{"id":584,"date":"2020-09-18T15:47:33","date_gmt":"2020-09-18T18:47:33","guid":{"rendered":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/?page_id=584"},"modified":"2020-09-18T15:47:33","modified_gmt":"2020-09-18T18:47:33","slug":"faustina","status":"publish","type":"page","link":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/pecas\/tpe-2011\/faustina\/","title":{"rendered":"Faustina"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-523 aligncenter\" src=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/07\/Faustina-300x199.jpg\" alt=\"\" width=\"360\" height=\"239\" srcset=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/07\/Faustina-300x199.jpg 300w, https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/07\/Faustina.jpg 450w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/p>\n<p><strong>Ficha T\u00e9cnica do Espet\u00e1culo:<\/strong><\/p>\n<p><strong>Dire\u00e7\u00e3o e trilha sonora:<\/strong> Isandria Fermiano<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1032 alignright\" src=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMyra-199x300.jpg\" alt=\"\" width=\"195\" height=\"294\" srcset=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMyra-199x300.jpg 199w, https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMyra.jpg 299w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/p>\n<p><strong>Atua\u00e7\u00e3o:<\/strong> Anildo Michelotto, Carolina Pohlmann, Sofia Vilasboas, Nat\u00e1lia Souza e Vinicius Mello<\/p>\n<p><strong>Figurino:<\/strong> Isandria Fermiano, Patrick Peres e Vinicius Mello<\/p>\n<p><strong>Espet\u00e1culo originado nas disciplinas:<\/strong> Atelier de Cria\u00e7\u00e3o C\u00eanica I e Atelier de Composi\u00e7\u00e3o C\u00eanica I<\/p>\n<p><strong>Orienta\u00e7\u00e3o de Dire\u00e7\u00e3o:<\/strong> Patr\u00edcia Fagundes<\/p>\n<p><strong>Orienta\u00e7\u00e3o de Atua\u00e7\u00e3o:<\/strong> Luciane Olendzki e Xico de Assis<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sinopse:<\/strong><\/p>\n<p style=\"text-align: justify;\">Faustina \u00e9 um espet\u00e1culo que explora a cria\u00e7\u00e3o de partituras corporais a partir do conto de Gon\u00e7alo de Tavares: A Hist\u00f3ria de Faustina, A Medrosa. Ela \u00e9 a mulher do imperador Marco Aur\u00e9lio que se sente mais observadora do que participante de sua vida. Uma trai\u00e7\u00e3o \u00e9 a forma que ela encontra para sentir-se viva novamente. Esse conto serve como mote para a cria\u00e7\u00e3o de um espa\u00e7o imag\u00e9tico onde a n\u00e3o linearidade da hist\u00f3ria ajuda a desenvolver uma encena\u00e7\u00e3o experimental.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1033 alignleft\" src=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMy-199x300.jpg\" alt=\"\" width=\"242\" height=\"365\" srcset=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMy-199x300.jpg 199w, https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMy-768x1155.jpg 768w, https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMy-681x1024.jpg 681w, https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMy.jpg 2000w\" sizes=\"auto, (max-width: 242px) 100vw, 242px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1034 alignright\" src=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMyra-Gon\u00e7alves-300x199.jpg\" alt=\"\" width=\"445\" height=\"295\" srcset=\"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMyra-Gon\u00e7alves-300x199.jpg 300w, https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-content\/uploads\/2020\/09\/FaustinaMyra-Gon\u00e7alves.jpg 450w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ficha T\u00e9cnica do Espet\u00e1culo: Dire\u00e7\u00e3o e trilha sonora: Isandria Fermiano Atua\u00e7\u00e3o: Anildo Michelotto, Carolina Pohlmann, Sofia Vilasboas, Nat\u00e1lia Souza e&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":518,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-584","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/pages\/584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/comments?post=584"}],"version-history":[{"count":5,"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/pages\/584\/revisions"}],"predecessor-version":[{"id":1038,"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/pages\/584\/revisions\/1038"}],"up":[{"embeddable":true,"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/pages\/518"}],"wp:attachment":[{"href":"https:\/\/www.ufrgs.br\/teatropesquisaextensao\/wp-json\/wp\/v2\/media?parent=584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}