
¿Cómo te ha tratado el tiempo?” Como o tempo tem te tratado?
Como aprendemos a escutar? O que nos ensina nosso território?
Texto de Valéria Bender Lang

Como aprendemos a escutar? O que nos ensina nosso território?
Texto de Valéria Bender Lang

Poderiam elas, as crianças, através da arte, simbolizar a guerra por meio de narrativas e desenhos infantis? E poderiam elas, as crianças, também
expressar e registrar as suas histórias, comunicando ao mundo o que está acontecendo em Gaza?

Este texto é de autoria de Luísa Guazzelli Sirangelo, da série “Que deslocamentos entre arte e educação podemos produzir?”. No total são 11 escritos, resultantes da produção final de estudantes, professoras/es e pesquisadoras/es, para a disciplina “Deslocamentos entre arte e educação: temas contemporâneos”, ministrada no PPGEdu/UFRGS, em 2023/02.

Como descolonizar as relações com nossa humanidade, nossa animalidade e as diferentes formas de vida? Como educar crianças, formar seres sem entrar em um processo de humanização colonialista em que impera um tipo de humano soberano? Para mobilizar tais perguntas, convido vocês para um exercício de pensamento a partir do livro de artista ¿História natural? (2016), de Rosana Paulino. Nele, a artista questiona um modo colonialista de habitar a Terra e se relacionar com os corpos de mulheres e homens negros, com corpos de indígenas, de animais não humanos e com a natureza. Esses corpos têm sofrido inúmeras investidas do projeto moderno de civilização com desejo de “domesticá-los”, a fim de lhe roubarem a subjetividade, a força, a vida. Porém, estes corpos não são submissos e resistem de muitos modos a essas investidas. Paulino coloca em movimento no seu trabalho essa resistência, tecendo as histórias não contadas sobre estes corpos e a ação colonial.

Que concepções de arte e de educação permeiam nosso fazer
como professoras/es de arte?

Esse texto-manifesto ensaia um compromisso para a arte e educação através do esboço de uma proposta inspirada no projeto Nosotras proponemos, um Compromisso de Práticas Artísticas Feministas, o qual propõe a visibilização de práticas que se quer transformar no mundo da arte e traz propostas práticas para como fazer isso. Ao mesmo tempo, são ensaiadas algumas instruções a partir do campo agroecológico, buscando compor ideias por meio do encontro entre as práticas comunitárias realizadas nas fronteiras entre interior e o centro na direção de fazer germinar possíveis agroecologias artísticas para a docência.

Continuamos pensando sobre as relações entre arte e educação, mas precisamos nos ouvir. Foi nesse sentido que o grupo Arteversa trabalhou nesse período: com pausas para a escuta e partilha da vida. Em consonância com o que todos nós passamos e ainda permanece, seja de perto ou de longe, o grupo compartilhou cenas escritas e imagens sobre os dias vividos durante o período das chuvas e alagamentos aqui no Rio Grande do Sul. As cenas estão disponibilizadas em pequenas galerias que formam um registro da Memória coletiva do Arteversa.

A pandemia de Covid-19 causada pelo Coronavírus há mais de

Talvez essa seja apenas mais uma experiência narrada por uma
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