA MARIA PAVAN CAPPARELLI GERLING<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/246500\">https:\/\/lume.ufrgs.br\/handle\/10183\/246500<\/a><\/p><p><strong>A aula de m\u00fasica como espa\u00e7o-tempo de forma\u00e7\u00e3o na educa\u00e7\u00e3o b\u00e1sica<\/strong><br \/>Autora: CAROLINE CAO PONSO<br \/>Data: 29\/06\/2022<br \/>Orientadora: Prof.\u00aa Dr.\u00aa LUCIANA MARTA DEL BEN<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/242283\">https:\/\/lume.ufrgs.br\/handle\/10183\/242283<\/a><\/p><p><strong>O CONCEITO DE ENERGIA SONORA NA COMPOSI\u00c7\u00c3O MUSICAL<\/strong><br \/>Autor: CAIO MENEZES FACO<br \/>Data: 24\/02\/2022<br \/>Orientador: Prof. Dr. ANTONIO CARLOS BORGES CUNHA<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/236537\">https:\/\/lume.ufrgs.br\/handle\/10183\/236537<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1365\" class=\"elementor-tab-title\" data-tab=\"5\" role=\"button\" aria-controls=\"elementor-tab-content-1365\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2021<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1365\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"5\" role=\"region\" aria-labelledby=\"elementor-tab-title-1365\"><p><strong>N\u00edveis dos conte\u00fados musicais impl\u00edcitos nos procedimentos de ensino de eminentes professores de piano<\/strong><br \/>Autora: REBECCA SILVA RODRIGUES<br \/>Data: 23\/02\/2021<br \/>Orientadora: Prof.\u00aa Dr.\u00aa REGINA ANTUNES TEIXEIRA DOS SANTOS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/219213\">https:\/\/lume.ufrgs.br\/handle\/10183\/219213<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1366\" class=\"elementor-tab-title\" data-tab=\"6\" role=\"button\" aria-controls=\"elementor-tab-content-1366\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2020<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1366\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"6\" role=\"region\" aria-labelledby=\"elementor-tab-title-1366\"><p><strong>O \u201cRAP AM\u201d INTERSECCIONANDO GERA\u00c7\u00d5ES UM ESTUDO ETNOMUSICOL\u00d3GICO SOBRE PR\u00c1TICAS POL\u00cdTICO-MUSICAIS E AS DIN\u00c2MICAS DE PERIFERIA NO CIRCUITO MANAUARA<\/strong><br \/>Autor: RAFAEL BRANQUINHO ABDALA NORBERTO<br \/>Data: 30\/11\/2020<br \/>Orientadora: Prof.\u00aa Dr.\u00aa MARIA ELIZABETH DA SILVA LUCAS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/220071\">https:\/\/lume.ufrgs.br\/handle\/10183\/220071<\/a><\/p><p><strong>\u00a1Que sea para bien! Saberes musicales y alianzas s\u00f3nicas de la gente negra del Sur del Valle del R\u00edo Cauca, Colombia: una interpretaci\u00f3n desde las (etno)musicolog\u00edas<\/strong><br \/>Autora: PALOMA PALAU VALDERRAMA<br \/>Data: 08\/10\/2020<br \/>Orientadora: Prof.\u00aa Dr.\u00aa MARIA ELIZABETH DA SILVA LUCAS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/214297\">https:\/\/lume.ufrgs.br\/handle\/10183\/214297<\/a><\/p><p><strong>SOPAPO PO\u00c9TICO E ETNOMUSICOLOGIA NEGRA: AG\u00caNCIA, PERFORMANCE, MUSICALIDADE E PROTAGONISMO NEGRO EM PORTO ALEGRE<\/strong><br \/>Autor: PEDRO FERNANDO ACOSTA DA ROSA<br \/>Data: 24\/04\/2020<br \/>Orientador: Prof. Dr. REGINALDO GIL BRAGA<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/213597\">https:\/\/lume.ufrgs.br\/handle\/10183\/213597<\/a><\/p><p><strong>Cren\u00e7as de autoefic\u00e1cia de regentes em grupos musicais escolares<\/strong><br \/>Autor: BERNARDO GRINGS<br \/>Data: 31\/03\/2020<br \/>Orientadora: Prof.\u00aa Dr.\u00aa LIANE HENTSCHKE<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/211467\">https:\/\/lume.ufrgs.br\/handle\/10183\/211467<\/a><\/p><p><strong>Rela\u00e7\u00f5es com m\u00fasica em um projeto formativo de crian\u00e7as: um estudo com profissionais de uma Escola Municipal de Educa\u00e7\u00e3o Infantil em Porto Alegre<\/strong><br \/>Autora: JOANA LOPES PEREIRA<br \/>Data: 25\/03\/2020<br \/>Orientadora: Prof.\u00aa Dr.\u00aa LUCIANA MARTA DEL BEN<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/212501\">https:\/\/lume.ufrgs.br\/handle\/10183\/212501<\/a><\/p><p><strong>REFER\u00caNCIAS ESTIL\u00cdSTICAS DE PIANISTAS P\u00d3S-GRADUANDOS NA PREPARA\u00c7\u00c3O INICIAL DE OBRAS DE DIFERENTES PER\u00cdODOS \u00c0 LUZ DA TEORIA DOS ESTILOS DE LEONARD MEYER: UM ESTUDO QUASI-EXPERIMENTAL<\/strong><br \/>Autor: SAMUEL HENRIQUE DA SILVA CIANBRONI<br \/>Data: 03\/03\/2020<br \/>Orientadora: Prof.\u00aa Dr.\u00aa REGINA ANTUNES TEIXEIRA DOS SANTOS<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/214088\">https:\/\/lume.ufrgs.br\/handle\/10183\/214088<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1367\" class=\"elementor-tab-title\" data-tab=\"7\" role=\"button\" aria-controls=\"elementor-tab-content-1367\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2019<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1367\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"7\" role=\"region\" aria-labelledby=\"elementor-tab-title-1367\"><p><strong>Pr\u00e1ticas e aprendizagens da Viola de Dez Cordas no Rio Grande do Sul<\/strong><br \/>Autor: Renato Cardinali Pedro<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 30\/10\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/209977\">https:\/\/lume.ufrgs.br\/handle\/10183\/209977<\/a><\/p><p><strong>Perspectivas de pianistas sobre expressividade em performance musical como int\u00e9rpretes e ouvintes<\/strong><br \/>Autor: Heidi Kalschne Monteiro<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Regina Antunes Teixeira dos Santos<br \/>Data da defesa: 30\/09\/2019<br \/>Reposit\u00f3rio:<a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/204618\"> https:\/\/lume.ufrgs.br\/handle\/10183\/204618<\/a><\/p><p><strong>Concerto Inesperado para ator, piano e ru\u00eddos: cria\u00e7\u00e3o colaborativa de uma dramaturgia sonora<\/strong><br \/>Autor: Karin Salz Engel<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Catarina Leite Domenici<br \/>Data da defesa: 30\/09\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/lume.ufrgs.br\/handle\/10183\/206713\">https:\/\/lume.ufrgs.br\/handle\/10183\/206713<\/a><\/p><p><strong>Processos criativos colaborativos na m\u00fasica contempor\u00e2nea: dois estudos de caso<\/strong><br \/>Autor: Dario Rodrigues Silva<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Catarina Leite Domenici<br \/>Data da defesa: 27\/09\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/204563\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/204563<\/a><\/p><p><strong>A improvisa\u00e7\u00e3o na forma Pachelbel a partir de prel\u00fadios corais de Pachelbel e Walther: uma proposta de exerc\u00edcios de improvisa\u00e7\u00e3o para organistas<\/strong><br \/>Autor: Christoph Clemens K\u00fcstner<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Souza de Carvalho<br \/>Data da defesa: 29\/08\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/202121\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/202121<\/a><\/p><p><strong>M\u00fasica na educa\u00e7\u00e3o profissional e tecnol\u00f3gica: um estudo de caso no Instituto Federal de Santa Catarina campus Florian\u00f3polis<\/strong><br \/>Autor: Maira Ana Kandler<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 23\/08\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/201244\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/201244<\/a><\/p><p><strong>A prepara\u00e7\u00e3o para a execu\u00e7\u00e3o musical ao vivo: reflex\u00f5es a partir de entrevistas com violonistas de excel\u00eancia e de um estudo de caso autoetnogr\u00e1fico<\/strong><br \/>Autor: Rafael Iravedra<br \/>Orientador: Prof. Dr. Daniel Wolff<br \/>Data da defesa: 16\/07\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/201143\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/201143<\/a><\/p><p><strong>M\u00fasica como intertexto \u2013 perspectivas sobre intertextualidade e composi\u00e7\u00e3o musical<\/strong><br \/>Autor: Jo\u00e3o Francisco de Souza Corr\u00eaa<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 10\/07\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/200882\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/200882<\/a><\/p><p><strong>Ensino de m\u00fasica em conservat\u00f3rios de Bag\u00e9 \u2013 Rio Grande do Sul (1904 \u2013 1927): uma sociologia dos processos m\u00fasico-pedag\u00f3gicos na Primeira Rep\u00fablica.<\/strong><br \/>Autor: Rafael Rodrigues da Silva<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 03\/07\/2019<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/201230\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/201230<\/a><\/p><p><strong>A coordena\u00e7\u00e3o bimanual ao viol\u00e3o: um estudo experimental com estudantes de gradua\u00e7\u00e3o e p\u00f3s-gradua\u00e7\u00e3o em m\u00fasica<\/strong><br \/>Autor: Renan Colombo Sim\u00f5es<br \/>Orientador: Prof. Dr. Daniel Wolff<br \/>Data da defesa: 30\/04\/2019<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/197882\">http:\/\/hdl.handle.net\/10183\/197882<\/a><\/p><p><strong>Formar-se e ser formador: rotas formativas musicais de religiosos no contexto cat\u00f3lico brasileiro na perspectiva da sociologia da educa\u00e7\u00e3o musical e da vida cotidiana<\/strong><br \/>Autor: Michelle Arype Girardi Lorenzetti<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 11\/03\/2019<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/193128\">http:\/\/hdl.handle.net\/10183\/193128<\/a><\/p><p><strong>Aprendendo e ensinando \u201cDois momentos nordestinos\u201d para piano de Calim\u00e9rio Soares sob o vi\u00e9s da pr\u00e1tica reflexiva de tr\u00eas alunos e uma professora<\/strong><br \/>Autor: Rosiane Lemos Vianna<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 22\/02\/2019<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/192847\">http:\/\/hdl.handle.net\/10183\/192847<\/a><\/p><p><strong>A busca por uma t\u00e9cnica pian\u00edstica saud\u00e1vel, musical e eficiente: um di\u00e1logo com quatro participantes<\/strong><br \/>Autor: Laura Boaventura Melo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 12\/02\/2019<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/189511\">http:\/\/hdl.handle.net\/10183\/189511<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1368\" class=\"elementor-tab-title\" data-tab=\"8\" role=\"button\" aria-controls=\"elementor-tab-content-1368\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2018<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1368\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"8\" role=\"region\" aria-labelledby=\"elementor-tab-title-1368\"><p><strong>M\u00fasicos populares na academia: um estudo de caso com estudantes do bacharelado em M\u00fasica Popular da Universidade Federal do Rio Grande do Sul<\/strong><br \/>Autor: Jean Carlos Presser dos Santos<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 17\/12\/2018<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/189451\">http:\/\/hdl.handle.net\/10183\/189451<\/a><\/p><p><strong>Muitas notas v\u00e3o entrar, mas a base \u00e9 uma s\u00f3: recorr\u00eancias no processo composicional de Tom Jobim<\/strong><br \/>Autor: Clairton Rosado Teixeira<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 11\/12\/2018<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/189901\"> http:\/\/hdl.handle.net\/10183\/189901<\/a><\/p><p><strong>Abstra\u00e7\u00e3o e representa\u00e7\u00e3o: a fun\u00e7\u00e3o de modelos em composi\u00e7\u00e3o musical<\/strong><br \/>Autor: Rodrigo Meine<br \/>Orientador: Prof. Dr. Ant\u00f4nio Carlos Borges Cunha<br \/>Data da defesa: 23\/10\/2018<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/189438\"> http:\/\/hdl.handle.net\/10183\/189438<\/a><\/p><p><strong>M\u00fasica-como-teatro: uma pr\u00e1tica composicional e sua autoan\u00e1lise<\/strong><br \/>Autor: Heitor Martins Oliveira<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 11\/10\/2018<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/184891\">http:\/\/hdl.handle.net\/10183\/184891<\/a><\/p><p><strong>Das alturas ao ritmo: teoria dos conjuntos r\u00edtmicos como ferramenta composicional<\/strong><br \/>Autor: Julio Cesar da Silva Herrlein<br \/>Orientador: Prof. Dr. Ant\u00f4nio Carlos Borges Cunha<br \/>Data da defesa: 27\/04\/2018<br \/>Reposit\u00f3rio:<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/179457\"> http:\/\/www.lume.ufrgs.br\/handle\/10183\/179457<\/a><\/p><p><strong>Uma proposta de abordagem gestual no ensino de piano no curso de licenciatura em m\u00fasica da Universidade Estadual de Londrina: um estudo de caso<\/strong><br \/>Autor: Jailton Paulo de Jesus Santana<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Catarina Leite Domenici<br \/>Data da defesa: 27\/03\/2018<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/180929\">http:\/\/hdl.handle.net\/10183\/180929<\/a><\/p><p><strong>Perspectivas de delibera\u00e7\u00e3o do fen\u00f4meno da pr\u00e1tica pian\u00edstica em diferentes n\u00edveis de expertise<\/strong><br \/>Autor: Michele Rosita Mantovani<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Regina Antunes Teixeira dos Santos<br \/>Data da defesa: 07\/02\/2018<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/173570\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/173570<\/a><\/p><p><strong>M\u00fasicos b\u00falgaros na vida musical de Manaus: um encontro de culturas<\/strong><br \/>Autor: Maria Grigorova Georgieva<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 31\/01\/2018<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/172893\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/172893<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1369\" class=\"elementor-tab-title\" data-tab=\"9\" role=\"button\" aria-controls=\"elementor-tab-content-1369\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2017<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1369\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"9\" role=\"region\" aria-labelledby=\"elementor-tab-title-1369\"><p><strong>Leitura musical \u00e0 primeira vista: um estudo com guias de aux\u00edlio para estudantes universit\u00e1rios de \u00f3rg\u00e3o e piano<\/strong><br \/>Autor: Alexandre Fritzen da Rocha<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Souza de Carvalho<br \/>Data da defesa: 22\/12\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/172291\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/172291<\/a><\/p><p><strong>Educa\u00e7\u00e3o musical e forma\u00e7\u00e3o em pesquisa no mestrado: um estudo com egressos de programas de p\u00f3s-gradua\u00e7\u00e3o em m\u00fasica no Brasil<\/strong><br \/>Autor: Rosal\u00eda Trejo Le\u00f3n<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 24\/07\/2017<br \/>Reposit\u00f3rio:<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/170452\"> http:\/\/www.lume.ufrgs.br\/handle\/10183\/170452<\/a><\/p><p><strong>O desenvolvimento profissional de professores de m\u00fasica da educa\u00e7\u00e3o b\u00e1sica: um estudo a partir de narrativas autobiogr\u00e1ficas<\/strong><br \/>Autor: Tamar Genz Gaulke<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 30\/06\/2017<br \/>Reposit\u00f3rio:<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/165447\"> http:\/\/www.lume.ufrgs.br\/handle\/10183\/165447<\/a><\/p><p><strong>Guias de execu\u00e7\u00e3o e memoriza\u00e7\u00e3o: estudo de caso com violinistas p\u00f3s-graduados<\/strong><br \/>Autor: D\u00e9bora Borges da Silva<br \/>Orientador: Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 19\/06\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/163517\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/163517<\/a><\/p><p><strong>A qualidade da execu\u00e7\u00e3o instrumental e a sua rela\u00e7\u00e3o com a ansiedade de performance musical de estudantes de flauta<\/strong><br \/>Autor: Andr\u00e9 Sinico da Cunha<br \/>Orientador: Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 10\/05\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/159376\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/159376<\/a><\/p><p><strong>Trajet\u00f3rias formativas profissionais em m\u00fasica: um estudo com estudantes do curso t\u00e9cnico em Instrumento Musical do Instituto Federal de Educa\u00e7\u00e3o, Ci\u00eancia e Tecnologia do Cear\u00e1<\/strong><br \/>Autor: Alexandre Vieira<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 27\/04\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/158931\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/158931<\/a><\/p><p><strong>Socializa\u00e7\u00e3o m\u00fasico-profissional nas experi\u00eancias de profissionaliza\u00e7\u00e3o de duplas sertanejas: um estudo de caso com cantores da regi\u00e3o do Tri\u00e2ngulo Mineiro\/Minas Gerais<\/strong><br \/>Autor: Jaqueline Soares Marques<br \/>Orientador: Jusamara Vieira Souza<br \/>Data da defesa: 26\/04\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/163931\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/163931<\/a><\/p><p><strong>The musical trajectories and professional responsibilities of five concertmasters of Brazilian Symphony Orchestras<\/strong><br \/>Autor: Timothy David Jones<br \/>Orientador: Fredi Vieira Gerling<br \/>Data da defesa: 05\/04\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/164583\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/164583<\/a><\/p><p><strong>Do texto ao som: rela\u00e7\u00f5es de influ\u00eancia na obra para piano de Vieira Brand\u00e3o<\/strong><br \/>Autor: Mauren Liebich Frey Rodrigues<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 07\/02\/2017<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/152721\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/152721<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13610\" class=\"elementor-tab-title\" data-tab=\"10\" role=\"button\" aria-controls=\"elementor-tab-content-13610\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2016<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13610\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"10\" role=\"region\" aria-labelledby=\"elementor-tab-title-13610\"><p><strong>A diversidade de g\u00eanero e sexualidade na perspectiva de licenciados\/as em m\u00fasica<\/strong><br \/>Autor: Vivian Regina Siedlicki<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 31\/10\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/150804\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/150804<\/a><\/p><p><strong>A inser\u00e7\u00e3o profissional de licenciados em m\u00fasica: um estudo sobre egressos de institui\u00e7\u00f5es de ensino superior do estado do Paran\u00e1<\/strong><br \/>Autor: Solange Maranho Gomes<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 31\/10\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/150823\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/150823<\/a><\/p><p><strong>A transforma\u00e7\u00e3o como processo de composi\u00e7\u00e3o<\/strong><br \/>Autor: Marco Aur\u00e9lio Koentopp<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 31\/10\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/150853\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/150853<\/a><\/p><p><strong>Percep\u00e7\u00f5es e concep\u00e7\u00f5es sobre corpo, gesto, t\u00e9cnica pian\u00edstica e suas rela\u00e7\u00f5es nas viv\u00eancias de alunos de piano de dois cursos de gradua\u00e7\u00e3o em m\u00fasica<\/strong><br \/>Autor: Margareth Maria Milani<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Catarina Leite Domenici<br \/>Data da defesa: 24\/10\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/150828\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/150828<\/a><\/p><p><strong>Pr\u00e1ticas pedag\u00f3gicas de Eric Rosenblith: um estudo da metodologia em suas master-classes de violino<\/strong><br \/>Autor: Andr\u00e9 Fernandes Kolodiuk<br \/>Orientador: Prof. Dr. Fredi Vieira Gerling<br \/>Data da defesa: 27\/09\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/149082\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/149082<\/a><\/p><p><strong>Met\u00e1foras e significados na composi\u00e7\u00e3o musical: quando o compositor revisita e ressignifica seus passos<\/strong><br \/>Autor: Carlos Walter Alves Soares<br \/>Orientador: Prof. Dr. Antonio Carlos Borges Cunha<br \/>Data da defesa: 31\/08\/2016<br \/>Reposit\u00f3rio:<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/148285\"> http:\/\/www.lume.ufrgs.br\/handle\/10183\/148285<\/a><\/p><p><strong>Utiliza\u00e7\u00e3o de tra\u00e7os na defini\u00e7\u00e3o do sentido de materiais composicionais<\/strong><br \/>Autor: Diego Botelho Amaro da Silveira<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 31\/08\/2016<br \/>Reposit\u00f3rio:<a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/148614\"> http:\/\/www.lume.ufrgs.br\/handle\/10183\/148614<\/a><\/p><p><strong>Estudo da expressividade musical dial\u00f3gica no rudepoema de Heitor Villa-Lobos<\/strong><br \/>Autor: Salete Maria Chiamulera Bohler<br \/>Orientador: Prof. Dr. Ney Fialkow<br \/>Data da defesa: 29\/04\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/149027\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/149027<\/a><\/p><p><strong>Leitura \u00c0 Primeira Vista Ao Viol\u00e3o: Tr\u00eas Estudos De Caso Em Diferentes Contextos Acad\u00eamicos Com Estudantes E Violonistas Profissionais<\/strong><br \/>Autor: Eduardo Vagner Soares Pastorini<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Souza de Carvalho<br \/>Data da defesa: 19\/04\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/142169\">http:\/\/hdl.handle.net\/10183\/142169<\/a><\/p><p><strong>Proposi\u00e7\u00e3o De Modelo Conceitual De Performance Musical Prejudicada Por Ansiedade<\/strong><br \/>Autor: Carlos Alberto Assis<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 23\/03\/2016<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/140168\">http:\/\/hdl.handle.net\/10183\/140168<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13611\" class=\"elementor-tab-title\" data-tab=\"11\" role=\"button\" aria-controls=\"elementor-tab-content-13611\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2015<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13611\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"11\" role=\"region\" aria-labelledby=\"elementor-tab-title-13611\"><p><strong>A Composi\u00e7\u00e3o musical como resposta: viv\u00eancias e imagin\u00e1rio sonoro<\/strong><br \/>Autor: Daniel de Souza Mendes<br \/>Orientador: Prof. Dr. Antonio Carlos Borges Cunha<br \/>Data da defesa: 24\/09\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/128954\">http:\/\/hdl.handle.net\/10183\/128954<\/a><\/p><p><strong>Motiva\u00e7\u00e3o na forma\u00e7\u00e3o inicial: um estudo com licenciandos em m\u00fasica no Brasil<\/strong><br \/>Autor: Mario Andr\u00e9 Wanderley Oliveira<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 21\/09\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/128030\">http:\/\/hdl.handle.net\/10183\/128030<\/a><\/p><p><strong>Uma compara\u00e7\u00e3o entre duas grava\u00e7\u00f5es do Cravo Bem-Temperado de J.S. Bach por Andr\u00e1s Schiff<\/strong><br \/>Autor: Josias Matschulat<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Capparelli Gerling<br \/>Data da defesa: 18\/09\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/128031\">http:\/\/hdl.handle.net\/10183\/128031<\/a><\/p><p><strong>Aprendizagem musical colaborativa mediada pelas tecnologias digitais: motiva\u00e7\u00e3o dos alunos e estrat\u00e9gias de aprendizagem<\/strong><br \/>Autor: Francine Kemmer Cernev<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 17\/08\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/128932\">http:\/\/hdl.handle.net\/10183\/128932<\/a><\/p><p><strong>Alunos de ensino m\u00e9dio e suas aprendizagens na aula de m\u00fasica como componente curricular: um estudo com a turma do Col\u00e9gio Estadual J\u00falio de Castilhos, Porto Alegre, RS<\/strong><br \/>Autor: Cristina Bertoni dos Santos<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 22\/06\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/122535\">http:\/\/hdl.handle.net\/10183\/122535<\/a><\/p><p><strong>Festivais de coros do Rio Grande do Sul (1963-1978): pr\u00e1ticas m\u00fasico-educativas de coros, regentes e plateia<\/strong><br \/>Autor: L\u00facia Helena Pereira Teixeira<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 29\/05\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/122549\">http:\/\/hdl.handle.net\/10183\/122549<\/a><\/p><p><strong>Imagens da doc\u00eancia de m\u00fasica na educa\u00e7\u00e3o b\u00e1sica: uma an\u00e1lise de textos da Revista da ABEM (1992-2013)<\/strong><br \/>Autor: Vanilda L\u00eddia Ferreira de Macedo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 27\/05\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/122555\">http:\/\/hdl.handle.net\/10183\/122555<\/a><\/p><p><strong>\u201cTodos na produ\u00e7\u00e3o\u201d: um estudo etnogr\u00e1fico das narrativas s\u00f4nicas e raps em um bairro popular do sul do Brasil<\/strong><br \/>Autor: Luana Zambiazzi dos Santos<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Data da defesa: 13\/05\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/122548\">http:\/\/hdl.handle.net\/10183\/122548<\/a><\/p><p><strong>Aquarelas musicais das Am\u00e9ricas: projetos identit\u00e1rios de na\u00e7\u00e3o nas performances radiof\u00f4nicas de Radam\u00e9s Gnattali e Alan Lomax (1939-1945)<\/strong><br \/>Autor: Rafael Henrique Soares Velloso<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Data da defesa: 08\/05\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/125985\">http:\/\/hdl.handle.net\/10183\/125985<\/a><\/p><p><strong>Professores de m\u00fasica do Brasil: motiva\u00e7\u00f5es e aspira\u00e7\u00f5es profissionais<\/strong><br \/>Autor: Ana Francisca Schneider Grings<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 07\/05\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/122547\">http:\/\/hdl.handle.net\/10183\/122547<\/a><\/p><p><strong>A forma\u00e7\u00e3o de uma identidade po\u00e9tica atrav\u00e9s de um ciclo de pe\u00e7as<\/strong><br \/>Autor: Josemir Dias Valverde J\u00fanior<br \/>Orientador: Prof. Dr. Antonio Carlos Borges Cunha<br \/>Data da defesa: 31\/03\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/116457\">http:\/\/hdl.handle.net\/10183\/116457<\/a><\/p><p><strong>Controle e promo\u00e7\u00e3o de autonomia: um estudo com professores de instrumento musical<\/strong><br \/>Autor: Edson Ant\u00f4nio de Freitas Figueiredo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 20\/03\/2015<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/115621\">http:\/\/hdl.handle.net\/10183\/115621<\/a><\/p><p><strong>A aplica\u00e7\u00e3o de guias de execu\u00e7\u00e3o com alunos iniciantes de piano<\/strong><br \/>Autor: Selva Viviana Martinez Aquino<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Capparelli Gerling<br \/>Data da defesa: 13\/03\/2015<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/116137\"> http:\/\/hdl.handle.net\/10183\/116137<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13612\" class=\"elementor-tab-title\" data-tab=\"12\" role=\"button\" aria-controls=\"elementor-tab-content-13612\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2014<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13612\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"12\" role=\"region\" aria-labelledby=\"elementor-tab-title-13612\"><p><strong>Trajet\u00f3rias de aprendizado de novas obras pian\u00edsticas: tr\u00eas estudos de caso.<\/strong><br \/>Autor: Fernando Rauber Gon\u00e7alves<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 29\/09\/2014<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/106949\">http:\/\/hdl.handle.net\/10183\/106949<\/a><\/p><p><strong>Teoria da digita\u00e7\u00e3o: um protocolo de inst\u00e2ncias, princ\u00edpios e perspectivas para a constru\u00e7\u00e3o de um cen\u00e1rio digitacional ao viol\u00e3o<\/strong><br \/>Autor: Alisson Cardoso Monteiro Al\u00edpio<br \/>Orientador: Prof. Dr. Daniel Wolff<br \/>Data da defesa: 14\/08\/2014<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/103340\">http:\/\/hdl.handle.net\/10183\/103340<\/a><\/p><p><strong>Aspectos dial\u00f3gicos da composi\u00e7\u00e3o musical Pontos de Partida<\/strong><br \/>Autor: Germ\u00e1n Enrique Gras<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 13\/06\/2014<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/97658\">http:\/\/hdl.handle.net\/10183\/97658<\/a><\/p><p><strong>A inser\u00e7\u00e3o da m\u00fasica na escola: um estudo de caso em uma escola particular de Porto Alegre.<\/strong><br \/>Autor: Carla Eugenia Lopardo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 31\/03\/2014<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/103871\">http:\/\/hdl.handle.net\/10183\/103871<\/a><\/p><p><strong>Minha m\u00fasica sendo outra: a narratividade como coisa composicional.<\/strong><br \/>Autor: Bruno Milheira Angelo<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 28\/03\/2014<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/97667\">http:\/\/hdl.handle.net\/10183\/97667<\/a><\/p><p><strong>Aprendizagens e pr\u00e1ticas musicais no Festival de M\u00fasica Estudantil de Guarulhos.<\/strong><br \/>Autor: Vania Aparecida Malagutti da Silva Fialho<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 28\/03\/2014<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/96922\">http:\/\/hdl.handle.net\/10183\/96922<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13613\" class=\"elementor-tab-title\" data-tab=\"13\" role=\"button\" aria-controls=\"elementor-tab-content-13613\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2013<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13613\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"13\" role=\"region\" aria-labelledby=\"elementor-tab-title-13613\"><p><strong>A dial\u00e9tica das temporalidades na performance musical: uma interpreta\u00e7\u00e3o de Cant\u00e9yodjay\u00e2 de Oliver Messiaen.<\/strong><br \/>Autor: Maur\u00edcio Zamith Almeida<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 13\/09\/2013<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/81606\">http:\/\/hdl.handle.net\/10183\/81606<\/a><\/p><p><strong>Autodetermina\u00e7\u00e3o para aprender nas aulas de viol\u00e3o a dist\u00e2ncia online: uma perspectiva contempor\u00e2nea da motiva\u00e7\u00e3o.<\/strong><br \/>Autor: Giann Mendes Ribeiro<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 16\/04\/2013<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/76731\">http:\/\/hdl.handle.net\/10183\/76731<\/a><\/p><p><strong>Ensinar m\u00fasica na escola: um estudo de caso com uma orquestra escolar.<\/strong><br \/><strong>Autor: Carla Pereira dos Santos<\/strong><br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del-Ben<br \/>Data da defesa: 26\/03\/2013<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/70372\">http:\/\/hdl.handle.net\/10183\/70372<\/a><\/p><p><strong>Modelagem como estrat\u00e9gia para o desenvolvimento de recursos expressivos na performance pian\u00edstica: tr\u00eas estudos de caso.<\/strong><br \/>Autor: Stefanie Grace Azevedo de Freitas<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Capparelli Gerling<br \/>Data da defesa: 22\/03\/2013<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/71790\"> http:\/\/hdl.handle.net\/10183\/71790<\/a><\/p><p><strong>Flauta doce em um curso de licenciatura em m\u00fasica: entre as demandas da pr\u00e1tica musical e das propostas pedag\u00f3gicas do instrumento voltadas ao Ensino B\u00e1sico.<\/strong><br \/>Autor: Anete Susana Weichselbaum<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 11\/03\/2013<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/71789\">http:\/\/hdl.handle.net\/10183\/71789<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13614\" class=\"elementor-tab-title\" data-tab=\"14\" role=\"button\" aria-controls=\"elementor-tab-content-13614\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2012<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13614\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"14\" role=\"region\" aria-labelledby=\"elementor-tab-title-13614\"><p><strong>Projetos educativos de fam\u00edlias e forma\u00e7\u00e3o musical de crian\u00e7as e jovens em uma orquestra.<\/strong><br \/>Autor: Adriana Bozzetto<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 31\/08\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/61124\">http:\/\/hdl.handle.net\/10183\/61124<\/a><\/p><p><strong>A Teoria da Entona\u00e7\u00e3o de B. Asafiev e a execu\u00e7\u00e3o musical: concep\u00e7\u00f5es anal\u00edticas para a interpreta\u00e7\u00e3o das Cirandas de Villa-Lobos.<\/strong><br \/>Autor: Daniel Junqueira Tarqu\u00ednio<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 24\/08\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/61154\">http:\/\/hdl.handle.net\/10183\/61154<\/a><\/p><p><strong>Pedagogia musical online: um estudo de caso no ensino superior de m\u00fasica \u00e0 dist\u00e2ncia.<\/strong><br \/>Autor: Fernanda de Assis Oliveira Torres<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 10\/08\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/61146\">http:\/\/hdl.handle.net\/10183\/61146<\/a><\/p><p><strong>Escuta port\u00e1til e aprendizagem musical: um estudo com jovens sobre a audi\u00e7\u00e3o musical mediada pelas tecnologias port\u00e1teis.<\/strong><br \/>Autor: Silvia Nunes Ramos<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 09\/08\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/70225\">http:\/\/hdl.handle.net\/10183\/70225<\/a><\/p><p><strong>A memoriza\u00e7\u00e3o atrav\u00e9s dos guias de execu\u00e7\u00e3o: um estudo de estrat\u00e9gias deliberadas.<\/strong><br \/>Autor: Daniela Tsi Gerber<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Catarina Leite Domenici<br \/>Data da defesa: 29\/05\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/55626\">http:\/\/hdl.handle.net\/10183\/55626<\/a><\/p><p><strong>\u2018Boisinhos\u2019 e \u2018Lobosinhos\u2019 de Heitor-Villa-Lobos: o cuidado de si no processo de performance como cr\u00edtica para a constitui\u00e7\u00e3o de um sujeito de atitude est\u00e9tica.<\/strong><br \/>Autor: Daniel Angelo Barbosa Vieira<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Carvalho<br \/>Data da defesa: 28\/05\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/55605\">http:\/\/hdl.handle.net\/10183\/55605<\/a><\/p><p><strong>Sobre o meu pr\u00f3prio trabalho: reflex\u00e3o e cria\u00e7\u00e3o.<\/strong><br \/>Autor: Fl\u00e1vio Santos Pereira<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 20\/04\/2012<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/61727\">http:\/\/hdl.handle.net\/10183\/61727<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13615\" class=\"elementor-tab-title\" data-tab=\"15\" role=\"button\" aria-controls=\"elementor-tab-content-13615\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2011<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13615\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"15\" role=\"region\" aria-labelledby=\"elementor-tab-title-13615\"><p><strong>Entornos sonoros: sonoridades e ordenamentos.<\/strong><br \/>Autor: Ulises Dardo Ferretti Martinez<br \/>Orientador: Prof. Dr. Ant\u00f4nio Carlos Borges Cunha<br \/>Data da defesa: 23\/10\/2011<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/35083\">http:\/\/hdl.handle.net\/10183\/35083<\/a><\/p><p><strong>Tornar-se professor de m\u00fasica na educa\u00e7\u00e3o b\u00e1sica: um estudo a partir de narrativas de professores.<\/strong><br \/>Autor: Delmary Vasconcelos de Abreu<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 25\/05\/2011<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/31430\">http:\/\/hdl.handle.net\/10183\/31430<\/a><\/p><p><strong>As cren\u00e7as de autoefic\u00e1cia dos professores de m\u00fasica.<\/strong><br \/>Autor: Cristina Mie Ito Cereser<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 06\/05\/2011<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/31429\">http:\/\/hdl.handle.net\/10183\/31429<\/a><\/p><p><strong>Intera\u00e7\u00f5es nos processos pedag\u00f3gico-musicais da pr\u00e1tica coral: dois estudos de caso.<\/strong><br \/>Autor: Leila Miralva Martins Dias<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Souza<br \/>Data da defesa: 20\/04\/2011<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/29233\">http:\/\/hdl.handle.net\/10183\/29233<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13616\" class=\"elementor-tab-title\" data-tab=\"16\" role=\"button\" aria-controls=\"elementor-tab-content-13616\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2010<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13616\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"16\" role=\"region\" aria-labelledby=\"elementor-tab-title-13616\"><p><strong>Sinfonia sist\u00eamica: os processos criativos e a concep\u00e7\u00e3o est\u00e9tica dos ciclos vitais.<\/strong><br \/>Autor: Felipe Kirst Adami<br \/>Orientador: Prof. Dr. Celso Giannetti Loureiro Chaves<br \/>Data da defesa: 09\/12\/2010<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/28048\">http:\/\/hdl.handle.net\/10183\/28048<\/a><\/p><p><strong>Delibera\u00e7\u00e3o expressiva e toque pian\u00edstico: uma estrat\u00e9gia de estudo.<\/strong><br \/>Autor: Andr\u00e9 Carrara<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Maria Pavan Capparelli Gerling<br \/>Data da defesa: 17\/09\/2010<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/31670\"> http:\/\/hdl.handle.net\/10183\/31670<\/a><\/p><p><strong>Fugas brasileiras para piano- 1922 a 2009: procedimentos composicionais em estruturas resultantes.<\/strong><br \/>Autor: Luciana Noda<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Carvalho<br \/>Data da defesa: 26\/03\/2010<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/21367\"> http:\/\/hdl.handle.net\/10183\/21367<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13617\" class=\"elementor-tab-title\" data-tab=\"17\" role=\"button\" aria-controls=\"elementor-tab-content-13617\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2009<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13617\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"17\" role=\"region\" aria-labelledby=\"elementor-tab-title-13617\"><p><strong>Sentidos de uma pedagogia musical na escola aberta: um estudo de caso na Escola Aberta Ch\u00e1peu do Sol Porto Alegre, RS .<\/strong><br \/>Autor: Helena Lopes da Silva<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira de Souza<br \/>Data da defesa: 30\/09\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17774\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17774<\/a><\/p><p><strong>Por uma ecologia da forma\u00e7\u00e3o de professores de m\u00fasica: diversidade e forma\u00e7\u00e3o na perspectiva de licenciandos de universidades federais do Rio Grande do Sul.<\/strong><br \/>Autor: Cristiane Maria Galdino de Almeida<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Luciana Marta Del Ben<br \/>Data da defesa: 29\/09\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17690\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17690<\/a><\/p><p><strong>Estudar e trabalhar durante a gradua\u00e7\u00e3o em m\u00fasica: construindo sentidos sobre a forma\u00e7\u00e3o profissional do m\u00fasico e do professor de m\u00fasica<\/strong><br \/>Autor: Cintia Thais Morato<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira de Souza<br \/>Data da defesa: 25\/09\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17686\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17686<\/a><\/p><p><strong>Processos intersubjetivos na composi\u00e7\u00e3o musical de crian\u00e7as: um estudo sobre a aprendizagem criativa<\/strong><br \/>Autor: Viviane Beineke<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 21\/09\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17775\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17775<\/a><\/p><p><strong>A inser\u00e7\u00e3o da m\u00fasica no projeto pol\u00edtico pedag\u00f3gico: o caso da rede municipal de ensino de Porto Alegre\/RS.<\/strong><br \/>Autor: Cristina Rolim Wolffenb\u00fcttel<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 09\/09\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/18615\">http:\/\/hdl.handle.net\/10183\/18615<\/a><\/p><p><strong>Compreender a escola de m\u00fasica como uma institui\u00e7\u00e3o: um estudo de caso em Porto Alegre, RS.<\/strong><br \/>Autor: Elisa da Silva e Cunha<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira de Souza<br \/>Data da defesa: 31\/08\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17453\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17453<\/a><\/p><p><strong>Ma\u00e7ambiques, Quicumbis e ensaios de promessa: um re-estudo etnomusicol\u00f3gico entre quilombolas do sul do Brasil.<\/strong><br \/>Autor: Luciana Prass<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Data da defesa: 25\/08\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/27854\">http:\/\/hdl.handle.net\/10183\/27854<\/a><\/p><p><strong>Estigma e cosmopolitismo na constitui\u00e7\u00e3o de uma m\u00fasica popular urbana de periferia: etnografia da produ\u00e7\u00e3o do tecnobrega em Bel\u00e9m do Par\u00e1.<\/strong><br \/>Autor: Paulo Murilo Guerreiro do Amaral<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Data da defesa: 27\/07\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17305\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17305<\/a><\/p><p><strong>Kyring\u00fc\u00e9 mbora\u00ed: os cantos das crian\u00e7as e a cosmo-s\u00f4nica Mby\u00e1-Guarani.<\/strong><br \/>Autor: Marilia Raquel Albornoz Stein<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Data da defesa: 24\/07\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/17304\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/17304<\/a><\/p><p><strong>Educa\u00e7\u00e3o musical na fam\u00edlia: as l\u00f3gicas do invis\u00edvel.<\/strong><br \/>Autor: Celson Henrique Sousa Gomes<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira de Souza<br \/>Data da defesa: 27\/03\/2009<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/15575\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/15575<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13618\" class=\"elementor-tab-title\" data-tab=\"18\" role=\"button\" aria-controls=\"elementor-tab-content-13618\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2008<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13618\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"18\" role=\"region\" aria-labelledby=\"elementor-tab-title-13618\"><p><strong>Escuta \/ escritura: entre olho e ouvido a composi\u00e7\u00e3o.<\/strong><br \/>Autor: Rog\u00e9rio Vasconcelos Barbosa<br \/>Orientador: Prof. Dr. Ant\u00f4nio Carlos Borges Cunha<br \/>Data da defesa: 30\/09\/2008<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/14379\">http:\/\/hdl.handle.net\/10183\/14379<\/a><\/p><p><strong>O Sopapo e o Cabobu: etnografia de uma tradi\u00e7\u00e3o percussiva no extremo sul do Brasil.<\/strong><br \/>Autor: Mario de Souza Maia<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva Lucas<br \/>Data da defesa: 29\/08\/2008<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/14346\">http:\/\/hdl.handle.net\/10183\/14346<\/a><\/p><p><strong>A pesquisa emp\u00edrica sobre o planejamento da execu\u00e7\u00e3o instrumental: uma reflex\u00e3o cr\u00edtica do sujeito de um estudo de caso.<\/strong><br \/>Autor: Lu\u00eds Cl\u00e1udio Barros Pereira da Silva<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Any Raquel Carvalho<br \/>Data da defesa: 18\/04\/2008<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/13245\">http:\/\/hdl.handle.net\/10183\/13245<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13619\" class=\"elementor-tab-title\" data-tab=\"19\" role=\"button\" aria-controls=\"elementor-tab-content-13619\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2007<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13619\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"19\" role=\"region\" aria-labelledby=\"elementor-tab-title-13619\"><p><strong>Forma\u00e7\u00e3o continuada de professores de m\u00fasica em ambiente de ensino e aprendizagem online.<\/strong><br \/>Autor: Jos\u00e9 Ruy Henderson Filho<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 26\/09\/2007<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/11229\">http:\/\/hdl.handle.net\/10183\/11229<\/a><\/p><p><strong>Educa\u00e7\u00e3o musical e sociabilidade: um estudo em espa\u00e7os de ensinar\/aprender m\u00fasica em Uberl\u00e2ndia nas d\u00e9cadas de 1940 a 1960.<\/strong><br \/>Autor: Lilia Neves Gon\u00e7alves<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 25\/05\/2007<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/10563\">http:\/\/hdl.handle.net\/10183\/10563<\/a><\/p><p><strong>Um Garatuja entre Wotan e o Fauno: Alberto Nepomuceno e o modernismo musical no Brasil.<\/strong><br \/>Autor: Luiz Guilherme Goldberg<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth Lucas<br \/>Data da defesa: 11\/05\/2007<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/10716\">http:\/\/hdl.handle.net\/10183\/10716<\/a><\/p><p><strong>M\u00fasica Dom\u00e9stica\u201d: em dire\u00e7\u00e3o \u00e0 composi\u00e7\u00e3o de m\u00fasica gravada.<\/strong><br \/>Autor: Luciano de Souza Zanatta<br \/>Orientador: Prof. Dr. Celso Loureiro Chaves<br \/>Data da defesa: 27\/04\/2007<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/10558\"> http:\/\/hdl.handle.net\/10183\/10558<\/a><\/p><p><strong>Os saberes docentes na a\u00e7\u00e3o pedag\u00f3gica dos estagi\u00e1rios de m\u00fasica: dois estudos de caso.<\/strong><br \/>Autor: Maria Cristina de Carvalho Cascelli de Azevedo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 24\/04\/2007<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/10550\">http:\/\/hdl.handle.net\/10183\/10550<\/a><\/p><p><strong>Mobiliza\u00e7\u00e3o de conhecimentos musicais na prepara\u00e7\u00e3o do repert\u00f3rio pian\u00edstico ao longo da forma\u00e7\u00e3o acad\u00eamica: tr\u00eas estudos de caso.<\/strong><br \/>Autor: Regina Antunes Teixeira dos Santos<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 03\/04\/2007<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/8977\">http:\/\/hdl.handle.net\/10183\/8977<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13620\" class=\"elementor-tab-title\" data-tab=\"20\" role=\"button\" aria-controls=\"elementor-tab-content-13620\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2006<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13620\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"20\" role=\"region\" aria-labelledby=\"elementor-tab-title-13620\"><p><strong>Aspectos de estrutura\u00e7\u00e3o temporal no concerto para viol\u00e3o e orquestra.<\/strong><br \/>Autor: Rog\u00e9rio Tavares Constante<br \/>Orientador: Prof. Dr. Celso Loureiro Chaves<br \/>Data da defesa: 27\/09\/2006<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/7798\">http:\/\/hdl.handle.net\/10183\/7798<\/a><\/p><p><strong>A pr\u00e1tica de educa\u00e7\u00e3o musical em ONGs: dois estudos de caso no contexto urbano brasileiro.<\/strong><br \/>Autor: Magali Oliveira Kleber<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 19\/06\/2006<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/9981\">http:\/\/hdl.handle.net\/10183\/9981<\/a><\/p><p><strong>Um virtuose do al\u00e9m-mar em terras de Santa Cruz: a obra pian\u00edstica de Arthur Napole\u00e3o (1843\u20131925).<\/strong><br \/>Autor: Marcelo Macedo Cazarr\u00e9<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth Lucas<br \/>Data da defesa: 12\/06\/2006<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/7180\">http:\/\/hdl.handle.net\/10183\/7180<\/a><\/p><p><strong>M\u00fasica na educa\u00e7\u00e3o de jovens e adultos: um estudo sobre pr\u00e1ticas musicais entre gera\u00e7\u00f5es.<\/strong><br \/>Autor: Maria Guiomar de Carvalho Ribas<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 05\/06\/2006<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/7177\">http:\/\/hdl.handle.net\/10183\/7177<\/a><\/p><p><strong>Valsas de Radam\u00e9s Gnattali: um estudo hist\u00f3rico-anal\u00edtico.<\/strong><br \/>Autor: Nadge Naira \u00c1lvares Breide<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Capparelli Gerling<br \/>Data da defesa: 28\/04\/2006<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/6413\">http:\/\/hdl.handle.net\/10183\/6413<\/a><\/p><p><strong>Sonatina N\u00ba 2 de Hector Tosar: uma vis\u00e3o hist\u00f3rica e anal\u00edtica.<\/strong><br \/>Autor: Silvia Cristina Hasselaar<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Capparelli Gerling<br \/>Data da defesa: 20\/04\/2006<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/6411\"> http:\/\/hdl.handle.net\/10183\/6411<\/a><\/p><p><strong>Eunice Katunda (1915\u20131990) e Esther Scliar (1926\u20131978): trajet\u00f3rias individuais e an\u00e1lise de \u201cSonata de Louva\u00e7\u00e3o\u201d (1960) e \u201cSonata para Piano\u201d (1961).<\/strong><br \/>Autor: Joana Cunha de Holanda<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Cristina Capparelli Gerling<br \/>Data da defesa: 17\/04\/2006<br \/>Reposit\u00f3rio:<a href=\"http:\/\/hdl.handle.net\/10183\/6604\"> http:\/\/hdl.handle.net\/10183\/6604<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13621\" class=\"elementor-tab-title\" data-tab=\"21\" role=\"button\" aria-controls=\"elementor-tab-content-13621\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2005<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13621\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"21\" role=\"region\" aria-labelledby=\"elementor-tab-title-13621\"><p><strong>Est\u00e9tica e m\u00fasica na obra de Luiz Cosme.<\/strong><br \/>Autor: Fernando Lewis de Mattos<br \/>Orientador: Prof. Dr. Celso Loureiro Chaves<br \/>Data da defesa: 29\/07\/2005<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/6029\">http:\/\/hdl.handle.net\/10183\/6029<\/a><\/p><p><strong>Um estudo sobre os saberes que norteiam a pr\u00e1tica pedag\u00f3gica de professores de piano.<\/strong><br \/>Autor: Rosane Cardoso de Ara\u00fajo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 20\/05\/2005<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13622\" class=\"elementor-tab-title\" data-tab=\"22\" role=\"button\" aria-controls=\"elementor-tab-content-13622\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2004<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13622\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"22\" role=\"region\" aria-labelledby=\"elementor-tab-title-13622\"><p><strong>Ser docente universit\u00e1rio-professor de m\u00fasica: dialogando sobre identidades profissionais com os professores de instrumento.<\/strong><br \/>Autor: Ana L\u00facia de Marques e Louro<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Jusamara Vieira Souza<br \/>Data da defesa: 31\/03\/2004<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/5006\">http:\/\/hdl.handle.net\/10183\/5006<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13623\" class=\"elementor-tab-title\" data-tab=\"23\" role=\"button\" aria-controls=\"elementor-tab-content-13623\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2003<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13623\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"23\" role=\"region\" aria-labelledby=\"elementor-tab-title-13623\"><p><strong>A m\u00fasica religiosa de Leoc\u00e1dio Rayol (1849\u20131909) e sua rela\u00e7\u00e3o com o Maranh\u00e3o do S\u00e9culo XIX: um estudo musicol\u00f3gico, com transcri\u00e7\u00e3o, an\u00e1lise e perspectiva hist\u00f3rica.<\/strong><br \/>Autor: Jo\u00e3o Berchmans de Carvalho Sobrinho<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Rose Marie Reis Garcia<br \/>Data da defesa: 18\/12\/2003<\/p><p><strong>Modernidade religiosa entre Tamboreiros de Na\u00e7\u00e3o: concep\u00e7\u00f5es e pr\u00e1ticas musicais em uma tradi\u00e7\u00e3o percussiva do extremo sul do Brasil.<\/strong><br \/>Autor: Reginaldo Gil Braga<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth Lucas<br \/>Data da defesa: 26\/09\/2003<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13624\" class=\"elementor-tab-title\" data-tab=\"24\" role=\"button\" aria-controls=\"elementor-tab-content-13624\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2002<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13624\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"24\" role=\"region\" aria-labelledby=\"elementor-tab-title-13624\"><p>Conte\u00fado da altern\u00e2ncia<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13625\" class=\"elementor-tab-title\" data-tab=\"25\" role=\"button\" aria-controls=\"elementor-tab-content-13625\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2001<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13625\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"25\" role=\"region\" aria-labelledby=\"elementor-tab-title-13625\"><p><strong>Concep\u00e7\u00f5es e a\u00e7\u00f5es de educa\u00e7\u00e3o musical escolar: tr\u00eas estudos de caso.<\/strong><br \/>Autor: Luciana Marta Del Ben<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Liane Hentschke<br \/>Data da defesa: 18\/05\/2001<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/3342\">http:\/\/hdl.handle.net\/10183\/3342<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13626\" class=\"elementor-tab-title\" data-tab=\"26\" role=\"button\" aria-controls=\"elementor-tab-content-13626\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">2000<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13626\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"26\" role=\"region\" aria-labelledby=\"elementor-tab-title-13626\"><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-13627\" class=\"elementor-tab-title\" data-tab=\"27\" role=\"button\" aria-controls=\"elementor-tab-content-13627\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-angle-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">1999<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-13627\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"27\" role=\"region\" aria-labelledby=\"elementor-tab-title-13627\"><p><strong>Controle do movimento com base em um princ\u00edpio de rela\u00e7\u00e3o e<\/strong><br \/><strong>regula\u00e7\u00e3o do impulso mec\u00e2nico: poss\u00edveis reflexos na otimiza\u00e7\u00e3o da a\u00e7\u00e3o<\/strong><br \/><strong>pian\u00edstica<\/strong><br \/>Autora: Maria Bernardete Castelan P\u00f3voas<br \/>Orientador: Prof. Dr. Celso Loureiro Chaves<br \/>Data da defesa: 01\/10\/1999<br \/>Reposit\u00f3rio: <a href=\"https:\/\/www.lume.ufrgs.br\/handle\/10183\/189554\">https:\/\/www.lume.ufrgs.br\/handle\/10183\/189554<\/a><\/p><p><strong>Representa\u00e7\u00f5es sociais sobre pr\u00e1ticas de ensino e aprendizagem musical: um estudo etnogr\u00e1fico entre congadeiros, professores e estudantes de m\u00fasica.<\/strong><br \/>Autor: Margarete Arroyo<br \/>Orientadora: Prof.\u00aa Dr.\u00aa Maria Elisabeth Lucas<br \/>Data da defesa: 02\/08\/1999<br \/>Reposit\u00f3rio: <a href=\"http:\/\/www.lume.ufrgs.br\/handle\/10183\/15025\">http:\/\/www.lume.ufrgs.br\/handle\/10183\/15025<\/a><\/p><p><strong>Rela\u00e7\u00e3o cronointervalar: uma teoria para a estrutura\u00e7\u00e3o do andamento musical.<\/strong><br \/>Autor: Dimitri Cervo<br \/>Orientador: Prof. Dr. Celso Loureiro Chaves<br \/>Data da defesa: 01\/07\/1999<br \/>Reposit\u00f3rio: <a href=\"http:\/\/hdl.handle.net\/10183\/2948\">http:\/\/hdl.handle.net\/10183\/2948<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6609247 elementor-widget elementor-widget-spacer\" data-id=\"6609247\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-63d97aa elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"63d97aa\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6324946\" data-id=\"6324946\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bd7f19a elementor-widget elementor-widget-spacer\" data-id=\"bd7f19a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Teses 2025 Jovens do Oeste Africano em Tr\u00e2nsito pelo Brasil : capital ac\u00fastico- perform\u00e1tico e imagin\u00e1rios transnacionais Data: 21\/01\/2025Autor: KELVIN VENTURINOrientadora: Prof.\u00aa Dr.\u00aa Maria Elizabeth da Silva LucasReposit\u00f3rio: https:\/\/lume.ufrgs.br\/handle\/10183\/274598 A memoriza\u00e7\u00e3o de uma pe\u00e7a atonal por pianistas de diferentes n\u00edveis de expertise : um estudo multicaso Data: 28\/03\/2025Autor: Lucas Fontbonne BraynerOrientadora: Prof.\u00aa Dr.\u00aa Cristina Maria&hellip;&nbsp;<a href=\"https:\/\/www.ufrgs.br\/ppgmusica\/teses\/\" rel=\"bookmark\">Continue a ler &raquo;<span class=\"screen-reader-text\">Teses<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-pagebuilder-full-width.php","meta":{"_acf_changed":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-444","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/pages\/444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/comments?post=444"}],"version-history":[{"count":112,"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/pages\/444\/revisions"}],"predecessor-version":[{"id":2490,"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/pages\/444\/revisions\/2490"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/ppgmusica\/wp-json\/wp\/v2\/media?parent=444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}