{"id":10937,"date":"2026-10-27T10:24:24","date_gmt":"2026-10-27T13:24:24","guid":{"rendered":"https:\/\/www.ufrgs.br\/radio\/?page_id=10937"},"modified":"2026-10-27T11:34:20","modified_gmt":"2026-10-27T14:34:20","slug":"programacao_musical","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/radio\/programas\/programacao_musical\/","title":{"rendered":"Programa\u00e7\u00e3o Musical"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p class=\"wp-block-paragraph\"><strong>Programa\u00e7\u00e3o para ter\u00e7a-feira, 27 de outubro de 2026.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>07.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">01. Carl Philipp Emanuel Bach: Sonata para viola da gamba e pianoforte obligato, em Sol menor, Wq. 88<\/p>\n<p class=\"wp-block-paragraph\">02. Johann Georg Albrechtsberger: Concerto para trombone e orquestra, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">03. Carl Friedrich Abel: Sinfonia Op. 10, n\u00b0 1, em Mi maior<\/p>\n<p class=\"wp-block-paragraph\">04. Johann Nepomuk Hummel: Introdu\u00e7\u00e3o, Tema e Varia\u00e7\u00f5es, em F\u00e1 maior, Op. 102, p\/ obo\u00e9 e orquestra<\/p>\n<p class=\"wp-block-paragraph\">05. Franz Berwald: Duo para violino e piano, em R\u00e9 menor<\/p>\n<p class=\"wp-block-paragraph\">06. Isaac Alb\u00e9niz: \u201cGranada\u201d, da Su\u00edte Espanhola n\u00b0 1, Op. 47, para piano, em transcri\u00e7\u00e3o para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">07. Franz Schubert: Gretchen na roca de fiar, can\u00e7\u00e3o para voz e piano, Op. 2, D. 118<\/p>\n<p class=\"wp-block-paragraph\">08. Alexander Borodin: Quinteto de cordas em F\u00e1 menor<\/p>\n<p class=\"wp-block-paragraph\">09. Gabriel Faur\u00e9: Fantasia, Op. 79, em vers\u00e3o para flauta e orquestra<\/p>\n<p class=\"wp-block-paragraph\">10. Edvard Grieg: Dan\u00e7as Sinf\u00f4nicas, Op. 64<\/p>\n<p class=\"wp-block-paragraph\">11. Bernard Herrmann: Fahrenheit 451: su\u00edte para cordas, harpa e percuss\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">12. Jos\u00e9 de Ara\u00fajo Vianna: Pe\u00e7as para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>10.00: JORNAL DA UFRGS (1\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.10: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.15: TOQUE DE ARTE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.20:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">13. Anton\u00edn Dvo\u0159\u00e1k: Sinfonia n\u00b0 3, em Mi bemol maior, Op. 10<\/p>\n<p class=\"wp-block-paragraph\">14. Felix Mendelssohn: Can\u00e7\u00f5es sem Palavras, em arranjo para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\"><strong>11.00: CAMINHOS DA CONSCI\u00caNCIA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>11.05:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">15. John Field: Noturnos n<sup>os<\/sup> 6, 7 e 8, para piano<\/p>\n<p class=\"wp-block-paragraph\">16. Joseph Haydn: Quarteto de cordas Op. 77, n\u00b0 1, em Sol maior<\/p>\n<p class=\"wp-block-paragraph\">17. Theodor Schwartzkopff: Abertura para trompete, cordas e baixo cont\u00ednuo, em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">18. Jean-Baptiste Besard: Airs de Cour<\/p>\n<p class=\"wp-block-paragraph\"><strong>12.00: JORNALISMO 1080<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.10:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">19. Johann Pachelbel: C\u00e2none e Giga em R\u00e9 maior<\/p>\n<p class=\"wp-block-paragraph\">20. Fran\u00e7ois Couperin: Concerto Real n\u00b0 4<\/p>\n<p class=\"wp-block-paragraph\">21. Antonio Vivaldi: Gloria, para solistas, coro misto e orquestra, RV 589<\/p>\n<p class=\"wp-block-paragraph\">22. Wolfgang Amadeus Mozart: Concerto para obo\u00e9 e orquestra, em D\u00f3 maior, K. 314<\/p>\n<p class=\"wp-block-paragraph\">23. Ludwig van Beethoven: Ad\u00e1gio para bandolim e piano, em Mi bemol maior, WoO 43b<\/p>\n<p class=\"wp-block-paragraph\">24. Luigi Boccherini: Quinteto para viol\u00e3o e cordas \u201cLa Ritirata di Madrid\u201d<\/p>\n<p class=\"wp-block-paragraph\">25. Fr\u00e9d\u00e9ric Chopin: Valsas<\/p>\n<p class=\"wp-block-paragraph\"><strong>14.00: PORTO ALEGRE OUVE TANGOS<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.30: LITERATURA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">26. Jan Nepomucen Bobrowicz: Grande Polonaise, Op. 24, para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">27. Clara Schumann: Trio em Sol menor, Op. 17<\/p>\n<p class=\"wp-block-paragraph\">28. Camille Saint-Sa\u00ebns: Concerto para violoncelo e orquestra n\u00b0 1, em L\u00e1 menor, Op. 33<\/p>\n<p class=\"wp-block-paragraph\">29. Joseph Lauber: Quatro Dan\u00e7as Medievais, Op. 45, para flauta e harpa<\/p>\n<p class=\"wp-block-paragraph\">30. Franz Liszt: Scherzo e Marcha, para piano<\/p>\n<p class=\"wp-block-paragraph\">31. Ignace Pleyel: Sinfonia em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">32. Niels Gade: Aquarelas, Op. 19, pe\u00e7as para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>16.30: JORNAL DA UFRGS (2\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>16.40:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">33. Franz Danzi: Concerto para fagote e orquestra, em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">34. Fran\u00e7ois-Joseph Gossec: Sinfonia Concertante para duas harpas e orquestra, em R\u00e9 maior<\/p>\n<p class=\"wp-block-paragraph\">35. Antonio Soler: Sonata n\u00b0 41, em Mi bemol maior, para pianoforte<\/p>\n<p class=\"wp-block-paragraph\">36. Jan Dismas Zelenka: Abertura Concertante, em F\u00e1 Maior<\/p>\n<p class=\"wp-block-paragraph\">37. Joseph Haydn: Sonata para violino e viola n\u00b0 2, em L\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">38. Ferdinando Carulli: Ad\u00e1gio e varia\u00e7\u00f5es sobre um tema de Hummel, Op. 160, para dois viol\u00f5es<\/p>\n<p class=\"wp-block-paragraph\">39. Diversos Compositores: M\u00fasica coral rom\u00e2ntica<\/p>\n<p class=\"wp-block-paragraph\"><strong>19.00: A VOZ DO BRASIL<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.00: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.05: CAN\u00c7\u00c3O POPULAR BRASILEIRA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">40. Fanny Mendelssohn-Hensel: Orat\u00f3rio segundo imagens da B\u00edblia<\/p>\n<p class=\"wp-block-paragraph\">41. Carl Czerny: Fantasia em F\u00e1 menor, Op. 226, para piano a quatro m\u00e3os<\/p>\n<p class=\"wp-block-paragraph\">42. Hector Berlioz: R\u00eaverie e Capricho, Op. 8, para violino e orquestra<\/p>\n<p class=\"wp-block-paragraph\">43. Georges Bizet e Peter Breiner: Carmen Concerto, para viol\u00e3o e orquestra<\/p>\n<p class=\"wp-block-paragraph\">44. Ferrucio Busoni: Su\u00edte para clarinete e quarteto de cordas<\/p>\n<p class=\"wp-block-paragraph\">45. Heitor Villa-Lobos: Bachianas Brasileiras n\u00b0 1, para conjunto de violoncelos<\/p>\n<p class=\"wp-block-paragraph\">46. Radam\u00e9s Gnattali: Brasiliana n\u00b0 7, para saxofone e piano<\/p>\n<p class=\"wp-block-paragraph\">47. George Gershwin: Tr\u00eas can\u00e7\u00f5es, para soprano e orquestra<\/p>\n<p class=\"wp-block-paragraph\">48. Eduard Tubin: Concertino para piano e orquestra<\/p>\n<p class=\"wp-block-paragraph\">49. Dmitri Shostakovich: Fragmentos musicais de \u201cHamlet\u201d, Op. 32<\/p>\n<p class=\"wp-block-paragraph\"><strong>24.00: M\u00daSICA NA MADRUGADA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>Sele\u00e7\u00e3o musical: Kadyne Sutelo<\/strong><\/p>\n<div class=\"wp-block-spacer\" aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<p class=\"wp-block-paragraph\"><strong>Programa\u00e7\u00e3o para quarta-feira, 28 de outubro de 2026.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>07.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">01. Wolfgang Amadeus Mozart: Sinfonia n\u00b0 18, em F\u00e1 maior, K. 130<\/p>\n<p class=\"wp-block-paragraph\">02. Johann Christian Bach: Quarteto para duas flautas, viola e violoncelo, Op. 19, n\u00b0 1<\/p>\n<p class=\"wp-block-paragraph\">03. Luigi Boccherini: Introdu\u00e7\u00e3o e Fandango, em transcri\u00e7\u00e3o para quarteto de viol\u00f5es<\/p>\n<p class=\"wp-block-paragraph\">04. Carl Maria von Weber: Grande Duo Concertante, em Mi bemol maior, para clarinete e piano, Op. 48<\/p>\n<p class=\"wp-block-paragraph\">05. Gioachino Rossini: Sonata para cordas n\u00b0 3, em D\u00f3 Maior<\/p>\n<p class=\"wp-block-paragraph\">06. Johannes Brahms: Canto do Triunfo, Op. 55, para coro a oito vozes e orquestra<\/p>\n<p class=\"wp-block-paragraph\">07. Claude Debussy: Su\u00edte Bergamasque, para piano<\/p>\n<p class=\"wp-block-paragraph\">08. Alan Hovhaness: Concerto para violoncelo e orquestra, Op. 17<\/p>\n<p class=\"wp-block-paragraph\">09. Carl Nielsen: Concerto para flauta e orquestra<\/p>\n<p class=\"wp-block-paragraph\">10. Fr\u00e9d\u00e9ric Chopin: Estudos Op. 10<\/p>\n<p class=\"wp-block-paragraph\"><strong>10.00: JORNAL DA UFRGS (1\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.10: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.15: TOQUE DE ARTE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.20:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">11. Franz Berwald: Sinfonia n\u00b0 2, em R\u00e9 maior, \u201cSinfonia Caprichosa\u201d<\/p>\n<p class=\"wp-block-paragraph\">12. Josep Gall\u00e9s i Salabert: Sonata em Si menor, em transcri\u00e7\u00e3o para duo de viol\u00f5es<\/p>\n<p class=\"wp-block-paragraph\">13. Francisco Mignone: Valsas Brasileiras, para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>11.00: EDUCA\u00c7\u00c3O FINANCEIRA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>11.05: PIANO FORTE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.00: JORNALISMO 1080<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.10:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">14. Antonio Rosetti: Concerto para duas trompas e orquestra, em F\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">15. Joseph Haydn: Sinfonia n\u00b0 104, em R\u00e9 maior, \u201cLondres\u201d<\/p>\n<p class=\"wp-block-paragraph\">16. Antonio Soler: Sonata n\u00b0 72, em F\u00e1 menor, para pianoforte<\/p>\n<p class=\"wp-block-paragraph\">17. Johann Sebastian Bach: Cantata n\u00b0 94, \u201cQue me importa o mundo\u201d<\/p>\n<p class=\"wp-block-paragraph\">18. Giovanni Battista Sammartini: Concerto para flauta e orquestra, em Sol maior<\/p>\n<p class=\"wp-block-paragraph\">19. Johann Froberger: Lamento, em transcri\u00e7\u00e3o para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">20. Georg Philipp Telemann: Quarteto em R\u00e9 menor, da s\u00e9rie \u201cM\u00fasica de Banquete\u201d, parte II<\/p>\n<p class=\"wp-block-paragraph\">21. Johann Stamitz: Trio orquestral em F\u00e1 maior, Op. 1, n\u00b0 3<\/p>\n<p class=\"wp-block-paragraph\">22. Diversos Compositores: M\u00fasica para ala\u00fade da Renascen\u00e7a italiana<\/p>\n<p class=\"wp-block-paragraph\"><strong>14.30: LITERATURA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">23. Arcangelo Corelli: Concerto grosso Op. 6, n\u00b0 7, em R\u00e9 maior<\/p>\n<p class=\"wp-block-paragraph\">24. Giovanni Buonaventura Viviani: Sonata para trompete e \u00f3rg\u00e3o, em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">25. Wilhelm Friedemann Bach: Concerto para cravo e cordas, em R\u00e9 maior, F. 41<\/p>\n<p class=\"wp-block-paragraph\">26. Johann Baptist Vanhal: Sinfonia em L\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">27. Ferdinando Carulli: Fantasia sobre o hino nacional ingl\u00eas, p\/ flajol\u00e9 franc\u00eas e guitarra rom\u00e2ntica<\/p>\n<p class=\"wp-block-paragraph\">28. Ferdinand Ries: Concerto para piano e orquestra n\u00b0 3, em D\u00f3 sustenido menor, Op. 55<\/p>\n<p class=\"wp-block-paragraph\">29. Robert Schumann: Pe\u00e7a de concerto para quatro trompas e orquestra, em F\u00e1 maior, Op. 86<\/p>\n<p class=\"wp-block-paragraph\">30. Johannes Brahms: Valsas de Can\u00e7\u00f5es de Amor, Op. 52a, para piano a quatro m\u00e3os<\/p>\n<p class=\"wp-block-paragraph\"><strong>16.30: JORNAL DA UFRGS (2\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>16.40:<\/strong> <strong>RESPIRA, QUE \u00c9 POESIA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>16.45:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">31. Camille Saint-Sa\u00ebns: Javotte, fantasia para orquestra<\/p>\n<p class=\"wp-block-paragraph\">32. Niccol\u00f2 Paganini: Sonata para violino e viol\u00e3o n\u00b0 7, em F\u00e1 maior (\u201cCentone di Sonate\u201d)<\/p>\n<p class=\"wp-block-paragraph\">33. Max Bruch: Concerto para clarinete, viola e orquestra, em Mi menor, Op. 88<\/p>\n<p class=\"wp-block-paragraph\">34. Alexander Scriabin: Sonata para piano n\u00b0 3, em F\u00e1 sustenido menor, Op. 23<\/p>\n<p class=\"wp-block-paragraph\">35. Edward Elgar: Sinfonia n\u00b0 1, em L\u00e1 bemol maior, Op. 55<\/p>\n<p class=\"wp-block-paragraph\">36. Jean Sibelius: Pe\u00e7as para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>19.00: A VOZ DO BRASIL<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.00: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.05: PAPO DE M\u00daSICO<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">37. Dmitri Shostakovich: Concerto para violoncelo e orquestra n\u00b0 2, em Sol maior, Op. 126<\/p>\n<p class=\"wp-block-paragraph\">38. Aaron Copland: Rodeio: Quatro Epis\u00f3dios de Dan\u00e7a<\/p>\n<p class=\"wp-block-paragraph\">39. Bohuslav Martin\u016f: Sinfonietta La Jolla, para orquestra de c\u00e2mara e piano<\/p>\n<p class=\"wp-block-paragraph\">40. Siegfried Wagner: Concerto para Violino com Acompanhamento Orquestral<\/p>\n<p class=\"wp-block-paragraph\">41. Carl Reinecke: Trio para obo\u00e9, trompa e piano, em L\u00e1 menor, Op. 188<\/p>\n<p class=\"wp-block-paragraph\">42. Mauro Giuliani: Seis varia\u00e7\u00f5es para flajol\u00e9 franc\u00eas e guitarra rom\u00e2ntica, Op. 81<\/p>\n<p class=\"wp-block-paragraph\">43. Carl Ditters von Dittersdorf: Sinfonia em R\u00e9 maior<\/p>\n<p class=\"wp-block-paragraph\">44. Joseph Haydn: Ariadne em Naxos, Hob. XXVIb:2, cantata para voz solo e pianoforte<\/p>\n<p class=\"wp-block-paragraph\">45. Josef Myslive\u010dek: Octeto n\u00b0 3, em Si bemol maior, para instrumentos de sopro<\/p>\n<p class=\"wp-block-paragraph\">46. Carl Friedrich Abel: Pe\u00e7as para viola da gamba<\/p>\n<p class=\"wp-block-paragraph\"><strong>24.00: M\u00daSICA NA MADRUGADA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>Sele\u00e7\u00e3o musical: Kadyne Sutelo<\/strong><\/p>\n<div class=\"wp-block-spacer\" aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<p class=\"wp-block-paragraph\"><strong>Programa\u00e7\u00e3o para quinta-feira, 29 de outubro de 2026.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>07.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">01. Johann Adolf Hasse: Abertura da \u00f3pera \u201cArtaxerxes\u201d e \u00e1ria da \u00f3pera \u201cCle\u00f3fide\u201d<\/p>\n<p class=\"wp-block-paragraph\">02. Carl Philipp Emanuel Bach: Sonata para flauta e cravo, em Sol maior, Wq. 86<\/p>\n<p class=\"wp-block-paragraph\">03. Luigi Boccherini: Sinfonia Op. 12, n\u00b0 5, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">04. Franz Schubert: Rond\u00f3 para violino e piano, em Si menor, Op. 70<\/p>\n<p class=\"wp-block-paragraph\">05. Louis Spohr: Octeto em Mi maior, Op. 32, para cordas e sopros<\/p>\n<p class=\"wp-block-paragraph\">06. Anton\u00edn Dvo\u0159\u00e1k: A Pomba Silvestre, poema sinf\u00f4nico, Op. 110<\/p>\n<p class=\"wp-block-paragraph\">07. Edward Elgar: Quarteto em Mi menor, para cordas, Op. 83<\/p>\n<p class=\"wp-block-paragraph\">08. Maurice Ravel: Introdu\u00e7\u00e3o e Allegro, para harpa, flauta, clarinete e quarteto de cordas<\/p>\n<p class=\"wp-block-paragraph\">09. Heitor Villa-Lobos: Sinfonia n\u00b0 4, \u201cA Vit\u00f3ria\u201d<\/p>\n<p class=\"wp-block-paragraph\">10. Furio Franceschini: M\u00fasica para piano <a>\u00a0<\/a><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.00: JORNAL DA UFRGS (1\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.10: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.15:<\/strong> <strong>TOQUE DE ARTE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.20:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">11. Carlos Ch\u00e1vez: Sinfonia n\u00b0 2, \u201cSinfonia \u00cdndia\u201d<\/p>\n<p class=\"wp-block-paragraph\">12. Giacomo Puccini: Crisantemi, elegia para quarteto de cordas<\/p>\n<p class=\"wp-block-paragraph\">13. Johannes Brahms: Abertura Festival Acad\u00eamico, Op. 80<\/p>\n<p class=\"wp-block-paragraph\">14. Fr\u00e9d\u00e9ric Chopin: Noturno n\u00b0 9, em Si maior, Op. 32, n\u00b0 1<\/p>\n<p class=\"wp-block-paragraph\">15. Wolfgang Amadeus Mozart: Minuetos para orquestra<\/p>\n<p class=\"wp-block-paragraph\"><strong>11.00: CAMINHOS DA CONSCI\u00caNCIA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>11.05:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">16. Ignace Pleyel: Quarteto de cordas em R\u00e9 maior, Op. 2, n\u00b0 6<\/p>\n<p class=\"wp-block-paragraph\">17. Carl Stamitz: Octeto n\u00b0 1, em Si bemol maior, para instrumentos de sopro<\/p>\n<p class=\"wp-block-paragraph\">18. Georg Friedrich H\u00e4ndel: Ah! Stigie larvae\u2026, \u00e1ria da \u00f3pera \u201cOrlando\u201d<\/p>\n<p class=\"wp-block-paragraph\">19. Henry Purcell: Sonata em R\u00e9 maior, Z. 850<\/p>\n<p class=\"wp-block-paragraph\">20. Domenico Scarlatti: Sonatas<\/p>\n<p class=\"wp-block-paragraph\"><strong>12.00: JORNALISMO 1080<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.10:<\/strong> <strong>DISSERTA A\u00cd<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.40:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">21. Carl Friedrich Abel: Concerto para flauta e orquestra n\u00b0 1, em D\u00f3 maior, Op. 6<\/p>\n<p class=\"wp-block-paragraph\">22. Joseph Haydn: Sinfonia n\u00b0 27, em Sol maior<\/p>\n<p class=\"wp-block-paragraph\">23. Wolfgang Amadeus Mozart: Sentimento ao anoitecer para Laura, para soprano e fortepiano, K. 523<\/p>\n<p class=\"wp-block-paragraph\">24. Ludwig van Beethoven: Abertura \u201cFidelio\u201d, Op. 72c<\/p>\n<p class=\"wp-block-paragraph\">25. Felix Mendelssohn: Quarteto para piano, violino, viola e violoncelo n\u00b0 2, em F\u00e1 menor, Op. 2<\/p>\n<p class=\"wp-block-paragraph\">26. Ferdinand David: Concertino para trombone e orquestra, em Mi bemol maior, Op. 4<\/p>\n<p class=\"wp-block-paragraph\">27. Robert Schumann: Cinco Pe\u00e7as em Estilo Folcl\u00f3rico, para violoncelo e piano, Op. 102<\/p>\n<p class=\"wp-block-paragraph\">28. Niccol\u00f2 Paganini: Caprichos para violino solo, Op. 1<\/p>\n<p class=\"wp-block-paragraph\"><strong>14.30: LITERATURA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.35: ACERVO 1080<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>15.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">29. Franz Berwald: Septeto para sopros e cordas, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">30. Niels Gade: Tr\u00eas pe\u00e7as para piano<\/p>\n<p class=\"wp-block-paragraph\">31. Piotr Ilytch Tchaikovsky: Pezzo Capriccioso, em Si menor, Op. 62, para violoncelo e orquestra<\/p>\n<p class=\"wp-block-paragraph\">32. Alberto Ginastera: Prel\u00fadios Americanos, para piano, Op. 12<\/p>\n<p class=\"wp-block-paragraph\"><strong>16.30: JORNAL DA UFRGS (2\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>16.40:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">33. Alberto Nepomuceno: S\u00e9rie Brasileira<\/p>\n<p class=\"wp-block-paragraph\">34. Igor Stravinsky: Su\u00edte Italiana, para violino e piano<\/p>\n<p class=\"wp-block-paragraph\">35. Leopold Mozart: Sinfonia em R\u00e9 maior<\/p>\n<p class=\"wp-block-paragraph\">36. Georg Philipp Telemann: Sonata p\/ obo\u00e9 e cont\u00ednuo, em Si bemol maior, Solo 5 dos \u201cEssercizii Musici\u201d<\/p>\n<p class=\"wp-block-paragraph\">37. Tomaso Albinoni: Trio Sonata em D\u00f3 maior, Op. 1, n\u00b0 5<\/p>\n<p class=\"wp-block-paragraph\">38. Bernardo Pasquini: Canzone em Mi menor, em transcri\u00e7\u00e3o para duo de viol\u00f5es<\/p>\n<p class=\"wp-block-paragraph\">39. Georg Friedrich H\u00e4ndel: Dixit Dominus<\/p>\n<p class=\"wp-block-paragraph\">40. Wolfgang Amadeus Mozart: Quarteto para flauta e cordas n\u00b0 3, em D\u00f3 maior, K. Anh.171\/ 285b<\/p>\n<p class=\"wp-block-paragraph\">41. Johannes Brahms: Dan\u00e7as H\u00fangaras, para piano a quatro m\u00e3os<\/p>\n<p class=\"wp-block-paragraph\"><strong>19.00: A VOZ DO BRASIL<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.00: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.05: CLUBE DA M\u00daSICA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">42. Johann Sebastian Bach: Su\u00edte para violoncelo n\u00b0 6, em R\u00e9 maior, BWV 1012<\/p>\n<p class=\"wp-block-paragraph\">43. Johann Stamitz: Sinfonia em Mi bemol maior, Op. 11, n\u00b0 3<\/p>\n<p class=\"wp-block-paragraph\">44. Michael Haydn: Missa de Santo Aloysius<\/p>\n<p class=\"wp-block-paragraph\">45. Carl Ditters von Dittersdorf: Concerto para contrabaixo e orquestra n\u00b0 1, em Mi bemol maior<\/p>\n<p class=\"wp-block-paragraph\">46. Antonio Rosetti: Concerto para duas trompas e orquestra, em F\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">47. Ferdinand Ries: Sonata para clarinete e piano, Op. 29<\/p>\n<p class=\"wp-block-paragraph\">48. Giuseppe Verdi: Quarteto de cordas em Mi menor<\/p>\n<p class=\"wp-block-paragraph\">49. Anton Rubinstein: Fantasia <em>Eroica<\/em>, Op. 110<\/p>\n<p class=\"wp-block-paragraph\">50. Alexander Glazunov: Elegia, Op. 44, para viola e piano<\/p>\n<p class=\"wp-block-paragraph\">51. Diversos Compositores Brit\u00e2nicos: Can\u00e7\u00f5es inglesas<\/p>\n<p class=\"wp-block-paragraph\"><strong>24.00: M\u00daSICA NA MADRUGADA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>Sele\u00e7\u00e3o musical: Kadyne Sutelo<\/strong><\/p>\n<div class=\"wp-block-spacer\" aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<p class=\"wp-block-paragraph\"><strong>Programa\u00e7\u00e3o para sexta-feira, 30 de outubro de 2026.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>07.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">01. Tomaso Albinoni: Trio Sonata em R\u00e9 maior, Op. 1, n\u00b0 9<\/p>\n<p class=\"wp-block-paragraph\">02. Antonio Vivaldi: Concerto para obo\u00e9 e orquestra, em R\u00e9 maior, RV 453<\/p>\n<p class=\"wp-block-paragraph\">03. Carl Friedrich Abel: Sinfonia Op. 10, n\u00b0 5, em R\u00e9 maior<\/p>\n<p class=\"wp-block-paragraph\">04. Joseph Haydn: Quarteto de cordas Op. 64, n\u00b0 1, em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">05. Ludwig van Beethoven: Sonata para piano n\u00b0 23, em F\u00e1 menor, Op. 57, \u201cAppassionata\u201d<\/p>\n<p class=\"wp-block-paragraph\">06. Friedrich Kuhlau: Quinteto n\u00b0 2, em Mi maior, para flauta e quarteto de cordas<\/p>\n<p class=\"wp-block-paragraph\">07. Nikolai Rimsky-Korsakov: Varia\u00e7\u00f5es para obo\u00e9 e banda militar sobre um tema de Glinka<\/p>\n<p class=\"wp-block-paragraph\">08. Camille Saint-Sa\u00ebns: Concerto para violino e orquestra n\u00b0 2, em D\u00f3 maior, Op. 58<\/p>\n<p class=\"wp-block-paragraph\">09. Claude Debussy: Estampas, para piano<\/p>\n<p class=\"wp-block-paragraph\">10. Francis Poulenc: Su\u00edte do bal\u00e9 \u201cOs Animais Modelos\u201d<\/p>\n<p class=\"wp-block-paragraph\">11. Ralph Vaughan Williams: Can\u00e7\u00f5es de Viagem<\/p>\n<p class=\"wp-block-paragraph\"><strong>10.00: JORNAL DA UFRGS (1\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.10: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.15:<\/strong> <strong>TOQUE DE ARTE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.20:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">12. Guido Santorsola: Su\u00edte all\u2019Antica, para dois viol\u00f5es<\/p>\n<p class=\"wp-block-paragraph\">13. Gaetano Donizetti: Sonata em R\u00e9 maior, para piano a quatro m\u00e3os<\/p>\n<p class=\"wp-block-paragraph\">14. Wolfgang Amadeus Mozart: Sonatas de igreja<\/p>\n<p class=\"wp-block-paragraph\"><strong>11.00: POR VOLTA DO MEIO-DIA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.00: JORNALISMO 1080<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.10:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">15. Johann Nepomuk Hummel: Concerto para piano, violino e orquestra, em Sol maior, Op. 17<\/p>\n<p class=\"wp-block-paragraph\">16. Carl Stamitz: Trio em Sol maior, para duas flautas e baixo cont\u00ednuo<\/p>\n<p class=\"wp-block-paragraph\">17. Jo\u00e3o de Sousa Carvalho: Pen\u00e9lope, abertura<\/p>\n<p class=\"wp-block-paragraph\">18. Giuseppe Tartini: Sonata para violino solo em L\u00e1 menor<\/p>\n<p class=\"wp-block-paragraph\">19. Andr\u00e9 Campra: Ar\u00edon, cantata para soprano, flauta e cont\u00ednuo<\/p>\n<p class=\"wp-block-paragraph\">20. Alessandro Scarlatti: <em>Sinfonia di concerto grosso<\/em> n\u00b0 5, em R\u00e9 menor<\/p>\n<p class=\"wp-block-paragraph\">21. Thoinot Arbeau: Dan\u00e7as populares francesas do s\u00e9culo XVI <a>\u00a0<\/a><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.00: A UNIVERSIDADE VISITA A EDUCA\u00c7\u00c3O B\u00c1SICA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.30: LITERATURA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">22. Georg Philipp Telemann: Quarteto Parisiense n\u00b0 3<\/p>\n<p class=\"wp-block-paragraph\">23. Johann Christian Bach: Sinfonia em Si bemol maior, Op. 6, n\u00ba 4<\/p>\n<p class=\"wp-block-paragraph\">24. Franz Krommer: Concerto para clarinete e orquestra, em Mi menor, Op. 86<\/p>\n<p class=\"wp-block-paragraph\">25. An\u00f4nimo da Bahia do s\u00e9culo XVIII: Recitativo e \u00c1ria, para soprano, dois violinos e cont\u00ednuo<\/p>\n<p class=\"wp-block-paragraph\">26. Mauro Giuliani: Grande Serenata para flauta e viol\u00e3o, Op. 82<\/p>\n<p class=\"wp-block-paragraph\">27. Felix Mendelssohn: Sinfonia para orquestra de cordas n\u00b0 12, em Sol menor<\/p>\n<p class=\"wp-block-paragraph\">28. Johannes Brahms: Tr\u00eas pe\u00e7as para piano<\/p>\n<p class=\"wp-block-paragraph\">29. Diversos Compositores: Arranjos para flauta e harpa<\/p>\n<p class=\"wp-block-paragraph\"><strong>16.30: JORNAL DA UFRGS (2\u00aa edi\u00e7\u00e3o)<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>16.40:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">30. Edvard Grieg: Dan\u00e7as Sinf\u00f4nicas, Op. 64<\/p>\n<p class=\"wp-block-paragraph\">31. Erik Satie: Gnossiennes n<sup>os<\/sup> 5, 1, 3, 4, 2 e 6, para piano<\/p>\n<p class=\"wp-block-paragraph\">32. Anton\u00edn Dvo\u0159\u00e1k: Dan\u00e7as eslavas<\/p>\n<p class=\"wp-block-paragraph\"><strong>17.30: ESTA\u00c7\u00c3O DOS LIVROS\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>19.00: A VOZ DO BRASIL<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.00: DA ESTANTE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.05: TANGOS, BOLEROS, VALSAS E FADOS<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">33. Gioachino Rossini: Sonata para cordas n\u00b0 1, em Sol Maior<\/p>\n<p class=\"wp-block-paragraph\">34. Louise Farrenc: Quinteto para piano e cordas n\u00b0 2, em Mi maior, Op. 31<\/p>\n<p class=\"wp-block-paragraph\">35. Franz Liszt: Orfeu, poema sinf\u00f4nico n\u00b0 4<\/p>\n<p class=\"wp-block-paragraph\">36. \u00c9douard Lalo: Sinfonia Espanhola, Op. 21, para violino e orquestra<\/p>\n<p class=\"wp-block-paragraph\">37. Gustav Mahler: Sinfonia n\u00b0 4, em Sol maior<\/p>\n<p class=\"wp-block-paragraph\">38. Charles Ives: Quarteto de cordas n\u00b0 1<\/p>\n<p class=\"wp-block-paragraph\">39. Darius Milhaud: A Cria\u00e7\u00e3o do Mundo, Op. 81a<\/p>\n<p class=\"wp-block-paragraph\">40. Gy\u00f6rgy Ligeti: Seis Bagatelas, para quinteto de sopros<\/p>\n<p class=\"wp-block-paragraph\">41. Diversos Compositores: Noturnos para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>24.00: M\u00daSICA NA MADRUGADA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>Sele\u00e7\u00e3o musical: Kadyne Sutelo<\/strong><\/p>\n<div class=\"wp-block-spacer\" aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<p class=\"wp-block-paragraph\"><strong>Programa\u00e7\u00e3o para s\u00e1bado, 31 de outubro de 2026.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>07.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">01. Jan Dismas Zelenka: Capricho n\u00b0 1, em R\u00e9 Maior, para sopros e grupo de c\u00e2mara<\/p>\n<p class=\"wp-block-paragraph\">02. Riccardo Broschi: Son qual nave ch\u2019agitata, \u00e1ria da \u00f3pera \u201cArtaxerxes\u201d<\/p>\n<p class=\"wp-block-paragraph\">03. Pedro Avondano: Sonata em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">04. Bernhard Crusell: Concerto para clarinete e orquestra n\u00b0 3, em Si bemol maior, Op. 11<\/p>\n<p class=\"wp-block-paragraph\">05. Sigismund Neukomm: Sonata para pianoforte e flauta<\/p>\n<p class=\"wp-block-paragraph\">06. Mikhail Glinka: Sonata para viola e piano<\/p>\n<p class=\"wp-block-paragraph\">07. Carl Reinecke: Concerto para harpa e orquestra, em Mi menor, Op. 182<\/p>\n<p class=\"wp-block-paragraph\">08. Alexander Borodin: Sinfonia n\u00b0 2, em Si menor<\/p>\n<p class=\"wp-block-paragraph\">09. Enrique Granados: Valsas Po\u00e9ticas, para piano, em arranjo para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">10. Richard Strauss: Quarteto de cordas em L\u00e1 maior, Op. 2<\/p>\n<p class=\"wp-block-paragraph\">11. Jean Sibelius: Tapiola, Op. 112<\/p>\n<p class=\"wp-block-paragraph\">12. Francisco Mignone: Valsas de Esquina, para piano <a>\u00a0<\/a><\/p>\n<p class=\"wp-block-paragraph\"><strong>10.30:<\/strong> <strong>CONVERSA DE JORNALISTA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>11.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">13. Paul Hindemith: Sonata para viola solo, Op. 25, n\u00b0 1<\/p>\n<p class=\"wp-block-paragraph\">14. Leonard Bernstein: Tr\u00eas epis\u00f3dios de \u201cOn the Town\u201d<\/p>\n<p class=\"wp-block-paragraph\">15. Diversos Compositores: Pe\u00e7as para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>11.35:<\/strong> <strong>MUAMBA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.30:<\/strong> <strong>RESPIRA, QUE \u00c9 POESIA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">16. William Walton: As Virgens S\u00e1bias, m\u00fasica para bal\u00e9 sobre temas de Bach<\/p>\n<p class=\"wp-block-paragraph\">17. Richard Harvey: Concerto Antico, para viol\u00e3o e pequena orquestra<\/p>\n<p class=\"wp-block-paragraph\">18. Diversos Compositores: Pe\u00e7as em arranjos para violoncelo e piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>13.30: FOLHETIM<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>14.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">19. Arcangelo Corelli: Concerto grosso Op. 6, n\u00b0 11, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">20. Louis-Nicolas Cl\u00e9rambault: Sonata prima, em Sol maior, \u201cAn\u00f4nima\u201d<\/p>\n<p class=\"wp-block-paragraph\">21. Antonio Caldara: Magnificat em D\u00f3 maior<\/p>\n<p class=\"wp-block-paragraph\">22. Johann Baptist Vanhal: Concerto para violino e orquestra de c\u00e2mara, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">23. Ferdinand Ries: Octeto para piano, sopros e cordas, em F\u00e1 menor, Op. 128<\/p>\n<p class=\"wp-block-paragraph\">24. Charles Stanford: Sinfonia n\u00ba 6, em Mi bemol maior, Op. 94<\/p>\n<p class=\"wp-block-paragraph\">25. Diversos Compositores: Can\u00e7\u00f5es italianas do s\u00e9culo XVIII<\/p>\n<p class=\"wp-block-paragraph\"><strong>16.00: LATINIDADE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>17.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">26. Wolfgang Amadeus Mozart: Sinfonia n\u00b0 35, em R\u00e9 maior, K. 385, \u201cHaffner\u201d<\/p>\n<p class=\"wp-block-paragraph\">27. Alexander Scriabin: Prel\u00fadios para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>17.30: ESTA\u00c7\u00c3O DOS LIVROS\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>19.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">28. Isaac Alb\u00e9niz: Su\u00edte Ib\u00e9ria, para piano, Cadernos 3 e 4<\/p>\n<p class=\"wp-block-paragraph\">29. Carlos Gomes: \u201cQuem sabe?\u201d, modinha<\/p>\n<p class=\"wp-block-paragraph\">30. Anton Bruckner: Sinfonia n\u00b0 4, em Mi bemol maior, \u201cRom\u00e2ntica\u201d<\/p>\n<p class=\"wp-block-paragraph\">31. Gustav Holst: Movimento L\u00edrico, para viola e orquestra de c\u00e2mara<\/p>\n<p class=\"wp-block-paragraph\">32. Manuel de Falla: O Chap\u00e9u de Tr\u00eas Pontas<\/p>\n<p class=\"wp-block-paragraph\">33. Stanley Myers: Retrato, para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">34. Diversos Compositores: Dan\u00e7as Sinf\u00f4nicas<\/p>\n<p class=\"wp-block-paragraph\"><strong>22.00: PRESS\u00c3O SONORA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>23.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">35. Georg Christoph Wagenseil: Concerto para trombone e orquestra, em Mi bemol maior<\/p>\n<p class=\"wp-block-paragraph\">36. Francesco Veracini: Abertura n\u00b0 1, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">37. Jean-Philippe Rameau: Concerto n\u00b0 1, em D\u00f3 menor, das \u201cPe\u00e7as para Cravo em Concerto\u201d<\/p>\n<p class=\"wp-block-paragraph\">38. Robert de Vis\u00e9e: La Musette<\/p>\n<p class=\"wp-block-paragraph\">39. Dietrich Buxtehude: Magnificat anima mea<\/p>\n<p class=\"wp-block-paragraph\">40. John Dowland: Pe\u00e7as para conjunto de c\u00e2mara<\/p>\n<p class=\"wp-block-paragraph\"><strong>24.00:<\/strong> <strong>M\u00daSICA NA MADRUGADA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>Sele\u00e7\u00e3o musical: Kadyne Sutelo<\/strong><\/p>\n<div class=\"wp-block-spacer\" aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<div aria-hidden=\"true\"><\/div>\n<p class=\"wp-block-paragraph\"><strong>Programa\u00e7\u00e3o para domingo, 1\u00ba de novembro de 2026.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>07.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">01. Tomaso Albinoni: Concerto para trompete e orquestra, em R\u00e9 menor, Op. 9, n\u00b0 2<\/p>\n<p class=\"wp-block-paragraph\">02. Johann Sebastian Bach: Partita para violino solo n\u00b0 1, em Si menor, BWV 1002<\/p>\n<p class=\"wp-block-paragraph\">03. Carl Philipp Emanuel Bach: Sinfonia em D\u00f3 maior, Wq. 182, n\u00ba 3<\/p>\n<p class=\"wp-block-paragraph\">04. Carl Ditters von Dittersdorf: Concerto para harpa e orquestra, em L\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">05. Niccol\u00f2 Paganini: Sonata para violino e viol\u00e3o n\u00b0 15, em L\u00e1 maior (\u201cCentone di Sonate\u201d)<\/p>\n<p class=\"wp-block-paragraph\">06. Ferdinand Ries: Sinfonia n\u00b0 1, em R\u00e9 maior, Op. 23<\/p>\n<p class=\"wp-block-paragraph\">07. Johannes Brahms: Trio para trompa, violino e piano, em Mi bemol maior, Op. 40<\/p>\n<p class=\"wp-block-paragraph\">08. Camille Saint-Sa\u00ebns: Allegro Appassionato, em Si menor, Op. 43, para violoncelo e orquestra<\/p>\n<p class=\"wp-block-paragraph\">09. Ottorino Respighi: Tr\u00edptico Botticelliano<\/p>\n<p class=\"wp-block-paragraph\">10. Joaqu\u00edn Rodrigo: Concerto Madrigal, para dois viol\u00f5es e orquestra<\/p>\n<p class=\"wp-block-paragraph\">11. George Gershwin: Can\u00e7\u00f5es em arranjo para piano solo<\/p>\n<p class=\"wp-block-paragraph\"><strong>10.30:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">12. Gian Francesco Malipiero: Cimarosiana, para orquestra<\/p>\n<p class=\"wp-block-paragraph\">13. Francis Poulenc: Trio para piano, obo\u00e9 e fagote<\/p>\n<p class=\"wp-block-paragraph\">14. Heitor Villa-Lobos: Quarteto de cordas n\u00b0 5<\/p>\n<p class=\"wp-block-paragraph\">15. William Walton: Scapino, \u201cabertura de com\u00e9dia\u201d<\/p>\n<p class=\"wp-block-paragraph\">16. Alexander Scriabin: Prel\u00fadios para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>11.30:<\/strong> <strong>BRASIL DE TODOS OS SONS<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.30:<\/strong> <strong>RESPIRA, QUE \u00c9 POESIA\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>12.35:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">17. Edward Elgar: A Magia da Juventude, su\u00edte n\u00b0 2, Op. 1b<\/p>\n<p class=\"wp-block-paragraph\">18. Anton\u00edn Dvo\u0159\u00e1k: Quarteto de cordas n\u00b0 8, em Mi maior, Op. 80<\/p>\n<p class=\"wp-block-paragraph\">19. Felix Mendelssohn: Varia\u00e7\u00f5es Concertantes, Op. 17, para violoncelo e piano<\/p>\n<p class=\"wp-block-paragraph\">20. Enrique Granados: Dan\u00e7a Espanhola n\u00b0 5, Op. 37, para piano, em arranjo para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">21. Ralph Vaughan Williams: The Water Mill, can\u00e7\u00e3o para voz e piano<\/p>\n<p class=\"wp-block-paragraph\">22. Louis Moreau Gottschalk: Uma Noite nos Tr\u00f3picos, sinfonia rom\u00e2ntica<\/p>\n<p class=\"wp-block-paragraph\">23. Friedrich Kuhlau: Sonata para flauta e piano, em Sol maior, Op. 83, n\u00b0 1<\/p>\n<p class=\"wp-block-paragraph\">24. Wolfgang Amadeus Mozart: Sinfonia n\u00b0 38, em R\u00e9 maior, K. 504, \u201cPraga\u201d<\/p>\n<p class=\"wp-block-paragraph\">25. Ludwig van Beethoven: Bagatelas Op. 119, para piano<\/p>\n<p class=\"wp-block-paragraph\"><strong>15.00:<\/strong> <strong>UMA \u00d3PERA POR SEMANA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><em>Die tote Stadt<\/em>, de Erich Wolfgang Korngold<\/p>\n<p class=\"wp-block-paragraph\">26. Piotr Ilytch Tchaikovsky: Pe\u00e7as para piano, Op. 72<\/p>\n<p class=\"wp-block-paragraph\"><strong>17.30: ESTA\u00c7\u00c3O DOS LIVROS<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>19.00:<\/strong><\/p>\n<p class=\"wp-block-paragraph\">27. Joseph Haydn: Sinfonia n\u00b0 59, em L\u00e1 maior, \u201cFogo\u201d<\/p>\n<p class=\"wp-block-paragraph\">28. Johann Christian Bach: The Broom of Cowdenknows, can\u00e7\u00e3o para soprano e pianoforte<\/p>\n<p class=\"wp-block-paragraph\">29. Georg Friedrich H\u00e4ndel: Concerto para \u00f3rg\u00e3o e orquestra n\u00b0 1, em Sol menor, HWV 289<\/p>\n<p class=\"wp-block-paragraph\">30. Arcangelo Corelli: Concerto grosso Op. 6, n\u00b0 9, em F\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">31. Diversos Compositores: Fantasias da Renascen\u00e7a, para ala\u00fade<\/p>\n<p class=\"wp-block-paragraph\"><strong>20.00:<\/strong> <strong>DA ESTANTE<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>20.30:\u00a0<\/strong><\/p>\n<p class=\"wp-block-paragraph\">32. William Byrd: Sexta Pavana e Galharda, transcritas para piano<\/p>\n<p class=\"wp-block-paragraph\">33. Antonio Vivaldi: Magnificat em Sol menor, RV 611<\/p>\n<p class=\"wp-block-paragraph\">34. Francesco Veracini: Concerto a oito, em R\u00e9 maior, para violino e orquestra<\/p>\n<p class=\"wp-block-paragraph\">35. Carl Friedrich Abel: Sonata para flauta transversal e cravo n\u00b0 6, em Sol maior<\/p>\n<p class=\"wp-block-paragraph\">36. Michael Haydn: Sinfonia n\u00b0 5, em L\u00e1 maior<\/p>\n<p class=\"wp-block-paragraph\">37. Carl Stamitz: Concerto para clarinete e orquestra n\u00b0 10, em Si bemol maior<\/p>\n<p class=\"wp-block-paragraph\">38. Franz Schubert: Trio n\u00b0 1, em Si bemol maior, Op. 99, D. 898<\/p>\n<p class=\"wp-block-paragraph\">39. Fr\u00e9d\u00e9ric Chopin: Fantasia em F\u00e1 menor, Op. 49<\/p>\n<p class=\"wp-block-paragraph\">40. Piotr Ilytch Tchaikovsky: Francesca da Rimini, fantasia sinf\u00f4nica, Op. 32<\/p>\n<p class=\"wp-block-paragraph\">41. Isaac Alb\u00e9niz: \u201cAsturias\u201d, da Su\u00edte Espanhola n\u00b0 1, Op. 47, para piano, em transcri\u00e7\u00e3o para viol\u00e3o<\/p>\n<p class=\"wp-block-paragraph\">42. Lorenzo Fern\u00e1ndez: Reisado do Pastoreio<\/p>\n<p class=\"wp-block-paragraph\">43. Dmitri Shostakovich: Da Poesia Popular Judaica, Op. 79<\/p>\n<p class=\"wp-block-paragraph\"><strong>24.00: M\u00daSICA NA MADRUGADA<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>Sele\u00e7\u00e3o musical: Kadyne Sutelo<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Programa\u00e7\u00e3o para ter\u00e7a-feira, 27 de outubro de 2026. 07.00: 01. Carl Philipp Emanuel Bach: Sonata para viola da gamba e pianoforte obligato, em Sol menor, Wq. 88 02. Johann Georg Albrechtsberger: Concerto para trombone e orquestra, em Si bemol maior 03. Carl Friedrich Abel: Sinfonia Op. 10, n\u00b0 1, em Mi maior 04. Johann [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":111,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"class_list":["post-10937","page","type-page","status-publish","hentry"],"coauthors":[],"author_meta":{"author_link":"https:\/\/www.ufrgs.br\/radio\/author\/pedropalaoro\/","display_name":"Pedro Palaoro"},"relative_dates":{"created":"Publicado 23 horas atr\u00e1s","modified":"Atualizado 21 horas atr\u00e1s"},"absolute_dates":{"created":"Publicado em outubro 27, 2026","modified":"Atualizado em outubro 27, 2026"},"absolute_dates_time":{"created":"Publicado em outubro 27, 2026 10:24","modified":"Atualizado em outubro 27, 2026 11:34"},"featured_img_caption":"","featured_img":false,"series_order":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/pages\/10937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/comments?post=10937"}],"version-history":[{"count":11,"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/pages\/10937\/revisions"}],"predecessor-version":[{"id":10945,"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/pages\/10937\/revisions\/10945"}],"up":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/pages\/111"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/radio\/wp-json\/wp\/v2\/media?parent=10937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}