{"id":954,"date":"2020-07-24T11:33:18","date_gmt":"2020-07-24T14:33:18","guid":{"rendered":"https:\/\/bconter.wordpress.com\/?page_id=954"},"modified":"2024-09-23T22:53:35","modified_gmt":"2024-09-24T01:53:35","slug":"artigos-em-revista","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/semsono\/artigos-em-revista\/","title":{"rendered":"Artigos em revista"},"content":{"rendered":"
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CONTER, MARCELO BERGAMIN; MACEDO, LUCAS NUCCI
Searching for timbre on a budget: Brazilian indie rock home recordings (2013-2020)<\/strong><\/a>. DIY, Alternative Cultures & Society. , v.1, p.1 – 16, 2023.<\/p>\n\n\n\n

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CONTER, Marcelo B.; PERISS\u00c9, L.; KOLMAR, J. H.; PEREIRA, Dem\u00e9trio Rocha. Timbragem e cria\u00e7\u00e3o de afetos no rock independente brasileiro<\/a><\/strong>. REVISTA FRONTEIRAS (ONLINE). , v.25, p.146 – 154, 2023.<\/p>\n\n\n

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Semioses afetivas do timbre: formula\u00e7\u00e3o te\u00f3rica para uma an\u00e1lise de sonoridades do rock independente brasileiro<\/a><\/strong>
Marcelo Bergamin Conter<\/p>\n

Timbre como diferencia\u00e7\u00e3o para al\u00e9m do g\u00eanero musical: materialidades e semioses nas obras de Rakta e KOKOKO!<\/strong><\/a>
Marcelo Bergamin Conter; Nilton Farias de Carvalho<\/p>\n

A composi\u00e7\u00e3o de timbragens no rock independente brasileiro: afec\u00e7\u00f5es do tecnocolonialismo e da precariedade no setup dos m\u00fasicos<\/strong><\/a>
Marcelo Bergamin Conter; Gabriel Fagundes Gularte<\/p>\n

A for\u00e7a afetiva do timbre na obra de Rakta: Rituais s\u00f4nicos e transforma\u00e7\u00f5es corp\u00f3reas<\/strong><\/a>
Marcelo Bergamin Conter; Eric Lima Pedott<\/p>\n

Agenciamentos do tecnocolonialismo nos processos de timbragem e grava\u00e7\u00e3o dos artistas do rock independente brasileiro<\/strong><\/a>
Lucas Nucci Macedo; Marcelo Bergamin Conter; Ana Clara Maia Beltr\u00e3o dos Reis<\/p>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>;\u00a0<\/span>LUCAS, Cassio B.<\/a> . A dimens\u00e3o comunicacional do sampleamento: fantasmas fonogr\u00e1ficos no caso “All star, but…”<\/a>. REVISTA FRONTEIRAS (ONLINE), v. 22, p. 84-96, 2020.<\/span><\/div>\n<\/div>\n
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RENNER, A. G. ;\u00a0CONTER, Marcelo B.<\/b>\u00a0. Pink orange red: interpreta\u00e7\u00e3o, sentido e presen\u00e7a nas can\u00e7\u00f5es de Cocteau Twins.<\/a> InTexto, v. OF, p. 1-16, 2019.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>; TELLES, M. ;\u00a0SILVA, A. R.<\/a>\u00a0. Semi\u00f3tica das afec\u00e7\u00f5es: uma abordagem epistemol\u00f3gica<\/a>. CONJECTURA: FILOSOFIA E EDUCA\u00c7\u00c3O (UCS), v. 22, p. 36-48, 2017.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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FONSECA, D. F. ;\u00a0CONTER, Marcelo B.<\/b> . A paisagem sonora de Grimes: entre programas e presen\u00e7a<\/a>. IS Working Papers, v. 3\u00aa s\u00e9rie, p. 1-17, 2016.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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SILVEIRA, F. L. ;\u00a0CONTER, Marcelo B.<\/b> . “Fa\u00e7a Voc\u00ea Mesmo”: o dem\u00f4nio de Daniel Johnston. Logos (UERJ. Impresso), v. 1, p. 1-22, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>; SILVEIRA, F. L. . Sampleamento de imagens sonoras em Fear of a Black Planet. Resonancias (Santiago), v. 18, p. 47-60, 2014.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>;\u00a0SILVA, A. R.<\/a>\u00a0. A M\u00fasica no universo das Imagens t\u00e9cnicas. Sess\u00f5es do Imagin\u00e1rio (Online), v. XVIII, p. 25-35, 2013.<\/p>\n

SILVA, A. R.<\/a>\u00a0;\u00a0<\/span>ARA\u00daJO, Andr\u00e9<\/a>\u00a0; MELLO, J. G. ;\u00a0<\/span>CONTER, Marcelo B.<\/b>\u00a0. Deleuze e a semi\u00f3tica cr\u00edtica. Semeiosis: semi\u00f3tica e transdisciplinaridade em revista, v. 1, p. 1-14, 2013.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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CONTER, Marcelo B.<\/a><\/b>. Texturas em muta\u00e7\u00e3o: a baixa defini\u00e7\u00e3o dos v\u00eddeos para web. Interin (Curitiba), v. 11, p. 1-12, 2011.<\/p>\n

CONTER, Marcelo B.<\/a><\/b>;\u00a0<\/span>SILVA, A. R.<\/a>\u00a0. VideoSongs da banda Pomplamoose: o que voc\u00ea v\u00ea \u00e9 o que voc\u00ea ouve. Ciberlegenda (UFF. Online), v. 2, p. 88-100, 2011.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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KILPP, Suzana<\/a>\u00a0;\u00a0CONTER, Marcelo B.<\/b>\u00a0; EVANGELSTA, Leon\u00e9ia . Figuras de tempo ciclo em panoramas televisivos. Revista Eco-P\u00f3s (Online), v. 14, p. 250-267, 2011.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>;\u00a0KILPP, Suzana<\/a>\u00a0. Novos construtos de tempos audiovisuais simult\u00e2neos no videoclipe. Comunica\u00e7\u00e3o, M\u00eddia e Consumo (S\u00e3o Paulo. Impresso), v. 6, p. 181-202, 2010.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>;\u00a0KILPP, Suzana<\/a>\u00a0. Videoclipe: da can\u00e7\u00e3o popular \u00e0 imagem-m\u00fasica. Rumores (USP), v. 2, p. 1-14, 2008.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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KILPP, Suzana<\/a>\u00a0;\u00a0CONTER, Marcelo B.<\/b>\u00a0;\u00a0BORGES, \u00c1lvaro Constantino<\/a>\u00a0. C\u00e2meras e espelhos em Big Brother Brasil: enuncia\u00e7\u00f5es e pragm\u00e1tica. E-Comp\u00f3s (Bras\u00edlia), v. 8, p. 1-16, 2007.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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CONTER, Marcelo B.<\/a><\/b>;\u00a0SILVA, A. R.<\/a>\u00a0. Aprendizes do Fantasia. Sess\u00f5es do Imagin\u00e1rio, v. 16, p. 56-61, 2006.<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

CONTER, MARCELO BERGAMIN; MACEDO, LUCAS NUCCISearching for timbre on a budget: Brazilian indie rock home recordings (2013-2020). DIY, Alternative Cultures & Society. , v.1, p.1 – 16, 2023. CONTER, Marcelo B.; PERISS\u00c9, L.; KOLMAR, J. H.; PEREIRA, Dem\u00e9trio Rocha. Timbragem e … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-954","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/pages\/954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/comments?post=954"}],"version-history":[{"count":3,"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/pages\/954\/revisions"}],"predecessor-version":[{"id":1225,"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/pages\/954\/revisions\/1225"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/semsono\/wp-json\/wp\/v2\/media?parent=954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}