{"id":1048,"date":"2015-10-13T14:01:22","date_gmt":"2015-10-13T17:01:22","guid":{"rendered":"https:\/\/www.ufrgs.br\/protemp\/?p=1048"},"modified":"2024-10-18T13:18:28","modified_gmt":"2024-10-18T16:18:28","slug":"cantigas-do-mundo-abre-nesta-quinta-na-casa-de-cultura-mario-quintana","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/prorext\/cantigas-do-mundo-abre-nesta-quinta-na-casa-de-cultura-mario-quintana\/","title":{"rendered":"\u201cCantigas do Mundo\u201d abre nesta quinta na Casa de Cultura M\u00e1rio Quintana"},"content":{"rendered":"<p>Abre nesta quinta-feira (08), \u00e0s 16h, na Oficina de Arte Sapato Florido da Casa de Cultura M\u00e1rio Quintana (Rua dos Andradas, 736) a exposi\u00e7\u00e3o de gravuras \u201cCantigas do Mundo\u201d. A mostra estar\u00e1 aberta para visita\u00e7\u00e3o at\u00e9 02 de novembro nas segundas das 14h \u00e0s 21h, de ter\u00e7a a sexta das 9h \u00e0s 21h e nos domingos das 12h \u00e0s 21h. A entrada \u00e9 franca.<\/p>\n<p>\u201cCantigas do Mundo &#8211; Les Comptines \u00c0 Travers Le Monde\u201d \u00e9 um projeto de cria\u00e7\u00e3o e interc\u00e2mbio internacional e re\u00fane gravuras sobre cantigas populares de diversos pa\u00edses, somando 7 idiomas e 12 escolas de arte. O Instituto de Artes (IA) da UFRGS participa do projeto com obras dos estudantes Carolina Viana da Silva, Elisa Mariani Ziegler, Gustavo Assarian, Mateus Winkelmann, Natasha Kulczynski e Patrizia Pacheco.<\/p>\n<p>A a\u00e7\u00e3o \u00e9 uma iniciativa dos ateliers de gravura da Acad\u00e9mie Royale des Beaux-Arts de Li\u00e8ge, B\u00e9lgica, e do D\u00e9partement de philosophie et des arts, Universit\u00e9 du Qu\u00e9bec \u00e0 Trois-Rivi\u00e8res, Canad\u00e1. \u00a0O evento no Brasil tem a curadoria de Maristela Salvatori, do IA e o apoio da Pr\u00f3-Reitoria de Extens\u00e3o da UFRGS.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A exposi\u00e7\u00e3o exibe gravuras de estudantes de Arte da Argentina, B\u00e9lgica, Brasil, Canad\u00e1, Dinamarca, Espanha, M\u00e9xico e S\u00e9rvia <\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-1048","post","type-post","status-publish","format-standard","hentry","category-noticia"],"modified_by":"Ramon Moser","_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/posts\/1048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/comments?post=1048"}],"version-history":[{"count":0,"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/posts\/1048\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/media?parent=1048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/categories?post=1048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/prorext\/wp-json\/wp\/v2\/tags?post=1048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}