{"id":653,"date":"2023-06-15T17:04:11","date_gmt":"2023-06-15T20:04:11","guid":{"rendered":"https:\/\/www.ufrgs.br\/propar\/?page_id=653"},"modified":"2023-06-22T15:35:15","modified_gmt":"2023-06-22T18:35:15","slug":"arqtexto-2","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/propar\/arqtexto\/arqtexto-2\/","title":{"rendered":"ARQTEXTO 2"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/img_arqtexto022.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ponte Rio-S\u00e3o Paulo<\/strong><br><strong>2002<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">EDITORIAL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O CINQUENTEN\u00c1RIO DA FACULDADE DE ARQUITETURA<br>Edson Krebs<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Um-depoimento-Comas.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Um-depoimento-Comas.pdf\"><strong>um depoimento<\/strong><\/a><br>CARLOS EDUARDO DIAS COMAS, arquiteto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Comas.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Comas.pdf\">O PASSADO MORA AO LADO: L\u00daCIO COSTA E O PROJETO DO GRANDE HOTEL DE OURO PRETO<\/a><br>Carlos Eduardo Dias Comas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Ruth.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Ruth.pdf\">BRUTALISMO, ESCOLA PAULISTA: ENTRE O SER E O N\u00c3O SER<\/a><br>Ruth Verde Zein<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Eliane.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Eliane.pdf\">UMA ARQUITETURA PARA A CIDADE: A OBRA DE AFFONSO EDUARDO REIDY<\/a><br>Eline Maria Moura Pereira Caixeta<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Ana-Rosa.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Ana-Rosa.pdf\">OBSESS\u00d5ES BURLEMARXIANAS: SOCIEDADE, NATUREZA E CONSTRU\u00c7\u00c3O EM ROBERTO BURLE MARX<\/a><br>Ana Rosa de Oliveira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Renato-Fiore.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Renato-Fiore.pdf\">WARCHAVCHIK E O MANIFESTO DE 1925<\/a><br>Renato Holmer Fiore<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Elvan-Silva.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Elvan-Silva.pdf\">VANGUARDA INC\u00d4MODA: A RESIST\u00caNCIA AO MODERNO NA ARQUITETURA BRASILEIRA<\/a><br>Elvan Silva<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Maria-Sanvitto.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Maria-Sanvitto.pdf\">AS QUEST\u00d5ES COMPOSITIVAS E O IDE\u00c1RIO DO BRUTALISMO PAULISTA<\/a><br>Maria Luiza Adams Sanvitto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Celia-Gonsales.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Celia-Gonsales.pdf\">BRAS\u00cdLIA, POR RINO LEVI<\/a><br>C\u00e9lia Castro Gonsales<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>projeto<br><\/strong>SANTANDER CULTURAL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Marta-Peixoto.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Marta-Peixoto.pdf\">SISTEMAS DE PROTE\u00c7\u00c3O DE FACHADA NA ESCOLA CARIOCA DE 1935 A 1955<\/a><br>Marta Peixoto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Claudio-Calovi.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/2_Claudio-Calovi.pdf\">OS IRM\u00c3OS ROBERTO E O EDIF\u00cdCIO DA A.B.I.: UMA HIST\u00d3RIA DA MODERNIDADE ARQUITET\u00d4NICA BRASILEIRA<\/a><br>Cl\u00e1udio Calovi Pereira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AS MODERNIDADES ELETIVAS DE LE CORBUSIER E L\u00daCIO COSTA: RIO DE JANEIRO, 1936<br>Rog\u00e9rio de Castro Oliveira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DO MOSTEIRO DE GALUZZO AO HOTEL NACIONAL &#8211; RIO: CONSIDERA\u00c7\u00d5ES SOBRE A OBRA HOTELEIRA DE OSCAR NIEMEYER<br>S\u00edlvia Lopes Carneiro Le\u00e3o<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>habitat<br><\/strong>Porto Alegre das \u00c1rvores &#8211; L\u00facia Elvira Raffo Mascar\u00f3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>opini\u00e3o<br><\/strong>PATRIM\u00d4NIO MODERNISTA &#8211; Douglas Aguiar<br>MAC &amp; MIC &#8211; Jos\u00e9 Albano Volkmer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ponte Rio-S\u00e3o Paulo2002 EDITORIAL O CINQUENTEN\u00c1RIO DA FACULDADE DE ARQUITETURAEdson Krebs um depoimentoCARLOS EDUARDO DIAS COMAS, arquiteto O PASSADO MORA AO LADO: L\u00daCIO COSTA E O PROJETO DO GRANDE HOTEL [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":702,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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