{"id":803,"date":"2023-06-20T15:38:19","date_gmt":"2023-06-20T18:38:19","guid":{"rendered":"https:\/\/www.ufrgs.br\/propar\/?page_id=803"},"modified":"2023-06-22T15:36:29","modified_gmt":"2023-06-22T18:36:29","slug":"arqtexto-12","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/propar\/arqtexto\/arqtexto-12\/","title":{"rendered":"ARQTEXTO 12"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/img_arqtexto12.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1 \u00ba semestre 2008<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/00_sumario_editorial.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/00_sumario_editorial.pdf\">SUM\u00c1RIO E EDITORIAL<br><em>SUMMARY &amp; LETTER FROM THE EDITOR<\/em><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/01_DL_espaco_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/01_DL_espaco_300409.pdf\">ESPA\u00c7O DENTRO E FORA DA ARQUITETURA<br><em>SPACE IN AND OUT OF ARCHITECTURE<\/em><\/a><br>David Leatherbarrow<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/02_FPO_ronchamp_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/02_FPO_ronchamp_300409.pdf\">A CAPELA DE RONCHAMP E A PLANTA LIVRE<br><em>THE CHAPEL AT RONCHAMP AND THE FREE PLAN<\/em><\/a><br>Fernando Perez Oyarzun<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/03_SC_ronchamp_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/03_SC_ronchamp_300409.pdf\">A CAPELA DE PEREGRINA\u00c7\u00c3O EM RONCHAMP<br><em>THE PILGRIMAGE CHAPEL AT RONCHAMP<\/em><\/a><br>Stuart Cohen &amp; Steven Hurtt<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/04_CE_chandigarh_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/04_CE_chandigarh_300409.pdf\">TRANSFORMA\u00c7\u00d5ES TIPOL\u00d3GICAS: QUADRAS 21 E 22 DE CHANDIGARH<br><em>TYPOLOGICAL TRANSFORMATIONS: BLOCKS 21 E 22 IN CHANDIGARH<\/em><\/a><br>Claudia Estrela<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/05_CC_cidade-vertical_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/05_CC_cidade-vertical_300409.pdf\">A CIDADE VERTICAL: CONJUNTO HABITACIONAL RIOJA, BUENOS AIRES, 1968-1973<br><em>THE VERTICAL CITY: RIOJA HOUSING ESTATE, BUENOS AIRES, 1968-1973<\/em><\/a><br>Cl\u00e1udia Costa Cabral<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/06_RPA_villanueva_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/06_RPA_villanueva_300409.pdf\">VILLANUEVA, OS PASSEIOS COBERTOS E UMA IDEIA DE CIDADE<br><em>VILLANUEVA, THE COVERED WALKS AND AN IDEA OF CITY<\/em><\/a><br>Rodrigo Perez de Arce<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/07_MP_espacos_300409C.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/07_MP_espacos_300409C.pdf\">ESPA\u00c7OS INACABADOS: LE CORBUSIER, LUCIO COSTA E A SAGA DA CASA DO BRASIL, 1953-56<br><em>UNFINISHED SPACES: LE CORBUSIER, LUCIO COSTA AND THE BRAZIL HOUSE SAGA,1953-56<\/em><\/a><br>Marcelo Puppi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/08_ACP_firminy_300409.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/08_ACP_firminy_300409.pdf\">BOLONHA, BARCELONA, FIRMINY: QUANDO O PROJETO \u00c9 PATRIM\u00d4NIO<br><em>BOLOGNA, BARCELONA, FIRMINY: WHEN DESIGN BECOMES HERITAGE<\/em><\/a><br>Ana Carolina Pellegrini<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1 \u00ba semestre 2008 SUM\u00c1RIO E EDITORIALSUMMARY &amp; LETTER FROM THE EDITOR ESPA\u00c7O DENTRO E FORA DA ARQUITETURASPACE IN AND OUT OF ARCHITECTUREDavid Leatherbarrow A CAPELA DE RONCHAMP E A [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":702,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-803","page","type-page","status-publish","hentry"],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"PROPAR","author_link":"https:\/\/www.ufrgs.br\/propar\/author\/gerente\/"},"uagb_comment_info":0,"uagb_excerpt":"1 \u00ba semestre 2008 SUM\u00c1RIO E EDITORIALSUMMARY &amp; 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