{"id":2135,"date":"2024-12-04T19:03:01","date_gmt":"2024-12-04T22:03:01","guid":{"rendered":"https:\/\/www.ufrgs.br\/qorpoqritico\/?p=2135"},"modified":"2026-04-10T18:37:07","modified_gmt":"2026-04-10T21:37:07","slug":"uma-bela-indigestao","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/qorpoqritico\/uma-bela-indigestao\/","title":{"rendered":"Uma bela indigest\u00e3o"},"content":{"rendered":"<figure id=\"attachment_2139\" aria-describedby=\"caption-attachment-2139\" style=\"width: 900px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2139 size-full\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-2-1-1.jpg\" alt=\"\" width=\"900\" height=\"900\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-2-1-1.jpg 900w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-2-1-1-300x300.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-2-1-1-150x150.jpg 150w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-2-1-1-768x768.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-2-1-1-750x750.jpg 750w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-2139\" class=\"wp-caption-text\">Stephanie da Rosa<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><span style=\"font-weight: 400;\">B\u00edlis Negra, do dramaturgo brasileiro Uarlen Becker, \u00e9 a quarta pe\u00e7a da temporada 2024 do TPE. No t\u00edtulo, h\u00e1 uma analogia com a narrativa, a b\u00edlis \u00e9 um l\u00edquido produzido pelo f\u00edgado para auxiliar na digest\u00e3o, em excesso se torna mais escuro podendo causar sintomas como depress\u00e3o, confus\u00e3o e agressividade.<\/span><\/span><\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0\u00a0\u00a0Na pe\u00e7a, uma m\u00e9dica legista dedica seus plant\u00f5es noturnos a duas paix\u00f5es, dissecar os cad\u00e1veres e se vestir de drag king. Em uma das madrugadas, o necrot\u00e9rio \u00e9 invadido por duas irm\u00e3s universit\u00e1rias incestuosas. A m\u00e9dica tenta expuls\u00e1-las, mas \u00e9 atra\u00edda pelo plano da dupla: elas querem ficar famosas, e para isso pretendem fazer um desfile de moda com um cad\u00e1ver. Entre negocia\u00e7\u00f5es, conspira\u00e7\u00f5es, desconfian\u00e7as e sedu\u00e7\u00e3o, acontece um crime e quando as sirenes da pol\u00edcia tocam os planos mudam. A legista convence uma das universit\u00e1rias a assumir o delito, para finalmente conquistar a fama, a jovem fica animad\u00edssima com a ideia e j\u00e1 se prepara para as entrevistas.<\/span><\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0\u00a0\u00a0\u00a0As interpreta\u00e7\u00f5es s\u00e3o marcadas pelas oposi\u00e7\u00f5es que real\u00e7am as caracter\u00edsticas das personagens. A m\u00e9dica (Larissa Lima) tem movimentos precisos, \u00e9 meticulosa e observadora. Ainda que as jovens compartilhem as mesmas ambi\u00e7\u00f5es, e corte de cabelo, elas t\u00eam suas singularidades. A Ruiva (Camila Consi) \u00e9 mais despojada e despreocupada, parece representar a aliena\u00e7\u00e3o e inconsequ\u00eancia. Enquanto a Loira (Kimberly Pereira) \u00e9 mais glamourosa, en\u00e9rgica e ludibriada com a fama. A montagem \u00e9 muito engra\u00e7ada, o p\u00fablico realmente se surpreende com os acontecimentos e com a suposta falta de sentido.<\/span><\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0\u00a0\u00a0\u00a0Mas uma coisa chama minha a aten\u00e7\u00e3o, logo no primeiro momento, h\u00e1 v\u00e1rios manequins expostos nesse cen\u00e1rio de necrot\u00e9rio. Alguns em partes, outros inteiros, um na maca, mas todos t\u00eam um revestimento prateado e s\u00e3o muito agrad\u00e1veis de se ver, sendo justamente os corpos j\u00e1 mortos ou at\u00e9 abertos e mexidos. Ao passo que a m\u00e9dica drag e as jovens universit\u00e1rias t\u00eam uma maquiagem assim\u00e9trica.<\/span><\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0\u00a0\u00a0\u00a0\u00a0Ao longo da pe\u00e7a, a gente v\u00ea que essa maquiagem est\u00e1 de acordo com a personalidade confusa e bizarra das personagens. Penso que o corpo morto do manequim \u00e9 previs\u00edvel e est\u00e1 sob controle. J\u00e1 o suspense, o absurdo e o caos s\u00e3o coisas que ainda est\u00e3o vivas. Quando atentamos para essas personagens percebemos que elas s\u00e3o realmente dism\u00f3rficas, a aspira\u00e7\u00e3o de fama a qualquer custo \u00e9 fr\u00e1gil e superficial, e at\u00e9 a liga\u00e7\u00e3o entre as incestuosas se mostra rasa. O retrato de um desequil\u00edbrio, excesso de individualismo e falta de identidade. Enquanto os cad\u00e1veres ocupam o espa\u00e7o sem causar surpresas ou danos, a assimetria est\u00e1 em n\u00f3s, vivos.<\/span><\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\"><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0A aparente leveza pelo <\/span><i><span style=\"font-weight: 400;\">nonsense<\/span><\/i><span style=\"font-weight: 400;\"> dos di\u00e1logos engra\u00e7ados \u00e9 um engano, a obra proporciona -pelo menos pra mim- uma experi\u00eancia de viajar e questionar algumas coisas sobre morte e vida: O que fica depois de partirmos? Quando acaba nossa exist\u00eancia? Vale a pena ser conhecido sem ser reconhecido? O belo tamb\u00e9m pode ser indigesto?<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2134\" aria-describedby=\"caption-attachment-2134\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2134\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8-1024x768.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8-1024x768.jpg 1024w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8-300x225.jpg 300w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8-768x576.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8-1536x1152.jpg 1536w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8-750x563.jpg 750w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-8.jpg 1600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-2134\" class=\"wp-caption-text\">Stephanie da Rosa<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2126\" aria-describedby=\"caption-attachment-2126\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2126\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-1-1-768x1024.jpg\" alt=\"\" width=\"640\" height=\"853\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-1-1-768x1024.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-1-1-225x300.jpg 225w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-1-1-750x1000.jpg 750w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-1-1.jpg 900w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-2126\" class=\"wp-caption-text\">Stephanie da Rosa<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2128\" aria-describedby=\"caption-attachment-2128\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2128\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-4-768x1024.jpg\" alt=\"\" width=\"640\" height=\"853\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-4-768x1024.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-4-225x300.jpg 225w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-4-750x1000.jpg 750w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-4.jpg 900w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-2128\" class=\"wp-caption-text\">Stephanie da Rosa<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2133\" aria-describedby=\"caption-attachment-2133\" style=\"width: 640px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2133\" src=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-10-759x1024.jpg\" alt=\"\" width=\"640\" height=\"863\" srcset=\"https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-10-759x1024.jpg 759w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-10-222x300.jpg 222w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-10-768x1037.jpg 768w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-10-750x1012.jpg 750w, https:\/\/www.ufrgs.br\/qorpoqritico\/wp-content\/uploads\/2024\/12\/Copia-de-10.jpg 889w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-2133\" class=\"wp-caption-text\">Stephanie da Rosa<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Elenco: Camila Consi, Kimberly Pereira e Larissa Lima<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dire\u00e7\u00e3o: Fae de Sousa<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dramaturgia: Uarlen Becker<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fotos de divulga\u00e7\u00e3o: Stephanie da Rosa<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Produtora e maquiadora: Vit\u00f3ria Stifft<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ilumina\u00e7\u00e3o: Adami<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Opera\u00e7\u00e3o de som: Laura Fensterseifer<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Orienta\u00e7\u00e3o: Cristiane Werlang<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Qorpo Qr\u00edtico &#8211; vol. 7, n. 17 \u2013 dezembro de 2024 a mar\u00e7o de 2025. ISSN. 2675-4207.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; \u00a0\u00a0\u00a0\u00a0B\u00edlis Negra, do dramaturgo brasileiro Uarlen Becker, \u00e9 a quarta pe\u00e7a da temporada 2024 do TPE. No t\u00edtulo, h\u00e1 uma analogia com a narrativa, a b\u00edlis \u00e9 um l\u00edquido produzido pelo f\u00edgado para auxiliar na digest\u00e3o, em excesso se torna mais escuro podendo causar sintomas como depress\u00e3o, confus\u00e3o e agressividade. \u00a0 \u00a0\u00a0\u00a0Na pe\u00e7a, uma [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[5],"tags":[44],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Uma bela indigest\u00e3o - qorpo qr\u00edtico<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ufrgs.br\/qorpoqritico\/uma-bela-indigestao\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Uma bela indigest\u00e3o - qorpo qr\u00edtico\" \/>\n<meta property=\"og:description\" content=\"&nbsp; \u00a0\u00a0\u00a0\u00a0B\u00edlis Negra, do dramaturgo brasileiro Uarlen Becker, \u00e9 a quarta pe\u00e7a da temporada 2024 do TPE. 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