{"id":833,"date":"2023-06-20T15:56:31","date_gmt":"2023-06-20T18:56:31","guid":{"rendered":"https:\/\/www.ufrgs.br\/propar\/?page_id=833"},"modified":"2023-06-22T15:36:43","modified_gmt":"2023-06-22T18:36:43","slug":"arqtexto-14","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/propar\/arqtexto\/arqtexto-14\/","title":{"rendered":"ARQTEXTO 14"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/ARQTEXTO_14_CAPA_site_propar_small.jpg\" alt=\"\" width=\"80\" height=\"105\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/00_sumario-e-editorial_030210.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/00_sumario-e-editorial_030210.pdf\">SUM\u00c1RIO E EDITORIAL<br><em>SUMMARY &amp; LETTER FROM THE EDITOR<\/em><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/01_RF_Hybris-Americana_100210_low.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/01_RF_Hybris-Americana_100210_low.pdf\">HYBRIS AMERICANA: SOBRE A MODERNIDADE DE LUCIO COSTA E LUIS BARRAG\u00c1N<br><em>AMERICAN HYBRIS: ON THE MODERNITY OF LUCIO COSTA E LUIS BARRAG\u00c1N<\/em><\/a><br>Roberto Fernandez<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/02_ML_ALEJANDRO-BUSTILLO_100210.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/02_ML_ALEJANDRO-BUSTILLO_100210.pdf\">ALEJANDRO BUSTILO E O ESTILO BARILOCHE<br><em>ALEJANDRO BUSTILLO AND THE BARILOCHE STYLE<\/em><\/a><br>Martha Levisman de Clusellas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/03_MP_PARKHOTEL_040210.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/03_MP_PARKHOTEL_040210.pdf\">LUGARES DE &#8220;VILLEGGIATURE&#8221;, CAMINHOS SUL AMERICANOS<br><em>PLACES OF VILLEGGIATURE, SOUTH AMERICAN WAYS<\/em><\/a><br>Marta Peixoto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/04_RA_gosto-moderno_070210.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/04_RA_gosto-moderno_070210.pdf\">GOSTO MODERNO: O DESIGN DA EXPOSI\u00c7\u00c3O E A EXPOSI\u00c7\u00c3O DO DESIGN<br><em>MODERN TASTE: EXHIBITION DESIGN AND DESIGN EXHIBITION<\/em><\/a><br>Renato Anelli<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/05_ZL_entre-margens-e-centro_070210.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/05_ZL_entre-margens-e-centro_070210.pdf\">LINA BO BARDI: ENTRE MARGENS E CENTROS<br><em>LINA BO BARDI: BETWEEN MARGINS AND CENTERS<\/em><\/a><br>Zeuler de Almeida Lima<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/06_CEDC_lina-3x2_190110.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/06_CEDC_lina-3x2_190110.pdf\">LINA 3&#215;2<br><em>LINA 3&#215;2<\/em><\/a><br>Carlos Eduardo Comas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/07_Stanislaus-von-Moos_Quadros-vivos.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.ufrgs.br\/propar\/wp-content\/uploads\/2023\/06\/07_Stanislaus-von-Moos_Quadros-vivos.pdf\">SOBRE VENTURI, SCOTT BROWN &amp; 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