{"id":778,"date":"2023-06-20T15:22:31","date_gmt":"2023-06-20T18:22:31","guid":{"rendered":"https:\/\/www.ufrgs.br\/propar\/?page_id=778"},"modified":"2023-06-22T15:36:06","modified_gmt":"2023-06-22T18:36:06","slug":"arqtexto-9","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/propar\/arqtexto\/arqtexto-9\/","title":{"rendered":"ARQTEXTO 9"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/img_arqtexto09.gif\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2\u00ba semestre 2006<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">EDITORIAL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_PAULO-MENDES-DA-ROCHA-EM-POA.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_PAULO-MENDES-DA-ROCHA-EM-POA.pdf\">PAULO MENDES DA ROCHA EM PORTO ALEGRE<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Markus-Tomaselli.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Markus-Tomaselli.pdf\">ARQUITE<\/a><a href=\"https:\/\/www.ufrgs.br\/propar\/publicacoes\/ARQtextos\/PDFs_revista_9\/9_Markus%20Tomaselli.pdf\">TURA FAROESTE<\/a><br>Markus Tomaselli<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Edson-da-Cunha-Mahfuz.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Edson-da-Cunha-Mahfuz.pdf\">FORMALISMO COMO VIRTUDE. HELIO PI\u00d1ON: PROJETOS 1999 &#8211; 2003<\/a><br>Edson da Cunha Mahfuz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Rogerio-de-Castro-Oliveira.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Rogerio-de-Castro-Oliveira.pdf\">JOGOS COMPOSITIVOS NA CIDADE DOS PRISMAS (UNIVERSIDADE DO RIO DE JANEIRO, 1936)<\/a><br>Rog\u00e9rio de Castro Oliveira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Gilberto-Flores-Cabral.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Gilberto-Flores-Cabral.pdf\">O UTOPISTA E A AUTOPISTA: OS VIADUTOS HABIT\u00c1VEIS DE LE CORBUSIER E SUAS ORIGENS BRASILEIRAS (1929 &#8211; 1936)<\/a><br>Gilberto Flores Cabral<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Lineu-Castello.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Lineu-Castello.pdf\">O LUGAR GENETICAMENTE MODIFICADO<\/a><br>Lineu Castello<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Renato-Holmer-Fiore.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Renato-Holmer-Fiore.pdf\">O CAR\u00c1TER HIST\u00d3RICO DA PRA\u00c7A DA MATRIZ EM PORTO ALEGRE: SIGNIFICADOS DO LUGAR, PERMAN\u00caNCIA E MUDAN\u00c7A<\/a><br>Renato Holmer Fiore<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Airton-Cattani.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Airton-Cattani.pdf\">ARQUITETURA E REPRESENTA\u00c7\u00c3O GR\u00c1FICA: CONSIDERA\u00c7\u00d5ES HIST\u00d3RICAS E ASPECTOS PR\u00c1TICOS<\/a><br>Airton Cattani<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Heitor-da-Costa-Silva-e-Luciane-Sturmer-Kinsel.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/9_Heitor-da-Costa-Silva-e-Luciane-Sturmer-Kinsel.pdf\">REGI\u00c3O CLIM\u00c1TICA DE PORTO ALEGRE &#8211; REVIS\u00c3O PARA UM DESENHO INTELIGENTE E UMA ARQUITETURA ADEQUADA<\/a><br>Heitor da Costa Silva e Luciane St\u00fcrmer Kinsel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2\u00ba semestre 2006 EDITORIAL PAULO MENDES DA ROCHA EM PORTO ALEGRE ARQUITETURA FAROESTEMarkus Tomaselli FORMALISMO COMO VIRTUDE. HELIO PI\u00d1ON: PROJETOS 1999 &#8211; 2003Edson da Cunha Mahfuz JOGOS COMPOSITIVOS NA CIDADE [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":702,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-778","page","type-page","status-publish","hentry"],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"PROPAR","author_link":"https:\/\/www.ufrgs.br\/propar\/author\/gerente\/"},"uagb_comment_info":0,"uagb_excerpt":"2\u00ba semestre 2006 EDITORIAL PAULO MENDES DA ROCHA EM PORTO ALEGRE ARQUITETURA FAROESTEMarkus Tomaselli FORMALISMO COMO VIRTUDE. 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