{"id":1996,"date":"2024-10-23T21:16:58","date_gmt":"2024-10-24T00:16:58","guid":{"rendered":"https:\/\/www.ufrgs.br\/qorpoqritico\/?p=1996"},"modified":"2026-04-10T18:18:33","modified_gmt":"2026-04-10T21:18:33","slug":"cabaret-dos-muchos-encantos","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/qorpoqritico\/cabaret-dos-muchos-encantos\/","title":{"rendered":"Cabar\u00e9 dos muchos encantos"},"content":{"rendered":"<p><span style=\"font-weight: 400;\"><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u201cCabar\u00e9 dos horrores\u201d chegou para abrilhantar, e ao mesmo tempo aterrorizar, o TPE. A pe\u00e7a \u00e9 fruto da disciplina \u201cLaborat\u00f3rio de Pr\u00e1ticas C\u00eanicas B\u201d, ministrada pelo prof. Henrique Saidel, e voltada para a cria\u00e7\u00e3o de n\u00fameros burlescos. A natureza disruptiva da burla est\u00e1 na representatividade e protagonismo de corpos marginalizados e na subvers\u00e3o do papel que eles ocupam, logo tirar as pe\u00e7as de roupa pode ser um vislumbre do despir das m\u00e1scaras sociais. Isso faz com que o burlesco parta de uma pesquisa individual, pensando no corpo, identidade e fatores sociais. Entretando, pela segunda vez, o resultado do processo dessa disciplina \u00e9 um trabalho em conjunto, agora com 16 componentes.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">Na pe\u00e7a, h\u00e1 um pr\u00f3logo onde um casal convencional se perde no cabaret e passa por uma transforma\u00e7\u00e3o, a IA do estabelecimento os ajuda a se experimentar em termos de sexualidade e atualiza suas no\u00e7\u00f5es de g\u00eanero, um cientista literalmente acorrentado precisa de um novo monstro e decide os usar como cobaia. Chega Luisito, o \u201cmaior ca\u00e7ador de monstros da regi\u00e3o daqui\u201d, falando portunhol, ele desbrava e aniquila algumas (muitas) criaturas. Em sua jornada encontra: uma gata cantante; um c\u00e3o farejador; a cartomante trambiqueira; um Frankenstein muito prestativo; uma noiva cad\u00e1ver que dribla a morte; a barbearia onde Eugenio\u2026 Barba assassina seus clientes; uma m\u00famia toda enfaixada por causa das pl\u00e1sticas; a drag Sabrina Sat\u00e2nica, noiva de L\u00facifer que quer ir pessoalmente se encontrar com seu amado. Todos s\u00e3o levados por uma Morte debochada e cheia de personalidade.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">At\u00e9 que nosso ca\u00e7ador uruguayo negocia com um cupido vendedor de flechas, trocando a poderosa espada que usou para matar os monstros por uma flecha do amor, ele atinge M\u00e1, a Vampira (dona e propriet\u00e1ria do cabar\u00e9). De inimigos passam a amantes e tiram as armaduras, nada como dan\u00e7ar um tango para selar tantas emo\u00e7\u00f5es.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><span style=\"font-weight: 400;\">Os personagens foram integrados em uma trama interessante, respeitando a identidade de cada um e ainda entregando o que um cabar\u00e9 promete: m\u00fasica, dan\u00e7a, intera\u00e7\u00e3o com a plateia, muchas risadas e bebidinhas. Os figurinos trazem elementos que dialogam com as dualidades das personagens, j\u00e1 os momentos em que eles s\u00e3o tirados<\/span> <span style=\"font-weight: 400;\">desempenham diferentes fun\u00e7\u00f5es, estando a servi\u00e7o das reviravoltas ou demonstrando segredos e talentos. Seja para revelar seus desejos reprimidos, amor, \u00f3dio, habilidades, vontade de matar clientes, ou de achar um noivo que te aceite meio morta, em \u201cCabar\u00e9 do Horrores\u201d o <\/span><i><span style=\"font-weight: 400;\">striptease<\/span><\/i><span style=\"font-weight: 400;\"> vai muito al\u00e9m de tirar a roupa.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2168 size-medium\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-300x300.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-1024x1024.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-150x150.jpg 150w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-768x768.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-1536x1536.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133-750x750.jpg 750w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-464-1-1-scaled-e1738330288133.jpg 1685w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2159\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-409-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2160\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-400-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2161\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-372-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2162\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-350-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2163\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-344-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2164\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-141-1-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2169\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-300x200.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-1024x683.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-768x512.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-1536x1024.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-2048x1365.jpg 2048w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/10\/cabare-474-1-750x500.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>FICHA T\u00c9CNICA:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Elenco: Adami, Ale Agnes, Andrielli Machado, Camila Consi, Clarissa B\u00f6ck, Eduard Pereira, Gabriela Fernandes, Helena Moreira, Larissa Lima, Laura Fensterseifer, Leonardo Melo, Marcelo Stravalacci, Marina Lopes, P\u00e2mela Walter, Sofhia Lovison e Victoria Muraro.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ilumina\u00e7\u00e3o e Opera\u00e7\u00e3o de Luz: Kim Pereira.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Opera\u00e7\u00e3o de Som: J\u00falia Bueno e Vit\u00f3ria Stifft.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dire\u00e7\u00e3o: O Grupo.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Orienta\u00e7\u00e3o: Henrique Saidel.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Qorpo Qr\u00edtico \u2013 Vol. 6 , n. 16 , agosto a novembro de 2024. ISSN 2675-4207.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cCabar\u00e9 dos horrores\u201d chegou para abrilhantar, e ao mesmo tempo aterrorizar, o TPE. A pe\u00e7a \u00e9 fruto da disciplina \u201cLaborat\u00f3rio de Pr\u00e1ticas C\u00eanicas B\u201d, ministrada pelo prof. Henrique Saidel, e voltada para a cria\u00e7\u00e3o de n\u00fameros burlescos. A natureza disruptiva da burla est\u00e1 na representatividade e protagonismo de corpos marginalizados e na subvers\u00e3o do papel [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[5,1],"tags":[44],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cabar\u00e9 dos muchos encantos - qorpo qr\u00edtico<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ufrgs.br\/qorpoqritico\/cabaret-dos-muchos-encantos\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cabar\u00e9 dos muchos encantos - qorpo qr\u00edtico\" \/>\n<meta property=\"og:description\" content=\"\u201cCabar\u00e9 dos horrores\u201d chegou para abrilhantar, e ao mesmo tempo aterrorizar, o TPE. A pe\u00e7a \u00e9 fruto da disciplina \u201cLaborat\u00f3rio de Pr\u00e1ticas C\u00eanicas B\u201d, ministrada pelo prof. Henrique Saidel, e voltada para a cria\u00e7\u00e3o de n\u00fameros burlescos. 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