{"id":330,"date":"2020-12-07T15:06:30","date_gmt":"2020-12-07T18:06:30","guid":{"rendered":"https:\/\/www.ufrgs.br\/sistemasdaarte\/?p=330"},"modified":"2021-08-17T16:02:39","modified_gmt":"2021-08-17T19:02:39","slug":"xxxii-sic-2020","status":"publish","type":"post","link":"https:\/\/www.ufrgs.br\/sistemasdaarte\/xxxii-sic-2020\/","title":{"rendered":"XXXII SIC 2020"},"content":{"rendered":"<h3><strong>?\u00a0<\/strong><strong>Resumos e Apresenta\u00e7\u00f5es das Bolsistas de IC<\/strong><\/h3>\n<hr \/>\n<h3><strong>Cristina Ackermann Barros<\/strong><\/h3>\n<p>Onde est\u00e3o os negros? | Frente 3 de Fevereiro e a recep\u00e7\u00e3o de sua produ\u00e7\u00e3o a partir da mostra Hist\u00f3rias Afro-Atl\u00e2nticas (2018)<\/p>\n<p><a href=\"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-content\/uploads\/2020\/12\/cristina-barros_resumo-sic-ufrgs-2020.pdf\">RESUMO<\/a> <strong>|<\/strong>\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=udjZ9XJDCOE\">APRESENTA\u00c7\u00c3O<\/a><\/p>\n<h3><strong>Vit\u00f3ria Kotz Morlin<\/strong><\/h3>\n<p>Casa M:<span style=\"font-weight: 400;\"> Estrat\u00e9gias ativadoras e dispositivos transpedag\u00f3gicos\u00a0 na 8\u00ba Bienal do Mercosul (2006)\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-content\/uploads\/2020\/12\/Vit%C3%B3ria-Morlin-Resumo-SIC-2020.pdf\">RESUMO<\/a> <strong>|<\/strong> <a href=\"https:\/\/www.youtube.com\/watch?v=5-LLTiv5VRI&amp;feature=youtu.be\">APRESENTA\u00c7\u00c3O<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>?\u00a0Resumos e Apresenta\u00e7\u00f5es das Bolsistas de IC Cristina Ackermann Barros Onde est\u00e3o os negros? | Frente 3 de Fevereiro e a recep\u00e7\u00e3o de sua produ\u00e7\u00e3o a partir da mostra Hist\u00f3rias Afro-Atl\u00e2nticas (2018) RESUMO |\u00a0APRESENTA\u00c7\u00c3O Vit\u00f3ria Kotz Morlin Casa M: Estrat\u00e9gias ativadoras e dispositivos transpedag\u00f3gicos\u00a0 na 8\u00ba Bienal do Mercosul (2006)\u00a0 RESUMO | APRESENTA\u00c7\u00c3O &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":331,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-330","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sem-categoria","8":"czr-hentry"},"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/posts\/330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/comments?post=330"}],"version-history":[{"count":5,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/posts\/330\/revisions"}],"predecessor-version":[{"id":355,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/posts\/330\/revisions\/355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/media\/331"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/media?parent=330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/categories?post=330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufrgs.br\/sistemasdaarte\/wp-json\/wp\/v2\/tags?post=330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}